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Exact matches: 22
Exact matches1
CD, LP, Vinyl record album cover art
Grant GreenAm I Blue (RVG Remaster) ... CD
Blue Note, 1963. Used ... $14.99
One of Grant Green's mellowest albums – a haunting set of intimate ballads and blues, played with a quintet that includes John Patton on organ, Joe Henderson on tenor, and Johnny Coles on trumpet. Henderson and Coles give the album a very different feel than the usual Grant Green soul bop session – and Green proves himself to be a sensitive soloist more than capable of opening up new moods and colors of old standards like "For All We Know", "Am I Blue", and "I Wanna Be Loved". CD
(Small notch through spine.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Grant GreenBallads ... CD
Blue Note, 1961/1962. Used ... $5.99
With Sam Jones, Louis Hayes, Sonny Clark, Ike Quebec, Kenny Drew, Yusef Lateef, Art Blakey and others. CD
(Out of print, small cutout notch through spine.)

Exact matches3
CD, LP, Vinyl record album cover art
Grant GreenFirst Session (previously unreleased) ... CD
Blue Note, 1961. Used ... $14.99
Grant Green's first-ever session as a leader – recorded by Blue Note in 1960, and not issued until decades later! The set features Green's guitar playing in a piano quartet, with rhythm by Wynton Kelly, Paul Chambers, and Philly Joe Jones – about as fine a backing trio as Green could hope to find. We're not sure why Blue Note didn't issue this material at the time – perhaps because they were trying to break Green as R&B-inflected soul jazz player, and this set had more of a straight jazz quality (like his Sunday Morning album) – but whatever the case, it's all here now, along with 2 other tracks from a 1961 session with Sonny Clark on piano. Titles include "Seepin", "Sonnymoon For Two", "Just Friends", "Woody N You", and an early recording of "Grant's First Stand". CD
(Out of print Connoisseur pressing. Mark through barcode, disc has a promo stamp.)

Exact matches4
CD, LP, Vinyl record album cover art
Grant GreenLatin Bit (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1962. New Copy ... $11.99
A wicked session by Grant Green – one that's very different than any of his other Blue Note records! Here, Grant's going for a "Latin bit" – adding in a trio of percussionists to spice up the groove with a bit of bossa rhythms, and some harder jamming styles that feel a lot like those used in some of the better Cal Tjader albums of the time. Willie Bobo's in the group on drums, and the only other accompaniment is piano, bass, and percussion – letting Grant run out nice and long on his solos, on a very hip set of tracks that includes "Tico Tico", "Mama Inez", "Besame Mucho", and "Mambo Inn". CD reissue also includes 3 bonus cuts, not on the original album – "Grenada", "Blues For Juanita", and "Hey There". CD

Exact matches5
CD, LP, Vinyl record album cover art
Grant GreenNigeria ... CD
Blue Note (Japan), 1962/1980. New Copy ... $13.99 About October 20, 2021
Damn great work from guitarist Grant Green – one of his killer sessions with pianist Sonny Clark – recorded in the early 60s, but unissued until nearly 20 years later! The groove here is a bit different than some of Green's early dates with organ – a bit more soulful hardbop at times, with some great work on rhythm from Sam Jones on bass and Art Blakey on drums – two great players who complete the group beautifully. The setting is calm and spare, but very fluid, and all players play with a brilliant edge – Blakey is excellent, and hearing him on this one makes you want more of his work as a sideman (which was to diminish greatly after this recording). Tracks include takes on "Airegin", "I Concentrate on You", ""The Song Is You", "The Things We Did Last Summer" and a stellar version of "It Ain't Necessarily So". CD also features "Nancy" and an alternate of "Airegin". CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Grant GreenShades Of Green ... CD
Blue Note (Japan), 1972. Used ... Just Sold Out!
A stellar album from Grant Green – very different than most of his other work for Blue Note, and a sly electric groover recorded with vibist Billy Wooten! The sound here is a bit more spacious than some of Grant's earlier albums, yet no less funky – thanks to a hip undercurrent of soul in the drums, and arrangements from Wade Marcus that keep things fluid throughout. Wooten's vibes are wonderful, a ringing counterpoint to Green's great lines on guitar – and even the more familiar tunes on the record turn out to be really unique readings here – thanks to the arrangements and overall conception. Mellow moments are dripping with plenty of soul, and the funky ones are pretty great too – and titles include a killer medley of James Brown's "I Don't Want Nobody To Give Me Nothing" and "Cold Sweat", a heavy version of his instrumental groover "In The Middle", and a great original called "California Green" – plus "Never My Love", "Sunrise Sunset", "Got To Be There", and "If You Really Love Me". CD
(Out of print, 2009 Japanese pressing. Still sealed with obi! Shrink has a partially torn sticker remnant in one corner and some scuffs.)

Exact matches7
CD, LP, Vinyl record album cover art
Grant GreenSolid (with bonus track) ... CD
Blue Note (Japan), 1964. New Copy ... $13.99 About October 20, 2021
An excellent set by Grant Green – recorded in 1964, but not issued until close to 1980, when Blue Note first pulled it out of the vaults, and dropped it on the world! The session's a great one – with an unusual lineup that features Green's guitar in a sextet, with McCoy Tyner on piano, James Spaulding on alto, Joe Henderson on tenor, Bob Cranshaw on bass, and Elvin Jones on drums – a really wonderful group who help bring something different to the proceedings – helping showcase the great change in Green's second chapter for Blue Note. The album's got a mix of modal grooving and piano-driven hardbop – with a harder groove than some of Green's other non-organ sides for Blue Note. Titles include "Solid", "Minor League", "Ezz Thetic", "Grant's Tune" and "The Kicker". Also features the bonus track "Wives & Lovers". CD

