Easily one of the headiest Donovan albums of the 60s – a record that moves past the simple psychedelic pop of earlier hits, and into a range of mind-expanding themes and styles! There's a cerebral quality here that seems to take hold even on the simpler, catchier tunes – a deeply introspective approach that has Donovan working in a world that's really all his own – less concerned with hit singles, and more focused on a personal journey in music, one that ties together many strands of music borrowed from Celtic, West Indian, jazz, and folk sources. Arrangers are John Cameron and John Paul Jones – and titles include "Get Thy Bearings", "Peregrine", "The Entertaining Of A Shy Girl", "West Indian Lady", "Jennifer Juniper", "Tangier", "The River Song", "The Sun Is A Very Magic Fellow", and "Hi It's Been A Long Time". LP, Vinyl record album

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One of the grooviest albums of the 60s – and the first album in Donovan's legendary run with producer Mickie Most! The sound here is light years away from the heavy Dylan of Donovan's first recordings – and is steeped in eastern influences that sparkle in both the songwriting and arrangements – and which can be most strongly heard in the album's trademark use of tablas and electric sitar! Donovan's vocals are completely sublime, too – done in that raspy, almost lispy style that brings out all the best edges in his songwriting – and the lyrics of the tunes are a mind-expanding array of themes that really pushed the boundaries of 60s pop. Titles include the sublime classic "Sunshine Superman", plus "Bert's Blues", "The Fat Angel", "The Trip", "Celeste", "Three Kingfishers", and the funky funky "Season Of The Witch"! CD

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Very groovy set of Now Sound instrumentals based around the work of Donovan. Great LA studio sound mixed with all of Donovan's groovy writing, and the result is some cool versions of "Jenifer Juniper", "Sunshine Superman", "Wear Your Love Like Heaven", and "Catch the Wind". LP, Vinyl record album

Nice covers from Brix E Smith, Hypnolovewheel, Spirit Of The West, Windwalker, Young Fresh Fellows, Papa Sprain & Butterfly Child, Sarah McLachlan, Julian Jones, The Posies, Black Sox, and more. CD

Groovy pop instrumental versions of Donovan's hits, including "Catch the Wind", "There Is a Mountain", "Sunny Goodge Street", "Jennifer Juniper", and "Hampstead Incident". The sound is very Brit now sound, with a lot of electric bass, and jumpy orchestrations banked in strings. LP, Vinyl record album

A dozen tracks from Metrodub, Hexx, Le Pimp, Bionic, Beat Pharmacy, Simply Jeff, Central, Shiverhead, Wide, DJ Donovan, Atnarko Bear, and Agent Babylon. CD

Amazing work from the great Bobbie Gentry – material recorded at the same time as her big Captiol Records hits in the US, but with a different vibe overall! Bobbie's singing here on a BBC show, one that ran for a number of episodes – and her backings are handled by the great John Cameron (of Donovan and sound library fame) – who shades things in with all these cool little touches that really unlock the darkness in her tunes! The music is fantastic – almost with echoes of Scott Walker at times – and the kind of thing that will make you realize that Gentry was a lot deeper than you might have guessed. LP, Vinyl record album

Peggy Lee's at Basin Street, but the set's an upbeat, swinging date that's right up there with her studio work for Capitol in the 60s! The album's billed as an "after hours" performance – and it's definitely got the relaxed feel to live up to that promise – a feel that's more small combo jazzy than other Lee work of the period, although it's still got that upbeat punch we love from the Capitol years. The group is directed by Joe Harnell, who also plays piano – and other members include Bob Donovan on flute, Willie Thomas and Phil Sunkel on trumpets, Dennis Budimir on guitar, and Chino Pozo on congas and bongos. Titles inlcude "I Got A Man", "The Second Time Around", "Fever", "Moments Like This", "Day In Day Out", and "Them There Eyes". CD also features a bonus track – "Call Me Darling". CD

Van Dyke Parks' masterpiece – and one of the hippest records to come out of LA in the 60s! The album's a strangely anachronistic one – steeped in the kind of past-days scoring found on early records by Harpers Bizarre and Randy Newman (both of which Parks had a hand in!), wrapped around simply poetic songs about the scene and state of affairs in late 60s LA, all handled with a cinematic approach that's aging Hollywood at its best! Titles include Randy Newman's "Vine Street" – plus "By The People", "Laurel Canyon Blvd", "Donovan's Colours", and "The All Golden". Includes the bonus track "The Eagle And Me". CD

