A lesser-known soundtrack from Ennio Morricone – but one of his grooviest moments of the late 60s! The score is a great blend of heavy and light – and blends together that wonderful floating Morricone style with some heavier, fuzzier tunes that show the late 60s period of the film – all making for a really fleshed-out sound, of the sort that you're usually likely to hear in some of Morricone's classics! The album includes one great number that's got an extended sitar solo, and a few more with hard-edged male vocals by Patrick Samson that almost feel like late 60s French pop! Titles include "Gloria", "Sytar", "Una Voce Allo Specchio", "Tell Me Tell Me", "Sospendi Il Tempo", "In Tre Quarti", "Laila Laila", and "Dinamica Per 5 + 1". LP, Vinyl record album

One of the greatest soundtracks ever from the legendary Ennio Morricone – a real standard-setting record that's one of the top choices we go to again and again to illustrate the genius of his music! The score is a fantastic mix of the two best sides of Morricone's work – the kind of light, lilting melodies that are schooled in bossa, but turned loose on their own devices – and the darker, more atonal passages that would come to play more strongly during the 70s. The light wins over the darkness in most of the record – especially the tracks that feature the sublime wordless vocals of Edda Dell'Orso, which swell and fall with the movement of the strings and keyboards. The whole thing's wonderful – and titles include "Le Foto Proibite", "Nel Vuoto", "Intermezzino Pop", "Amor Come Dolore", and "Quelle Foto". CD

One of the greatest soundtracks ever from the legendary Ennio Morricone – a real standard-setting record that's one of the top choices we go to again and again to illustrate the genius of his music! The score is a fantastic mix of the two best sides of Morricone's work – the kind of light, lilting melodies that are schooled in bossa, but turned loose on their own devices – and the darker, more atonal passages that would come to play more strongly during the 70s. The light wins over the darkness in most of the record – especially the tracks that feature the sublime wordless vocals of Edda Dell'Orso, which swell and fall with the movement of the strings and keyboards. The whole thing's wonderful – and titles include "Le Foto Proibite", "Nel Vuoto", "Intermezzino Pop", "Amor Come Dolore", and "Quelle Foto". (Note: This item is not for sale online until 7:00am on Sunday, April 23. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, April 22. It will not be pre-sold or reserved in any way. However, after 7:00am on April 23 we will offer up whatever we have left for sale online.) LP, Vinyl record album

A pair of classic 80s scores from Ennio Morricone – both done for a series of films that feature Jean Paul Belmondo in an action role! First up is Le Professionnel – a great little Morricone soundtrack – later than most of the classic work, but done for a French thriller that starred Jean-Paul Belmondo, with some great spare compositions that have slight romantic French soundtrack touches! There's some great numbers that feature Morricone's style of drifting solo instruments over strings – including some cool piano with a very offbeat feel – and others that have a wonderfully sweeping full and majestic feel! But given the action in the narrative, there's also a nice undercurrent of darkness too – which keeps things interesting and powerful throughout – in the best manner of a Morricone cop/crime film of the 70s. Titles include "D'Afrique", "Chi Mai", "Le Retour", "Le Vent Le Cri", and "Decision Finale". CD features 26 tracks in all – way more than the original album! Next up is Le Marginal – Ennio Morricone's score for the second Jean-Paul Belmondo "Professionel" police film – written two years after the first soundtrack, and with a feel that's a bit more electric and cop show-oriented! There's still plenty of great Morricone touches on the set – including his strong penchant for using space to really heighten the tension of a theme – but the instrumentation also features some electric bass undercurrents that are a bit stronger than usual, making for more of a cop funk groove than you'd expect from Morricone! This expanded CD edition features a total of 25 tracks – far more than the original album – and titles include "Le Marginal", "HSM", "Hypertension", "Theme Classique", "Don't Think Twice", and "Dreamer". CD

A real European classic from Ennio Morricone – one of his fantastic soundtracks for French director Henri Verneuil – who always seemed to manage to bring the best out in the maestro! As with some of Morricone's other music for Verneuil, there's an approach here that almost doesn't even seem to fit the images on the screen – moments of wonderful instrumental sensitivity, with those spare passages that Ennio does better than anyone else – mixed with groovier cuts that set the scene for some of the action in the story, but at a level that's almost anti-cinematic, given they way they can stand here on their own. The main "Il Serpente" theme is great – and other tracks include "Canzone Lontana", "Nadine", "Orazione", "Tema Per Una Donna Sola", and "Parata Militare". This great CD edition features 13 more bonus tracks – which makes for a whopping 72 minutes of music! CD

A real standout in Ennio Morricone's roster of great work from the time – a record with all the best elements in place – including vocals by Edda Dell'Orso and orchestrations by Bruno Nicolai – but an overall format that's a bit different than usual! Most of the tracks here are quite long – a few stretching out almost to 10 minutes, in a real change from the shorter snippets of the usual Morricone soundtracks of the period. And while the music is often sweetly beautiful, in the best Mondo Morricone mode, the longer tracks allow the maestro to explore the themes even more deeply – serving up an incredibly haunting blend of voice, woodwinds, and some great electric harpsichord – all blended perfectly together! Titles include "Chi Mai", "Come Maddalena", "Una Donna Da Ricordare", "Pazzia In Cielo", and "Erotico Mistico". LP, Vinyl record album

A real standout in Ennio Morricone's roster of great work from the time – a record with all the best elements in place – including vocals by Edda Dell'Orso and orchestrations by Bruno Nicolai – but an overall format that's a bit different than usual! Most of the tracks here are quite long – a few stretching out almost to 10 minutes, in a real change from the shorter snippets of the usual Morricone soundtracks of the period. And while the music is often sweetly beautiful, in the best Mondo Morricone mode, the longer tracks allow the maestro to explore the themes even more deeply – serving up an incredibly haunting blend of voice, woodwinds, and some great electric harpsichord – all blended perfectly together! Titles include "Chi Mai", "Come Maddalena", "Una Donna Da Ricordare", "Pazzia In Cielo", and "Erotico Mistico" – plus bonus tracks including French, Italian & English vocal versions of "Chi Mai", a 12 inch disco version of "Come Maddalena" and much more. CD