Exact matches8
CD, LP, Vinyl record album cover art
Grant GreenStreet Of Dreams ... CD
Blue Note, 1964. Used ... $12.99
One of our favorite albums ever from guitarist Grant Green – an amazingly stretched-out session that's served up with a good deal of modal jazz in the rhythms – and a date that features killer work from Larry Young on organ and Bobby Hutcherson on vibes! The pair join Green in a quartet that also includes Elvin Jones on drums – who provides a loose, fluid approach to rhythm that really sets the tone for the date – a flowing vibe that folds together the organ, guitar, and vibes beautifully – with an incomparable floating vibe that's pure magic! All tracks are long and very open – and titles include "Street Of Dreams", "Somewhere In The Night", and "Lazy Afternoon". CD
(Out of print original CD pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
Grant GreenTalkin' About ... CD
Blue Note (Japan), 1964. New Copy ... $13.99 About October 20, 2021
One of the great ones! Grant Green meets up with a youthful Larry Young, and the two of them are backed by Elvin Jones on drums, for a free-flowing, modally grooving set of organ/guitar cuts that are among some of the best-ever recorded for Blue Note. The album's a stunning mix of soul jazz and modernist sensibilites, and Green and Young are in top top form. It's also one of the toughest to find on Blue Note, and we hardly ever see it on wax! Cuts include "Talkin' About J.C.", "Luny Tune", and "You Don't Know What Love Is". CD

Exact matches10
CD, LP, Vinyl record album cover art
Grant GreenVisions ... CD
Blue Note (Japan), 1971. New Copy ... $16.99
A wicked late Blue Note album from Grant Green – quite different than his smaller combo work from the early years, and done with some great larger arrangements that feature some ultra-hip vibes from the legendary Billy Wooten! Wooten's as great here as on his famous work with the Ninteenth Whole, and his vibes bring a nice edge to the record – ringing out in bold chromatic tones behind Green's guitar – amidst some warm electric backings that feature keyboards from Emmanuel Riggins, drums from Idris Muhammad, and congas from Ray Armando. Wade Marcus helped a bit on the music, and there's some tracks that definitely show his sophisti-soul touches – and the whole thing's almost got a CTI-funk sort of feel overall – with a great undercurrent of soul, no matter what the choice of material. Titles include a very groovy version of "Does Anybody Really Know What Time It Is" – plus "Cantaloupe Woman", "Blues For Abraham", "Never Can Say Goodbye", "Maybe Tomorrow", "Love On A Two Way Street", and "We've Only Just Begun". CD
(Part of the Blue Note 80 – Soul Jazz Works series!)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Grant Green/Donald ByrdHis Majesty King Funk/Up With Donald Byrd ... CD
Verve, 1964/1965. Used ... $18.99
2 of the grooviest Verve 60s jazz funk sessions on one CD! Grant Green's His Majesty King Funk is a tight quintet session with Larry Young on organ and Harold Vick on tenor, and it grooves with a tightness that matches Green's best Blue Note sessions. The album is reissued here with the tracks in their full versions, and titles include "The Selma March", "Daddy Grapes", and "The Cantaloupe Woman". The record is paired with Donald Byrd's groovy Up album, a record that has his funky trumpet playing with a larger group arranged by Herbie Hancock, that also features some added vocal backing at times. The record has a very tasty version of "Cantaloupe Island", plus the cuts "Blind Man, Blind Man", "Bossa", and "Boom, Boom". Nice groovy 60's material, with 14 cuts in all! CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Grant GreenAlive! ... LP
Blue Note, 1970. Very Good- ... Temporarily Out Of Stock
A really fantastic album from guitarist Grant Green – a set that's every bit as great as his other Blue Note funk albums from the time – but in a very different way! First off, the group has vibes – played by the more obscure Willie Bivens, sometimes with this hard chromatic sound that's really wonderful – especially when combined by the organ work on the set by Ronnie Foster and Neal Creque – both very cool players with an unusual conception – which sends the whole thing off in very hip territory! The mighty Idris Muhammad plays drums – ensuring a very tight bottom – and the group also features Claude Bartee on tenor, who has a strong, soulful vibe. The set includes a fantastic live version of "Down Here On the Ground" – famously sampled by Tribe Called Quest – and other highlights include heavy funk takes on "Let The Music Take Your Mind" and "Sookie Sookie", and the Creque original "Time To Remember". LP, Vinyl record album
(Liberty/UA pressing. Vinyl has a mark that clicks through most of "Time To Remember". Cover has a bit of wear, and some pen on the back.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Grant GreenBorn To Be Blue ... CD
Blue Note, 1962. Used ... Temporarily Out Of Stock
A rare one from Grant Green – recorded in 1962, but not issued until 1985. The set's one of Green's early classics recorded with pianist Sonny Clark – a deeply soulful player who really had the right feel for Green's more lyrical soul jazz numbers. The rest of the group includes Ike Quebec on tenor, plus Sam Jones on bass and Louis Hayes on drums. The tracks are laidback and introspective – but still have enough of a groove to fit with Green's best work at the time. Titles include "Count Every Star", "If I Should Lose You", "Born To Be Blue", and "My One And Only Love". CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Grant GreenGrant's First Stand (Japanese pressing) ... CD
Blue Note (Japan), 1961. Used ... Temporarily Out Of Stock