Beautiful music from singer Tom Rapp – probably best known as the lead voice behind Pearls Before Swine, but a hell of a solo act on his own! The work here follows in the same moody, melancholic territory as the best ESP sides from Pearls Before Swine – but there's also a bit tighter feel too – not one that's commercial, but just very well put-together – with a vibe that's a bit like some of the best early Leonard Cohen material for Columbia. Rapp's got an extremely unique sound in his vocals – which makes the tunes come across with an eerie quality that goes well beyond their simple lyrical content – and the backing mixes familiar folk elements with undercurrents of percussion and bits of jazzy phrasing – a bit like you might find on some mellower late 60s moments from Donovan. Titles include "Stardancer", "Marshall", "Les Ans", "The Baptist", "Tiny Song", "Summer Of 55", and "For The Dead In Space". LP, Vinyl record album

Trippy late 60s pop from Peter Sarstedt – almost folk-rock, but with a fuller, more mind-bending style that kind of recalls Donovan, or the host of other less-remembered artists who picked up from Dylan and took things in a headier direction! The production is really wonderful – with some light arrangements from Ian Green – and titles include "I Am A Cathedral", "Stay Within Myself", "Blagged", "My Daddy Is A Millionaire", "Time Love Hope Life", and "Many Coloured Semi Precious Plastic Easter Eggs". LP, Vinyl record album

Shindig magazine usually looks at the past, but this time around the past is closer than usual – as they've got a special feature on the best releases of 2023 – although many of them also have to deal with older music! And in true Shindig fashion, Big Star is on the cover – with an exclusive interview that also discusses the tensions that were rising during the creation of their legendary album Radio City! The issue's also got other features – articles on Donovan, Paul Williams, PP Arnold, Plasticland, The Fairies, Chris Farlowe, and others – plus a look at the changing scenes during the 20 key musical years of 1964 to 1984. Magazine

A great dip back into the archives of Shindig magazine – with a limited edition that brings back some of the best interviews and features the publication did in years back – all laid out with new graphics, and often re-edited and expanded as well! Shindig often covers both big names and small from the 60s and 70s – but this issue is all heavy-hitters – with coverage on Frank Zappa, The Monkees, The Who, David Bowie, Small Faces, Kinks, Rolling Stones, Donovan, Captain Beefheart, Mott The Hoople, and others – all presented with loads of great photos and images, and no ads at all! Magazine

An obscure set of roots reggae, recorded in Kingston at the Aquarius studio in the early 80s, but issued here for the first time ever – as a warmly wonderful collaboration between Donovan Joseph, Orville Smith, and Hugo Blackwood! There's an easygoing groove to the tracks that really lets the message flow with subtle, righteous energy – given dubby touches at times, with a nice degree of echo at key moments – and layered with keyboards from Anthony Brissett, percussion from Harry Powell, and tenor from Dean Frazier. Most tracks are nice and long, and titles include "Pave The Way", "I Would Like To Know", "One Step", "Sitting All Night", "Live Upright", and "Devil's Angels". LP, Vinyl record album

A very cool little genre – one that overlaps a bit with UK folk and some of its prettier pop of the period – and which often gets the same sort of top-shelf studio and production help as the best of the psychedelic generation! The music here is heavy on strings, woodwinds, and other larger instrumental elements – but all used in a way that's very hip, and quite different from the slicker pop modes of just a few years before! The cuts here are all made by longer-haired, open minded folks from the time – helping to reshape folk styles towards their acid generation to come, or introducing a more thoughtful mode of songwriting amidst the freakier period of the psych years – all with results that are completely sublime. You'll recognize a few names here, including a number you might not think of as "baroque pop" – but together, they work well with some of the lesser-knowns – to craft music that helped draw together generations of British musical expression, at a level that's still pretty darn fresh today. 3CD set features a great booklet of notes, and 80 tracks by artists who include The Factotums, The Move, Fickle Pickle, Donovan, Gilbert, Tony Hazzard, The Strawbs, Freedom, Clifford T Ward, The Money Jungle, Jonathan Gill, Bert Jansch, The Matchmakers, Picadilly Line, Briget St John, Bill Fay, Procol Harum, The Majority, Five Steps Beyond, Festival, Stackridge, Muffin, Agincourt, The Orange Bicycle, Mike Batt, Billy Nicholls, Wil Malone, Julian Brooks, Lean Nixon, Harmony Grass, and many more! CD