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An amazing collection of music from one of the greatest soundtrack composers of all time – presented in a hefty book-styled package, and done with a very unique presentation of his work! The package is huge – a hardcover volume with 18 CDs and a 48 page book, all presenting a total of 400 tracks that really span the scope of the music of Ennio Morricone over the decade – presented on CDs that each have a different theme, to showcase a different side of the maestro's many creations! The first five CDs focus on Morricone's music for director Sergio Leone, and other CDs present work for directors Henri Verneuil, Roland Joffe, Quentin Tarantino, and Giuseppe Tornatore – plus a full set of music used in films that starred Jean-Paul Belmondo. There's also thematic CDs, too – "Genre Cinema", "Committed Cinema", "Mafia Thrillers", "History Of Italy", and "Faces Of Italian Cinema" – and the final CD features songs penned by Morricone, interpreted by a host of others – including Charles Aznavour, Chico Buarque, Traffic Quintet, Gerard Depardieu, Sting, and many more. A beautiful tribute to Morricone's 50 years of film music – with some unreleased music, rarities, photos, and more! CD

A gorgeous second volume to this amazing set – every bit as career-spanning as the first edition, but with a nicely different focus! This time around, the set has some especially rare material for fans of the Italian soundtrack genius – including a full CD of rare TV soundtracks scored by Ennio Morricone – plus additional themed CDs that include one disc of Vocal Songs and Covers, one of Lost Horizons, one of Unique Collaborations, and other CDs titled Comedy, Faces Of Italian Cinema, French Cinema, American Cinema, War Stories, and International productions! The package is stunning too – a book-style hardcover set, with 48 pages of notes and interviews! There's a massive 310 tracks on the 14 CDs – and the set mixes classics with rare material and some previously unreleased tracks – further testament to the endless depths of the soundtrack genius of Ennio Morricone. CD

A Morricone score penned for a comedic western – but music that's really on a par with any of his more familiar classics of the genre! The styles here run from dark to bright – with some numbers that feature trademark Morricone styles like isolated harmonica or chanting vocals, to others that cascade with slightly more contemporary instrumental modes – including just a bit of subdued electricity amidst the larger orchestrations. But in any setting, the Morricone genius shines through beautifully – and there's a sense of depth to even the simplest tunes here that's really great – and the balance here is what really makes the album strong. CD features a whopping 29 tracks in all – way more than any other issue of music from the film – with titles that include "Non Fare L'Indiano", "Sfida All'Ultima Forchetta", "L'Ultima Tromba", "Tanti Pugni", "Occhio Alla Pena", "Passagio Dal Male Al Bene", and "Dal Sarto". CD

Really fantastic work from Ennio Morricone – a sublime soundtrack, expanded here with all sorts of bonus material that wasn't on the original album! The record features some wonderful vocals from Edda Dell'Orso – singing in that wordless, instrument-like style that could make so many of Morricone's best soundtracks so dreamy – and the maestro himself blends in a few tracks with a bit more of an edge from time to time, creating some nice tension amidst the sensuality of the music! The set features 22 tracks in all – and titles include "Vie Ni", "Tarantella Naif", "Luce Chiara Per Vergine", "Nascosta Nell'Ombra", "Saltarello Naif", "Soluzione Borghese", "Quando L'Amore E Sensualita #2", "Radiolina", "Sensualita", "Canzone Per Donatella", and "Accettazione Di Una Violenza". CD

Really fantastic work from Ennio Morricone – a sublime soundtrack, expanded here with all sorts of bonus material that wasn't on the original album! The record features some wonderful vocals from Edda Dell'Orso – singing in that wordless, instrument-like style that could make so many of Morricone's best soundtracks so dreamy – and the maestro himself blends in a few tracks with a bit more of an edge from time to time, creating some nice tension amidst the sensuality of the music! The set features 22 tracks in all – and titles include "Vie Ni", "Tarantella Naif", "Luce Chiara Per Vergine", "Nascosta Nell'Ombra", "Saltarello Naif", "Soluzione Borghese", "Quando L'Amore E Sensualita #2", "Radiolina", "Sensualita", "Canzone Per Donatella", and "Accettazione Di Una Violenza". LP, Vinyl record album

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If there's one thing you can say about Ennio Morricone, he always brings his best to a project – even if that project is kind of a cheapo 80s swords and sorcery tale starring Arnold Shwarzenegger! The music here is maybe a bit more dramatic and action-based than some Morricone scores – but in a way, it's as if the whole project is Ennio tipping his hat to the soundtrack styles of the blood and sandals generation on the Italian scene in the years before he first rose to fame. The maestro really tops that mode with fantastic work here – including some nicely dramatic choral voices that really send things over the top – and titles include "Temple Raid", "Sonja And The Sword Master", "The Gate Of Brytag", "The Chamber Of Lights", "Sonja Teaches Tarn", "Entering The Castle", and "Sonja Defeats The Queen". LP, Vinyl record album

If there's one thing you can say about Ennio Morricone, he always brings his best to a project – even if that project is kind of a cheapo 80s swords and sorcery tale starring Arnold Shwarzenegger! The music here is maybe a bit more dramatic and action-based than some Morricone scores – but in a way, it's as if the whole project is Ennio tipping his hat to the soundtrack styles of the blood and sandals generation on the Italian scene in the years before he first rose to fame. The maestro really tops that mode with fantastic work here – including some nicely dramatic choral voices that really send things over the top – and titles include "Temple Raid", "Sonja And The Sword Master", "The Gate Of Brytag", "The Chamber Of Lights", "Sonja Teaches Tarn", "Entering The Castle", and "Sonja Defeats The Queen". CD features the original 20 track album in stereo – plus 20 more bonus tracks from the film score in mono! CD

A really unusual two-fer – Ennio Morricone's score for 80s swords and sorcery epic Red Sonja, packaged here with a lost gem – the maestro's rejected and at this point still unreleased score for What Dreams May Come! CD