Grant's First Stand – and a mighty one at that! The set was recorded when Green was a guitarist fresh on the scene – showing up in New York from St Louis, where he'd been discovered by Lou Donaldson and brought to Blue Note with great acclaim! For this first date, Green's heard in really stripped-down company – just Hammond from Baby Face Willette and drums from Ben Dixon – a spare trio setting that makes for a madly cooking little record, and one without some of the smoother edges of Greens' later years! The set's as raw and soulful as Willette's own Blue Note classics – and is very much in the side of the spectrum that Donaldson was bringing to the label at a time – a much-needed dose of new energy from the Prestige Records side of the tracks. Every track's a winner – and titles include "Blues For Willarene", "Baby's Minor Lope", "Miss Ann's Tempo", and "A Wee Bit O Green". CD
(Out of print, 1993 Japanese pressing.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Grant GreenGreen Street (second cover) ... LP
Blue Note, 1961. Good ... Temporarily Out Of Stock
One of the earliest albums as a leader from guitar genius Grant Green – and a set that shows off a different side of his talents than some of his other records of the time! The date has Grant working in a trio – with Ben Tucker on bass and Dave Bailey on drums – a super rhythm duo who are both soulful and modern, and who really have a great sense of matching the right modes of Green's guitar – which includes a number of those strong, long runs that always leave us breathless in these early years. The album has no Hammond or tenor – more frequent pairings with Green's instrument – and the open space really gives you the chance to hear what a completely inventive player Grant was, right from the start. The whole thing's great – and the album's got some great original titles that include "No 1 Green Street", "Grant's Dimensions", and "Green With Envy" – all of which sound a lot better than their gimmicky titles! LP, Vinyl record album
(Liberty/UA pressing. NOTE – Cover is stained and flaky at the bottom 2 inches, held down with wide clear tape, with a half split top seam and stain on back. Vinyl plays with crackles, with some noisy spots and deeper marks on Side 1.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Grant GreenGreen Street (with bonus tracks) ... CD
Blue Note, 1961. Used ... Temporarily Out Of Stock
One of the earliest albums as a leader from guitar genius Grant Green – and a set that shows off a different side of his talents than some of his other records of the time! The date has Grant working in a trio – with Ben Tucker on bass and Dave Bailey on drums – a super rhythm duo who are both soulful and modern, and who really have a great sense of matching the right modes of Green's guitar – which includes a number of those strong, long runs that always leave us breathless in these early years. The album has no Hammond or tenor – more frequent pairings with Green's instrument – and the open space really gives you the chance to hear what a completely inventive player Grant was, right from the start. The whole thing's great – and the album's got some great original titles that include "No 1 Green Street", "Grant's Dimensions", and "Green With Envy" – all of which sound a lot better than their gimmicky titles! Also includes two alternate takes. CD
(Out of print Connoisseur pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Grant GreenMain Attraction ... CD
Kudu/Sony, 1976. Used ... Temporarily Out Of Stock
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Out of print.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Grant GreenVisions ... CD
Blue Note (Japan), 1971. Used ... Temporarily Out Of Stock
A wicked late Blue Note album from Grant Green – quite different than his smaller combo work from the early years, and done with some great larger arrangements that feature some ultra-hip vibes from the legendary Billy Wooten! Wooten's as great here as on his famous work with the Ninteenth Whole, and his vibes bring a nice edge to the record – ringing out in bold chromatic tones behind Green's guitar – amidst some warm electric backings that feature keyboards from Emmanuel Riggins, drums from Idris Muhammad, and congas from Ray Armando. Wade Marcus helped a bit on the music, and there's some tracks that definitely show his sophisti-soul touches – and the whole thing's almost got a CTI-funk sort of feel overall – with a great undercurrent of soul, no matter what the choice of material. Titles include a very groovy version of "Does Anybody Really Know What Time It Is" – plus "Cantaloupe Woman", "Blues For Abraham", "Never Can Say Goodbye", "Maybe Tomorrow", "Love On A Two Way Street", and "We've Only Just Begun". CD
(Out of print, 1993 Japanese pressing.)
Also available Visions ... CD 16.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Grant GreenIdle Moments (180 gram pressing) ... LP
Blue Note, Early 60s. New Copy (reissue)... Out Of Stock
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson on tenor, Bobby Hutcherson on vibes, and Duke Pearson on piano – all working in a surprising blend of modern ideas and warmer lyricism. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got four long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Grant GreenMain Attraction ... LP
Kudu, 1976. Near Mint- ... Out Of Stock
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! LP, Vinyl record album
(Cover has some edge wear.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Grant GreenAlive! (180 gram pressing) ... LP
Blue Note, 1970. New Copy (reissue)... Out Of Stock
A really fantastic album from guitarist Grant Green – a set that's every bit as great as his other Blue Note funk albums from the time – but in a very different way! First off, the group has vibes – played by the more obscure Willie Bivens, sometimes with this hard chromatic sound that's really wonderful – especially when combined by the organ work on the set by Ronnie Foster and Neal Creque – both very cool players with an unusual conception – which sends the whole thing off in very hip territory! The mighty Idris Muhammad plays drums – ensuring a very tight bottom – and the group also features Claude Bartee on tenor, who has a strong, soulful vibe. The set includes a fantastic live version of "Down Here On the Ground" – famously sampled by Tribe Called Quest – and other highlights include heavy funk takes on "Let The Music Take Your Mind" and "Sookie Sookie", and the Creque original "Time To Remember". LP, Vinyl record album

