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Elvin Jones Edit search Phrase match

 
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Exact matches: 24
Exact matches1
CD, LP, Vinyl record album cover art
Tommy Flanagan/Red Mitchell/Elvin JonesSuper Session ... CD
Enja/Ultra Vybe (Germany), 1980. New Copy ... About April 22, 2020
A well-titled super session from pianist Tommy Flanagan, bassist Red Mitchell, and drummer Elvin Jones – and one with a bit more sense of surprise than similar all-star trio outings from the 80s! There's a looseness here that's a good antidote to some of the more tightly-produced Japanese trio sessions – by the Great Jazz Trio, Super Jazz Trio, and other groupings of American players – and Flanagan's touch on the keys is especially nice here, almost a bit more "human" than on other records – with an odd sense of tone and phrasing that keeps our interest throughout. Titles include "Too Late Now", "Minor Perhaps", "Rachel's Rondo", "Things Ain't What They Used To Be", and "Django". CD

Exact matches2
CD, LP, Vinyl record album cover art
John Hicks, Cecil McBee & Elvin JonesPower Trio ... CD
BMG, 1990. Used ... $8.99
... CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Elvin JonesFamiliar Ground ... CD
West Wind, 1982. Used ... $10.99
... CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
Elvin JonesLive At The Village Vanguard ... CD
Enja/Ultra Vybe (Japan), 1968. New Copy ... About April 22, 2020
Prime post-Coltrane material from Elvin Jones – featuring his "power trio" style of operation, with one great sax player out front, and Jones kicking it in the back with the bass player! In this case, the sax player is George Coleman – who's really finding a voice of his own in these late 60s years, and really makes the most of the extended space of the album to stretch out, soar, and show off his ever-growing talent for a powerful solo! Wilbur Little is on bass, playing nice round warm notes to offset Jones' edgey playing – and the group's joined by trumpeter Hannibal Marvin Peterson on one track – who brings in a soulful edge that's mighty nice. All tracks are nice and long – and titles include "Laura", "Mister Jones", and "By George". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesMr Jones (180 gram pressing) ... LP
Blue Note, 1972. New Copy ... $22.99 24.99
A overlooked gem in Elvin Jones' Blue Note career – and an album that's virtually the blueprint for the Stone Alliance sound forged later in the decade by bassist Gene Perla and reedman Steve Grossman! Both players are working to full effect on this smoking little set – mixing some of the more spiritual modes of other group members with their own sharper-edged, funky-leaning styles – all held together perfectly by both Jones' tight work on drums, and his expansive musical vision! Other players are great too – and include Pepper Adams on baritone sax, David Liebman on flute and tenor, and Jan Hammer on acoustic piano – an instrument he handles with surprising subtlety and soul. Many cuts have a hard, choppy groove – and titles include a remake of "Gee Gee", plus "One's Native Place", "Mr Jones", and "What's Up – That's It". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Elvin JonesSoul Train ... LP
Denon (Japan), 1980. Near Mint- ... $19.99
Soulful intensity from Elvin Jones and his Jazz Machine! Soul Train is of the many great originally import-only sessions that Jones cut with his Jazz Machine group during the late 70s – an ensemble who in this case featured Andrew White on alto, and Ari Brown on tenor and soprano. Like most sides of this nature by Jones, there's no piano in the group, and guitar takes its place on the driving rhythmic tracks – pushing the band to intense free fury on some of the album's more hard-hitting numbers. Excellent stuff! Titles include "Doll Of The Bride", "Heavy Hit", "Soul Train", "George & Me", and a take on Duke Ellington's "In A Sentimental Mood". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Elvin JonesVery RARE ... CD
Evidence, 1979. Used ... $18.99
Very rare indeed – and one of the best 70s albums from Elvin Jones – thanks to a tight quartet lineup who follow his every move with tremendous energy! The style's not as all-out bombastic as Jones could sometimes be in these days – and with a group that includes Roland Hanna on piano, Art Pepper on sax, and Richard Davis on bass, Elvin's in company that allows him to be strongly expressive on both sides of the spectrum! Sure, there's a few searching, soaring numbers that show Elvin's Coltrane roots – but there's also some gentler more introspective moments too, ones that provide great space for solos from Hanna and Pepper. Titles include "Witching Hour", "Pitter Pat", "Tin Tin Deo", "Zange", "Sweet Mama", and "Passion Flower". CD
(Out of print.)
Also available Very RARE ... CD 22.99

Exact matches8
CD, LP, Vinyl record album cover art
Elvin JonesVery RARE ... CD
Trio/Ultra Vybe (Japan), 1979. New Copy ... $22.99
Very rare indeed – and one of the best 70s albums from Elvin Jones – thanks to a tight quartet lineup who follow his every move with tremendous energy! The style's not as all-out bombastic as Jones could sometimes be in these days – and with a group that includes Roland Hanna on piano, Art Pepper on sax, and Richard Davis on bass, Elvin's in company that allows him to be strongly expressive on both sides of the spectrum! Sure, there's a few searching, soaring numbers that show Elvin's Coltrane roots – but there's also some gentler more introspective moments too, ones that provide great space for solos from Hanna and Pepper. Titles include "Witching Hour", "Pitter Pat", "Tin Tin Deo", "Zange", "Sweet Mama", and "Passion Flower". CD
(Part of the Jazz Legends In Japan series!)
Also available Very RARE ... CD 18.99

Exact matches9
CD, LP, Vinyl record album cover art
Elvin JonesYoungblood ... CD
Enja (Germany), 1992. Used ... $8.99
Plenty of young blood here – a trio of powerful horn players who really make the set stand out nicely! Elvin Jones proves once again that his ear for a horn is almost as great as his work on the drums – and having chosen the trumpet of Nicholas Payton, and tenors of Javon Jackson and Joshua Redman, he really sets about making this session cook! The quintet's completed by bassist George Mraz – who's also a great component to the sound – and although some of the tunes come on with that hard-pounding approach that Jones developed in the post-Coltrane years, there's also a straighter hardbop groove going on that we like even more. Titles include "The Biscuit Man", "Lady Luck", "Ding A Ling A Ding", "Not Yet", "Have You Seen Eleveen", "My Romance", and "Youngblood". CD
(Out of print first pressing.)

Exact matches10
CD, LP, Vinyl record album cover art
Elvin Jones & McCoy TynerLove & Peace ... CD
Trio/Ultra Vybe (Japan), 1982. New Copy ... Just Sold Out!
A wonderful later album from these two Coltrane bandmembers – reunited here in the early 80s, working in a mode that's very much in keeping with their rich spiritual jazz legacy! The group on the album's a quintet – with Pharoah Sanders on tenor, Richard Davis on bass, and Jean-Paul Bourelly on electric guitar. Sanders' majestic tenor solos really make the album sparkle – as he's blowing in a mode that feels a lot like Coltrane, circa 1963, touched with some of his own raspy soul, which makes for a different edge. Titles include "Little Rock's Blues", 'Hip Jones", "For Tomorrow", "Korina", and "Origin". CD
(Part of the Jazz Legends In Japan series!)

Exact matches11
CD, LP, Vinyl record album cover art
Elvin Jones with Jan Hammer & Gene PerlaElvin Jones Is On The Mountain ... CD
PM/Solid (Japan), 1975. Used ... $13.99
An overlooked gem from Elvin Jones' mid 70s years – and a sweet fusion jammer that has the best kick of the classics on the PM label! The group's a trio, with Jones on drums, Gene Perla on bass, and Jan Hammer on drums – and Elvin may be the leader of the set, but the real strength of the album belongs to the record's tight bass work by the great Perla – strong-voiced and soulful, and doing a good job here of keeping both Jones and Hammer focused on the groove of the tunes – as Hammer's keyboards spin out with lots of sweet cosmic touches! Titles include "Namuh", "On The Mountain", "Smoke In The Sun", "Destiny", and "London Air". CD
(Includes obi.)
Also available Elvin Jones Is On The Mountain ... CD 16.99

Exact matches12
CD, LP, Vinyl record album cover art
Elvin Jones with Jan Hammer & Gene PerlaElvin Jones Is On The Mountain ... CD
PM/Solid (Japan), 1975. New Copy ... $16.99
An overlooked gem from Elvin Jones' mid 70s years – and a sweet fusion jammer that has the best kick of the classics on the PM label! The group's a trio, with Jones on drums, Gene Perla on bass, and Jan Hammer on drums – and Elvin may be the leader of the set, but the real strength of the album belongs to the record's tight bass work by the great Perla – strong-voiced and soulful, and doing a good job here of keeping both Jones and Hammer focused on the groove of the tunes – as Hammer's keyboards spin out with lots of sweet cosmic touches! Titles include "Namuh", "On The Mountain", "Smoke In The Sun", "Destiny", and "London Air". CD
(Part of the Modern Jazz Connection series!)
Also available Elvin Jones Is On The Mountain ... CD 13.99