Beautifully slow-building work from Ennio Morricone – caught right at that near-perfect start of the 70s point when he was a master of understatement and spare musical elements! Many numbers begin with a sound that's often very spare – sliding out of the darkness sometimes with just a whisper, sometimes with a bit more force – woodwinds hidden in the shadows, piano murmuring softly, or strings that slide slowly once, then strike with more force the next time around. There's also a cool whistling bit that snakes through a few of the best tunes – a haunting theme with Alessandroni-type appeal – and the orchestrations for the album were conducted by Bruno Nicolai. The sound isn't as sweetly gliding as you might expect, but it's also not as atonal as other Morricone moments too. Titles include "In Pieno Petto", "Il Movente", "Senza Motivo Apparente", "Ricera", and "Sospensione Folle". LP, Vinyl record album

Sweetly stepping work from Ennio Morricone – and the first-ever full release of this soundtrack! The film's an obscure one and the music is even more obscure – as only 2 tracks were ever issued on record over the years, and then only on compilations. Most of the material here is in the lighter, sweeter Morricone mode of the late 60s – that gently drifting style that we love so much, and which swells with light romantic touches that offset a few of the darker moments of the score. Titles include "Una Strana Ragazza", "Senza Sapere Niente Di Lei", "Sospetti E Tenerezze", "Ricordo", "Lui Per Lei", "In Un Ricordo", "Frammenti D'Estasi", "Identikit Di Un Delitto", and "Stato Confusionale". (Note: This item is not for sale online until 7:00am on Sunday, April 23. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, April 22. It will not be pre-sold or reserved in any way. However, after 7:00am on April 23 we will offer up whatever we have left for sale online.) LP, Vinyl record album

Bruno Nicolai conducted this score by Morricone for the film The Sicilian Clan – a bit of a hit back in 1969, and a dark little gangster film! The soundtrack's got a number of different classic Morricone approaches – it starts with a power "boing" on the track's grooving opener, has some darker orchestral passages that glide along nicely, and mixes slow-grooving organ with a bit of whistling and more boings on other numbers! You'll love that boing – which really sets the whole thing off in a crazy mood – and you'll understand why Morricone's range of expression on the soundtrack makes it one of his biggest hits from the time! Titles include "Tema Per Le Goff", "Jeanne E La Spiaggia", "Il Clan Dei Siciliani", "Tema Italiano No 2", and "Francobolli". Plus, this CD reissue features a number of unissued bonus tracks – making for a total of 22 tracks in all! CD

Morricone fans – this one's got it all! The music is completely wonderful throughout, and a great mix of everything that makes Ennio Morricone so tremendous – a bit of bossa here, some funky bits there, and even some spookier slow passages with a nice atonal feel! The main theme of the record is more than enough to get us going – a wonderful tune with wordless female vocals in the best Mondo Morricone mode – but other instrumental tracks follow with some very cool, slow moments – including some great love themes which then lead to some beefier, bouncier numbers that are really great too. This limited 2CD version is great – with a total of 24 tracks that include "La Lucertola", "Magia Nera", "Giorno Di Notte", "Spiriti", "Ancora Ad Est", "Sfinge", "Spostato Ad Est", and "A Lucio Fulci". CD

A great little soundtrack from Ennio Morricone – with music that sports vocals both by I Cantori Moderni and Edda Dell'Orso – both of whom are working in prime Mondo Morricone modes! There's a dreamy feel to the best numbers on the set – heard most perfectly in the classic "Guardami Negli Occhi", which has Edda's vocals unfolding like tiny flowers dropping into a river – that magical sound she has, which no other singer can match – and which makes some of these Morricone soundtracks completely essential. All tracks are great, and other titles include "Matto Caldo Soldi Morto Girotondo", "Ninna Nanna Per Adulti", "Una Spiaggia A Mezzogiorno", and "Un Altro Mare". LP, Vinyl record album

One of the most haunting Morricone soundtracks ever – and one of the grooviest too! The album's a perfect blend of our two favorite styles of Morricone work – that of the floating female vocal over a gentle groove, and the darker, tenser side of his music. The main "Verushka" theme is one of his most beautiful – a variation of female vocals with a gentle edge, in the tradition of classic soundtracks like La Donna Invisible or Le Photo Proibite. This theme shifts from mood to mood over the course of the LP, occasionally giving way to some more atonal passages and other more jazz-based tunes – more of which are included here than on the original release, thanks to an expanded reissue! Titles include a number of takes on the "Verushka" theme, plus "Astratto", "La Bambola", "Le Fotografie", "La Spiaggia", and "Dopo L'Intervista". LP, Vinyl record album

Director Quentin Tarantino has drawn plenty of inspiration from the music of Ennio Morricone over the years – either using short passages of older Morricone music in his films, or evoking the substance and style of the maestro in the way he uses sounds from other sources too! So it's only fitting that this time around, the pair are finally brought together fully – as Morricone turns out one of his best soundtracks in years for Tarantino's Hateful Eight – a brooding, suspenseful tale that owes plenty to the western generation that first sprung Morricone to global fame! Yet as with most of Ennio's best work, the style here is something that goes far beyond expectation – orchestrations that take on a style completely their own – with instrumental elements that have stronger focus amidst the larger charts, and a sense of mood and color here that's completely sublime. The record is mostly music from Morricone – written for the film – and features a few passages of dialogue from the movie, plus just a few additional tracks by The White Stripes, Roy Orbison, and David Hess. Yet it's more than fair to think of this as a complete score by Morricone – very different than the usual compilation-style soundtracks we've had before from Tarantino. LP, Vinyl record album

A lesser-known Morricone soundtrack – written for an obscure western, but right up there with some of the maestro's best for much bigger movies! A number of tunes have that spooky "whistler" style of writing that we love from Morricone – spare whistling over darker orchestrations – in ways that create some spare and wonderful passages that are especially great! Other tracks are a bit fuller, and more dramatic – the bolder western modes of the 60s – and the set also features two vocal numbers, sung by I Cantori Moderni – that wonderful vocal group that shows up on some of our favorites from the time. Titles include "Paco", "Ricciolo", "Liberta", "Estasi", "Bamba Vivace", "Fiesta", and "Il Mercenario" – and the CD's got 16 tracks in all. CD