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Grant GreenFinal Comedown - Original Soundtrack (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1972. Used ... Out Of Stock
An excellent lost funky soundtrack on Blue Note – their only one for years, and Grant Green's entry into the blacksploitation genre! The whole thing bristles with the kind of chunky, thumping percussive feel as the best funky soundtracks of the era – informed by the work of Curtis Mayfield and Isaac Hayes, but with the deeper jazz feel that Green brings from his other Blue Note sides of the time! Some cuts are quite funky, particularly the opener, "Past, Present, and Future" with it's crisp trap, chicken scratch guitar and bongo driven beat. Others have more of a stripped-down dope instrumental feel – there's some sweet funky flute work on "Fathers Lament", and even a slight bossa groove creeps into the title track! The whole album's very nice, and it's very different than any of Grant Green's other work! Other titles include "Afro Party", Luana's Theme", "Slight Fear And Terror", and "Battle Scene". CD
(Out of print, includes obi.)
 
Possible matches: 30
Possible matches23
CD, LP, Vinyl record album cover art
Ed CherrySoul Tree ... CD
Posi tone, 2016. New Copy ... $11.99 17.98
A killer guitar and Hammond session with a really sublime sort of sound – a groove that's wonderfully free of cliche – and which has an open, spacious quality that few artists can match! Given the instrumentation, the album's steeped in tradition, but never tries to just rehash an older Prestige Records vibe – and instead guitarist Ed Cherry and organist Kyle Koehler find a way of soaring out in their own spirits – opening up strongly in a bass-less trio that only features the drums of Anwar Marshall to keep things snapping along. The pairing is perfect – on the level of Grant Green with Larry Young, or Pat Martino with Don Patterson – yet very much with its own spirit, too. Cherry's arrangements are great, too – providing very fresh takes on familiar tunes, alongside his own compositions. Titles include "Central Park West", "A New Blue", "Rachel's Step", "Ode To Angela", "Little Sunflower", "Little Girl Big Girl", and "Peace". CD

Possible matches24
CD, LP, Vinyl record album cover art
Jimmy CobbOriginal Mob ... CD
Smoke Sessions, 2014. Used ... $9.99
Drummer Jimmy Cobb works here with his Original Mob – a quartet that's been together for over 20 years, and which features a well-matched lineup of Peter Bernstein on guitar, Brad Mehldau on piano, and John Webber on bass! Bernstein's sharp, tight guitar lines are really appreciated in a setting like this – as he plays with a vibe that recalls 60s Grant Green at his best, and which soars strongly in a role that somehow seems to encompass a bit of both rhythm and melody at once. The recording quality really puts Bernstein's guitar up front – at a level that sometimes doesn't happen on other records – and Mehldau, as always, has more then enough bold energy of his own – especially when given rock-solid direction from John Webber's bass. Titles include the Jimmy Cobb originals "Composition 101" and "Remembering You" – plus Bernstein's "Minor Blues", Webber's "Lickety Split", and the titles "Sunday In New York" and "Amsterdam After Dark". CD
(Digipack case has some light edgewear.)

Possible matches25
CD, LP, Vinyl record album cover art
Sam LazarOrgan Grooves (Space Flight/Playback/bonus tracks) ... CD
Argo/Jasmine (UK), Early 60s. New Copy ... $12.99 13.99
A pair of Hammond jazz classics from organist Sam Lazar – back to back on a single CD, with rare bonus tracks too! First up is Space Flight – a tight batch of organ groovers with a raw R&B feel, recorded by the obscure St Louis organist Sam Lazar – with a very young Grant Green on guitar! The album's a bit different than Sam's other records for Argo – in that the tunes are all quite short, with a tight fast sound that's almost more R&B at times than jazz – a very unusual setting especially for Grant Green! The guitar is nice and loud – really racing to keep up with Lazar's fast work on the Hammond – and other members of the group include Willie Dixon on bass and Chauncey Williams on drums. Titles include "Mad Lad", "Space Flight", "Caramu", "Funky Blues", and "Big Willie". Playback is one of a few rare albums from Hammond player Sam Lazar – a lesser-known artist from the same searing generation as Baby Face Willette and Jack McDuff, but a musician who never full got his due! This record was done for the Argo side of Chess Records, and it's got a raw sound that's equal parts soul jazz and R&B – with Sam doing some great work on the keys, and the obscure tenorist Miller Brisker in the group too – a really great musician who works with lots of unique twists – and spurs Lazar onto new heights of playing, with maybe an even farther reach on the keys than his other albums. Lazar wrote most of the set, and the tracks include "Deep", "Fuzz Buzz", "S&S", "Scootin", and "Long Gone". A nice bit of soul jazz, with a deep rootsy sound all the way through! CD also features the bonus two-part 45rpm single of "Space Flight". CD

Possible matches26
CD, LP, Vinyl record album cover art
O'Donel LevySimba ... CD
Groove Merchant/Ultra Vybe (Japan), 1973. New Copy ... $13.99
Fantastic sounds throughout – and maybe the best album ever by this legendary 70s guitar player! O'Donel Levy's got this tremendous sound that comes from playing an electric hollow body – in a tone that takes the best bits of Grant Green and Wes Montgomery, and strips them down for a hipper, badder 70s sort of mode. The album's got some great blackploitation-esque arrangements by Manny Albam, and O'Donel's groove is nice and lean as he snakes over the top of the record in some very soulful solos! Lots of cool grooves, and titles include "Joni", "Nigerian Knights", "Bad, Bad, Simba" and "Sad, Sad, Simba". CD

Possible matches27
CD, LP, Vinyl record album cover art
Jack McDuffHoneydripper ... CD
Prestige/OJC, 1961. Used ... $7.99
One of the records that put a young Brother Jack McDuff on the map – and a perfect example of the rougher R&B roots that first emerged in his early work on the Hammond! The session's got a much more down-n-dirty feel than some of McDuff's tighter 60s quartet work – and offers a nice bridge between 50s use of the organ in R&B, and the growing soul jazz take on the instrument that McDuff was helping to forge at the time. The group's a real cooker too – with some great work on guitar by a young Grant Green, smoking tenor from Jimmy Forrest, and lyrically dancing drums from the great Ben Dixon. Titles include the great original "Whap!", plus versions of "I Want A Little Girl" and "The Honeydripper" – and an excellent reading of Henry Mancini's "Mr Lucky", virtually worth the price of the record alone! CD
(Out of print.)

Possible matches28
CD, LP, Vinyl record album cover art
Horace ParlanHappy Frame Of Mind ... CD
Blue Note (Japan), 1963. New Copy ... $13.99 About October 20, 2021
Wicked work by pianist Horace Parlan – and one of his most stunning Blue Note sessions ever! The album was first recorded in 1963, but then kept on the shelf for years – seeing only brief release as part of a Booker Ervin package in the late 70s, and finally coming out with the proper cover and lineup at some point in the 80s! Why Blue Note waited so long is a mystery, because the album's a gem throughout – almost more important, and more starkly modern than any of Parlan's other work for the label. Booker Ervin leads the frontline on tenor, alongside Johnny Coles on trumpet, Grant Green on guitar, and the rhythm section of Butch Warren and Billy Higgins. Parlan's choice of material is fantastic – with a number of Africanist tracks that feature unique rhythmic patterns that really push the soloists! Titles include "A Tune For Richard", "Dexi", "Home Is Africa", "Kucheza Blues", and "Back From The Gig". CD

