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Hank Mobley Edit search Phrase match

 
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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Hank MobleyBest Of Hank Mobley – The Blue Note Years ... CD
Blue Note, Late 50s/Early 60s. Used ... $4.99
Stone classics! Tracks include "Funk In Deep Freeze", "Take Your Pick", "This I Dig Of You", "Recado Bossa Nova", "No Room For Squares", and "The Turnaround". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Hank MobleyThinking of Home ... CD
Blue Note, 1970. Used ... $26.99
One of Hank Mobley's last recordings for Blue Note, and a record that really shows him stretching it out – hitting territory hardly imagined on his earlier hardbop sides! The album's still somewhat inside, but the overall feel is much more spacious than before – a sound that has some nice open moments, and which shows Hank not content to simply blow tenor in a deep, gutbuckety mode – even though that was still pretty darn great! The lineup is a sextet – with Woody Shaw on trumpet, Eddie Diehl on guitar, Cedar Walton on piano, Mickey Bass on bass, and Leroy Williams on drums – a different-than-usual combo for Mobley, and one that furthers the unusual feel of the record. Side one features the extended "Suite" – proof that Mobley's writing had grown as much as labelmate Lee Morgan by the end of the 60s. Other tracks continue that fact – and include "Justine", "You Gotta Hit It", and "Talk About Getting It" – plus "Gayle's Groove", which was written by Bass. The set was originally recorded in 1970, but was not issued on vinyl until 1980! CD
(Out of print Connoisseur pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyHank Mobley In Holland – To One So Sweet Stay That Way ... CD
Dutch Jazz Archive (Netherlands), 1968. New Copy ... Temporarily Out Of Stock
A lost smoker from the legendary tenorist Hank Mobley – recorded relatively late in his career, at a time when his music on Blue Note was really taking some great new directions! The approach here is maybe a bit more straightforward than those records, but still completely amazing – as Mobley's soloing with all these unusual twists and turns, and phrasing that you never would have heard a few years before – all while working with a variety of Dutch backing combos on these live performances from the Netherlands in 1968! One group features Pim Jacobs on piano, Wim Overgaauw on guitar, Ruud Jacobs on bass, and future avant legend Han Bennink on drums – and another features the great Rob Agerbeek on piano, with Hans Van Rossem on bass and Cees See on drums. There's also two studio performances with the larger Hobby Orkest ensemble – quite an unusual setting for Hank, and a great one too – and titles include "Summertime", "Twenty Four & More", "Three Way Split", "Vierd Blues", "I Didn't Know What Time It Was", "Sonny's Tune", "Autumn Leaves", and "Blues By Five". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ John Coltrane & Hank MobleyTenor Conclave ... CD
Prestige/OJC, 1956. Used ... Out Of Stock
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, more smartly arranged aspect. Together, the quartet of horns work in an open-ended blowing mode with rhythm by Red Garland, Paul Chambers, and Art Taylor – in a way that almost makes the set a "Coltrane plus" album for Prestige – one that has the structure of some of the best Trane/Garland sides for the label, but which blows in some other horns with different voicings. If you ever needed a record to demonstrate the subtler shadings of genius within 50s modern jazz, yet still convince you that it could also be relaxed and spontaneous, this record may well be the one. Titles include 2 standards – "Just You, Just Me" and "How Deep Is The Ocean" – plus 2 Mobley originals – "Tenor Conclave" and "Bob's Boys". CD
(BMG music club pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyReach Out! ... CD
Blue Note (Japan), 1968. New Copy ... Out Of Stock
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily swinging edge that really makes them dance nicely! The set's got 4 originals – "Good Pickins", "Up Over & Out", "Beverly", and "Lookin East" – and 2 soul covers – "Reach Out" and "Goin' Out Of My Head" – and Mobley never misses a beat. Mobley was so great during this period, and we always mourn the fact that he hardly recorded much afterward! CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyRoll Call (RVG remaster edition) ... CD
Blue Note, 1960. New Copy ... Out Of Stock
A killer set of hardbop from the legendary Hank Mobley – recorded during the initial Mobley run at Blue Note, and a keen document of his amazing power on the tenor sax! The album's got a tightness that's almost impossible to believe – a summation of all the best bop trends of the 50s, rolled into a freewheeling and soulful expression, guided by Mobley's always-sharp ear for a groove. The group's great too – and Art Blakey is on drums, Wynton Kelly on piano, Paul Chambers on bass, and a young young Freddie Hubbard plays trumpet. All tracks are nice and long, with a firey hardbop sound, deeply held in place by Mobley's soulful tone on the tenor! Titles include "My Groove Your Move", "Baptist Beat", and "The Breakdown". CD features one more bonus track! CD
(24 bit RVG remastering, too!)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyPoppin (180 gram pressing) ... LP
Blue Note, 1957. New Copy Gatefold (reissue)... Out Of Stock
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", and "Getting Into Something". LP, Vinyl record album
(Part of the Blue Note Tone Poet series – on heavyweight vinyl pressed at RTI!)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyReach Out! (180 gram pressing) ... LP
Blue Note (Spain), 1968. New Copy Gatefold (reissue)... Out Of Stock
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily swinging edge that really makes them dance nicely! The set's got 4 originals – "Good Pickins", "Up Over & Out", "Beverly", and "Lookin East" – and 2 soul covers – "Reach Out" and "Goin' Out Of My Head" – and Mobley never misses a beat. Mobley was so great during this period, and we always mourn the fact that he hardly recorded much afterward! LP, Vinyl record album
(Limited edition!)
 
Possible matches: 55
Possible matches9
CD, LP, Vinyl record album cover art
Art BlakeyJust Coolin ... CD
Blue Note, 1959. New Copy ... $11.99 12.99
The long-overdue release of an unissued Blue Note session from 1959 – one that features a version of the Jazz Messengers right before Wayne Shorter joined the group, with the mighty Hank Mobley on the quintet lineup on tenor! The Messengers in 1959 and 1960 were really at the top of their game – and here feature the fantastic newcomers, Lee Morgan on trumpet and Bobby Timmons on piano, both of whom were helping drummer Blakey to form a new, evolved version of the sound he'd been crafting with other lineups in previous years – aided here by the rock-solid Jymie Merritt on bass! As with some of the other unissued Blue Note dates of this type, the whole thing is fantastic – not an unformed, half-baked session – but the kind of material that could stand right next to Blakey classics of the time, like The Big Beat or Moanin. Titles include "Quick Trick", "M&M", "Just Coolin", "Jimerick", "Close Your Eyes", and "Hipsippy Blues". CD
Also available Just Coolin ... LP 18.99