Exact matches13
CD, LP, Vinyl record album cover art
Elvin Jones/Jimmy Garrison SextetIllumination! ... CD
Impulse (Japan), 1963. New Copy ... About May 20, 2020
An amazingly unique little group – one that kind of stepped in the Impulse Records back door from the Coltrane galaxy, but which features some very unique aspects overall! As the cover states, the ensemble's led by bassist Jimmy Garrison and drummer Elvin Jones – and also features McCoy Tyner from Coltrane's quartet – yet the real charm of the record comes from the reed men, who include Prince Lasha on flute and clarinet, Sonny Simmons on alto and English horn, and Charles Davis on baritone sax! All players are free-thinking modernists, with ties to some of the farther reaches of 60s jazz – yet they work here in a beautifully inside mode, similar to Lasha's excellent Insight album on CBS UK – a vibe that takes all the most wonderful aspects of the Coltrane generation, but pushes them even further with some deeply personal expressions. Tracks include the seminal "Half & Half" – plus "Aborigine Dance In Scotland", "Oriental Flower", and "Nuttin Out Jones", and "Gettin On Way". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesElvin Jones Live At The Town Hall ... CD
PM/Ultra Vybe (Japan), 1975. New Copy ... Temporarily Out Of Stock
A fantastic live performance from drummer Elvin Jones – done in 1971 as part of a John Coltrane Memorial Concert – and a record that maybe shows just how much Jones had grown as a leader in the few short years after Coltrane's death! The album features two long, very freewheeling tracks – "Shinjitu" and "Simone" – certainly inspired by the freedoms allowed by the Coltrane Quartet of the 60s, but taken in really dynamic directions that not only come from the drums of Elvin, but also the bold, rich work of Gene Perla on bass – as the pair really drive things from the bottom, really encouraging some great sounds from Chick Corea on piano, Frank Foster on tenor and soprano, and Joe Farrell on tenor and flute. CD
(Part of the Modern Jazz Connection series!)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesGenesis ... LP
Blue Note, 1971. Very Good+ ... Temporarily Out Of Stock
Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a compelling edge to the record that's light years from Elvin's work with Coltrane – a completely new sensibility that can be spacious one minute, extremely powerful the next – and quite possibly realized to its fullest potential here, thanks to the mindblowing contributions of Dave Liebman on tenor and soprano sax, Frank Foster on tenor and flute, and Joe Farrell on alto and soprano sax. All three players work together on each track – and all shift reeds throughout the session – opening up majestically with inspiration from Elvin's drums, and some wonderful work from Gene Perla on bass. The sound is beyond easy categorization or simple style – and the record's filled with wonderful titles that include "PP Phoenix", "For All The Other Times", "Three Card Monty", and "Cecilia Is Love". LP, Vinyl record album
(Liberty/UA pressing. Cover has a small sticker.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesSkyscrapers Vol 3 ... LP
Honeydew, 1977. Sealed ... Temporarily Out Of Stock
With Elvin on drums, George Coleman on tenor, and Wilbur Little on bass – a real power trio! LP, Vinyl record album
(Still sealed!)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesSkyscrapers Vol 2 ... LP
Honeydew, 1977. Sealed ... Out Of Stock
With Elvin on drums, George Coleman on tenor, and Wilbur Little on bass – a real power trio! LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Elvin Jones & McCoy TynerLove & Peace ... CD
Evidence, 1982. Used ... Out Of Stock
A wonderful later album from these two Coltrane bandmembers – reunited here in the early 80s, working in a mode that's very much in keeping with their rich spiritual jazz legacy! The group on the album's a quintet – with Pharoah Sanders on tenor, Richard Davis on bass, and Jean-Paul Bourelly on electric guitar. Sanders' majestic tenor solos really make the album sparkle – as he's blowing in a mode that feels a lot like Coltrane, circa 1963, touched with some of his own raspy soul, which makes for a different edge. Titles include "Little Rock's Blues", 'Hip Jones", "For Tomorrow", "Korina", and "Origin". CD also features the bonus track "House That Love Built", recorded in 1978, by a lineup that includes Jones and Frank Foster. CD
(Out of print.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesMain Force ... CD
Vanguard/Wounded Bird, 1976. New Copy ... Out Of Stock
Drummer Elvin Jones is listed as the main force on the cover – but as with all of his 70s albums, the whole outing is very much a strong group affair – thanks to a killer core quartet that features Ryo Kawasaki on guitar, Pat LaBarbera on reeds and Dave Williams on bass – working with a great blend of sax and guitar that really helps refine the Elvin Jones sound of the 70s! As with other records by Elvin, there's some great guest work too – reeds from a shifting lineup that includes Dave Liebman, Frank Foster, and Steve Grossman – providing that wailing intensity that Elvin sought after the passing of Coltrane, but in a fresh new way – and Albert Dailey also adds in some sweet keyboards as well. Titles include "Salty Iron", "Sweet Mama", "Mini Modes", "Philomene", and "Song Of Rejoicing After Returning From A Hunt". CD

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesNew Agenda ... CD
Vanguard/Wounded Bird, 1975. New Copy ... Out Of Stock
The mighty drummer Elvin Jones is working here with a very hip group – in a mode that's maybe a nice extension of his Blue Note material at the start of the 70s, in a style that shows that he definitely still has all of his groove! As with those records, there's a key reedman in place here – the young Steve Grossman, whose sharp lines are balanced with round basswork from David Williams, and excellent guitar from Roland Prince – who almost sets these chromatic fires along the way! There's also plenty of strong guest help – reeds from Frank Foster, Joe Farrell, and Azar Lawrence, piano from Kenny Barron, and percussion from the great Candido. Titles include "Haresah", "Someone's Rocking My Jazzboat", "Agenda", "Anti Calypso", and "My Lover". CD

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesTime Capsule ... CD
Vanguard/Wounded Bird, 1977. New Copy ... Out Of Stock
A real standout in the 70s catalog of Elvin Jones – for a number of key reasons! First up, the set's got more of an electric vibe than usual – thanks to Fender Rhodes from Kenny Barron and guitar from Ryo Kawasaki, who really help shape the sound of the set! Second, production is by Ed Bland – who does a masterful job of blending soul, spirit, and harder-edged jazz modes – on tunes that often have a nice modal vibe at the core! The group also features excellent alto work from Bunky Green – who really sparkles strongly throughout, and who also wrote more than half the material on the album. Guests include Frank Wess on flute, Frank Foster on soprano, and George Coleman on tenor – and titles include "Frost Bite", "Digital Display", "Moon Dance", "Time Capsule", and "Spacing". CD

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Elvin Jones, Clark Terry, James Moody & OthersSummit Meeting ... CD
Vanguard/Wounded Bird, 1977. New Copy ... Out Of Stock
A great session of all-star work by artists who were recording for Vanguard Records in the 70s – a crack lineup that features Elvin Jones on drums, James Moody on tenor, Clark Terry on trumpet and flugelhorn, Roland Prince on guitar, and Bunky Green on alto sax! The group also gets some non all-star help on rhythm from Albert Dailey on piano and keyboards, Angel Allende on percussion, and David Williams on bass – players who really help flesh out the groove, and keep things from just being more in an old school blowing session style. The great Ed Bland produced, and clearly had a hand in the overall sound – as there's moments here that recall his work for Perception Records – and tunes include a great one by Bland, and two more by Green – titles that include "Moody Magic", "Blues For Clark", "Summit Song", "Jones", and "Tee Pee Music". CD

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Oregon with Elvin JonesTogether ... CD
Vanguard/Wounded Bird, 1976. New Copy ... Out Of Stock
Drummer Elvin Jones joins the groundbreaking Oregon trio – and rather than making the set a record that's dominated by the star, Elvin nicely finds the right sort of way to really mix his talents with the group! Jones in the 70s could be pretty dynamic as a leader – but here, he's nicely open, spacious, and loose – slipping in surprisingly well next to the modal elements and global tones of the famous lineup – with Ralph Towner on guitars and piano, Collin Walcott on tablas and congas, Glen Moore on bass, and Paul McCandless on reeds. If you know Jones at all, you'll know what a really special achievement this is for him – another feather in the sometimes-overlooked cap of his real growth after the Coltrane years. Titles include "Charango", "Three Step Dance", "Le Vin", "Lucifer's Fall", "Teeth", and "Driven Omens". CD

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Jimmy ForrestBlack Forrest – Previously Unissued Recordings With Grant Green & Elvin Jones ... CD
Delmark, Early 60s/1972. Used ... Out Of Stock
Great material from the sessions for Jimmy Forrest's album All The Gin Is Gone – recorded by Delmark back in their early days, and done with an underground groove that Jimmy didn't always get on record! The core group on the album features players Jimmy was working with under the leadership of Harry Edison – drummer Elvin Jones, pianist Harold Mabern, and bassist Gene Ramey – and a very young Grant Green sits in on guitar on a few of the album's best numbers. Titles include alternates of tracks from All The Gin, plus other numbers new to the set – and tracks include "Dog It", "Black Forrest", "Sunkefoal", "These Foolish Things", "You Go To My Head", "All The Gin Is Gone", and "What's New". CD also features a previously unissued take of "These Foolish Things". CD
 
Possible matches: 111
Possible matches25
CD, LP, Vinyl record album cover art
Hank JonesUpon Reflection – The Music Of Thad Jones ... CD
Verve, 1993. Used ... $7.99
With Elvin Jones & George Mraz. CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Thad JonesMagnificent Thad Jones Vol 3 (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1957. Used ... $39.99
The hardest to find of the great Thad Jones albums for Blue Note! Thad plays in a harder groove than usual, but still with all of his beautiful fragile lyricism – and the album's a masterpiece of control while still opening up in the bold Blue Note mode of the time! The unusual combo here features Benny Powell on trombone, Gigi Gryce on alto, Tommy Flanagan on piano, and Elvin Jones on drums – a good mix of modernists and straight ahead players who help color the album strongly with their efforts. Excellent stuff, and although the material is largely hardbop, it opens up with a range of colors and emotions that you don't always get from Blue Note. Titles include "Let's", "Thadrack", and "Slipped Again". CD
(Out of print, and includes obi!)