A pair of Morricone soundtracks – back to back on a single CD! First up is La Vita A Volte E Molto Dura Vero Provvidenza – a very cool western score from Ennio Morricone – one of those great records that isn't really a western soundtrack at all – at least not in the conventional way! The film is a comedy, and the maestro throws in a lot of early 70s comedic elements to the music – some "yeh yeh" vocals at points from I Cantori Moderni, a playful rhythm at other moments, and really creative interplay with styles that updates an older west mode to a very groovy 70s vibe! Most tracks are short, and work together in this excellent pastiche of sounds – making for a record that's a lot more upbeat and unusual than you might expect. 20 tracks in all! Ci Risiamo Vero Provvidenza is a follow-up film, with Tomas Milian starring as the same Provvidenza character – and gets scoring from Ennio Morricone and Bruno Nicolai in a very groovy style! The sound is often more 70s comedy than 19th Century western – with electric guitar bits, cool effects, and sometimes I Cantori Modern singing in a sing-song style. CD has 15 more tracks from the second film – a total of 35 titles in all! CD

A dark and extremely avant garde soundtrack from the great Ennio Morricone – one that's done in collaboration with his own Gruppo Improvvisazione Nuova Consonanza – an ensemble with roots in film scoring, but expressions that are more in the mode of 20th century avant! The music is a blend of free improvisation and more straight ahead jazz – with electric guitar, trumpet, violin, and percussion mixed with lots of weird effects and electronics – much more experimental than some of Morricone's more famous soundtracks of the time, and given a nice sense of direction from conductor Bruno Nicolai. The whole thing's incredibly spooky – one of the most turgid scores we've ever heard from the pen of Morricone – and the titles include "Sequita", "Evaporazione", "Dal Sogno E Ritorno", "Folle Folle", and "Notte E Misteri". (Note: This item is not for sale online until 7:00am on Sunday, April 23. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, April 22. It will not be pre-sold or reserved in any way. However, after 7:00am on April 23 we will offer up whatever we have left for sale online.) LP, Vinyl record album

Includes the soundtracks to Once Upon A Time In America, the Godfather parts 1 to 3, along with various songs from other gangster movies by Morricone. CD

One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and samples over the years – but the whole thing's a lot more complex than just that tune – with lots of the same sense of space and brooding that Morricone brought to his music for Once Upon A Time In The West – with careful use of key instruments on a track by track basis, and these floating lines that almost signaled a whole new way of recording music for a film soundtrack. And yes, there's certainly key western elements like guitar or harmonica – but maybe more striking are all the points at which these obvious tropes disappear – to leave us with those really unique Morricone sounds that go way beyond music! Titles include "The Sundown", "The Good, The Bad, & The Ugly", "Marcia", "The Desert", "The Strong", and "The Trio". LP, Vinyl record album

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A surprisingly great Morricone soundtrack – written for Pasolini's film of Arabian Nights, and scored with an equally dark edge! The feel of the music is incredibly somber – with spare organ passages that rumble with dark bass-y notes and push sound off into space, next to moodier sections that have plucked string melodies dancing out hopefully, only to be sucked back into the overall darkness of the album. There's also some wonderful production that creates that sparkly finish along the edges of notes – a trait that we can't describe accurately, but which makes so many of Morricone's better works from the time so great. The whole thing is presented here in a beautiful package, with new mastering and even better artwork than the previous version! CD

A cool change from the usual from Ennio Morricone – a later soundtrack, and one that features some surprisingly jazzy tracks! Part of the set features the more standard Morricone orchestrations you might expect – some really great tracks that have offbeat larger arrangements that are nicely unsettling, but in a completely charming way. But other tracks are even more striking – and feature performances by the trio of pianist Enrico Pierannunzi – working here at his most fluid and vibrant, with a style that's even more evocative than most of his standard albums! A few numbers have a groove we've never heard from Enrico, and some of the orchestral tracks are mighty groovy too – very different than what you might expect from the 1980 date of the film. Titles include "Cinque Quarti", "Double Face", "Citta Viva", "Madre Assente", "Stranamente Un Giorno", and "Per Enrico Riccardo E Roberto". CD

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A beautiful recent orchestral performance by Morricone – recorded live in 1998, and featuring the maestro at the head of the orchestra and chorus of the Accademia Nazionale Di Santa Cecila. The album features new readings of a number of Morricone's older themes, and there's some haunting vocal work, recorded with very crisp fidelity, but in a manner that's different than some of Morricone's studio soundtracks. Very nice, and proof that Morricone needs to be considered as one of the 20th century's best composers! CD

Wonderfully experimental music from Ennio Morricone – even darker at times than some of his famous horror soundtracks – and a record that was only pressed up in an initial small sound library run! The music has an offbeat blend of string elements, percussion, and other darker tones – recorded with some processing and unusual production touches – at a level that's very similar to Morricone's music with Gruppo Di Improvvisazione Nuova Consonanza, who also make an appearance on the set! Most tracks have this sort of progression of elements – a quality that's not directly rhythmic, but which creates a core energy that holds the more obtuse elements together – and titles include "Controfase", "Tempo", "Con Ferma Ostinazione", "Follia", and "Degenerazione". LP, Vinyl record album

The kind of sexy Morricone soundtrack we really really love! This overlooked gem is a sweet 70s side – written for a love story starring Marcello Mastroianni and Nastassja Kinski, and done with the lightly erotic touches that make even Morricone's prettiest melodies extremely haunting and edgey. Most of the music is by a larger orchestra, with some isolated instrumentation – and although a few tracks get a bit uptempo, overall the mood is very languid, slowly drifting from note to note, like a breeze through a window on a summer afternoon. Sultry grooves from the master! Titles include "Verso Madrid", "Amore Per Amore", "Cosi Come Sei", "Spazio 1999", "Postludio Di Amore", and "Cosi Come Sei". LP, Vinyl record album

Ennio Morricone's beautiful score to one of the beautifully shot films of the 70s, or all time, really – Terrence Malick's legendary Days Of Heaven! It's gorgeous stuff, from Morricone's haunting main theme and his more classically enthralling sounds, as well as the rootsy folk guitar by Leo Kottke and and equally swampy fiddle dance number by Doug Kershaw. LP, Vinyl record album