Possible matches10
CD, LP, Vinyl record album cover art
Art BlakeyJust Coolin ... LP
Blue Note, 1959. New Copy ... $18.99 21.99
The long-overdue release of an unissued Blue Note session from 1959 – one that features a version of the Jazz Messengers right before Wayne Shorter joined the group, with the mighty Hank Mobley on the quintet lineup on tenor! The Messengers in 1959 and 1960 were really at the top of their game – and here feature the fantastic newcomers, Lee Morgan on trumpet and Bobby Timmons on piano, both of whom were helping drummer Blakey to form a new, evolved version of the sound he'd been crafting with other lineups in previous years – aided here by the rock-solid Jymie Merritt on bass! As with some of the other unissued Blue Note dates of this type, the whole thing is fantastic – not an unformed, half-baked session – but the kind of material that could stand right next to Blakey classics of the time, like The Big Beat or Moanin. Titles include "Quick Trick", "M&M", "Just Coolin", "Jimerick", "Close Your Eyes", and "Hipsippy Blues". LP, Vinyl record album
Also available Just Coolin ... CD 11.99

Possible matches11
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersAt The Cafe Bohemia Vol 1 ... CD
Blue Note (Japan), 1955. Used ... $14.99
A classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham – one of the earliest and purest versions of Blakey's hardbop vision, touched with the slightly exotic lyricism of Silver, which gives the tracks a wonderful edge. The playing is excellent throughout – and the album's the kind of live stormer that shows why the group were such a huge draw right out of the box, and why they performed as well (if not better) in a live setting than they did ain a studio one! Tracks include "Minor's Holiday", "The Theme", "Prince Albert", and "Deciphering The Message" – and the CD features 3 bonus tracks, all long, plus great remastering! CD
(SHMCD pressing, includes obi.)

Possible matches12
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersAt The Cafe Bohemia Volume 2 (Japanese paper sleeve edition) ... CD
Blue Note/EMI (Japan), 1955. Used ... $11.99
Classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham. Hard hard hard bop, cracklin' with energy, and a great example of the kind of playing that made the group an instant success. Tracks on this second volume include "Sportin Crowd", "Avila & Tequila", "I Waited For You", and "Yesterdays". CD
(Out of print, includes obi – and still sealed!)
Also available At The Cafe Bohemia Volume 2 (RVG remaster edition) ... CD 5.99

Possible matches13
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersAt The Cafe Bohemia Volume 2 (RVG remaster edition) ... CD
Blue Note, 1955. Used ... $5.99
Classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham. Hard hard hard bop, cracklin' with energy, and a great example of the kind of playing that made the group an instant success. Tracks on this second volume include "Sportin Crowd", "Avila & Tequila", "I Waited For You", and "Yesterdays". CD
(Out of print.)
Also available At The Cafe Bohemia Volume 2 (Japanese paper sleeve edition) ... CD 11.99

Possible matches14
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersBest Of The Columbia & RCA/Vik Years 1956 to 1959 ... CD
Sony/Real Gone, Late 50s. New Copy 2CD ... $18.99 19.99
A nice collection of overlooked work from Art Blakey & The Jazz Messengers – not the oft-reissued material from the group's years at Blue Note, but instead some slightly more obscure sides recorded for Columbia and RCA! The work here also represents a time when Blakey was experimenting a bit more with the group – a stretch right before he settled into some of the more-recorded groups with Wayne Shorter, Lee Morgan, and Bobby Timmons – but still had a great ear for important younger talent! Players here include Bill Hardman, Donald Byrd, and Lee Morgan on trumpets; Jackie McLean on alto; Johnny Griffin, Hank Mobley, and Benny Golson on tenor; and Horace Silver and Sam Dockery on piano! The set includes material from the albums Hard Bop, Drum Suite, Jazz Messengers, Night In Tunisia, and some of the French-only live recordings that Blakey did for RCA in the late 50s – and the set features 16 tracks that include "Nica's Dream", "Evidence", "Blues March For Europe No 1", "Along Came Manon", "Lester Left Town", "Night In Tunisia (live)", "Moanin With Hazel", "Night In Tunisia (take 3)", "Ecaroh", "Cubano Chant", "Almost Like Being In Love", "The Sacrifie", and "Couldn't It Be You (take 4)". CD

Possible matches15
CD, LP, Vinyl record album cover art
Kenny BurrellAll Night Long ... LP
Prestige, 1957. Very Good- ... $13.99
Sublime late 50s hardbop – recorded in the best Prestige blowing session mode! The record has an incredibly open-ended feel – as you might probably guess from the track "All Night Long", which runs for all of side one, and gives all the players included plenty of room to work out their best solo moments! Members of the group here include Kenny Burrell on guitar, Hank Mobley on tenor, Jerome Richardson on flute and tenor, Donald Byrd on trumpet, and Mal Waldron on piano – really holding the whole thing together with his dark lines on the keys! The groove is laidback, but never sloppy – and the spaciousness of side one is matched by 3 shorter tracks on side two – "Boo Lu", "Flickers", and "Little Hankie". LP, Vinyl record album
(Blue label trident pressing with RVG etch, in a blue tinted cover. Vinyl has a press flaw that plays with noise for the first 5 minutes or so on Side 1. Cover has mostly split seams, some wear, and discoloration from age.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdBlackjack ... CD
Blue Note (Japan), 1967. Used ... Just Sold Out!
An incredible album from Donald Byrd – hard, funky, and with more of an edge than most of his other Blue Note work! The sound on the album's incredibly sinister – really concerned with downward chord turns in moody rhythms – played with a real sense of soul by a frontline that features Byrd, Hank Mobley, and Sonny Red. Cedar Walton drives most of the tunes with hypnotic lines on piano – and the rest of the rhythm's cooked up by Walter Booker on bass and Billy Higgins on drums. Includes the massively hard funky title cut, "Blackjack", plus "Beale Street", "Loki", and some other nice groovers. Red and Mobley are amazing, and Byrd's solos are some of his cleanest and leanest of the 60s! Plus, the CD includes a previously unissued bonus cut – "All Members"! CD
(Includes obi!)

Possible matches17
CD, LP, Vinyl record album cover art
Donald ByrdByrd's Eye View (Japanese paper sleeve) ... CD
Transition/Blue Note (Japan), 1955. Used ... $24.99
A wailer! This rare 1955 album is one of Donald Byrd's first records as a leader – recorded for the tiny Transition label in Boston, but with a hardbop groove that's right up there with his early work for Savoy and Blue Note. The record is practically a Jazz Messengers session – as it features Art Blakey on drums, Horace Silver on piano, Hank Mobley on tenor, and Doug Watkins on bass – and it's also got the unique aspect of a two-trumpet frontline, as the young Joe Gordon joins Donald on the instrument for the session. Tracks are long and open-ended – with incredibly well-crafted playing that really keeps the set fresh, despite the young age of Donald at the time. Titles include "El Sino", "Doug's Blues", "Hank's Tune", and "Hank's Other Tune". CD
(Out of print, includes obi.)