Possible matches29
CD, LP, Vinyl record album cover art
Ike QuebecBlue & Sentimental ... CD
Blue Note, 1961. Used ... $6.99
Moody late night tenor musings by one of Blue Note's greatest talents of the early 60s! The album's a classic through and through – and the tenor of the mighty Ike Quebec is set up nicely in a solid quartet with Grant Green on guitar, Paul Chambers on bass, and Philly Joe Jones on drums. There's no piano on the album, which really opens things up a lot, and lets the guitar/tenor lines get all snakey and introspective – with just the right dose of "blue" and "sentimental" to sweeten things up without getting all gooey! A seminal bit of Ike Quebec – and proof that he was one of Blue Note's greatest discoveries ever! Titles include "Minor Impulse", "Blues For Charlie", and "Like". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
Lou Ragland/Hot ChocolateI Travel Alone (Hot Chocolate/Conveyor/bonus & unreleased tracks) (3CD set) ... CD
Numero, Mid 70s. New Copy 3CD ... $16.99 29.99
An amazing set of music – two rare albums from Ohio funk legend Lou Ragland, plus bonus tracks, and a whole set of unreleased sessions too – a huge amount of new music, even if you've got some of the previous reissues! First up is the legendary Hot Chocolate album – one of the greatest lost funk records of all time! The group is not the British pop band, but an Ohio funk group led by the great guitarist Lou Ragland. The album's originally from Canada, which makes it super rare – and these guys are funky funky funky, and kick some major booty with a heavy guitar sound that's just great! Some of the cuts are instrumental, and some of them have some excellent soul vocals that are produced with a nice deep sound that's brought out nicely by the excellent quality of the reissue. The record's got a bit of Sly Stone, a bit of Grant Green, and a bit of Mike James Kirkland – with a tasty raw indie soul vibe – and the original album was only pressed up at 500 copies. Titles include "So Dam Funky", "Ain't That A Groove", "Sexy Moods Of Your Mind", "Messin With Sly", and "What You Want To Do" – plus 8 more tracks from the same vintage – "Good For The Gander" by Hot Chocolate, "I Travel Alone" and Big Wheel" by Lou Ragland, "Red Robin" and "I've Got Something Going On" by Volcanic Eruption, and "I Can't Take It" and "What The Doctor Prescribed" by Lou Ragland & Hot Chocolate. Next is The Conveyor – the second album from Lou Ragland, stepping out here in a great set of mellow soul tracks! The album's quite different from the heavy funk of the Hot Chocolate album – more of a message-oriented approach to soul, in the vein of similar 70s indie work by Mike James Kirkland. The arrangements are also bigger – not smooth, but ambitious, in a style that perfectly matches the higher vision Lou's going for in tracks like "Understand Each Other", "What Should I Do?", "The Next World", and "It's Got To Change". Conveyor also comes with bonus tracks too – "Tend To Your Business" by Wildfire, plus "Since You Said You'd Be Mine" and "I Didn't Mean To Leave You" by Lou Ragland. And last up is an incredible batch of unreleased material – maybe the biggest and best so far from Ragland – tracks that have this really ambitious quality that mixes soul, funk, and larger orchestrations – especially some light strings, which really expand the sound, and push the music into this righteous territory that reminds us a lot of the creative experiments in Chicago during the Cadet/Concept years! Lou's vocals are great, and the message is totally righteous – and even though the tape quality is slightly aged, the soulful vibe really comes through – on cuts that include "Understand Each Other", "It Ain't My Fault", "Could It Be I'm Falling In Love", "Spend My Life Loving You", "Until I Met You", and "Brother Louie". Lovingly packaged by Numero – with a huge booklet of photos and history – and cool mini-LP sleeves too! CD

Possible matches31
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Stanley TurrentineRough & Tumble ... CD
Blue Note (Japan), 1966. New Copy ... $13.99 About October 20, 2021
Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson! CD

Possible matches32
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✨✧ Stanley TurrentineUp At Minton's – Vols 1 & 2 ... CD
Blue Note, 1961. Used 2 CDs ... $11.99
A fantastic early record from tenor giant Stanley Turrentine – a set that's completely hard-hitting, and which has a very different vibe than the sweeter sets he'd cut later in the 70s! Instead, this record is pure hardbop all the way through – with Turrentine matching labelmate Hank Mobley for depth of tone and freshness of ideas – stretching out on these long, live tracks with a very cool combo that also features Grant Green on guitar and Horace Parlan on piano – both of whom are superb, and hit some real Blue Note heights on the set. Parlan brings this sinister edge to some of the best tunes, and Green's guitar rings out with these fantastically soulful chromes – providing a great balance to the deep runs that Stanley takes on the tenor. This double-length package brings together volumes 1 and 2 of the LP releases – and titles include a long moody reading of "Yesterdays", plus the hard bop original "Stanley's Time" – as well as the tracks "Later at Minton's", "Come Rain or Come Shine", "Love for Sale" and "Summertime". CD
(Out of print.)

Possible matches33
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✨✧ Baby Face WilletteFace To Face (180 gram pressing) ... LP
Blue Note, 1961. New Copy Gatefold (reissue)... $28.99 34.99
One of the all-time great tenor/organ sessions on Blue Note – totally fierce, with a sound that's a lot rawer than most other work on the label! The incredible Baby Face Willette grooves it hard and heavy on Hammond – working in a quartet that includes Fred Jackson on tenor, Grant Green on guitar, and Ben Dixon on drums – a killer lineup that makes for a very cooking sound throughout! There's a bit of an R&B-ish tinge to most of the tracks on the set – gutbuckety soul jazz, of the sort you'd hear on a label like Prestige, but recorded with more of the Blue Note sense of poise and professionalism – a very unique blend that makes the album an essential one in any collection. Titles include "Swingin' At Sugar Rays", "Face To Face", "Something Strange", and "Goin Down". LP, Vinyl record album
(Part of the Blue Note Tone Poet Series – heavy vinyl and cover!)