Funky tunes and groovy tracks collide in this always-great series! This 10th volume pushes the envelope even further – mixing together tight jazzy numbers with other cuts that have a late 60s pop sound. Tracks include "Watermelon Man" by Monk Higgins, "Jukes Box Chez Saidani" by Philippe Sarde, "Funky Beat" by Claude Ciari, "Sock It My Way" by The Animated Egg, "Les Electroniciens" by Bruno Spoerri, "Rendez Vous With The Sun (part 2)" by Howard Wales, "Guru Vin" by Don Sebesky, "Madrid" by Collage, "What's Wrong With Grooving" by Letta Mbulu, "Skinny Dip" by New Visions, "Get Thy Bearings" by Donovan, "Aubergine Time" by Bernard Lubat, "Spooky" by Classic IV, and "Baby Batter" by Harvey Mandel. 18 tracks in all. LP, Vinyl record album

Stunning work from Michael Angelo – a little-known singer/songwriter from the Kansas City scene of the late 70s – one with a style that's totally great, but way too off the era's chronological expectations to get much notice at the time! Michael's music has a real late 60s vibe – some of the trippier folk modes of someone like Donovan, but mixed with the more complete songwriting of an artist like Nilsson or some of the hipper LA writers of the late 60s – all recorded in this laidback, understated way – especially for the 70s – with acoustic guitar most strongly in the mix, and a few other light rhythm touches and keyboards. The production's sharper than folk, but not much more so – and the music here is a great reminder that while we can look at the rock and roll timeline, and think that the punk explosion of the mid 70s was changing everything at once – out in the hinterlands there were still folks like Angelo who were dedicated to refining an older craft. The CD features a huge amount of material – the full original self-titled album, more tracks from those sessions, and a full second album recorded around the same time. 32 tracks on 2CDs, with lots of notes too – and titles that include "Field Of Lonely Eyes", "Future", "Journey To Find Who We Are", "Russian Lament", "Nubian Queen", "This Is The Night", "Love Is Too High", "Spirits Of Mercury", and "SOS Titanic". CD

An album named after and starting with Lulu's super huge hit from the film of the same name – the tune that crossed her over big with American audiences in the 60s, and which paved the way for a short burst of fame on the US market! The album's got a surprising depth overall – a nice range of modes that goes way beyond that straighter soul-influenced sound that other Brit girl pop singers were using at the time – with bits of folk, rock, fuzz, and sunshine all getting some nice play as the tunes roll on. Part of the credit goes to arrangers John Paul Jones and Peter Knight, but this sound is probably most likely due to producer Mickie Most, who gives Lulu the same wide ranging styles he was bringing to his work with Donovan at the time. Titles include "To Sir With Love", "Morning Dew", "Rattler", "Love Loves To Love Love", "Day Tripper", "Best Of Both Worlds", "The Boat That I Row", and "You & I". LP, Vinyl record album

A heavy-hitting album of keyboard funk that's right up there with the best Deodato work for CTI! Brazilian arranger Daniel Salinas was clearly influenced by the success that his fellow countryman Deodato was having in the US during the early 70s – and he's working here in a style that would have made CTI proud – one that blends larger orchestral backings with tight electric rhythms, jazzy soloing, and a few nicely placed moments of Brazilian percussion! The real star of the set is keyboardist Sergio Sa – who plays Fender Rhodes on the standout track "Staussmania" – a killer bit of dancefloor electric jazz that has a very strong "2001" feel! Sergio also wrote the nice little groover "Baiao" – which comes across with a slight sort of Airto/Hermeto mix of percussion and reeds – and the album also features a great fuzzed out take on Donovan's "Atlantis", plus the super-beautiful soundtracky groove "Like A Rainy Night"! CD

A heavy-hitting album of keyboard funk that's right up there with the best Deodato work for CTI! Brazilian arranger Daniel Salinas was clearly influenced by the success that his fellow countryman Deodato was having in the US during the early 70s – and he's working here in a style that would have made CTI proud – one that blends larger orchestral backings with tight electric rhythms, jazzy soloing, and a few nicely placed moments of Brazilian percussion! The real star of the set is keyboardist Sergio Sa – who plays Fender Rhodes on the standout track "Staussmania" – a killer bit of dancefloor electric jazz that has a very strong "2001" feel! Sergio also wrote the nice little groover "Baiao" – which comes across with a slight sort of Airto/Hermeto mix of percussion and reeds – and the album also features a great fuzzed out take on Donovan's "Atlantis", plus the super-beautiful soundtracky groove "Like A Rainy Night"! LP, Vinyl record album