Possible matches18
CD, LP, Vinyl record album cover art
Sonny ClarkDial S For Sonny ... CD
Blue Note, 1957. Used ... $11.99
Could there be a more classic Blue Note session? From the cover, to the title, to the hardbopping grooves of the set, this Sonny Clark late 50s smoker is one of the label's best! Clark's working here at the height of his powers – leading an all-star group that includes Art Farmer on trumpet, Curtis Fuller on trombone, Hank Mobley on tenor, Wilbur Ware on bass, and Louis Hayes on drums – all coming together magically on open-ended tunes that tighten up from the blowing session format, and really send the groove home! Plus, Sonny's writing is also great – as the set's got a number of great originals by Clark – like "Bootin' It", "Sonny's Mood", "Shoutin On A Riff", and "Dial S For Sonny". Features a bonus stereo take of "Bootin It". CD
(Out of print Connoisseur pressing.)

Possible matches19
CD, LP, Vinyl record album cover art
Graham CollierDown Another Road/Songs For My Father/Mosaics ... CD
Fontana/Philips/BGO (UK), 1969/1970/1971. New Copy 2CD ... $8.99
3 incredible albums from the British jazz scene at the end of the 60s – all together in one 2CD package! Down Another Road is incredible work from one of England's greatest jazz talents – bassist Graham Collier, a player with an amazing ability to absorb a lot of the modern and progressive influences of his jazz generation – but all without succumbing to the same indulgences as them – a fact which resulted in a razor-sharp style that forged some of the freshest jazz ever to come out of the UK. This 1969 album is a masterpiece – filled with a modal groove and a strident searching theme, yet also as tight and grooving as most of the best Blue Note sessions from the same time. Harry Beckett's on trumpet, Nick Evans is on trombone, John Marshall plays drums, and Stan Sulzmann handles the reeds. Tracks include "Down Another Road", "Danish Blue", "The Barley Mow", and "Aberdeen Angus". Songs For My Father is a masterpiece of modernist soul jazz, with a sound that recalls the best late Blue Note work by Lee Morgan or Hank Mobley. Alan Wakeman's tenor is perfectly pitched, and searingly searching; Harry Beckett's trumpet is round, lyrical, and filled with soul; and the piano of John Taylor comps along in chunky modal grooves that make the whole album fall together brilliantly. Tracks include "Song One", "Song Two", "Song Three", etc – and they're all fantastic! Mosaics is a wonderfully searching session – filled with warm McCoy Tyner-esque modal moments, and searing post-Coltrane solos! The album comprises one long piece – Collier's "Mosaics" – performed live by a group that includes Alan Wakeman on tenor and soprano, Harry Beckett on trumpet, and Geoff Castle on piano. "Mosaics" has that amazing mid 60s Coltrane quality of going out in a spiritual kind of way – yet always returning to the groove, never getting too free, and always remaining firmly focused on the direction ahead. All players are great, and the record crackles with the intensity of a classic session on Impulse! CD

Possible matches20
CD, LP, Vinyl record album cover art
Miles DavisCircle In The Round – Unreleased Recordings 1955-1970 ... LP
Columbia, Mid 50s/1960s/Early 70s/1979. Very Good+ 2LP Gatefold ... $24.99
An excellent set that spans the gamut of Miles' work on Columbia – from his early hardbop sides to his later experimental ones! All of the material on the 2LP set was unreleased until the time of this release in 1979 – and the album features Miles in the company of a wide variety of players that include George Benson, Cannonball Adderley, Bennie Maupin, Hank Mobley, Joe Zawinul, Herbie Hancock, Bill Evans, Red Garland, and Joe Beck. Titles include "Teo's Bag", "Side Car (1 & 2)", "Sanctuary", "Guinnevere", "Circle In The Round", and "Two Bass Hit". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Good ... $16.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(Mono 6 eye pressing, matrix ending 1B. Cover has discolortion from age and some wear.)

Possible matches22
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (Columbia Jazz Masterpieces) ... CD
Columbia, 1961. Used ... $3.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". CD
(1990 Columbia Jazz Masterpieces pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
Kenny DorhamWhistle Stop ... CD
Blue Note (Japan), 1961. Used ... $24.99
Maybe one of the greatest albums ever from trumpeter Kenny Dorham – a set that has him really stretching out as a musician – not just showing off that impeccable sense of tone that marked his important records of the 50s, but also coming up with new ways of phrasing, and a sometimes-unique approach to rhythm as well! The set's about as all-star as you can get for a Blue Note date of the time – and that's really saying a lot – with the mighty Hank Mobley on tenor, whose work here is as important as Dorham's – and the rock-solid rhythm trio of Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums – who perfectly echo Kenny's new sense of changes in his music. Titles include the great "Sunrise In Mexico" – a very unique tune – plus "Buffalo", "Sunset", "Windmill", "Philly Twist", and "Dorham's Epitaph". CD
(Out of print, includes obi. SHMCD pressing.)

Possible matches24
CD, LP, Vinyl record album cover art
Kenny DrewUndercurrent (Japanese pressing) ... CD
Blue Note (Japan), 1960. Used ... $18.99
One of the greatest albums ever by pianist Kenny Drew – a record that's as noteworthy for the contributions of the sidemen as it is for the efforts of the leader! Drew's a player who often worked mostly in trio formats – but here, he's hitting hard with a righteous Blue Note power – thanks to the presence of Hank Mobley on tenor and Freddie Hubbard on trumpet, both of whom really give the record an edge! Drew's lyrical sensibilities are shifted to darker, more modern moments at times – and the rest of the group features Sam Jones on bass and Louis Hayes on drums. An essential addition to the Blue Note legacy of Mobley and Hubbard – and the set's filled with original tunes by Kenny, including "The Pot's On", "Undercurrent", "Funk-Cosity", and "Lion's Den". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Frank FosterManhattan Fever (Blue Note) (with previously unreleased album) ... CD
Blue Note, 1968/1969. Used ... $12.99
Lean, righteous blowing from the legendary Frank Foster – one of a handful of extremely hip sessions he cut in the 60s under his own name! The album's the only record Foster ever did for Blue Note – and we dare say it's even better than his previous 60s work on Prestige and Impulse – with a quality that's even darker, even deeper, even more advanced from his earlier years with Basie. There's a rolling, joyous groove to many numbers – that late 60s take on soul jazz that made for so many great tracks on albums by Hank Mobley or Lee Morgan near the end of the decade. Foster keeps things tight, but he's also got an expansive vision too – an edge in the horns that points the way towards some of the chances he'd take in the 70s, but which is still wrapped around a leanly leaping soul jazz groove! Foster wrote 5 of the 6 tracks on the album, and he's working here with a sextet that includes Garnett Brown on trombone, Marvin Stamm on trumpet, and Richard Wyands on piano, who brings in some offbeat notes and colors throughout. Rhythm is by the excellent team of Bob Cranshaw on bass and Mickey Roker on drums – and titles include "Seventh Avenue Bill", "Stammpede", "Little Miss No Nose", "Manhattan Fever", and "Loneliness". Added to the core album is a full bonus album – recorded by Foster nearly a year after the first, and even more far-reaching! There's a quality to the date that mixes together Frank's previous soulful vamping with some more introspective, more lyrical moments – almost modern at times, but not entirely so – and played by a septet that includes Ed Pazant on alto and flute, Burt Collins on trumpet, George Cables on piano, and Jimmy Cleveland on trombone. Foster himself plays a bit of alto clarinet alongside his usual tenor – and titles include "Fly By Night", "Slug's Bag", "What's New From The Monster Mill", and "Hip Shakin". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
Herbie HancockMy Point Of View (180 gram pressing) ... LP
Blue Note, 1963. New Copy (reissue)... On September 25, 2020
Classic Herbie from the early years, and a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "Blind Man, Blind Man", "A Tribute To Someone", "King Cobra", "And What If I Don't" and "The Pleasure Is Mine". LP, Vinyl record album
(Part of the Blue Note Tone Poet series!)