A key look at two different slices in the mighty soundtrack career of Ennio Morricone – his legendary work for Italian director Sergio Leone, and his later re-use by Quentin Tarantino – the American director who was strongly influenced by Leone's work in the 60s! If you've never heard Morricone's music for the films of Leone, it's amazing – sounds that completely transform the work on screen, and which also helped push the genre of western forward a few notches too – a sonic landscape that's completely different from American western soundtracks, and filled with amazing sounds, unusual musical flourishes, and a level of scoring that's still light years ahead of its time! It's that quality that made the music so influential for Tarantino – who first re-used some of his favorite Morricone moments from the past, then had the maestro score some new music for films as well. That amazing link is presented strongly here – in a package that features 3 CDs of work for Leone – extensive material from the scores to For A Fistful Of Dollars, For A Few Dollars More, The Good The Bad & The Ugly, and Once Upon A Time In The West – plus a fourth CD that features Morricone music used in the Tarantino films Kill Bill, Inglorious Basterds, Django Unchained, and Hateful Eight – with bonus material too! CD

Includes themes from The Sicilian Clan, Once Upon A Time In The West, Moses The Lawgiver, The Professional, Once Upon A Time In America, Maddalena, The Mission, and more – all conducted by the composer. CD

A collection of the title themes from many of Morricone's most well known film soundtracks, along with some more obscure ones, spanning his entire career, with liner notes by John Zorn. Sixteen tracks in all, showcasing the depth and breadth of his work: "Once Upon A Time In America (Cockey's Theme)", "Man With The Harmonica", "My Name Is Nobody", "The Falls", "Le Vent, Le Cri", "Gabriel's Oboe", "Atto Di Dolore", "Le Marginal", and "Once Upon A Time In America (Debonair's Theme)". CD

A really beautiful collection of work from Ennio Morricone – one of the greatest soundtrack composers of all time, especially during the period covered in this set! The songs here are from a time when the maestro was effortlessly combining jazz, mod rhythms, rock instrumentation, and other stranger elements – all with a flawless sense of presentation and production that could make even familiar sounds come across in really different ways! The package definitely focuses on the groove promised in the title – but if you know Morricone at all, you'll know that that doesn't mean familiar funk, and instead hits some really mindblowing territory beyond description. Includes work from the films Com Impari Ad Amare Le Donna, Ruba Al Prossimo Tuo, Il Diavolo Nel Cervello, Spasmo, Ad Ogni Costo, Maddaelna, La Dona Invisible, Le Foto Proibite, and other Morricone classics! LP, Vinyl record album

If there's one thing you can say about Ennio Morricone, he always brings his best to a project – even if that project is kind of a cheapo 80s swords and sorcery tale starring Arnold Shwarzenegger! The music here is maybe a bit more dramatic and action-based than some Morricone scores – but in a way, it's as if the whole project is Ennio tipping his hat to the soundtrack styles of the blood and sandals generation on the Italian scene in the years before he first rose to fame. The maestro really tops that mode with fantastic work here – including some nicely dramatic choral voices that really send things over the top – and titles include "Temple Raid", "Sonja And The Sword Master", "The Gate Of Brytag", "The Chamber Of Lights", "Sonja Teaches Tarn", "Entering The Castle", and "Sonja Defeats The Queen". CD

A really unique little record – one that's a revelation both to lovers of the music of Ennio Morricone, and fans of the sci-fi TV classic Space 1999! The program was famously scored by Barry Gray – in a sweet 70s variation of the best Brit TV modes – but here, the music is provided by Ennio Morricone – who created his own music for a special cinematic release in Italy – sounds that didn't get any global circulation at the time, and which are quite unknown to longtime devotees of the program, too! Morricone's music is extremely moody – an unusual blend of avant jazz, electronics, and other offbeat touches that are lifted from his horror work, but then abstracted in a very different way – and used here in some of his most striking sounds since his performances with the Gruppo D'Improvvisazione Nuova. CD features 70 minutes of music in all – a great discovery – and titles include "Eletronica #1", "Parallasse", "Suoni Di Una Nuova Civilita", "Interposione", "Studio", "Follia Nello Spazio", "Fasi", and "Elettronica #4". CD

One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and samples over the years – but the whole thing's a lot more complex than just that tune – with lots of the same sense of space and brooding that Morricone brought to his music for Once Upon A Time In The West – with careful use of key instruments on a track by track basis, and these floating lines that almost signaled a whole new way of recording music for a film soundtrack. And yes, there's certainly key western elements like guitar or harmonica – but maybe more striking are all the points at which these obvious tropes disappear – to leave us with those really unique Morricone sounds that go way beyond music! Titles include "The Sundown", "The Good, The Bad, & The Ugly", "Marcia", "The Desert", "The Strong", and "The Trio". PLUS, this stunning 3CD edition might well be the most comprehensive ever – as it includes the original album, plus 63 more tracks from the film recordings – almost 3 hours of music, all of it pure Morricone genius! CD

Not the trashy kind of passion you might expect from the cover – but instead, one of the most trademark sides of legendary film composer Ennio Morricone – his talent for building a tune up slowly, almost out of nowhere, then letting it flow gently with a wonderful sense of space and sound! These cuts move between the bossa and jazz-inspired modes of his late 60s soundtracks, and that richer style that he would use to great international fame in the 80s – making the music here a great 70s bridge, with some wonderful tracks from a variety of Italian films of the time. The set features work from the films Il Giro Del Mondo, Cosa Avete Fatto A Solange, Le Due Sagioni Della Vita, Amanti D'Oltretomba, Cuore Di Mamma, I Figli Chiedono Perche, Per Le Antiche Scale, Maddalena, Mi Vedrai Tornare, and other lost classics – 21 tracks in all. LP, Vinyl record album