Possible matches27
CD, LP, Vinyl record album cover art
Pepper AdamsEncounter! ... CD
Prestige/OJC, 1968. Used ... $8.99
Late 60s greatness from Pepper Adams – an overlooked session that's easily one of his most standout sides of the decade! There's an easygoing swing to the record that's simply wonderful – a well-blown sound that's never too overthought or academic – just pure proof of the sort of inroads that Pepper Adams made with the baritone sax back in the 50s, as he liberated the instrument from its work in the chorus to a fully-voiced solo instrument of its own! The other players certainly help contribute to the magic of the date – and in addition to a rhythm section that includes Tommy Flanagan on piano, Ron Carter on bass, and Elvin Jones on drums, the set also features Zoot Sims on tenor, blowing with a tone that's almost as deep as Adams! Titles include "Cindy's Tune", "I've Just Seen Her", "Serenity", "Inanout", "Punjab", "Elusive", and "Verdandi". CD

Possible matches28
CD, LP, Vinyl record album cover art
Kenny BurrellGuitar Forms ... LP
Verve, 1965. Very Good Gatefold ... $8.99
Surprisingly wonderful work from Kenny! The album has Kenny's guitar set to arrangements by Gil Evans – who gives the session a modern edge that really sets it apart from other Burrell albums of the time. Kenny's freed to do his thing – wonderfully, we might add – and Gil paints these washes of sound, color, and tone with the help of hip players like Johnny Coles, Louis Mucci, Julius Watkins, Steve Lacy, Richie Kamuca, Elvin Jones, and Lee Konitz. Tracks include "Lotus Land", "Downstairs", "Moon & Sand", "Terrace Theme", "Greensleeves", and "Loie". LP, Vinyl record album
(MGM pressing. Cove rhas light aging.)

Possible matches29
CD, LP, Vinyl record album cover art
John ColtraneAfrica Brass Sessions Vol 2 ... LP
Impulse, 1961/1974. Very Good+ Gatefold ... $18.99
Excellent work from the same sessions that yielded Coltrane's massive Africa/Brass album – recorded in 1961, but not issued until the time of this 1974 release! The tracks feature Trane leading a group young modernists through a set of larger arranged charts, woven tightly together in a soulful spiritual groove that's similar to some of Max Roach's projects like this from the same time. Players include Booker Little, Eric Dolphy, McCoy Tyner, Elvin Jones, Reggie Workman, and Julius Watkins – and the album includes an alternate version of "Africa", plus "Greensleeves" and "Song Of The Underground Railroad". LP, Vinyl record album
(Black label pressing in a gatefold cover, which has some light wear, and a promo sticker in one corner.)

Possible matches30
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass Vols 1 & 2 ... CD
Impulse/MCA, 1961. Used ... $6.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". With Vol 2 the tracks feature Trane leading a group young modernists through a set of larger arranged charts, woven tightly together in a soulful spiritual groove that's similar to some of Max Roach's projects like this from the same time. Players include Booker Little, Eric Dolphy, McCoy Tyner, Elvin Jones, Reggie Workman, and Julius Watkins – and the album includes an alternate version of "Africa", plus "Greensleeves" and "Song Of The Underground Railroad". CD
(Out of print.)
Also available Complete Africa/Brass Sessions ... CD 7.99

Possible matches31
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass/Coltrane Jazz ... LP
Impulse/Not Now, 1960/1961. Near Mint- 2LP Gatefold ... $19.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". This 2 CD set also includes the album Coltrane Jazz. The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ John ColtraneAfro Blue Impressions ... CD
Pablo, Early 60s/1977. Used 2 CDs ... $6.99
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and Stockholm – and features wonderfully fresh versions of tunes you'll know from classic Impulse and Atlantic albums by Coltrane – really reworked in this live setting, and opened up in that magical style of the group! In addition to some wonderful soprano and tenor sax from Coltrane, the group also features McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – on titles that include "Lonnie's Lament", "Afro Blue", "Cousin Mary", "Spiritual", and "My Favorite Things". CD
(Out of print.)

Possible matches33
CD, LP, Vinyl record album cover art
John ColtraneAfro Blue Impressions (with bonus tracks) ... CD
Pablo, Early 60s/1977. Used 2 CDs ... $7.99
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and Stockholm – and features wonderfully fresh versions of tunes you'll know from classic Impulse and Atlantic albums by Coltrane – really reworked in this live setting, and opened up in that magical style of the group! In addition to some wonderful soprano and tenor sax from Coltrane, the group also features McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – on titles that include "Lonnie's Lament", "Afro Blue", "Cousin Mary", "Spiritual", and "My Favorite Things". 2CD version features bonus tracks not on the original album, too – including new versions of "Naima", "My Favorite Things", and "I Want To Talk About You". CD

Possible matches34
CD, LP, Vinyl record album cover art
John ColtraneBlue World (Le Chat Dans Le Sac) ... CD
Impulse, 1964. New Copy ... Just Sold Out!
A lost treasure from the legendary John Coltrane Quartet – material recorded as the soundtrack for the Canadian film Le Chat Danse Le Sac – which features new recordings of material that Coltrane had done in previous years, but really updated by the fresh version of this group! Although the music was used in the film, which was an art house hit at best, it's never been issued on record before – and in fact, its existence was something of a mystery until not that long ago – quite a surprise, given that the sessions were done at Rudy Van Gelder's studio, and have a quality level that really matches the Impulse Records best by these musicians! The tunes are almost like this amazing bridge between the mid 60s Impulse years and the Coltrane sound at the start of the decade on Atlantic – as the grooves are modal, and most music is more inside than the group was hitting by 1965 – yet still burning with that searching spirit that made them so great. The lineup, of course, features John Coltrane on tenor, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the whole thing is an instant key addition to the catalog of this tremendous quartet. Titles include two takes on "Naima", three takes on "Village Blues", and the tracks "Like Sonny", "Traneing In", and "Blue World". CD
Also available Blue World (Le Chat Dans Le Sac) ... LP 22.99

Possible matches35
CD, LP, Vinyl record album cover art
John ColtraneBlue World (Le Chat Dans Le Sac) ... LP
Impulse, 1964. New Copy ... $22.99 24.99
A lost treasure from the legendary John Coltrane Quartet – material recorded as the soundtrack for the Canadian film Le Chat Danse Le Sac – which features new recordings of material that Coltrane had done in previous years, but really updated by the fresh version of this group! Although the music was used in the film, which was an art house hit at best, it's never been issued on record before – and in fact, its existence was something of a mystery until not that long ago – quite a surprise, given that the sessions were done at Rudy Van Gelder's studio, and have a quality level that really matches the Impulse Records best by these musicians! The tunes are almost like this amazing bridge between the mid 60s Impulse years and the Coltrane sound at the start of the decade on Atlantic – as the grooves are modal, and most music is more inside than the group was hitting by 1965 – yet still burning with that searching spirit that made them so great. The lineup, of course, features John Coltrane on tenor, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the whole thing is an instant key addition to the catalog of this tremendous quartet. Titles include two takes on "Naima", three takes on "Village Blues", and the tracks "Like Sonny", "Traneing In", and "Blue World". LP, Vinyl record album

Possible matches36
CD, LP, Vinyl record album cover art
John ColtraneBoth Directions At Once – The Lost Album ... CD
Impulse, 1963. Used ... $8.99
A rare gem that's worth all the attention it's bound to get over the years – never-issued material from the legendary John Coltrane Quartet – an instrumental session recorded at Rudy Van Gelder's studio on the day before his famous record with singer Johnny Hartman – completely fantastic throughout! The material here shows the group really starting to stretch out – Impressions would be their next record to follow, and its spirit is certainly in place here – as Coltrane blows magnificently on tenor and soprano sax, alongside McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. There's a few tunes that the group would fix on later, but which sound very different in this context – and there's even a few excellent numbers that didn't even receive titles at the time of recording. Tracks include "Untitled Original 11383", "Untitled Original 11386", "Slow Blues", "One Up One Down", "Vilia", "Impressions", and a short version of "Nature Boy". CD
Also available Both Directions At Once – The Lost Album ... LP 24.99

Possible matches37
CD, LP, Vinyl record album cover art
John ColtraneBoth Directions At Once – The Lost Album ... LP
Impulse, 1963. New Copy ... $24.99 25.98
A rare gem that's worth all the attention it's bound to get over the years – never-issued material from the legendary John Coltrane Quartet – an instrumental session recorded at Rudy Van Gelder's studio on the day before his famous record with singer Johnny Hartman – completely fantastic throughout! The material here shows the group really starting to stretch out – Impressions would be their next record to follow, and its spirit is certainly in place here – as Coltrane blows magnificently on tenor and soprano sax, alongside McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. There's a few tunes that the group would fix on later, but which sound very different in this context – and there's even a few excellent numbers that didn't even receive titles at the time of recording. Tracks include "Untitled Original 11383", "Untitled Original 11386", "Slow Blues", "One Up One Down", "Vilia", "Impressions", and a short version of "Nature Boy". LP, Vinyl record album
Also available Both Directions At Once – The Lost Album ... CD 8.99

Possible matches38
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John ColtraneBoth Directions At Once – The Lost Album (2CD deluxe edition) ... CD
Impulse, 1963. New Copy 2CD ... $19.99 21.99
A rare gem that's worth all the attention it's bound to get over the years – never-issued material from the legendary John Coltrane Quartet – an instrumental session recorded at Rudy Van Gelder's studio on the day before his famous record with singer Johnny Hartman – completely fantastic throughout! The material here shows the group really starting to stretch out – Impressions would be their next record to follow, and its spirit is certainly in place here – as Coltrane blows magnificently on tenor and soprano sax, alongside McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. There's a few tunes that the group would fix on later, but which sound very different in this context – and there's even a few excellent numbers that didn't even receive titles at the time of recording. Tracks include "Untitled Original 11383", "Untitled Original 11386", "Slow Blues", "One Up One Down", "Vilia", "Impressions", and a short version of "Nature Boy". 2CD version features 7 more alternate takes – some very different! CD
Also available Both Directions At Once – The Lost Album (2LP deluxe edition) ... LP 31.99