Possible matches34
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Baby Face WilletteStop & Listen (RVG remaster edition – with bonus track) ... CD
Blue Note, 1961. Used ... $14.99
One of only two albums that organist Baby Face Willette cut for Blue Note – and it's a killer! The record is a hard-wailing trio format – with Willette on organ, Grant Green on guitar, Ben Dixon on drums – and it's got a sound that's very similar to Green's excellent Grant's First Stand LP – a stripped-down sound that's a bit more rough around the edges than some of the other organ jazz dates you might normally hear on Blue Note! The groove is totally no-nonsense, and Willette's a firecracker on organ – running up and down the keys and pedals with amazing dexterity, and a sound that should have made him one of the biggest Hammond players of the 60s. Green's great too, and the drums of Dixon are more than loose enough to fit the vibe of the soloists beautifully. Titles include "Soul Walk", "Stop & Listen", "Jumpin Jupiter", and "Work Song". Also includes the bonus track "They Can't Take That Away From Me". CD
(Out of print, small cutout hole through case.)

Possible matches35
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Mary Lou WilliamsMary Lou Williams (Black Christ Of The Andes) ... CD
Mary, 1963. New Copy ... $12.99 16.98
A landmark album – and one of the best records you'll ever find by Mary Lou Williams! The record's a mixture of jazz and spiritual themes, and it features Mary Lou's piano set in some super-hip jazz arrangements that include players like Grant Green, Budd Johnson, Larry Gales, Melba Liston, Ben Tucker, and Percy Heath. The bass and piano work is amazing, and many tracks have a dark groove that's very subtle, but very compelling. About half the tunes feature hip choral vocalizing – in the mode of some of the Donald Byrd or Max Roach albums from the same time – mostly handled by the group of Howard Roberts. Includes the classic groover "A Grand Nite For Swinging", plus "A Fungus Amongus", "Anima Christi", "Miss DD", "The Devil", "It Ain't Necessarily So", and "My Blue Heaven". Great stuff all around – and even better than we're describing it! This CD issue features the original Mary Records cover art – different than the Saba/MPS or later Smithsonian CD versions. CD
(Special limited CD – pressed up for us by the Smithsonian Folkways label. Comes with original cover artwork, and the CD also features a PDF file with the original liner notes and other materials from the original record release.)

Possible matches36
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VariousBest Blue Note Album In The World . . . . Ever! ... CD
Blue Note, 1960s/1970s/1980s/1990s. Used 2 CDs ... $14.99
Music from Horace Silver, John Coltrane, Lou Donaldson, Lee Morgan, Donald Byrd, US3, John Patton, Grant Green, Jimmy Smith, Richard Elliot, and more – 20 tracks in all. CD
(Out of print.)

Possible matches37
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VariousBlue Bossa – Cool Cuts From The Tropics ... CD
Blue Note (Japan), 1991. Used ... $13.99
Not really sounds from the tropics – but instead a great reworking of bossa and Latin modes – all done by the best 60s artists at Blue Note Records! The rhythms are what really make the set swing – as they have this hard edge that retains all the initial soulful inspiration of the American players – while also picking up some more complicated elements that really open up the groove – and pave the way for great solo work on trumpet, tenor, piano, and Hammond! Additionally, the set's got the pedigree of being one of the early Blue Note comps hand-picked for the hip London scene – and tracks include "Congalere" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "You're Everything" by Carmen McRae, "Afrodisia" by Kenny Dorham, "Sandalia Dela" by Duke Pearson, "Mambo Inn" by Grant Green, and "Latona" by John Patton. CD
(Out of print, 2014 Japanese pressing – includes obi.)

Possible matches38
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VariousDiggin On Blue – Mixed By DJ Krush & Muro ... CD
Blue Note (Japan), Late 60s/Early 70s. New Copy 2CD ... $29.99
Two legendary Japanese DJs take on the Blue Note catalog – and come up with some amazing results in the process! Both DJ Krush and Muro serve up a non-stop mix in this collection – one each per disc – and the music is really transformed by their magical talents on the decks, at a level that takes us back to the sorts of cool projects that Japanese Blue Note was handling at the start of the century – when they were really inviting some younger talents to breathe new life into their catalog! Neither Muro nor Krush are spring chickens, but they definitely give a strong 21st Century vibe to this music – really expanding on a range of tracks that are mostly pulled from the late 60s/early 70s run of Blue Note. Krush mixes tunes that include "Feeling You Feeling Me Too" by Gene Harris, "Before You Leave" by Alphonse Mouzon, "I'm On My Way" by Candido, "Oblighetto" by Jack McDuff, "Move Your Hand" by Lonnie Smith, "Blue Juice" by Jimmy McGriff, "Mestizo Eyes" by Bobbi Humphrey, "Little Green Apples" by Monk Higgins, and "What Are You Doing The Rest Of Your Life" by Lou Donaldson – and Muro mixes up tunes that include "Acid Pot Or Pills" by Horace Silver, "Classic Funke" by Jack McDuff, "New York Times" by Bobbi Humphrey, "Trying Hard To Look Inside" by Waters, "Cristo Redentor (part 2)" by Gene Harris, "Down Here On The Ground" by Grant Green, "Summer Song" by Ronnie Foster, "Alias" by Jeremy Steig, "Pot Belly" by Lou Donaldson, "Time After Time" by Willie Bobo, and "Mercy Mercy Me" by Reuben Wilson. CD