An amazing record – one that stands as one of Chico Buarque's greatest from the 70s! The set was recorded in Italy in 1970 – and features Chico singing lead vocals over backings handled by Ennio Morricone – all in a style that's a perfect blend of MPB with the best elements of the Italian scene of the time! The songs are all originals written by Chico – and have a light and dreamy samba/bossa feel, one that's inflected by the off-beat orchestral style of Morricone, and supported by vocals from I Cantori Moderni. The feel is halfway between Chico's work on RGE and some of the dreamier Morricone soundtracks of the time – and it's a wonderful thing to have a strong male lead vocal over backings from Morricone – a really rare thing for the time, with results that are tremendous. Titles include "Rotativa", "Samba E Amore", "Nicanor", "Tu Sei Una Di Noi", "In Te", "Ed Ora Dico Sul Serio", and "Quete E Quelle". CD

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A surprisingly great Morricone soundtrack – written for Pasolini's film of Arabian Nights, and scored with an equally dark edge! The feel of the music is incredibly somber – with spare organ passages that rumble with dark bass-y notes and push sound off into space, next to moodier sections that have plucked string melodies dancing out hopefully, only to be sucked back into the overall darkness of the album. There's also some wonderful production that creates that sparkly finish along the edges of notes – a trait that we can't describe accurately, but which makes so many of Morricone's better works from the time so great. 14 tracks in all, and a really unified little gem! LP, Vinyl record album

One of Ennio Morricone's most famous film scores – and certainly the one that got him recognized as a genius on a global level! The whole thing's pretty damn eerie – about as eerie as the movie, which is a real stunner – and it shifts from dark orchestral themes to sparer numbers that use guitar, banjo, and some really creepy whistling to set the mood – that landmark Morricone sense of space that really transformed film music in the 60s. Some tracks feature vocal work by I Cantorni Moderni, directed by Alessandro Alessandroni – and titles include "C'Era Una Volta Il West", "L'Ultimo Rantolo", "L'Uomo", "L'Uomo Dell'Armonica" and "L'America Di Jill". LP, Vinyl record album

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Great Morricone music for this legendary Italian western – a film that was first advertised with the line "When you've waited 15 years to a kill a man, it's a shame you can only kill him once!" The music here shows the same sort of determination as that statement – a driving, relentless theme by Morricone, taken to greater heights by the vocal chorus of I Cantori Moderni – who bring a nice sense of drama to the music, and almost underscore some of the darker elements that the maestro would use more heavily in the 70s! And as usual with Ennio, there's lots of weird, unusual elements at play – including oddly-tuned guitar parts, a spooky flute line, and even some subtle sonic modes that we can't figure out at all. Titles include "Death Rides A Horse", "Guitar Nocturne", "Man & A Whistle", "Anger & Sorrow", "Alone In The Night", and "Mystic & Severe". 26 tracks in all! CD

45 tracks on 2 CDs. CD

An archetypal record all the way through – with some of the best Morricone western styles from the period – and still one of the greatest in its genre! To match the darkness of the film, Morricone's working here in a spare, stark mode – using bits of guitar and whistling to state the themes of the tunes in a simple, yet dramatic way. The legendary Alessandro Alessandroni handles both of these aspects of the record – as well as the I Cantori Moderni choir which sings on a few numbers too. Edda Dell'Orso lends her haunting, wordless vocal, too – and the titles include "Per Qualche Dollaro In Piu","La Resa Dei Conti", "Psserviatori Osservati", "Il Corpo", "Poker D'Assi", "Carillon", "Addio Colonnello" and Il Visio Di Uccidere". LP, Vinyl record album

One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and samples over the years – but the whole thing's a lot more complex than just that tune – with lots of the same sense of space and brooding that Morricone brought to his music for Once Upon A Time In The West – with careful use of key instruments on a track by track basis, and these floating lines that almost signaled a whole new way of recording music for a film soundtrack. And yes, there's certainly key western elements like guitar or harmonica – but maybe more striking are all the points at which these obvious tropes disappear – to leave us with those really unique Morricone sounds that go way beyond music! Titles include "Il Deserto", "Fine Di Una Spia", "Marcetta", "Padre Ramirez", and "La Carrozza Dei Fantasmi". LP, Vinyl record album

One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and samples over the years – but the whole thing's a lot more complex than just that tune – with lots of the same sense of space and brooding that Morricone brought to his music for Once Upon A Time In The West – with careful use of key instruments on a track by track basis, and these floating lines that almost signaled a whole new way of recording music for a film soundtrack. And yes, there's certainly key western elements like guitar or harmonica – but maybe more striking are all the points at which these obvious tropes disappear – to leave us with those really unique Morricone sounds that go way beyond music! Titles include "Insequimento", "Il Deserto", "Il Bandito Monco", "Fine Di Una Spia", "Marcetta", "Padre Ramirez", and "La Carrozza Dei Fantasmi". LP, Vinyl record album

An early soundtrack from Ennio Morricone – and a more unusual setting than some of his famous later work of the 60s and 70s! The movie is a prison comedy, and is handled by Morricone with style that's heavily in the crime jazz side of the spectrum – maybe more in the mode of Piero Piccioni in the early 60s, and occasionally mixed with some more dramatic tracks, and a few playful comedic moments. The whole thing is a very different slice of the maestro than expected, and still pretty darn great – a key look at his roots before stardom. Titles include the vocal number "Oh Little Birdy" – plus "Gangsters", "Al Night Club", "Bossa Per Gloria", "Incontro Dei Boss", "Le Sedie Elettriche", "Ballando Ballando", and "Il Tempo Che Passa". CD

A very spooky score for this film that's also known in America as "The Cat With Nine Tails" – the second collaboration between Ennio Morricone and noted horror director Dario Argento! The album's a bit different than some of Morricone's other work on horror films – and at times, it almost has qualities that sound more like a western – a spacious mix of light strings and more sparely focused instrumentation – sometimes a bassline, sometimes a bit of flute. Other numbers get a bit more dark and jagged – slightly atonal, with shimmering, shifting styles that create a tremendous amount of tension! Titles include "Paranoia Prima", "1970", "Sottintesi", "Ninna Nanna In Blu", "Placcaggio", and "Metafora Finale". Also fetaures three bonus tracks – "Passeggiata Notturna (single version)", "Placcaggio (alt)", and "Ninna Nanna In Blu (movie takes version)". LP, Vinyl record album