Possible matches27
CD, LP, Vinyl record album cover art
Aleksi HeinolaAleksi Heinola Quintet (10 inch) ... 12-inch
Jazzaggression (Finland), 2020. New Copy (pic cover)... $15.99
A contemporary Finnish group, and a great one too – a combo who play with the sharp, soulful tones of a Blue Note lineup from the 60s – but all without ever sounding like they're trying to copy that mode too much! Instead, these guys just have a proud, confident sense of their strengths – which they bring to their music in a wonderful way – tight rhythms from Mikael Jakobsson on piano, Daniel Franck on bass, and Aleksi Heinola on drums – topped with soaring solo work from Mikko Gunu Karjalainen on trumpet and Manuel Dunkel on tenor! The set's got this mix of sophistication and swing – a bit like late 60s work by Hank Mobley or Lee Morgan – and this 10" LP features three more tracks from the original album sessions not on the main record – "Bouncin At The SUP", "Book's Bossa", and "Chasin The Spiri". 12-inch, Vinyl record
(Limited to 250 copies.)

Possible matches28
CD, LP, Vinyl record album cover art
Aleksi HeinolaAleksi Heinola Quintet (with bonus CD & download) ... LP
Jazzaggression (Finland), 2019. New Copy ... $24.99
A contemporary Finnish group, and a great one too – a combo who play with the sharp, soulful tones of a Blue Note lineup from the 60s – but all without ever sounding like they're trying to copy that mode too much! Instead, these guys just have a proud, confident sense of their strengths – which they bring to their music in a wonderful way – tight rhythms from Mikael Jakobsson on piano, Daniel Franck on bass, and Aleksi Heinola on drums – topped with soaring solo work from Mikko Gunu Karjalainen on trumpet and Manuel Dunkel on tenor! The set's got this mix of sophistication and swing – a bit like late 60s work by Hank Mobley or Lee Morgan – and titles include the originals "Bossa 69", "Three Fiddy", "Rudy", and "Silver Maze" – plus a groovy take on "Wives & Lovers". LP, Vinyl record album
(Includes bonus CD – which also has material from their 10" album too.)

Possible matches29
CD, LP, Vinyl record album cover art
John HicksHells Bells ... LP
Strata East, 1975. Near Mint- ... $34.99
One of the first albums as a leader from pianist John Hicks – a record that really set the tone for countless great sides to come – and which follows on years of great work with Art Blakey, Lee Morgan, Hank Mobley, Charles Tolliver, and other soulful jazz giants! This set was Hicks' only date for the Strata East label – and has an open, flowing vibe that's very much in keeping with the imprint – and which is maybe a bit different than his later, more familiar material! Part of the strength of the record is bassist Clint Houston – who's completely sublime throughout, and has a way of shaping his notes with this depth that seems to set Hicks free to fly across the keys of the piano on these very long original tunes. Drummer Cliff Barbaro is also part of the trio – and can wind things up when needed, but also lay back and allow some great interplay between Houston and Hicks – on beautiful long tunes that include "Hells Bells", "Avojca", "Yemenja", and "Angie's Tune". LP, Vinyl record album
(Test pressing of the recent 180 gram reissue, in a plain white sleeve including the one-sheet.)

Possible matches30
CD, LP, Vinyl record album cover art
Jazz CrusadersFestival Album – Recorded Live At The Newport & Pacific Jazz Festivals 1966 (with bonus tracks) ... CD
Pacific Jazz, 1966. Used ... $19.99
Incredible work from the Jazz Crusaders – a brilliant album of longer tracks that has them working at their soulful, sophisticated best! The record's great proof that the Crusaders had a depth that many rarely gave them credit here – as they're working here in a complicated set of rhythms, tones, colors, and patterns that easily matches some of the best Blue Note mid 60s work by Hank Mobley or Lee Morgan! All tracks are recorded live, and in very long takes that show the combo effortlessly setting up the rhythms – then stepping out with extended solos that are surprisingly exploratory and modern-sounding. Titles include "Trance Dance", "Summer Madness", "Young Rabbits", and "Freedom Sound". Plus, the CD adds in 2 more bonus tracks recorded at Shelly's Manne Hole at the same time – "Half & Half" and "Wilton's Boogaloo"! CD
(Out of print. CD case has a cutout mark.)

Possible matches31
CD, LP, Vinyl record album cover art
Elvin JonesMidnight Walk ... LP
Atlantic, 1967. Very Good+ ... $39.99
One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of the title – as there's a pulsating rhythm to many of the numbers – one that comes partly from the record's great use of Dollar Brand on piano on some cuts. But other players are great, too – and there's some wicked electric piano work from Steve James – who really gives a few tracks a sinister edge – plus tenor from Hank Mobley, trumpet from Thad Jones, and added percussion from George Abend. Titles include "Midnight Walk", "HM On FM", "The Juggler", "All Of Us", and "Cross Purpose". A great album, and a real lost treasure from the Atlantic back catalog! LP, Vinyl record album
(Mono red & purple label pressing. Cover has a small cutout hole.)