Possible matches39
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✨✧ Brazilian Groove BandAnatomy Of Groove ... CD
Far Out (UK), 1999/2009. New Copy ... Temporarily Out Of Stock
A sweet mix of Brazilian grooves and New York attitude – an overlooked session from the end of the 90s – recorded in the US by Brazilian saxman Leo Gandelman, with soulful help from a variety of American players – including Reuben Wilson on organ and both Charlie Hunter and Grant Green Jr on guitar! There's a rich sort of 70s vibe to the record – a tight, funky blend of jazzy riffing and Brazilian percussion, all put together at a level that almost reminds us of Kudu Records at its best – lean, soulful, and surprisingly focused throughout – a great step forward for Gandelman, and for percussionist Juliano Zanoni, who co-arranged the set with Leo, and also wrote most of the tunes. Supposedly, the record never saw the light of day when it was recorded – making this sweet Far Out package its first-ever release! Titles include "Safari", "Pau Grande", "April 7th", "Dance", "Prince Samba", "Groove In The Head", "Pirulito", and "Charlie 1". CD

Possible matches40
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✨✧ Ray CrawfordSmooth Groove ... CD
Candid/Ultra Vybe (Japan), 1961. New Copy ... Temporarily Out Of Stock
One of the only albums ever cut as a leader by soul jazz guitarist Ray Crawford – a contemporary of Grant Green and Wes Montgomery, but a player who's hardly ever gotten his due! This rare date was originally recorded for the short-lived Candid label back in 1961, but was only issued two decades later as part of the Candid revival – a fact that makes the album even more noteworthy! The set's got a really solid groove that reminds us a fair bit of Grant Green's best early 60s work for Blue Note – as Ray's playing in a tight, single-line format on most numbers – working with a very hip group that includes Johnny Coles on trumpet, Cecil Payne on baritone sax, Junior Mance on piano, Ben Tucker on bass, and Frankie Dunlop on drums. Tracks are all nice and long – very open, with plenty of solo space – and are all originals by Crawford as well. Titles include "Smooth Groove", "I Knew Prez", "Impossible", "Miss April", and "The Compendium Suite". Shoulda been a 60s classic – but at least we've finally gotten it released! CD

Possible matches41
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✨✧ Hank MobleyWorkout (RVG remaster edition) ... CD
Blue Note, 1962. Used ... Temporarily Out Of Stock
One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this! Both Mobley's phrasing and rhythmic construction are different here than a few years before – still every bit as soulful as ever, but able to open up with richer imagination, especially on the strong original tunes on the set. The group's great – a quintet that offers up both guitar from Grant Green and piano from Wynton Kelly – and rhythm is by the mighty team of Paul Chambers on bass and Philly Joe Jones on drums. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". CD also features the bonus track "Three Coins In The Fountain". CD
(Out of print.)

Possible matches42
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✨✧ Lee MorganSearch For The New Land (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For The New Land" – a beautiful 16 minute exploration of modal jazz themes, with an unusual stop/start device as a means of ushering solos by different bandmates – including Wayne Shorter on tenor, Grant Green on guitar, and Herbie Hancock on piano! The approach is unlike anything that Morgan ever did before – and unlike most of other Blue Note as well – and it also benefits from great rhythmic help from Reggie Workman on bass and Billy Higgins on drums. Other tunes are a bit more conventional, but still pretty special – like some of Morgan's inventive work on the Rajah albums – with titles that include "The Joker", "Melancholee", "Mr. Kenyatta" and "Morgan The Pirate". CD

Possible matches43
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✨✧ Grassella OliphantGrass Is Greener ... LP
Atlantic, 1967. Very Good ... Temporarily Out Of Stock
A sweet soulful set from drummer Grasella Oliphant – one of two legendary albums cut for Atlantic Records in the 60s – and the one with a very heavy-hitting lineup! The vibe here is somewhere between Blue Note Hammond dates and soul jazz on Prestige Records in the mid 60s – as Grasella leads a totally great group with John Patton on Hammond, Grant Green on guitar, and Harold Ousley on tenor – making a really great appearance here, and having us wish he did more dates like this! Clark Terry's also on the set to punch things up on trumpet and flugelhorn – and titles include a killer break version of "Get Out Of My Life Woman", with some very tasty drums – plus "Cantaloupe Woman, "The Yodel", "The Latter Days", "Rapid Shave", and "Soul Woman". LP, Vinyl record album
(Blue & green label stereo pressing. Cover has some peeling and moderate wear along the opening, but is in nice shape otherwise.)

Possible matches44
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✨✧ Horace ParlanUp & Down ... LP
Blue Note, 1961. Very Good ... Temporarily Out Of Stock
A killer set from an amazing quintet made up of some of the best players to ever grace the Blue Note label! Horace Parlan leads a tight tight tight combo that includes Grant Green on guitar and Booker Ervin on tenor sax – and the three of them fit together beautifully, with a dark moody edge that's unlike anything we can think of – loads of sharp, downturning notes, deeply soulful solo moments, and this raw sound that's totally great! Ervin's tone is razor-sharp, Green's guitar is unbelievably precise, and Parlan keeps on laying out these beautiful blocky chords that have a deeply resonant bottom – supported wonderfully by rhythms from Al Harewood on drums and George Tucker on bass. Tracks include "The Book's Beat", "The Other Part Of Town", "Fugee", and "Up & Down". LP, Vinyl record album
(New York stereo pressing, with RVG Stereo stamp. Vinyl has a short click on one track, but plays well overall. Cover has masking tape on the top and bottom seams, a split spine, a rip from an old sticker in the middle, and some pen notes on back.)

Possible matches45
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✨✧ John PattonAlong Came John ... CD
Blue Note (Japan), 1963. Used ... Temporarily Out Of Stock
A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – both of whom are at their early 60s soul jazz best, able to play with a hard edge, but also some surprisingly complicated moments too – which really fits into the spirit of Patton's overall groove! The group also features great guitar from Grant Green – one of his key pairings with the organist – plus drums from the wonderful Ben Dixon, who's got a fluid, open approach to rhythm that really works well with John's basslines from the Hammond. Titles include "Gee Gee", "Pig Foots", "Spiffy Diffy", "Along Came John", and the classic modal groover "The Silver Meter". CD
(Out of print SHMCD pressing. Includes obi.)