One of the more contemplative 70s soundtracks from Ennio Morricone – almost a step towards the direction he'd take with some of his big international hits of the 80s! The music is often pensive – with some beautiful spare woodwind moments amidst light larger orchestrations – never too lush, and always handled with that spacious quality that makes the maestro so different from so many other composers of his time. The music is for an obscure TV project, far less well-known than some of his others – and the set features the lovely vocal tune "Dove Sei Amore", plus "L'Estate E'Finita", "Si L'Ammuri", and "I Due Prigionieri" – in different variations. LP, Vinyl record album

An excellent 2CD set that's filled with some of the grooviest Morricone tracks ever! This stuff's the real deal, with the kind of sparkling little cuts that make his Italian soundtracks stand as some of our favorite over the years. You may have a few of these tracks on other releases, but the whole darn thing's super-groovy, and it's got a whopping 39 cuts over 2 CDs in a very nice package! Titles include "Theme from Le Trio Infernal", "L'Attico Illuminato", "Tema", "Escalation", "E Finalmente", "Bianco Rosso E Verdone", "Una Strana Coppia", "Belinda May", "Soluzione Borghese", "Splash", "Can Can Delle", and soooooo much more! Put together with the kind of care you'd expect from a Japanese compilation – which means that there's not a sleeper cut on here! CD

Rare soundtrack work from Ennio Morricone, recorded for an Italian TV series that didn't get any play on this side of the Atlantic! The music has a surprisingly haunting quality, especially for television – almost the darker side of Morricone that you'd hear in the earlier part of the 70s, and less like some of his warmer scores of the time when this one was recorded. Edda Dell'Orso sings quite darkly on a few tracks – really bringing an edge to the music – and there's also a mix of atonal strings and lighter, lilting moments – of the sort we're much more likely to hear in some of Morricone's best cinematic endeavors. Titles include "Tema Borghese", "Tema Popolaresco", "Passione E Misticismo", "Musica Di Strada No 1", "Solo Violini", and "Notturno Senza Lunda". LP, Vinyl record album

One of the greatest Ennio Morricone dramatic scores of the 70s – composed for Bernardo Bertolucci's epic film Novocento, and featuring some of Morricone's best serious scoring at the time! The work's got a sense of majesty and authority that befits the historical setting of the film – not nearly as groovy as some of Morricone's other work from the decade, but equally great in its own way. Features 16 tracks in all – and titles include "Romanzo", "Estate 1908", "Regalo Di Nozze", "La Polenta", "Tema Di Ada", "Verdi E Morto", "Il Quarto Stato", and "Olmo E Alfredo". LP, Vinyl record album

Magical mainstream Morricone – a sublime score for Sergio Leone's epic tale of gangland growth in the 20th century! Although penned for a wider audience, most of the best Morricone elements are still at play in this soundtrack – a great sense of space and timing, and some key use of spare, isolated instruments – including the pan flute of George Zamfir, an odd choice given the New York setting of the film, but one that comes off beautifully in the mix. Strings back up most of the tunes, but they're never too sleepy – just slightly sentimental, but in a really good way. Titles include "Childhood Memories", "Once Upon A Time In America", "Cockeye's Song", "Childhood Poverty", "Friends", "Photographic Memories", "Speakeasy", and "Poverty". CD also features some bonus tracks too! LP, Vinyl record album

A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". 2LP set features a number of tracks that appear here on vinyl for the first time – and one previously-unissued track – a total of 30 titles in all! LP, Vinyl record album

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Dark genius from the legendary Ennio Morricone – one of the most important film composers of the 20th Century, and a master in just about any style! The work here represents a shift that Morricone made into darker modes as the 70s approached – sounds that stepped off from some of the moodier moments of his 60s western scores – especially those times when he might abstract the instrumentation, or use some elements borrowed from his experience in the Italian avant garde. These tracks are still tuneful, but also have a moody complexity that's breathtaking – and which would rewrite the rules for Hollywood soundtracks, as well as the Italian scene, for decades to come. The 2LP set features tracks from the films Il Segreto, Copkiller, Le Foto Proibite, Il Trio Infernale, I Sopravvissuti, La Corta Notte Delle Bambole, Citta Violent, Dimensioni Sonore, and Il Serpente – all wrapped up in a beautiful package! LP, Vinyl record album

Fantastic sounds from Ennio Morricone and Bruno Nicolai – a set of rare albums of more serious music done for RCA – very much in the darker spirit of their recordings with the Gruppo D'Improvvisazione Nuova! The music here is more avant compositional than some of Morricone's lighter soundtrack material – with especially strong work on strings, showing the way that the maestro learned his sense of offbeat tones and phrasings from the 20th Century classical scene, which he then applied famously to some of his horror scores of the time! The music here definitely has qualities that match the spookier soundtrack 70s material from Morricone or Nicolai – especially his move to horror at the time – and as with just about all of his recordings, there's a fair bit of unusual sounds and elements that are extremely hard to peg in terms of their sources. This amazing package brings together ten full albums of music – five by each composer – all originally issued by Italian RCA, here in their original covers – complete with a huge book of notes in English and Italian – all packaged in a hand-crafted wood box too! CD

A dark and extremely avant garde soundtrack from the great Ennio Morricone – one that's done in collaboration with his own Gruppo Improvvisazione Nuova Consonanza – an ensemble with roots in film scoring, but expressions that are more in the mode of 20th century avant! The music is a blend of free improvisation and more straight ahead jazz – with electric guitar, trumpet, violin, and percussion mixed with lots of weird effects and electronics – much more experimental than some of Morricone's more famous soundtracks of the time, and given a nice sense of direction from conductor Bruno Nicolai. The whole thing's incredibly spooky – one of the most turgid scores we've ever heard from the pen of Morricone – and the titles include "Sequita", "Evaporazione", "Dal Sogno E Ritorno", "Folle Folle", and "Notte E Misteri". Expanded version – with 21 tracks in all! CD