Possible matches39
CD, LP, Vinyl record album cover art
John ColtraneBoth Directions At Once – The Lost Album (2LP deluxe edition) ... LP
Impulse, 1963. New Copy 2LP Gatefold ... $31.99 35.98
A rare gem that's worth all the attention it's bound to get over the years – never-issued material from the legendary John Coltrane Quartet – an instrumental session recorded at Rudy Van Gelder's studio on the day before his famous record with singer Johnny Hartman – completely fantastic throughout! The material here shows the group really starting to stretch out – Impressions would be their next record to follow, and its spirit is certainly in place here – as Coltrane blows magnificently on tenor and soprano sax, alongside McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. There's a few tunes that the group would fix on later, but which sound very different in this context – and there's even a few excellent numbers that didn't even receive titles at the time of recording. Tracks include "Untitled Original 11383", "Untitled Original 11386", "Slow Blues", "One Up One Down", "Vilia", "Impressions", and a short version of "Nature Boy". 2LP version features 7 more alternate takes – some very different! LP, Vinyl record album
Also available Both Directions At Once – The Lost Album (2CD deluxe edition) ... CD 19.99

Possible matches40
CD, LP, Vinyl record album cover art
John ColtraneColtrane Live At Birdland ... CD
Impulse/MCA, 1963. Used ... $3.99
Soaring and soulful work from the legendary John Coltrane – a tremendous live set that's one of his best early 60s albums! The groove is open and free – filled with pulsating modal rhythms, and handled with a slightly more relaxed feeling than some of Trane's studio work from the same time. The quartet features McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and Coltrane himself plays both tenor and soprano sax, the latter with an especially beautiful sound. The set kicks off with a beautifully firey reading of "Afro-Blue" – one that really opens up, and remakes the tune into one of Coltrane's most legendary recordings – and other titles include a classic reading of "Alabama", plus the titles "Your Lady" and "The Promise". CD features a bonus track "Vilia". CD
(Out of print.)

Possible matches41
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John ColtraneComplete Africa/Brass Sessions ... CD
Impulse, Early 60s. Used 2 CDs ... $7.99
Very unusual work by Coltrane – sessions that feature his classic quartet playing in front of larger orchestra backings conducted by Eric Dolphy! The tracks feature Trane leading a group young modernists through a set of larger arranged charts, woven tightly together in a soulful spiritual groove that's similar to some of Max Roach's projects like this from the same time. Players include Booker Little, Eric Dolphy, McCoy Tyner, Elvin Jones, Reggie Workman, and Julius Watkins – and this 2CD set features all of the material that was issued on the first album, plus other tracks that came out during the 70s. There's a total of 8 cuts in all – and titles include "Song Of The Underground Railroad", "Blues Minor", "Africa", "The Damned Don't Cry", and "Greensleeves". CD
(Out of print, BMG Direct pressing. Digipack has light wear.)
Also available Africa/Brass Vols 1 & 2 ... CD 6.99

Possible matches42
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✨✧ John ColtraneCrescent ... LP
Impulse, 1964. Near Mint- Gatefold ... Just Sold Out!
Sharp-edged John Coltrane at his best – a record that we'd rank right up there with Love Supreme, and which is a key transition point in Coltrane's musical ideas! There's a very strong edge to Coltrane's tone here – and even on the mellower ballads, he plays with a sound not always heard before – a quality that's bristlingly modern, and which really opens up on some of the longer numbers on the set. Rhythm is by the classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones – and the sound is always pushing the boundaries towards new ideas, but always keeps nicely inside throughout! Titles include "Crescent", "Wise One", "Lonnie's Lament", and "The Drum Thing". LP, Vinyl record album
(Green label 70s gatefold pressing. Cover has some wear.)
Also available Crescent (180 gram pressing) ... LP 21.99

Possible matches43
CD, LP, Vinyl record album cover art
John ColtraneCrescent (180 gram pressing) ... LP
Impulse, 1964. New Copy (reissue)... $21.99 22.98
Sharp-edged John Coltrane at his best – a record that we'd rank right up there with Love Supreme, and which is a key transition point in Coltrane's musical ideas! There's a very strong edge to Coltrane's tone here – and even on the mellower ballads, he plays with a sound not always heard before – a quality that's bristlingly modern, and which really opens up on some of the longer numbers on the set. Rhythm is by the classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones – and the sound is always pushing the boundaries towards new ideas, but always keeps nicely inside throughout! Titles include "Crescent", "Wise One", "Lonnie's Lament", and "The Drum Thing". LP, Vinyl record album

Possible matches44
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John ColtraneImpressions – Graz 1962 ... CD
Hat Hut (Switzerland), 1962. New Copy ... $16.99 19.99
Fantastic material from an important early tour of Europe by the John Coltrane Quartet – tracks recorded in Graz, Austria – and a perfect example of the group as they were really beginning to stretch out and explore! At some level, the vibe here is like the famous first run of Village Vanguard sessions by Coltrane – but the sound shows just how much the players had opened up since the previous year – really tremendous work from the leader on both soprano sax and tenor, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums! Coltrane's solos are long and freewheeling, with a beautifully exploratory, yet soulful vibe – and titles include "Inch Worm", "I Want To Talk About You", "Autumn Leaves", and "Impressions". CD

Possible matches45
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John ColtraneJohn Coltrane 1963 – New Directions (3CD set) ... CD
Impulse, 1963. New Copy 3CD ... $25.99 29.99
1964 was the year The Beatles invaded America, but 1963 was the year that John Coltrane revolutionized jazz – thanks to the Impulse Records sessions contained in this set! The package features the entire run of recordings that Coltrane did for Impulse in 1963 – including alternate takes and numbers that were unissued at the time – all to make for a stellar portrait of genius in action! The material all centers around the classic quartet – with McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the package also features recordings at Newport and Birdland, the classic session with Johnny Hartman on vocals, and all of the unreleased material that appeared on the Lost Album – issued in 2018. Titles include "Slow Blues", "Vilia", "Untitled Original 11383", "Impressions", "Untitled Original 11386", "One Up One Down", "Lush Life", "Dear Old Stockholm", "After The Rain", "You Are Too Beautiful", "Your Lady", "Alabama", and long live takes of "My Favorite Things", "Impressions", "The Promise", "Afro Blue", and "I Want To Talk About You". CD

Possible matches46
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John ColtraneMy Favorite Things ... CD
Atlantic, 1961. Used ... $2.99
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My Favorite Things" a million times – but it still blows our mind the way Coltrane hits this incredibly soulful modal groove, twisting and turning on soprano sax, always keeping things interesting, so that we're surprised that the cut's 13 minutes have gone by so quickly! The rest of the record's equally great – and the 3 other long cuts are "Everytime We Say Goodbye", "Summertime" and "But Not for Me". As great today as when it was cut, and still one of Coltrane's most revelatory albums! With McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. CD

Possible matches47
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John ColtraneOm ... LP
Impulse, 1965. Very Good Gatefold ... $28.99
A pure statement of being and essence – and one of John Coltrane's spiritual masterpieces from the 60s! The 1965 recording was one of Trane's most adventurous so far – as it featured just one album-length track, building up out of relatively free expressions from Coltrane in the studio – initially in the spirit of Love Supreme, but much sharper-edged and unbridled overall – as if the meditative spirit of the previous recording had unlocked a sense of freedom that refused to be tied down to simple structures! The group is great – and features Pharoah Sanders on tenor, Donald Garrett on bass clarinet, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – plus a bit of flute and percussion from Joe Brazil. The playing is much freer than on other albums of the time, but also has some introspective spiritual moments – clearly inspired by the Love Supreme recording, but taken a shade outside as well! LP, Vinyl record album
(Orange & black label stereo pressing with Bell Sound stamp. Cover has waviness and staining along the bottom half, with a center split bottom seam. Label has some pen.)

Possible matches48
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✨✧ John ColtraneOne Down, One Up – Live At The Half Note ... CD
Impulse, 1965. Used 2 CDs ... $9.99
A long overdue testament to the live genius of the mighty John Coltrane Quartet – captured at the legendary Half Note club in NYC – disc 1 recorded on a date in March 1965 and disc 2 on a date in early May of the same year! The set finds Coltrane plus McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on the kit working in a far more adventurous guise than many of the 60s studio sessions – stretching out incredibly on the half hour epic workout "One Up, One Down" and a beautifully loose run of "Afro Blue". The stylistic themes are carried through similarly on the second disc's long grooving "Song Of Praise" and an amazing "My Favorite Things", but stretching near or past the 20 minute mark. These long bootlegged recordings are now available on CD officially for the first time ever – complete with the original radio introductions and announcements! CD
(Out of print.)

