A mindblowing discovery of music from northern Brazil – not the more familiar sounds that you might know from Rio or Sao Paulo, but much rootsier grooves that were first forged up at the northern city of Belem! The city is a gateway
to the Amazon, and also a crossroads too – blessed with a thriving economy for most of the 20th Century, which led to countless clubs and other entertainment venues – and the development of some unique Afro-Brazilian strands that were created from the city's criss-crossing of cultures! Almost all the tracks here are highly percussive – tight and fast, with the kind of energy you might hear in a batucada jam, but fused into a smaller combo mode – delivered in styles that came to be known as siria, carimbo, and lambada – the last of which is the earlier, better version, and not the trashy pop take that was forced on the global market at the end of the 80s. As always with Analog Africa, the package is way more than just a compilation of music – as the notes are fantastic, and get at the rich history and culture – with a 24 page booklet filled with notes, photos, and other images. A stone winner all the way through, and one of the most ear-opening compilations we've heard in awhile – with titles that include "Vamos Farrear" by Pinduca, "Carimbo Da Pimenta" by Messias Holanda", "A Misturada" by Os Muiraquitans, "Praia Do Algodoal" by Os Quentes De Terra Alta, "Lundun Da Yaya" by Grupo Da Pesada, "Maruda" by O Conjunto De Orlando Pereira, "Xango" by Magalhaes E Sua Guitarra, "Lambada Da Baleia" by Viera E Su Conjunto, "Meu Barquinho" by Janjao, and "Mambo Assanhado" by Verequete E O Conjunto Uirapuru.