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Features music from Once Upon A Time In The West, My Name Is Nobody, Orient Express, Untouchables, Fistful Of Dynamite, Le Professionnel, Once Upon A Time In America, and Fistful of Dollars. CD

A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". 2LP set features a number of tracks that appear here on vinyl for the first time – and one previously-unissued track – a total of 30 titles in all! LP, Vinyl record album

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Nice compilation broken up into themes of romantic, drama, comedy, western, epic, and thriller/police –33 tracks total. CD

One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and samples over the years – but the whole thing's a lot more complex than just that tune – with lots of the same sense of space and brooding that Morricone brought to his music for Once Upon A Time In The West – with careful use of key instruments on a track by track basis, and these floating lines that almost signaled a whole new way of recording music for a film soundtrack. And yes, there's certainly key western elements like guitar or harmonica – but maybe more striking are all the points at which these obvious tropes disappear – to leave us with those really unique Morricone sounds that go way beyond music! Titles include "Insequimento", "Il Deserto", "Il Bandito Monco", "Fine Di Una Spia", "Marcetta", "Padre Ramirez", and "La Carrozza Dei Fantasmi". CD

A really fantastic score from Ennio Morricone – maybe better this time around than the images on the screen for some of his other westerns of the period – more proof that the maestro was always willing to rise above, and give his best no matter what the setting! The music begins with some already-fantastic elements – mule-like noises that mark the theme and title of the film – carried out with that fantastic sense of western flourish that Morricone could do so well – a use of space in the music that evokes the landscape, even without images to view – as subtle orchestrations mix with occasional guitar, and a fair bit of the sorts of unfamiliar sounds that the maestro was always able to create! Titles include "The Braying Mule", "The Battle", "The Cool Mule", "La Cueva", "Night On The Desert", and "Time For Miracles". This massive 2CD edition features the original 11 track album from 1970 – plus a full bonus CD of songs from the film score, most of which appear here for the first time ever – 21 more tracks, and a bonus hour's worth of music! CD

Director Quentin Tarantino has drawn plenty of inspiration from the music of Ennio Morricone over the years – either using short passages of older Morricone music in his films, or evoking the substance and style of the maestro in the way he uses sounds from other sources too! So it's only fitting that this time around, the pair are finally brought together fully – as Morricone turns out one of his best soundtracks in years for Tarantino's Hateful Eight – a brooding, suspenseful tale that owes plenty to the western generation that first sprung Morricone to global fame! Yet as with most of Ennio's best work, the style here is something that goes far beyond expectation – orchestrations that take on a style completely their own – with instrumental elements that have stronger focus amidst the larger charts, and a sense of mood and color here that's completely sublime. The record is mostly music from Morricone – written for the film – and features a few passages of dialogue from the movie, plus just a few additional tracks by The White Stripes, Roy Orbison, and David Hess. Yet it's more than fair to think of this as a complete score by Morricone – very different than the usual compilation-style soundtracks we've had before from Tarantino. CD

One of the most ambitious-sounding records we've ever heard from Calibro 35 – but that's no surprise, given that they're taking on the music of maestro Morricone! If you know the group at all, you'll know that they do a tremendous job taking cinematic inspiration to really funky territory – and here, they continue that legacy, but with some of the more sophisticated, complex sorts of sounds you'll find in the famous soundtrack material of Ennio Morricone – really pushing their instrumental palette, while also managing to find a groove as well – as they mix Fender Rhodes, guitar, percussion, and a small dash of horns and strings – to serve up fresh takes on titles that include "Svegliati E Uccidi", "The Good The Bad & The Ugly", "Arena", "La Classe Operaia Va In Paradiso", "Una Stanza Vuoto", "Once Upon A Time In The West", and "L'Uomo Dell'Armonica". CD

One of the most ambitious-sounding records we've ever heard from Calibro 35 – but that's no surprise, given that they're taking on the music of maestro Morricone! If you know the group at all, you'll know that they do a tremendous job taking cinematic inspiration to really funky territory – and here, they continue that legacy, but with some of the more sophisticated, complex sorts of sounds you'll find in the famous soundtrack material of Ennio Morricone – really pushing their instrumental palette, while also managing to find a groove as well – as they mix Fender Rhodes, guitar, percussion, and a small dash of horns and strings – to serve up fresh takes on titles that include "Svegliati E Uccidi", "The Good The Bad & The Ugly", "Arena", "La Classe Operaia Va In Paradiso", "Una Stanza Vuoto", "Once Upon A Time In The West", and "L'Uomo Dell'Armonica". LP, Vinyl record album

This isn't the first time that Calibro 35 have paid tribute to the music of soundtrack genius Ennio Morricone – but given how much great music Morricone gave us over the decades, this project is still very much the tip of the iceberg! If anything, the group have really deepened their sound a lot for the project – working with more patience and sophistication, at a level that really fits the tunes – and which shows that after starting out as a funky group copying older soundtrack modes, these guys might well be ready to take on the world of film on their own! The orchestrations are superb, and we may well even like this one more than the first volume – thanks to top-shelf work on titles that include "Passagi Nel Tempo", "La Tarantola Dal Ventre Nero", "Ballad Of Sacco & Vanzetti", "Il Gatto A Nove Code", "Ancora Qui", "Indagine Su Un Cittadino Al Di Sopra Di Ogne Sospetto", and "Milano Odia". LP, Vinyl record album

This isn't the first time that Calibro 35 have paid tribute to the music of soundtrack genius Ennio Morricone – but given how much great music Morricone gave us over the decades, this project is still very much the tip of the iceberg! If anything, the group have really deepened their sound a lot for the project – working with more patience and sophistication, at a level that really fits the tunes – and which shows that after starting out as a funky group copying older soundtrack modes, these guys might well be ready to take on the world of film on their own! The orchestrations are superb, and we may well even like this one more than the first volume – thanks to top-shelf work on titles that include "Passagi Nel Tempo", "La Tarantola Dal Ventre Nero", "Ballad Of Sacco & Vanzetti", "Il Gatto A Nove Code", "Ancora Qui", "Indagine Su Un Cittadino Al Di Sopra Di Ogne Sospetto", and "Milano Odia". CD