Possible matches32
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Cal MasseyBlues To Coltrane ... LP
Candid (Germany), 1961. Near Mint- ... $34.99
The only session as a leader from trumpeter Cal Massey – a big influence on soulful modernism in the 60s, but an artist who showed up more in the liner notes for records than he did in the studio! The record's a really unique one – and a set that crackles with the best sort of intensity of the Candid jazz label at the time. Massey's vision here is one that's extremely progressive – open in a hardbop sort of way, but often touched with more of the modernism that was showing up in the darker corners of the Blue Note scene. His trumpet work here has a mix of sweetness and sharp edges that reminds us a lot of Johnny Coles at his best – but almost even more important is his writing and overall conception – as the tunes here are a fantastic mix of high concept ideals that never fail to groove – of a sort that would show up later in the 60s on records by Hank Mobley, Lee Morgan, and others. The group here is a sextet – with Massey on trumpet, Julius Watkins on French Horn, Hugh Brodie on tenor, Patti Brown on piano, Jimmy Garrison on bass, and GT Hogan on drums – and titles include "These Are Soulful Days", which was recorded by Lee Morgan, and "Bakai", which was recorded by Coltrane – and the tracks "Blues To Coltrane", "What's Wrong", and "Father & Son". LP, Vinyl record album
(Test pressing of the recent 180 gram reissue, in a plain white sleeve including the one-sheet.)
Also available Blues To Coltrane (180 gram pressing) ... LP 34.99

Possible matches33
CD, LP, Vinyl record album cover art
Cal MasseyBlues To Coltrane (180 gram pressing) ... LP
Candid/Pure Pleasure (UK), 1961. New Copy ... $34.99 44.99
The only session as a leader from trumpeter Cal Massey – a big influence on soulful modernism in the 60s, but an artist who showed up more in the liner notes for records than he did in the studio! The record's a really unique one – and a set that crackles with the best sort of intensity of the Candid jazz label at the time. Massey's vision here is one that's extremely progressive – open in a hardbop sort of way, but often touched with more of the modernism that was showing up in the darker corners of the Blue Note scene. His trumpet work here has a mix of sweetness and sharp edges that reminds us a lot of Johnny Coles at his best – but almost even more important is his writing and overall conception – as the tunes here are a fantastic mix of high concept ideals that never fail to groove – of a sort that would show up later in the 60s on records by Hank Mobley, Lee Morgan, and others. The group here is a sextet – with Massey on trumpet, Julius Watkins on French Horn, Hugh Brodie on tenor, Patti Brown on piano, Jimmy Garrison on bass, and GT Hogan on drums – and titles include "These Are Soulful Days", which was recorded by Lee Morgan, and "Bakai", which was recorded by Coltrane – and the tracks "Blues To Coltrane", "What's Wrong", and "Father & Son". LP, Vinyl record album
(Limited edition!)
Also available Blues To Coltrane ... LP 34.99

Possible matches34
CD, LP, Vinyl record album cover art
Archie SheppYasmina, A Black Woman (80s pressing) ... LP
BYG/Actuel, 1969. Sealed ... $24.99
Archie Shepp at his spiritual best – recording in Paris in 1969, and absorbing a heck of a lot of pan-African influences! The centerpiece of the album is the amazing "Yasmina" – a long track that builds with passion and fire, pulsing with an intensity that you'd expect more from Pharoah Sanders than Shepp himself. Next up is "Sonny's Back", a wonderful straight jazz groover with Archie and Hank Mobley on twin tenors upfront – making a rare and memorable recorded appearance together! The set's capped off by a mellow version of "Body & Soul", one that points towards the more soulful side of Shepp's work in the 70s. LP, Vinyl record album
(80s Spanish pressing on Affinity.)

Possible matches35
CD, LP, Vinyl record album cover art
Horace Silver6 Pieces Of Silver (RVG remaster edition) ... CD
Blue Note, Late 50s. Used ... $9.99
The lyrical genius at his best! Horace plays with a tight quintet that includes Donald Byrd, Hank Mobley, Doug Watkins, and Louis Hayes. Hayes is particularly great, and his warm drumming brings Silver's playing into a new range that still keeps a lot of his bop roots, but which also allows more room for the kind of flourishes that makes his recordings from this time so great. The LP includes his classic "Senor Blues", plus "Cool Eyes", "Shirl", and "Enchantment". Great stuff, and one that we still go back to regularly, even after all these years! Includes 3 bonus tracks. CD
(Out of print.)

Possible matches36
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Horace SilverHorace Silver & The Jazz Messengers ... CD
Blue Note, 1954/1955. Used ... $5.99
A record with Horace Silver on the cover, but a set that's really more of a Jazz Messengers date overall – as it features a smoking quintet that not only includes Art Blakey on drums and Doug Watkins on bass – but which also has some great frontline work from Hank Mobley on tenor and Kenny Dorham on trumpet! The group's got the rougher, less-iconic feel of the Messengers at their start – similar to their early live dates – but all the right energy is firmly in place, and maybe given even more direction under Silver's leadership and great ear for a tune! The writing is superb, especially on classics like "Doodlin", "The Preacher", "Hippy", and the amazing "To Whom It May Concern" – one of our all-time favorite tunes in the 50s Blue Note catalog – and the solos are all top-shelf too. A real Blue Note classic! CD
(Out of print.)

Possible matches37
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Horace SilverJody Grind ... CD
Blue Note, 1966. Used ... $18.99
A fantastic turning point for the great Horace Silver – a set that's still got the soul jazz groove of some of his earlier 60s hits – but which also has the pianist really making magic with some of the younger players on the scene – in a lineup that features the young Woody Shaw on trumpet, James Spaulding on alto and flute, and Tyrone Washington on tenor sax! As with Hank Mobley and Lee Morgan at the time, there's an openness to some of Silver's writing and arranging here that's really great – as if he's absorbing some of the qualities of the new thing generation, but never going there himself – and instead just finding a way to color his music with really fresh energy and tones. Larry Ridley is on bass and Roger Humphries is on drums – completing a really fantastic lineup – and titles include the title cut "The Jody Grind" – is an enduring funky jazz classic – plus "Blue Silver", "Mary Lou", "Mexican Hip Dance", "Grease Piece", and "Dimples". CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
Cedar WaltonFirst Set ... LP
Steeplechase (Denmark), 1978. Near Mint- ... $16.99
A strong quartet set from piano genius Cedar Walton – with Bob Berg blowing on tenor, recalling the feel of the older Walton/Hank Mobley sides in the same manner – but with the Eastern Rebellion vibe that you'd get from Sam Jones on bass and Billy Higgins on drums! The set was recorded live at Club Montmartre in 1977 – and Walton is, as ever, fully in command of his soulful talents. Titles include "Off Minor", "For All We Know", and the great Walton originals "Holy Land" and "Ojos De Rojo". LP, Vinyl record album