Possible matches49
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✨✧ John Coltrane & Eric DolphyEuropean Impressions ... CD
Bandstand (Italy), 1961. Used ... $4.99
Fantastic live work from the year 1961, when Dolphy was working briefly with Coltrane, and the pair were forging some incredible new standards for jazz! The pair have been heard extensively on the famous Village Vanguard sessions for Impulse, but this European material is equally strong, and features some incredibly adventurous moments. The group's a quintet with McCoy Tyner, Reggie Workman, and Elvin Jones – and tracks include "Impressions" (2 versions), "Every Time We Say Goodbye", "Naima", "Blue Train", and 2 versions of "My Favorite Things". CD
(Out of print, booklet has some wear and staining and is priced accordingly)

Possible matches50
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Miles DavisBlue Moods ... LP
Debut, 1955. Sealed ... $14.99
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm section – plus Teddy Charles' vibes where you might expect a piano. As you might guess from the title and instrumentation, the set has more to do with Miles' more contemplative explorations of the time – his "blue moods" – than his more upbeat boppish styles, but that's where Charles' vibes come in and really make the set a great one. The group runs through a nice set of laidback, cool renditions of the tunes "Nature Boy", "Alone Together", "There's No You" and "Easy Living" – all done in nice longer takes! LP, Vinyl record album
(OJC pressing, sealed, with hype sticker!)

Possible matches51
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Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $7.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Connoisseur pressing.)

Possible matches52
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Gil EvansOut Of The Cool ... LP
Impulse (Czech Republic), 1961. New Copy (reissue)... $22.99 24.99
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". LP, Vinyl record album

Possible matches53
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Gil EvansPacific Standard Time ... LP
Blue Note, Late 50s. Near Mint- 2LP Gatefold ... $11.99
Blue Note 2-fer that brings together some of Gil Evans' great modernist jazz pieces for the World Pacific label. The material was all recorded in New York in 1958 and 1959, and the groups include crack jazz players like Steve Lacy, Art Blakey, Cannonball Adderley, Johnn Coles, Elvin Jones, and Evans himself. The tracks are mostly standards, but they're given super-sharp arrangements by Evans, in the style that he was using for some of his work with Miles Davis. They also feature prominent soloists, also as with the Miles work, and titles include "Chant Of The Weed", "Lester Leaps In", "Round Midnight", "Manteca", and "Sruttin With Some Barbeque". 2 LPs, with a good essay on Evans' work. LP, Vinyl record album

Possible matches54
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Art FarmerBrass Shout ... LP
United Artists, 1959. Very Good- ... $14.99
A great little album by this wonderful trumpeter – and one that we passed up for years because we were afraid of the words "brass" and "shout" in the title! If you're a Farmer fan, though, don't worry about this being some sort of snoozy "bold n brassy" session – because it's a much more subtle record, and features some excellent lead solos by Farmer, set amidst a larger group arranged wonderfully by Benny Golson! Golson brings a great sense of balance to the album – mixing some larger horn passages with soulfully snapping rhythms, all at a level that still allows plenty of space for Farmer to solo sweetly on trumpet. Other players on the record include Lee Morgan on trumpet and Curtis Fuller on trombone, Percy Heath on bass, and either Philly Joe Jones or Elvin Jones on drums – and titles include "Minor Vamp", "Nica's Dream", "Stella By Starlight", "Moanin", "April In Paris", and "Five Spot After Dark". LP, Vinyl record album
(Mono black/rainbow label pressing with deep groove. Cover has light wear and some aging.)

Possible matches55
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Joe FarrellJoe Farrell Quartet/Outback/Moon Germs ... CD
BGO (UK), Early 70s. New Copy 2CD ... $14.99
A trio of classic LPS by Joe Farrell – in a 2CD set! The self-titled quartet set is one of his first LPs as a leader – and a stellar session that's easily one of the early high points for the legendary CTI label! It features a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Outback is another killer set – a drawn-out quintet side – with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. It's got some strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear – and the are all nice & long. Titles include "Outback", "Sound Down", "November 68th" and "Bleeding Orchid". Moon Germs is one of the best records ever cut by funky sax man Joe Farrell! The album's virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! Titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD

Possible matches56
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Joe FarrellOutback ... LP
CTI, 1971. Very Good+ Gatefold ... $14.99
A killer set from Joe Farrell – one of the 70s greatest reed players, and an always-exciting talent who was one of the first artists to really use the extended CTI format to break into a whole new level! The set's a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". LP, Vinyl record album
(Original pressing with Van Gelder stamp.)

Possible matches57
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Tommy FlanaganEclypso ... CD
Enja/Ultra Vybe (Japan), 1977. New Copy ... $14.99
A sweetly swinging seventies set from pianist Tommy Flanagan – one of those records that's a perfect balance between the bop-inspired dexterity of his work on the keyboard, and that undeniable warmth he always brought to his best recordings! Tommy's got maybe a bit more bite on the keys, especially when moving at a quicker pace – and backing is by George Mraz on bass, whose round tones emphasize the warmer elements, and Elvin Jones on drums – who may well be part of the reason for the bite! The set features a number of bop classic tunes – like "Oleo", "Confirmation", and "Relaxin At Camarillo" – plus the great title cut "Eclypso", and a moody reading of Tom McIntosh's excellent "The Cup Bearers". CD
(Part of the Enja Real Jazz Classics series!)

Possible matches58
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Al FosterMixed Roots ... CD
Sony (Japan), 1978. Used ... $11.99
A stunning set funky 70s jazz! Drummer Al Foster leads the crew on this obscure Japanese session produced by Teo Macero – one that bursts out with a strong funky jazz groove that reminds us of some of the best drum-heavy electric 70s sessions in our collection, like work by Ed Thigpen or Les DeMerle. Players include Masabumi Kikuchi on electric piano, Mike Brecker and Sam Morrison on saxes, and Paul Metzke on guitar – and Teo Macero also sits in on the electric keys on one of the album's mellower cuts. There's not really any standout drum breaks that we caught on the set – but there are a lot of great choppy funk tracks in that "heavy drums meet riffing reeds" style that was started by Elvin Jones and popularized by Stone Alliance. Titles include "Mixed Roots", "Ya Damn Right", "Pauletta", "Double Stuff", and "Dr Jeckyll & Mr Hyde". CD
(Out of print, 2016 pressing.)

Possible matches59
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Al FosterMixed Roots (Laurie) ... LP
Laurie, Mid 70s. Near Mint- ... $19.99
The cover's not much to look at – but it houses a mighty nice set of funky 70s jazz! Drummer Al Foster leads the crew on this obscure session produced by Teo Macero for the mostly-rock Laurie label – and even though the album's kind of hidden under a completely innocuous cover that has a closeup of a Christmas Tree (?), it bursts out with a strong funky jazz groove that reminds us of some of the best drum-heavy electric 70s sessions in our collection, like work by Ed Thigpen or Les DeMerle. Players include Masabumi Kikuchi on electric piano, Mike Brecker and Sam Morrison on saxes, and Paul Metzke on guitar – and Teo Macero also sits in on the electric keys on one of the album's mellower cuts. There's not really any standout drum breaks that we caught on the set – but there are a lot of great choppy funk tracks in that "heavy drums meet riffing reeds" style that was started by Elvin Jones and popularized by Stone Alliance. Titles include "Mixed Roots", "Ya Damn Right", "Pauletta", "Double Stuff", and "Dr Jeckyll & Mr Hyde". LP, Vinyl record album

Possible matches60
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Frank FosterHere & Now ... LP
Catalyst, 1976. Near Mint- ... $5.99
Very different work than usual from Frank Foster – and pretty darn great! The album was put together by arranger Billy Mitchell – with a warm and sunny take on soul jazz that's every bit the best side of the Catalyst Records sound – kind of a sweeter, slightly electric take on the genre that's different from the styles going down at some of the other indies during the other part of the decade. Foster's tone is in full force here – but his overall playing is reigned in a bit from his more frenetic recordings with Elvin Jones – a good thing by us, as the record allows him to explore sound in much different ways. The rest of the group is equally great – with players that include Art Webb on flute, Harold Mabern on piano, Roland Prince on guitar, Freddie Waits on drums, and Richard Williams on trumpet. Tunes have an arranged feel that's got some slight sweetness to it – but they're also long, and with plenty of room for solos. Titles include "Shunga", "Sweet Mirage", "Square Knights Of The Round Table", and "Been Here & Gone". LP, Vinyl record album
(Recent reissue.)

Possible matches61
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Frank FosterLoud Minority ... CD
Mainstream/Ultra Vybe (Japan), 1972. New Copy ... $13.99
One of the most amazing albums ever from Frank Foster – a totally righteous set that's light years ahead of his earlier work with the Basie Band! The format here is right up there with the best on Strata East at the time – a large-group session that's filled with some of the hippest players of the early 70s – all coming together with a joyous, spiritual sense of power! Foster's in the lead on tenor and soprano sax, but other players include Cecil Bridgewater and Hannibal Marvin Peterson on trumpets, Harold Mabern on keyboards, Elvin Jones on drums, Dick Griffin on trombone, Stanley Clarke on bass, Airto on percussion, and even Dee Dee Bridgewater on vocals! Tracks are all quite long and flowing – spiritual expressions of jazz that rival the greatness of anything recorded for Impulse – and titles include "The Loud Minority", "Requiem For Dusty", "JP's Thing", and "EW – Beautiful People". CD
(Part of the Mainstream Records Master Collection!)

Possible matches62
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Bennie GreenSoul Stirrin ... CD
Blue Note (Japan), 1958. New Copy ... $16.99
One of the greatest albums ever recorded by hardbop trombone legend Bennie Green – an all-star sextet session that cooks like a mofo! The group features the twin tenors of Billy Root and Gene Ammons (billed just as "Jug" on the session, because of contractual reasons) – and it crackles with electricity from a rhythm section that features Ike Isaacs on bass, Sonny Clark on piano, and Elvin Jones on drums. There's some fantastic tracks on here, including Babs Gonzales' "Lullaby of the Doomed", and a monster jam called "We Wanna Cook", which was once described to us as "all you ever need to have a house party" – to which we wholeheartedly agree! Other tracks include "Black Pearl", "BG Mambo", and "Soul Stirrin" – and the album's one of the heaviest duty Blue Notes from the time! CD
(Part of the Blue Note 80 – Soul Jazz Works series!)

