Larry Graham and crew are definitely going for a fuller sound on this set – starting off the record with a funky marching band, in Tusk-like fashion – then rolling into some bass-heavy funk that tops even their previous records for tightness! The groove is a key element in the growth of west coast funk in the 70s – bass in the lead, but keyboards percolating in all over the place, in a style that's almost got touches of jazz – and which sets the stage for many of the Zapp-sounding projects of the future! A surprisingly great little record – and one we like almost better than the first few! Titles include "Love", "Mirror", "Entrow", "Do Yah", "Save Me", and "I Got A Reason". CD

The second album by Larry Graham and his Graham Central Station – and as powerful a batch of LA 70s funk as you'll ever find! Graham's bass is in the lead, giving the record the same deep punch he gave the work of Sly Stone back when he was in the Family Stone – but the whole group's pretty darn tight, and the album's got some great quirky elements that come through a strongly electrified use of keyboards and vocal processing next to the bass! Think of this one as the blueprint for countless LA funk records to come – and enjoy the original grooves in titles that include "Release Yourself", "Feel The Need", "Today", "Got To Go Through It To Get To It", and the "GCS" theme. CD

The legendary first album by Larry Graham and Graham Central Station – Larry's bold move away from Sly & The Family Stone, and the beginning of a new dynasty in mainstream funk! Larry's bass work really drives the set along – pushing the riffing guitars over the top of the heavy drums in a style that's tight, but never too "easy" – still with enough of the raw energy of his roots, despite the later crossover fame of the set. All tracks are Graham originals – except for a version of Al Green's "It Ain't No Fun To Me" – and titles include "Tell Me What It Is", "Ghetto", "Can You Handle It?", "Hair", "We Be's Gettin' Down", and "People". LP, Vinyl record album

The second album by Larry Graham and his Graham Central Station outfit – and as slick a bit of LA 70s funk as you'll ever find! Graham's bass is in the lead, giving the record the same deep punch he gave the work of Sly Stone back when he was in the Family Stone – but the whole group's pretty darn tight, and the album's a polished blend of electric keyboards, bass, drums, and flanged-out vocals. Titles include "Release Yourself", "Feel The Need", "Today", "Got To Go Through It To Get To It", and the "GCS" theme. LP, Vinyl record album

Larry Graham's got his bass fired up from the very first note on this set – a bumpingly grooving set that continues his great solo soul run in the 80s! Rhythms are a nice update of the older Graham Central Station groove – a bit more electric than before, especially on percussion – and Larry manages to keep things warm with his strong lead vocals, which somehow sound even more confident than before. A few tunes attempt a crossover vibe, but others are the kind of bass-heavy groovers we've come to expect from Graham – produced for the record by Larry himself, as well as Deodato and Narada Michael Walden. Titles include "For Your Love", "What We All Need Is More Love", "Nobody's Gonna Steal You Away", "How Does It Feel", "That's Why I Love You", "Tearing Out My Heart", "Let's Go", and "Cruisin". CD

A pair of classic albums from The Undisputed Truth! First up is Method To The Madness – a gem from the second chapter of the group – that time when they stepped away from Motown, and followed producer/creator Norman Whitfield to his own label in California! The shift of record companies also marks a cool shift in styles too – an approach that still has all the bold, bassy elements you'd know from the earlier hits – but one that also has some fuller, more cosmic elements too! The set begins with a weird electronic spoken number that's almost experimental – then brings up the bass for a bit of heavy funk, while also using electric elements in a way that really points the way to sounds that other big funk groups would cop at the start of the 80s – but which really sound fresh here. Titles include "Sunshine", "Take A Vacation From Life (And Visit Your Dreams)", "Life Ain't So Easy", "You + Me = Love", "Cosmic Contact", "Hole In The Wall", and "Let's Go Down To The Disco". Smokin has them still going strong with Whitfield, in a groove that's every bit as wonderful as their early years! There's a killer mix of funk and deeper soul here that few other acts could handle this well – a way of hitting the flashy funk of Sly & The Family Stone or Graham Central Station – but also not falling into any showbiz traps, either – in a mode that really his the group not only respecting the role of each member, but also working together in a very cohesive way on the album. The result is a great little set that balances funky grooves with some excellent cosmic soul cuts – supported by great session work from giants like Wah Wah Watson, Walt Downing, and Jack Ashford. Titles include "Show Time", "Space Machine", "I Can't Get Enough Of Your Love", "Misunderstood", "Sandman", "Atomic Funk", and "Talkin To The Wind". CD

Features music from Kool & The Gang, Sly & The Family Stone, James Brown, George McCrae, Average White Band, The O'Jays, Isley Brothers, Graham Central Station, Parliament, Rufus, Natalie Cole, Wild Cherry, Funkadelic, Brothers Johnson, Cameo CD