Possible matches39
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VariousJazz Am Rhein – 1967 to 1968 (6CD set) ... CD
Be! (Germany), 1967/1968. New Copy 6CD ... $99.99 107.99
Fantastic work from two different years of this important German Jazz Festival – material that provides a great live complement to some of the best studio jazz recordings of the late 60s European scene – such as those coming from the MPS label, and some of the record companies in Paris and London! The vibe here is mostly straight, but there are plenty of currents of modern, and maybe just a bit of free – and the set's especially great in illustrating the sort of unique groupings and musical moments that can make the jazz festival scene so rewarding! Material from 1967 includes three long tracks by the group of saxophonist Klaus Doldinger with organist Ingfried Hoffmann; a long performance from a big band led by Kurt Edelhagen, with work from trumpeters Shake Keane and Jimmy Deuchar, tenorists Wilton Gaynair and Karl Drewo, and altoist Derek Humble; four tracks by a quartet led by trumpeter Dusko Goykovich, with Bent Jaedig on tenor; two long improvisations from a group that features Manfred Schoof on trumpet, Gerd Dudek on tenor, Alexander Von Schlippenbach on piano, and Jaki Liebezeit on drums; one track by a quartet with Ted Curson on trumpet and Nick Bridnola on soprano sax; four long cuts by the Clarke Boland Sextet, with Sahib Shihab on flute and baritone, Ake Persson on trombone, and Idrees Sulieman on trumpet; a sweet large group led by organist Ingfried Hoffmann, and a few other hip cuts too. 1968 features work by a sextet led by bassist Peter Trunk, with Shake Keane on flugelhorn, Jiggs Whigham on trombone, and Rob Pronk on piano; four tracks by the Clarke Boland Big Band, with Johnny Griffin and Ronnie Scott on tenor, and Sahib Shihab on baritone; two cuts by the twin tenor group of Hank Mobley and Johnny Griffin; a vocal performance by Jon Hendricks with a Clarke Boland group with Johnny Griffin in the lead; twin trombones from the Slide Hampton and Ake Persson Quintet; hip work from the trio of pianist George Gruntz, bassist Henri Texier, and drummer Daniel Humair; a number of tight tracks from the Maynard Ferguson big band, with Pete King on tenor; and two shorter trio tracks from Joachim Kuhn. Like other Be Music titles, the presentation is great – a really well-done box, and big booklet of notes and images. CD

Possible matches40
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VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... $18.99
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD
Also available Spiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP 24.99

Possible matches41
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✨✧ Art Blakey & The Jazz MessengersAt The Cafe Bohemia Vol 1 (RVG remaster edition) ... CD
Blue Note, 1955. Used ... Temporarily Out Of Stock
A classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham – one of the earliest and purest versions of Blakey's hardbop vision, touched with the slightly exotic lyricism of Silver, which gives the tracks a wonderful edge. The playing is excellent throughout – and the album's the kind of live stormer that shows why the group were such a huge draw right out of the box, and why they performed as well (if not better) in a live setting than they did ain a studio one! Tracks include "Minor's Holiday", "The Theme", "Prince Albert", and "Deciphering The Message" – and the CD features 3 bonus tracks, all long, plus great remastering! CD
Also available At The Cafe Bohemia Vol 1 ... CD 14.99

Possible matches42
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✨✧ Art Blakey & The Jazz MessengersJazz Messengers (Columbia) (with bonus tracks) ... CD
Columbia, 1956. Used ... Temporarily Out Of Stock
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – alongside Silver's piano and Blakey's thundering work on drums – and the album is virtually a blueprint for the sound of hardbop in years to come – focused and intense, but still with plenty of room for individual solo expression! Tracks include a classic reading of "Nica's Dream", plus Horace Silver's great "Ecaroh", and Mobley's own "Infra-Rae" and "Hank's Symphony". CD also features 5 bonus tracks – 1 unreleased – with titles that include "Weird-O", "Ill Wind", "Late Show", and "Deciphering The Message". CD

Possible matches43
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✨✧ Tina BrooksMinor Move ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A stunning set from overlooked tenor genius Tina Brooks – a musician who recorded for Blue Note during the key years of Hank Mobley and Johnny Griffin, but whose music was mostly un issued at the time! This rare set is a great second chapter to Tina's True Blue album – material recorded in 1958, but unissued until the late 70s in Japan – at which time the album became an instant classic in the Blue Note catalog – and for good reason, too – as the quintet features a crack lineup – with Lee Morgan on trumpet, Sonny Clark on piano, Doug Watkins on bass, and Art Blakey on drums. The group grooves nicely on Brooks' "Nutville" and "Minor Move" (done in other versions later on Blue Note), plus a nice long take of "The Way You Look Tonight" – and the tracks "Star Eyes" and "Everything Happens To Me". CD
(Out of print Connoisseur Series pressing.)

Possible matches44
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✨✧ Kenny BurrellBest Of Kenny Burrell ... CD
Blue Note, Early 60s. Used ... Temporarily Out Of Stock
Featuring Kenny Burrell's finest Blue Note recordings from 1956 to 1986 with Horace Silver, Hank Mobley, Art Blakey, Stanley Turrentine, Herbie Hancock, Grover Washington JR., Ron Carter and more. CD
(Out of print.)

Possible matches45
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✨✧ Booker ErvinIn Between ... CD
Blue Note, 1968. Used ... Temporarily Out Of Stock
One of the last records that Booker Ervin ever recorded, and one of the best! There's a depth of tone and conception here that goes far beyond even Ervin's already-great albums for Prestige – a mix of modernism and soulful expression that really points the way towards jazz expression in the 70s – although sadly, Booker was to leave the planet before getting a chance to stretch out in that era. All 6 tracks on the album are originals – and they sparkle with the imagination found on some of the most top-shelf Blue Notes of the time – work by Lee Morgan, Hank Mobley, or Wayne Shorter – played by a group that includes the amazing Richard Williams on trumpet (almost worth the price of the record alone), Bobby Few on piano, Lenny McBrowne on drums, and the little-known Cevera Jefferies on bass. Loads of dark edges, searing solos, and plenty of free flights into the sky – on titles that include "The In Between", "Tyra", "The Muse", "Mour", "Sweet Pea", and "Largo". CD

Possible matches46
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✨✧ Frank FosterManhattan Fever (Blue Note) (with previously unreleased album) ... CD
Blue Note (Japan), 1968. Used ... Temporarily Out Of Stock
Lean, righteous blowing from the legendary Frank Foster – one of a handful of extremely hip sessions he cut in the 60s under his own name! The album's the only record Foster ever did for Blue Note – and we dare say it's even better than his previous 60s work on Prestige and Impulse – with a quality that's even darker, even deeper, even more advanced from his earlier years with Basie. There's a rolling, joyous groove to many numbers – that late 60s take on soul jazz that made for so many great tracks on albums by Hank Mobley or Lee Morgan near the end of the decade. Foster keeps things tight, but he's also got an expansive vision too – an edge in the horns that points the way towards some of the chances he'd take in the 70s, but which is still wrapped around a leanly leaping soul jazz groove! Foster wrote 5 of the 6 tracks on the album, and he's working here with a sextet that includes Garnett Brown on trombone, Marvin Stamm on trumpet, and Richard Wyands on piano, who brings in some offbeat notes and colors throughout. Rhythm is by the excellent team of Bob Cranshaw on bass and Mickey Roker on drums – and titles include "Seventh Avenue Bill", "Stammpede", "Little Miss No Nose", "Manhattan Fever", and "Loneliness". Added to the core album is a full bonus album – recorded by Foster nearly a year after the first, and even more far-reaching! There's a quality to the date that mixes together Frank's previous soulful vamping with some more introspective, more lyrical moments – almost modern at times, but not entirely so – and played by a septet that includes Ed Pazant on alto and flute, Burt Collins on trumpet, George Cables on piano, and Jimmy Cleveland on trombone. Foster himself plays a bit of alto clarinet alongside his usual tenor – and titles include "Fly By Night", "Slug's Bag", "What's New From The Monster Mill", and "Hip Shakin". CD
(Out of print, 2014 SHM-CD pressing with 5 bonus tracks – includes obi.)
Also available Manhattan Fever (Blue Note) (with previously unreleased album) ... CD 12.99

Possible matches47
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✨✧ Duke PearsonRight Touch (non RVG remaster – with bonus track) ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". CD features a bonus alternate of "Los Malos Hombres". CD
(Out of print.)