Possible matches63
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Barry HarrisPreminado ... CD
Riverside/OJC, 1961. Used ... $18.99
An album that's as evocative as its title – one that features a young Barry Harris stepping out with the kind of sound that first got him noticed right away! There's a bit of a bop influence in the way he hits the keys on the set, but the overall approach is often more lyrically soulful – round and warm, but never too sleepy – and always ready to stop a minute for thought, then leap forward strongly after a bit of brief consideration. The trio here features Joe Benjamin on bass and Elvin Jones on drums – and titles include the originals "Preminado", "Play Carol Play", and "One Down" – plus versions of "Talk Of The Town" and "My Heart Stood Still". CD
(Out of print.)

Possible matches64
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Joe HendersonIn N Out ... LP
Blue Note, 1964. New Copy (reissue)... $22.99 24.99
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful sense of swing – that balance that Joe had more than most of his contemporaries – and which he only continued to develop as the years went on. Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". LP, Vinyl record album

Possible matches65
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Joe HendersonInner Urge (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $7.99
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". CD

Possible matches66
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Freddie HubbardFreddie Hubbard – Blue Note Reissue Series ... LP
Blue Note, 1960s. Very Good+ 2LP Gatefold ... $9.99
A collection of some of Freddie Hubbard's great early to mid 60s output for Blue Note, compiled and released in 1975 during a time when a number of his LPs were no longer available (not unlike these days . . .). While Freddie would cut great sides throughout his career, some of his fieriest playing was during this time, and he's joined by a batch of greats who are definitely there to deliver the message too, including James Spaulding, Hank Mobley, Wayne Shorter, McCoy Tyner, Philly Joe Jones and ELvin Jones, amongst others (these tunes were pulled from the Crisis, Breaking Point and Hub Cap sessions). 13 tracks in all: "Crisis", "I Wish I Knew", "Hub Cap", "Luana", "Weaver Of Dreams", "Blue Frenzy", "Jodo", "Cry Me Not", "One Mint Julep", "Mirrors", "Breaking Point", "Blue For Brenda" and "All Or Nothing At All". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches67
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Bobby JasparBobby Jaspar – The Barclay & Columbia Years (3LP/7" single set) ... LP
Barclay/Fresh Sound (Spain), Mid 50s. Near Mint- 3LP/7" ... $99.99
Although Belgian in origin, tenorist Bobby Jaspar was a key part of the French jazz scene of the postwar years – and his playing on records like these also made him one of the standout jazz talents in Europe in the 50s! This package brings together three rare albums from Japar, plus an even more obscure 7" EP – all in a really wonderful box! First up is Jazz At St Germain – cut for Barclay Records in 1955, and featuring a quintet with Rene Utreger on piano and Sacha Distel on guitar. Distel is especially wonderful, and even though he later went on to become a teen heartthrob pop singer in France, he's an excellent guitarist with an edgey string-heavy tone that really makes the recording stand out from some of Jaspar's other sides. That, and the fact that Jaspar's playing tenor on all tracks but one (he often plays mostly flute on some albums), makes the record one of his best from the time – and titles include "Minor Drops", "Bag's Groove", "Memory Of Dick", "Night In Tunisia", and "I'll Remember April". The Columbia album is rare American work from reedman Bobby Jaspar – a player best known for his contributions to French jazz in the postwar years, but working here with a set of American players! The album was recorded in New York for French branch of Columbia Records – done in November of 1956, and pitting Jaspar with some very well-matched musicians! The date features Jaspar on tenor, flute, and clarinet – with a tightly swinging trio that includes Tommy Flanagan on piano, Knobby Totah on bass, and Elvin Jones on drums – a slightly modern combo whose work sounds especially great when Jaspar hits some hauntingly lyrical notes on flute. Titles include "Clarinescapade", "Tutti Flutti", "What's New", "Spring Is Here", "Wee Dot", and "I Won't Dance". The set also features the rare self-titled Bobby Jaspar album on Barclay – a rare late 50s album that features some of his best work of the decade on flute! The session's got Bobby playing with great backings on vibes by Fats Sadi and Michel Hausser – plus stellar drum work by Kenny Clarke, who's working the kit in really magical ways, augmented by some additional percussion by Umberto Canto. And sure, Jaspar's made some sleepy records in this format, but this set's not one of them – and bounces nicely with good energy and a really unique sound. Titles include "Le JAMF", "Speak Low", "Doxology", "Jeux De Quartes", "Chasing The Bird", and "Misterioso". Last up is a beautiful 7" EP also recorded for Columbia – featuring Eddie Costa on piano and Barry Galbraith on guitar – on "Barry's Tune" and "Minor Drop". LP, Vinyl record album
(A fantastic copy – with booklet, 7" single, and all replica inner sleeves in great shape!)

Possible matches68
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Roland KirkRip, Rig & Panic/Now Please Don't You Cry, Beautiful Edith ... CD
EmArcy, 1965. Used ... $4.99
Fantastic stuff! This essential CD brings together two of Roland Kirk's best albums from the mid 60's (and two of his hardest to find on vinyl!) Rip, Rig, & Panic is mindblowing work from Roland Kirk – a record that really pushes the boundaries of his music even farther than some of his earlier, and excellent, albums for the Mercury label! Kirk's really stretching out here – finding a space in jazz that's uniquely his own – modern, yet playful – creative, yet never overindulgent – and perfectly balanced to find a whole new sound of soul for the 60s! Things never get too far outside, but Kirk's reedlines are always breaking out into fresh territory – incredible tenor parts, and also some amazing work on manzello and stritch too, both lesser-known reed instruments that Roland employs to incredible ends. Other group members fit his vibe perfectly – Jaki Byard on piano, Richard Davis on bass, and Elvin Jones on drums – each stepping quickly to catch the energy of each new twist and turn in Kirk's music. Titles include the sublime "From Bechet Byas & Fats" – plus "No Tonic Pres", "Rip Rig & Panic", "Mystical Dream", "Black Diamond", and "Slippery Hippery Flippery". Beautiful Edith is a bit mellower, but no less wonderful, and the record features some great early piano work by Lonnie Liston Smith. Titles include "Blue Rol", "No Tonic Press", "Rip, Rig, & Panic", "Slipper, Hippery, Flippery", "Stompin' Grounds", and "Mystical Dreams". CD

Possible matches69
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Lee KonitzLee Konitz Duets ... CD
Milestone/OJC, 1967. Used ... $5.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. CD
(Out of print.)

Possible matches70
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Yusef LateefPlays For Lovers ... LP
Prestige, 1966. Near Mint- ... $19.99
A mellow selection of ballads from Lateef, recorded in a number of different settings including players like Barry Harris, Frank Gant and Elvin Jones, plus a number of others. The set shows him swinging nicely in a setting that's a bit more straight ahead than some of the later Eastern tinged and modal workouts he'd explore. 9 tracks in all, including "If You Could See Me Now", "All Alone", "Sea Breeze", "When You're Smiling" and "Love Theme For Spartacus". LP, Vinyl record album
(Blue trident label pressing with Van Gelder stamp.)

Possible matches71
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David MurraySpecial Quartet ... CD
Columbia/DIW, 1991. Used ... $8.99
A great little session by Murray – recorded at that point in the early 90s when DIW was turning out some especially soulful records! The group on the set features Fred Hopkins on bass, McCoy Tyner on piano, and Elvin Jones on drums – and although you might expect a Coltraney feel from such a group, the range of expression is wider, in a variety of rootsier styles that Murray was using at the time. Titles include "3D Family", "Cousin Mary", "Hope/Scope", "Dexter's Dues", and "La Tina Lee". CD
(Out of print.)

Possible matches72
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Art PepperThursday Night At The Village Vanguard Vol 1 ... LP
Contemporary, 1977. Sealed ... $14.99
One of the great albums that came out of the late live run at the Village Vanguard from alto giant Art Pepper – captured here at a time when he was still completely on fire! The group is a familiar one – George Cables on piano, George Mraz on bass, and Elvin Jones on drums – and all tracks are nice and long, with extended solos that really sear on the tunes "Valse Triste", "Goodbye", "Blues For Les" and "My Friend John". LP, Vinyl record album

Possible matches73
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Julian PriesterKeep Swingin' ... CD
Riverside/OJC, 1960. Used ... $11.99
Fantastic early work as a leader from trombonist Julian Priester – a musician who'd later be known for his performances with Sun Ra, and his fusion material in the 70s – but who here works at the head of a tight hardbop combo in the best Riverside mode! The album's got Julian in both a quartet and quintet – with Jimmy Heath on tenor on some tracks, and a core trio that features Tommy Flanagan on piano, Sam Jones on bass, and Elvin Jones on drums. Priester wails on the trombone as if he's playing a trumpet, and also contributed some great original tunes to the set too. Titles include "The End", "24 Hour Leave", "Julian's Tune", "Bob T's Blues", and "Under The Surface". CD
(Out of print.)

Possible matches74
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Sonny RollinsEast Broadway Run Down ... LP
Impulse, 1966. Very Good+ Gatefold ... $59.99
One of the most free-wheeling Sonny Rollins albums of the 60s – an album that features some very long, extended tracks that really break out from some of the straighter moments of Sonny's mid-60s recordings! The title track is an incredible 20 minute workout – one that almost feels improvised, but which is never too free – always pulsating with a killer groove from the drums of Elvin Jones and bass of Jimmy Garrison – and featuring the trumpet of Freddie Hubbard in the frontline with Rollins' tenor – blowing with quite an edge throughout! Side two features "Blessing In Disguise" – which is equally adventurous – plus a surprisingly moody take on "We Kiss in a Shadow". LP, Vinyl record album
(Orange and black label mono pressing, with Van Gelder stamp! Cover has a small cutout hole in a bottom corner, but is very nice overall.)