Possible matches46
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✨✧ Sonny StittSoul Classics ... CD
Prestige/OJC, Mid/Late 60s. Used ... Temporarily Out Of Stock
A nice collection pulled together in the 80s by Fantasy from Stitt's organ-based sessions, that has a cool rolling groove throughout that you don't always find in some of his more bop-oriented sides. Sidemen include Jack McDuff, Don Patterson, Grant Green, Billy James and others, with 9 numbers in all: "Soul Shack", "When Sunny Gets Blue", "Night Crawler", "Goin' Down Slow", "Night Letter", "When It's Sleepy Time Down South", 'Wlak On By" and "Lover Man". CD

Possible matches47
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✨✧ VariousBlue Break Beats 1 ... CD
Blue Note, 1960s/Early 70s. Used ... Temporarily Out Of Stock
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this first volume include "Weasil" by Donald Byrd, "Who's Makin Love" by Lou Donaldson, "Final Comedown" by Grant Green, "Groovin For Mr G" by Richard Groove Holmes, "Kudu" by Eddie Henderson, "Harlem River Drive" by Bobbi Humphrey, "Move Your Hand" by Lonnie Smith, "Shu Shu" by Ike Quebec, "Oliloqui Valley" by Herbie Hancock, "Your Love Is Just Too Much" by Gene Harris & The Three Sounds, "Blue Juice" by Jimmy McGriff, "Turtle Walk" by Lou Donaldson, and "Chunky" by Ronnie Foster. CD
(Out of print.)

Possible matches48
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✨✧ VariousBlue Break Beats 3 ... CD
Blue Note, Late 60s/Early 70s. Used ... Temporarily Out Of Stock
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this third volume "Howling for Judy" by Jeremy Steig, "Mystic Brew" by Ronnie Foster, "Get Out Of My Live Woman" by Joe Williams, "Soul" by Jackie McLean, "Put On Train" by Gene Harris & The Three Sounds, "Light My Fire" by Shirley Bassey, "Ode To Billie Joe" by Lou Donaldson, "You've Made Me So Very Happy" by Lou Rawls, "Walk Tall" by Cannonball Adderley, "Sho-Nuff Mellow" by Reuben Wilson, "Don't Call Me N*gger Whitey" by Gene Harris, "Blacks & Blues" by Bobbi Humprhey, "Dominoes" by Donald Byrd, "Ground Hog" by Duke Pearson, "Goin Down South" by Bobby Hutcherson, "Down Here On The Ground" by Grant Green, "It's Your Thing" by Lou Donaldson, and "Flat Backin" by Blue Mitchell. CD
(Out of print.)

Possible matches49
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✨✧ O'Donel LevySimba ... CD
Groove Merchant/P-Vine (Japan), 1973. Used ... Out Of Stock
Fantastic sounds throughout – and maybe the best album ever by this legendary 70s guitar player! O'Donel Levy's got this tremendous sound that comes from playing an electric hollow body – in a tone that takes the best bits of Grant Green and Wes Montgomery, and strips them down for a hipper, badder 70s sort of mode. The album's got some great blackploitation-esque arrangements by Manny Albam, and O'Donel's groove is nice and lean as he snakes over the top of the record in some very soulful solos! Lots of cool grooves, and titles include "Joni", "Nigerian Knights", "Bad, Bad, Simba" and "Sad, Sad, Simba". CD
(Out of print P-Vine "Return Of Jazz Funk" pressing – includes obi!)
Also available Simba ... CD 13.99

Possible matches50
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✨✧ Sonny Stitt with Booker Ervin & Don PattersonSoul People (plus bonus tracks) ... CD
Prestige, 1965. Used ... Out Of Stock
Twin-saxophone magic from the team of Sonny Stitt and Booker Ervin – playing together here on some great long tracks that get plenty of support from Don Patterson on the Hammond! The set's got a very open, very jamming sort of quality – with Book on tenor, and Stitt on both tenor and alto sax – showing his talents strongly, and bringing a hard-edged confidence to the record that's really great. The quartet's remaining member is Billy James on drums – a frequent partner of Patterson, and a nice loose-edged rhythmic force that really matches the energy of the others. Titles include "Soul People", "Sonny's Book", "C Jam Blues", and a ballad medley of "I Can't Get Started" and "The Masquerade Is Over". CD also features 2 bonus tracks that originally appeared on the Tune Up album – with Stitt on sax and Grant Green on guitar on "Tune Up" – and Patterson's trio alone on "There Will Never Be Another You". CD

Possible matches51
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✨✧ Reuben WilsonLove Bug ... CD
Blue Note, 1969. Used ... Out Of Stock
Heavy funk from Reuben Wilson – one of the last great organ players to emerge from the 60s Hammond scene, and one of the hardest hitting cats at Blue Note during the funk years of the label! The album's a tight one all the way through – performed with a combo that has Idris Muhammad playing some nice snapping drums, plus Grant Green on guitar, Lee Morgan on trumpet, and George Coleman on bass. Includes the funky cuts "Hot Rod" and "Love Bug", plus other groovers like "Back Out" and "I'm Gonna Make You Love Me". Plus, this CD reissue also features the bonus cut "Hold On, I'm Coming"! CD
(Rare Groove pressing. Tray card has a thin cutout notch.)

Possible matches52
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✨✧ Ike QuebecBlue & Sentimental ... LP
Blue Note, 1961. New Copy (reissue)... Out Of Stock
Moody late night tenor musings by one of Blue Note's greatest talents of the early 60s! The album's a classic through and through – and the tenor of the mighty Ike Quebec is set up nicely in a solid quartet with Grant Green on guitar, Paul Chambers on bass, and Philly Joe Jones on drums. There's no piano on the album, which really opens things up a lot, and lets the guitar/tenor lines get all snakey and introspective – with just the right dose of "blue" and "sentimental" to sweeten things up without getting all gooey! A seminal bit of Ike Quebec – and proof that he was one of Blue Note's greatest discoveries ever! Titles include "Minor Impulse", "Blues For Charlie", and "Like". LP, Vinyl record album
Also available Blue & Sentimental ... CD 6.99
 
 
 



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