Possible matches48
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✨✧ Freddie RoachGood Move ... CD
Blue Note (Japan), 1963. New Copy ... Temporarily Out Of Stock
Freddie Roach always makes a good move on his Blue Note sessions – going for a lean and tight style on the organ that never fails to please! On this set, he's working with a mixed group of hardbop and soul jazz players that includes two Blue Note heavyweights – Blue Mitchell on trumpet and Hank Mobley on tenor – key proof that the label really thought a lot of Roach's playing at the time, and a great way to hear Mobley open up with a Hammond – which he doesn't always do! The rest of the group also features Eddie Wright on guitar and Clarence Johnson on drums – all moving with Freddie on some tight tracks that have a triple punch of organ, tenor, and trumpet! Titles include "Wine Wine Wine", "I.Q. Blues", "On Our Way Up", and "Pastel". CD
(Part of the Blue Note 80 – Soul Jazz Works series!)

Possible matches49
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✨✧ Tommy TurrentineTommy Turrentine ... CD
Time/Bainbridge, 1959. Used ... Temporarily Out Of Stock
One of the most fantastic hardbop albums of all time! Tommy Turrentine was the less-famous trumpet-playing brother of Stanley Turrentine – but he was a hell of a player in his early days, and he cut some amazing records with his brother during the younger years of his career. This is the only record we've ever seen that features him as a leader – but the session's a monster, with the kind of razor-sharp hardbop playing we'd stack up there with must-have LPs like Art Blakey's Freedom Rider, Hank Mobley's Caddy For Daddy, or the legendary Young Lions session on Vee Jay. The group features a number of players who were working with Max Roach at the time – including Stanley Turrentine on tenor and Julian Priester on trombone – as well as Roach on drums, Horace Parlan on piano, and Bob Boswell on bass. Titles include "Gunga Din", "Too Clean", "Time's Up", "Long As You're Living", "Blues For JP", and "Webb City". CD
(Out of print.)

Possible matches50
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✨✧ Doug WatkinsWatkins At Large ... LP
Transition, 1956. Near Mint- ... Temporarily Out Of Stock
A great session – and one of the few lost ones on the legendary Transition label! The album was originally recorded in Boston in 1956, and it features a group led by bassist Doug Watkins, with Donald Byrd on trumpet, Hank Mobley on tenor, and Art Taylor on drums – really a Blue Note lineup, if you come to think of it – and the album's definitely got a Blue Note vibe overall! Mobley's tenor is always a treat, and brings out a new sort of fire in Byrd's young horn – and Watkins, who didn't always work as a leader, has a hip conception that really keeps things interesting – a slight exotic undercurrent amidst the hardbop. Tracks are long, and titles include "More Of the Same", "Return To Paradise", "Panonica", and "Phinupi". LP, Vinyl record album
(Late 80s mono Japanese Toshiba EMI pressing, TRLP 20, in the textured cover including insert.)

Possible matches51
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✨✧ Julius WatkinsJulius Watkins Sextet, Vols 1 & 2 ... CD
Blue Note, 1955. Used ... Temporarily Out Of Stock
Cool Connoisseur Series reissue that brings together both of the 10" LPs that were recorded by Julius Watkins for Blue Note in the early 50's. This material is a key part of the label's history, but it's also the kind of stuff that they've ignored for years. It's a real treat to have it out again – because the sessions include stellar performances by Frank Foster, Kenny Clarke, Hank Mobley, Duke Jordan, and little known guitarist Perry Lopez, who complements Watkins' playing nicely on both LPs. The tracks include "Leete", "Linda Delia", "Perpetuation", and "Garden Delights" – and the music is an excellent mix of hard bop and modernist ideas, with a spooky sound that is unlike anything else we can think of. CD
(Out of Connoisseur pressing.)

Possible matches52
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✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... CD
Columbia, 1961. Used ... Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print. Columbia Jazz Masterpiece pressing.)

Possible matches53
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✨✧ John HicksHells Bells (180 gram pressing) ... LP
Strata East/Pure Pleasure (UK), 1975. New Copy (reissue)... Out Of Stock
One of the first albums as a leader from pianist John Hicks – a record that really set the tone for countless great sides to come – and which follows on years of great work with Art Blakey, Lee Morgan, Hank Mobley, Charles Tolliver, and other soulful jazz giants! This set was Hicks' only date for the Strata East label – and has an open, flowing vibe that's very much in keeping with the imprint – and which is maybe a bit different than his later, more familiar material! Part of the strength of the record is bassist Clint Houston – who's completely sublime throughout, and has a way of shaping his notes with this depth that seems to set Hicks free to fly across the keys of the piano on these very long original tunes. Drummer Cliff Barbaro is also part of the trio – and can wind things up when needed, but also lay back and allow some great interplay between Houston and Hicks – on beautiful long tunes that include "Hells Bells", "Avojca", "Yemenja", and "Angie's Tune". LP, Vinyl record album
(Limited edition!)
Also available Hells Bells ... LP 34.99

Possible matches54
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✨✧ Jackie McLean4, 5 & 6 (20 bit remaster) ... CD
Prestige, 1956. Used ... Out Of Stock
An unusual title, but one that refers to Jackie McLean in quartet, quintet, and sextet formation – a growing lineup that develops along the course of the record, as new players are added into the mix with a casual, almost blowing session approach! The set begins with Jackie's alto set out in spare territory with Mal Waldron on piano, Doug Watkins on bass, and Art Taylor on drums – plenty of space to solo on "Sentimental Journey" and "Why Was I Born" with sharp changes and deeply soulful tones that really push past the conventions of the tunes – and as the record moves on, Hank Mobley steps in on tenor and Donald Byrd on trumpet – expanding out the sound for nicely-blown versions of"Abstraction", "Confirmation", and "Contour". CD
(Out of print.)