Possible matches75
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Sonny RollinsNight At the Village Vanguard Vol 1 (with bonus tracks) ... CD
Blue Note, 1957. Used ... $4.99
One of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn fantastic from a bop perspective – stretching out in free, piano-less space – really cutting some amazing edges, and blown in tones we might never have expected from Rollins a few years before. The group is beautifully open ended – with Wilbur Ware on bass and Elvin Jones on drums, and both of them in their best mode of the late 50s. This package features a reworked lineup of tracks from the LP – showing the true first volume of material – and adding in Donald Bailey on bass and Pete LaRoca on drums for a few tracks. Titles include "Night In Tunisia (afternoon take)", "Night In Tunisia (evening take)", "I've Got You Under My Skin", "Softly As In A Morning Sunrise", "Four", "Woody N You", and "Old Devil Moon". CD
(Out of print. Tray card has a cutout notch, back cover of booklet has recording date written in pen.)

Possible matches76
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Wayne Shorter5 Original Albums (Night Dreamer/Soothsayer/Etcetera/Adam's Apple/Schizophrenia) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $17.99 19.99
Five very different albums from the great Wayne Shorter – all from a time when he was really taking off with his music! Night Dreamer is one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". Soothsayer is a great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy Tyner on piano – all of who were committed to heavily pushing the boundaries of their playing at the time. Added to the mix is the youthful Tony Williams on drums, fresh from work with Miles Davis, and playing with an incredibly free hand on the kit – plus the great Ron Carter on bass. The resulting mix of tracks is a beautiful example of how these mid-60s Blue Note sessions could keep firmly in touch with modern developments in jazz, yet never lapse into the kind of sloppiness that could sometimes ruin sets like these on other labels – always with a keen sense of timing and rhythm, and a sharpness that made Blue Note's "new" newer-sounding than most. Titles include "Lost", "Angola", "The Big Push", and an amazing jazz take on Sibelius' "Valse Triste"! Etcetera has a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from Shorter, piano from Herbie Hancock, bass from Cecil McBee, and drums from Joe Chambers. Wayne recorded the date in 1965, but the material wasn't issued by Blue Note until 15 years later – a delay that somehow made the whole thing even more of a gem, especially at a time when Shorter wasn't blowing this strongly on record. Tracks include four originals "Toy Tune", "Penelope", "Etcetera", and "Barracudas" – plus the Gil Evans number "Barracudas (General Assembly)". Adams Apple is an incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". Schizophrenia is a session from the late 60s that has Wayne Shorter pushing into a searching, spiritual groove, but one that's still filled with all the taught electricity of his earlier recordings on Blue Note! Shorter's accompanied by youthful modernists like James Spaulding on alto, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – plus the mighty Curtis Fuller on trombone, whose instrument here proves to be the same key extra ingredient that it was on the best Art Blakey sextet sessions of the 60s. There's a tight, soulful feel here that's sublime – an Adams Apple sort of groove, but a bit fuller – and titles include the classic "Tom Thumb", plus "Playground", "Schizoprhenia", "Kryptonite", "Miyako", and "Go". CD

Possible matches77
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Wayne ShorterJu Ju (Japanese pressing) ... CD
Blue Note (Japan), 1964. Used ... $14.99
Genius, pure genius! Like all of Wayne Shorter's Blue Note sessions from the mid 60s, this album's a beautiful blend of hard bop ideas with a modern spiritual soulful consciousness – as important in its own way as Coltrane's work of the time – an incredible precursor for sounds from generations to come! Shorter's tenor solos are the main focus here, and he plays with creativity and imagination that you don't often hear on his later works – a sharp, soulful approach – but one that's already light years ahead of some of his Blue Note contemporaries – reaching for new ideas, but without any sense of effort – none of the overly-tense notes you'd get later, and instead just a marvelously fluid feel that really makes sense from the very first note – tremendous listening for both the lifetime jazz fan or the newcomer. McCoy Tyner plays piano, and Reggie Workman and Elvin Jones complete the group – and titles include "House Of Jade", "Deluge", "Mahjong", and "Yes Or No". CD
(Out of print, includes obi.)

Possible matches78
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Wayne ShorterNight Dreamer (non RVG edition) ... CD
Blue Note, 1964. Used ... $4.99
Beautiful – simply beautiful – one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". The CD also includes an alternate take of the cut "Virgo". CD
(Out of print., BMG Direct pressing.)

Possible matches79
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Wayne ShorterSpeak No Evil (non RVG edition) ... CD
Blue Note (UK), 1964. Used ... $3.99
An album of incredible beauty – and one of the key early sides that Shorter cut for Blue Note! It's nearly impossible to describe the genius of these records without playing them – and upon playing, all words disappear in the brilliance of Shorter's incredible tone, solo imagination, and writing! There's a nascent soulfulness here that would emerge quite strongly across the field of jazz in the late 60s and early 70s – bubbling forth here on the session, with a sound that we could only call Shorter-archetypal – and return to again and again over the years, as proof that few players ever measured up as greatly at such a young age! The group's a quintet with Herbie Hancock on piano, Freddie Hubbard on trumpet, Ron Carter on bass, and Elvin Jones on drums – and the set list includes "Speak No Evil", "Infant Eyes", "Witch Hunt", and "Wild Flower". CD
(Out of print, tray card has a crease.)

Possible matches80
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Fred TompkinsCompositions Of Fred Tompkins ... LP
FKT, 1977. Near Mint- ... $11.99
Features Tompkins on flute – with Joe Farrell on tenor, Pepper Adams on baritone, Ron Carter on bass, Cecil Bridgewater on trumpet, and Elvin Jones on drums! LP, Vinyl record album
(Cover has light wear.)

Possible matches81
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Bennie WallaceBig Jim's Tango ... LP
Enja (Germany), 1982. Sealed ... $9.99
With Bennie Wallace on tenor, Dave Holland on bass, and Elvin Jones on drums. Tracks are nice and long – and Wallace hits some of the tenor heavy lines you'd hear on a Jones trio set! LP, Vinyl record album
(Cover has a cutout mark.)

Possible matches82
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Larry YoungInto Somethin (180 gram pressing) ... LP
Blue Note, 1964. New Copy (reissue)... On May 8, 2020
An incredible album from the man that changed the way the world hears the Hammond! This album was Larry Young's first for Blue Note – and it's a mindblowing batch of tunes that push the organ into realms that had never been heard of in jazz. Young's got a real penchant for a modal groove – no doubt inspired by his friend and sometimes collaborator John Coltrane – and he's working here with a totally hip group that includes Sam Rivers, Grant Green, and Elvin Jones. The tunes are amazing – dancing with delight as they push the envelope, but never go too far to get overindulgent – and the album's filled with classics that include Green's wonderful composition "Plaza De Toros", plus originals by Young like "Tyrone", "Backup", and "Ritha". LP, Vinyl record album
(Blue Note 80th Anniversary pressing.)

Possible matches83
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Larry YoungUnity (RVG remastered edition) ... CD
Blue Note, 1965. Used ... $5.99
A brilliant album that would forever change the way the organ was used in jazz! The set's the greatest contribution ever from organist Larry Young – a lean and modal session recorded with help from a young quartet that includes Woody Shaw, Joe Henderson, and Elvin Jones – all leaping and loping with Larry's free-thinking work on the Hammond – stretching things out into spiritual grooves that belie Young's fascination with Coltrane's sound of the time, and his freer fusion work of later years! The Hammond had never sounded soul mighty before – freed from the task of thumping out a deeper rhythm, and let loose to explore the same space carved out by Shaw and Henderson's horns! Titles include a classic reading of Woody's "Moontrane", plus "Zoltan", "If", "Beyond All Limits", and "Monk's Dream". Great great stuff, and one of the best-ever Blue Note sessions! CD
(Includes slipcase.)

Possible matches84
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VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... $18.99
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD

Possible matches85
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✨✧ Ornette ColemanLove Call (with bonus tracks) ... CD
Blue Note (Japan), 1968. Used ... Temporarily Out Of Stock
Bold, righteous work from Ornette Coleman – an album that really shows the more open energy he'd taken on at the end of the 60s – a sense of new fire and unbridled energy that makes the album a non-stop powerhouse all the way through! In addition to Ornette's own smoking work on alto, the album also features killer tenor from a young Dewey Redman – and driving rhythms from the Coltrane team of Jimmy Garrison on bass and Elvin Jones on drums – quite a contrast to the rhythm players used on other Ornette records. Ornette also plays a bit of trumpet – and titles include "Love Call", "Airborne", "Check Out Time", and "Open To The Public". CD includes bonus tracks – "Just For You", plus alternates of "Love Call" and "Check Out Time". CD
(Out of print,2014 SHM-CD pressing with 3 bonus tracks – includes obi!)

Possible matches86
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✨✧ Ornette ColemanNew York Is Now! ... LP
Blue Note, Late 60s. Near Mint- Gatefold ... Temporarily Out Of Stock
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial". LP, Vinyl record album
(Liberty pressing, with Liberty inner sleeve. Cover has some edge wear, lightly bent corners, and a promo ink stamp on back.)