Possible matches55
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✨✧ Lee MorganComplete Blue Note Lee Morgan Fifties Sessions (6LP set) ... LP
Blue Note/Mosaic, Late 50s. Near Mint- 6LPs ... Out Of Stock
A box packed with nothing but cracking hard bop! All of Lee Morgan's seminal 50s sides for Blue Note assembled in one package, including the albums Indeed!, Volume Two, Volume Three, City Lights, the Cooker and Candy. Morgan's quite young on these sessions, but his voice is fully formed and he plays with fire throughout, as do the sidemen, who include Horace Silver, Hank Mobley, Benny Golson, Gigi Gryce, Bobby Timmons, Philly Joe Jones, Art Taylor, Sonny Clark, Curtis Fuller, and Wynton Kelly. There's 37 tracks in all, spread out over 6LPs, including "Reggie Of Chester", "Little T", "Stand By", "Latin hangover", "D's Fink", "Slightly Hep", "Hasaan's Dream", "I Remember Clifford", "Mesabi Chant", "Domingo", "City Lights", "Kin Folks", "Heavy Dipper", "New-Ma", and "CTA". LP, Vinyl record album
(A beautiful vinyl copy – very hard to find!)

Possible matches56
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✨✧ Lee MorganCooker (180 gram pressing) ... LP
Blue Note, 1957. New Copy (reissue)... Out Of Stock
A very appropriate title for a very cooking little album – one of Lee Morgan's first efforts as a leader, cut back during his first years of late 50s fame! The style here is a bit less Morgan-esque than some of Lee's later 60s classics – but the record is rock-solid throughout, and proof that Morgan was every bit as great a leader in a hardbop session as Hank Mobley or some of the other emerging heavyweights at Blue Note! The strength of the group really helps keep the fire stoked on the set – and Bobby Timmons turns in some amazing piano work alongside a lineup that includes Pepper Adams on baritone sax, Paul Chambers on bass, and Philly Joe Jones on drums. The Adams presence gives the record a bit of the feel of some of Pepper's sessions with Donald Byrd – but the sparkling, soaring sound of Morgan makes the record way more than just a copycat set. Titles include "New-Ma", "Night In Tunisia", "Lover Man", "Just One Of Those Things", and "Heavy Dipper". LP, Vinyl record album
(Part of the Blue Note Tone Poet Series – a beautiful pressing, with heavy vinyl and cover!)

Possible matches57
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✨✧ Horace Silver6 Pieces Of Silver ... LP
Blue Note, Late 50s. Very Good ... Out Of Stock
The lyrical genius at his best! Horace plays with a tight quintet that includes Donald Byrd, Hank Mobley, Doug Watkins, and Louis Hayes. Hayes is particularly great, and his warm drumming brings Silver's playing into a new range that still keeps a lot of his bop roots, but which also allows more room for the kind of flourishes that makes his recordings from this time so great. The LP includes his classic "Senor Blues", plus "Cool Eyes", "Shirl", and "Enchantment". Great stuff, and one that we still go back to regularly, even after all these years! LP, Vinyl record album
(Mono 63rd Street pressing with deep groove, RVG/9M etch, and ear. Label has a small sticker. Cover has a half split top seam, some wear and aging, and small initials in pen on back.)
Also available 6 Pieces Of Silver (RVG remaster edition) ... CD 9.99

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✨✧ Horace SilverSenor Blues – Horace Silver Rare Tracks ... LP
Blue Note (Japan), Mid 50s. Near Mint- ... Out Of Stock
A Japanese-only collection of rare work by Horace Silver – some unreleased until this set. Titles include trio tracks "Buhaina", "Knowledge Box", "Thou Swell", and "Quicksilver" – plus a vocal take on "Senor Blues", a 45 take on "Senor Blues", and an alternate of the Hank Mobley number "Wham & They're Off". LP, Vinyl record album
(Includes obi!)

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✨✧ Horace SilverStylings Of Silver (RVG remaster edition) ... CD
Blue Note, 1957. Used ... Out Of Stock
A great Horace Silver album – and one of the rarest! The record features some top-line material that virtually defines Silver's post-Jazz Messengers sound – tracks that come out with a hard and heavy groove, yet which also have a lightness in the mix too – a sense of play and lyricism that's always made Silver's soul deeper than most of his contemporaries! The group on the set is top-shelf all the way through – with Art Farmer on trumpet and Hank Mobley on tenor – alongside a rhythm team that includes Teddy Kotick on bass and Louis Hayes on drums. Titles include "Metamorphosis", "Home Cookin", "No Smokin", and "Soulville". CD
(Out of print.)

Possible matches60
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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 2 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this second volume include "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. LP, Vinyl record album

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✨✧ Lee MorganCornbread (180 gram pressing) ... LP
Blue Note, 1965. New Copy Gatefold (reissue)... Out Of Stock
A sock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on tenor, Herbie Hancock on piano, Larry Ridley on bass, and Billy Higgins on drums – the last two of whom do a great job of bringing some complex yet swinging rhythms to the set! The horn soloists are all as sharp as you might expect – and the album's a striking soulful date from McLean at a time when he was mostly going out a bit more. Titles include the funky "Cornbread", the searching "Our Man Higgins", and the lyrical ballad "Ceora" – plus "Most Like Lee" and "Ill Wind". LP, Vinyl record album
(Part of the Blue Note Tone Poet series – pressed at RTI! Great heavy cover and vinyl!)

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✨✧ Doug WebbBright Side ... CD
Posi tone, 2016. New Copy ... Out Of Stock
Doug Webb's a tenorist we're really growing to love and love more with each new record – a player who can come on with a bold, soulful punch at some moments – then carve these fluid lines at others, which he does wonderfully here alongside the organ of Brian Charette and guitar of Ed Cherry! The mix of both instruments is used in a way that's post-soul jazz – creating an open palette of colors, rhythms, and opportunities for new sorts of action – that sense of new discovery that we love so much on the later recordings of Hank Mobley, where familiar elements are reshuffled in a beautiful way – all to further the genius of the leader on tenor! Webb's playing here really lives up to that promise, and gets great help in the frontline from Joe Magnarelli on trumpet. Steve Fidyk plays drums, Charette handles the basslines on the organ – and titles include "Doctor Miles", "The Drive", "Society Al", "Silver Lining", "Lunar", "One For Hank", and "Melody For Margie". CD

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✨✧ Kenny DrewThis Is New ... CD
Riverside, 1957. Used ... Out Of Stock
The "new" thing here is that Kenny's playing with horns – always a refreshing change from his trio sides, and a setting that really brings out an edgier side to his playing. About half the record features a quintet with Donald Byrd and Hank Mobley, plus Wilbur Ware on bass and GT Hogan on drums – and the other half of the set features the same group without Mobley. Titles include "Carol", "Little T", "Paul's Pal", and "This Is New". CD
(Out of print.)
 
 
 



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