Possible matches87
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✨✧ John ColtraneBye Bye Blackbird ... LP
Pablo, 1962. Very Good+ ... Temporarily Out Of Stock
John Coltrane live – in a setting that really shows the tenorist starting to stretch out a lot – almost hitting some of the freer modes of a few years later, but still keeping things swinging throughout! The rhythm section is superb – that legendary lineup of Jimmy Garrison on bass, McCoy Tyner on piano, and Elvin Jones on drums – creating this magical flow that really sets the tenor free – stretching out in a take of "Bye Bye Blackbird" that really transforms the tune – matched by a equally great reading of "Traneing In". Each long track takes up a side of the record – and both were recorded live in Europe in 1962. LP, Vinyl record album
(Cover has some light wear.)

Possible matches88
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✨✧ John ColtraneColtrane (Impulse) ... CD
Impulse/MCA, 1962. Used ... Temporarily Out Of Stock
One of John Coltrane's best early albums for Impulse – a warm set of modally grooving tracks, and one that picks up where My Favorite Things left off! The group here features McCoy Tyner, Jimmy Garrison, and Elvin Jones – perfectly fitting with Coltrane's tenor and soprano sax, and transforming familiar tunes with amazing ease. The album includes sublime readings of "The Inch Worm" and "Out Of This World" – plus the tracks "Soul Eyes", "Tunji", and "Miles' Mode". Great stuff – and an essential album for any jazz collection! CD
(Out of print.)

Possible matches89
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✨✧ John ColtraneColtrane's Sound (with bonus tracks) ... CD
Atlantic, 1960/1966. Used ... Temporarily Out Of Stock
One of the more obscure John Coltrane albums for Atlantic – but a beautiful batch of spiritual numbers that really show him pushing towards the sound of A Love Supreme! The date on the album's 1966, but the material was recorded earlier – in that key turning point year of 1960, when Coltrane really started to let loose with his new ideas – ideas so fresh, in fact, that they might have kept this record from getting released at the time! The group here features piano from McCoy Tyner, drums from Elvin Jones, and bass from Steve Davis – an oft-overlooked talent who did some amazing work with Coltrane during this brief time. The tracks are open, flowing, and filled with imagination – and Coltrane works both on tenor and soprano sax, on titles that include "Liberia", "Equinox", "Satellite", "Central Park West", and a classic reading of "The Night Has A Thousand Eyes". CD features an alternate take of "Body & Soul", plus the track "26-2". CD
(Out of print.)

Possible matches90
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✨✧ John ColtraneCrescent ... CD
Impulse, 1964. Used ... Temporarily Out Of Stock
Sharp-edged John Coltrane at his best – a record that we'd rank right up there with Love Supreme, and which is a key transition point in Coltrane's musical ideas! There's a very strong edge to Coltrane's tone here – and even on the mellower ballads, he plays with a sound not always heard before – a quality that's bristlingly modern, and which really opens up on some of the longer numbers on the set. Rhythm is by the classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones – and the sound is always pushing the boundaries towards new ideas, but always keeps nicely inside throughout! Titles include "Crescent", "Wise One", "Lonnie's Lament", and "The Drum Thing". CD
(Out of print first pressing.)
Also available Crescent (180 gram pressing) ... LP 21.99

Possible matches91
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✨✧ John ColtraneFeelin Good – The Mastery Of John Coltrane Vol 1 ... LP
Impulse, 1965. Very Good 2LP Gatefold ... Temporarily Out Of Stock
One of a late 70's series of unissued takes from 'Trane's Impulse years. This set features the "classic" quartet with McCoy Tyner, Jimmy Garrison & Elvin Jones, augmented by Art Davis as a second bassist on a couple of tracks. It's clear from the material here that Coltrane was on the verge of his next quantum leap, as many of these recordings date from just before the Ascension sessions and everything that was to follow. There's a live take of "My Favorite Things" from the Newport Jazz Fest, and simple quartet versions of "Living Space" & "Joy", which were only ever issued elsewhere with strings overdubbed by Alice Coltrane (we forget which album. . .). Also included are some untitled excursions identified only by their session numbers, and "Dusk-dawn" and "Feelin Good". A great portrait of a giant in transition. LP, Vinyl record album
(Cover has a promo stamp removed from the front, some wear, and a large stain and old price sticker on back.)

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✨✧ John ColtraneImpressions ... CD
Impulse/MCA, 1963. Used ... Temporarily Out Of Stock
Brilliant work – John Coltrane really opening up in his new spiritual mode of the 60s, hinting at the changes to come, while still keeping the modal groove of previous recordings! The record features tracks from a few different sessions from the years 1961 to 1963, but it holds together beautifully – thanks to a unified creative spirit in the music! The centerpiece of the album is the stunning track "Impressions" – performed by the quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones – but all tracks are great, and titles include "After the Rain", and "Up 'Gainst The Wall" – plus the brilliant cut "India", which features guest work by Eric Dolphy on bass clarinet! CD
(Out of print.)

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✨✧ John ColtraneJohn Coltrane Quartet Plays ... CD
Impulse, 1965. Used ... Temporarily Out Of Stock
Modal Coltrane at its finest – a record that almost returns the great one to the territory explored at the end of his years at Atlantic Records, but which still incorporates all of the new ideas learned afterwards! The album's actually one of the straightest that John Coltrane cut after 1964 – and it features 4 long, beautiful tracks that soar with rhythms from McCoy Tyner, Jimmy Garrison, and Elvin Jones – topped with searing, searching work on tenor and soprano sax from Coltrane! Titles include one of the greatest readings of "Chim Chim Cheree" we've ever heard – a version that remakes the tune almost as a part 2 of "My Favorite Things" – and other titles include "Song of Praise", the classic "Nature Boy" and "Brazilia". The CD features two bonus versions of "Nature Boy", one of them live, and the bonus track "Feelin' Good"! Great stuff, and an album that ranks up there with the best of his work! CD
(Out of print MCA/Impulse pressing.)

Possible matches94
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✨✧ John ColtraneJohn Coltrane Quartet Plays ... LP
Impulse, 1965. Very Good Gatefold ... Temporarily Out Of Stock
Modal Coltrane at its finest – a record that almost returns the great one to the territory explored at the end of his years at Atlantic Records, but which still incorporates all of the new ideas learned afterwards! The album's actually one of the straightest that John Coltrane cut after 1964 – and it features 4 long, beautiful tracks that soar with rhythms from McCoy Tyner, Jimmy Garrison, and Elvin Jones – topped with searing, searching work on tenor and soprano sax from Coltrane! Titles include one of the greatest readings of "Chim Chim Cheree" we've ever heard – a version that remakes the tune almost as a part 2 of "My Favorite Things" – and other titles include "Song of Praise", the classic "Nature Boy" and "Brazilia". LP, Vinyl record album
(Orange & black label stereo pressing with Van Gelder stamp. Cover has light aging inside the gatefold, but looks great on the outside.)

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✨✧ John ColtraneKulu Se Mama ... LP
Impulse, 1966. Very Good+ Gatefold ... Temporarily Out Of Stock
One of our favorite albums ever from John Coltrane – but a record that's sometimes eclipsed by the genius of A Love Supreme! The feel here is very similar to that one – long tracks that introduce a new mode of searching, spiritual jazz for the 60s – one that's performed by a core quintet with Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones – but which also features added players on the side-long title track! "Kulu Se Mama" is a tremendously bold statement in music – one that features a bit of spiritual vocals from Juno Lewis, plus added bass clarinet from Donald Garrett, tenor from Pharoah Sanders, and drums from Frank Butler. The two other tracks – "Vigil" and "Welcome" – are performed by a quartet, but are still equally great! LP, Vinyl record album
(Orange & black label stereo pressing with Van Gelder stamp/LW etch.)

Possible matches96
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✨✧ John ColtraneLive At The Village Vanguard ... LP
Impulse, 1961. Near Mint- Gatefold ... Temporarily Out Of Stock
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album
(Yellow label ABC/Impulse pressing. Cover has light wear.)

Possible matches97
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✨✧ John ColtraneLove Supreme ... LP
Impulse, 1964. Very Good- Gatefold ... Temporarily Out Of Stock
Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". LP, Vinyl record album
(Mono orange & black label ABC Paramount pressing with Van Gelder stamp. Cover has a small index labe on one corner, a bit of pen, a small stain at the bottom of the spine, and some gloss peel around the edges.)

Possible matches98
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✨✧ John ColtraneLove Supreme (180 gram vinyl) ... LP
Impulse, 1964. New Copy Gatefold (reissue)... Temporarily Out Of Stock
Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". LP, Vinyl record album

Possible matches99
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✨✧ John ColtraneLove Supreme – Live In France ... LP
France's Concert (France), 1965. Near Mint- ... Temporarily Out Of Stock
A long live performance of "Love Supreme" from 1965 – with a group that features McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums! LP, Vinyl record album

Possible matches100
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✨✧ John ColtraneMeditations ... CD
Impulse, 1966. Used ... Temporarily Out Of Stock
An album that's quite different than you might expect from the title – one of the most adventurous records issued on Impulse during the life of John Coltrane! The tracks here are all quite free and far-reaching – hardly the mellow "meditations you might expect – and more the new unbridled sense of energy that Trane was letting loose in the post-Love Supreme years. The group here features some tremendous tenor from Pharoah Sanders – joining the core lineup of McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – who himself is inspired to new heights by the addition of Rashied Ali as a second drummer. The work has a searing emotive quality that goes beyond most that Coltrane had recorded before this point – and titles include the classic "The Father The Son & The Holy Ghost", plus "Love", "Consequences", "Serenity", and "Compassion". CD
(Out of print first pressing.)
 
 
 



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