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A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! 100% ring-spun cotton, well-fitted, crew neck, and super-soft! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! Clothing

A modernist design that hearkens back to our favorite jazz albums of the 50s – served up as a testament to our best-selling style of music year after year! Yet even if you're not a jazz listener, you can still dig the sleek look of the image – which is printed here on an even better fabric than our classic-styled shirts – nicely layered, and a strong contrast that works well on its own, or peeking out from beneath a button-up shirt or zip-up hoodie! Clothing

An unusual set from Kracker – a record that's possibly more rock/pop at the core, but one that definitely shares some of the soulful touches of other albums on the Dash label too! The group dress like a funk band on the album's flipside photo – and they've got vocal interplay that's not unlike some of the blue eyed soul groups on the east coast – set to rhythms here that are sometimes disco, sometimes a bit more flamboyant pop – and titles include "Woman", "Lucky Are Those", "Lady Of My Life", "Alarm Clock Blues", "Back In My Arms Again", and "Gentleman Of Men". CD

... 12-inch, Vinyl record

The only album ever issued in the US by European soul singer Asha Puthli – an artist who was doing some great spacey funk in the mid 70s, then made a strong shift into tighter grooves in the disco years! This album's a great blend of Asha's earlier vocal style and some of the newer clubby sounds from Euro clubs – kind of a mix of porno sleaze and Munich soul – and the arrangements have enough of a funky kick in them to keep things interesting – and a vibe that really warrants the record coming out on TK over here in the US! Titles include "Mr Moonlight", "Music Machine", "There Is A Party Tonight", "Legend Of Thais", and "I'll See You Around". CD

T-Connection are definitely on fire with this smoking little set – a killer batch of late 70s club, done with almost equal parts funk, soul, and disco! As with their debut, the group here are right on the money instrumentally – playing with a dexterity that few other large funk groups could match this well – especially blistering on some of the album's longer tracks too. There's also a great sense of balance to the record too – a ballad, some midtempo numbers, and a more well-rounded feel that also shows the group going for a wider palette of sounds than just their usual grooves. But as always, the upbeat club tracks are the best – and titles include "Lady Of The Night", "On Fire", "Cush", "Groove To Get Down", and "Let Yourself Go". CD

A soaring stormer from T-Connection – and a set that has them sounding even better than before! There's a perfection here the group didn't have with earlier releases – a quality that goes way past indie funk ensemble, into the realm of some of the best mainstream acts on the bigger labels at the time – company shared by a rare few, like Earth Wind & Fire, Ohio Players, or the Bar-Kays! Things are every bit as funky as before – but there's a way of putting the tunes together that really blows us away – fusing all the elements together perfectly, and making everything work towards the groove – yet all without making anything sound too slick or polished either. Mighty nice all the way through – and titles include "Funky Lady", "Don't Stop The Music", "Funkannection", "Saturday Night", "At Midnight", and "Love Supreme". CD

A soaring stormer from T-Connection – and a set that has them sounding even better than before! There's a perfection here the group didn't have with earlier releases – a quality that goes way past indie funk ensemble, into the realm of some of the best mainstream acts on the bigger labels at the time – company shared by a rare few, like Earth Wind & Fire, Ohio Players, or the Bar-Kays! Things are every bit as funky as before – but there's a way of putting the tunes together that really blows us away – fusing all the elements together perfectly, and making everything work towards the groove – yet all without making anything sound too slick or polished either. Mighty nice all the way through – and titles include "Funky Lady", "Don't Stop The Music", "Funkannection", "Saturday Night", "At Midnight", and "Love Supreme". LP, Vinyl record album

A pretty catchy bit of Miami club from the late 70s! The group's got a strong acoustic sound underpinning their grooves – with some excellent percussion underneath the best tracks, and some vocals that almost hit a scatting harmony range that reminds us of Side Effect or the LA Boppers. There's a definite Latin bent to some of the better tunes too – almost hitting in a Kid Creole style, but without the retro touches. Titles include "Mademoiselle", "Tena's Song", "Ready For Love", "Get Off", and "It's Happening". LP, Vinyl record album

Group features Henry Franklin on bass! CD

Plenty of Magic here from T-Connection – a clubby set of tracks, yet one that's still put together more like a funk combo record from the mid 70s! The instrumentation is mindblowing – impeccable guitar and basslines, set to snapping rhythms that really capture the best Miami funk mode before smoother disco took over – especially impressive on the longer tracks on the set! The whole thing's great – more like a pile of fast funky 45s than the usual disco record – and titles include the long "Do What You Wanna Do", plus "Disco Magic", "Got To See My Lady", "Peace Line", "Monday Morning", and "Mothers Love". LP, Vinyl record album

A disco groover you might remember from your roller skating days. . . 7-inch, Vinyl record

Ish and the Foxy crew still going strong at the end of the 80s – although here, they seem to have dropped some of their Miami disco approach and are going for a sound that's got more of a New York new wave influence overall! There's almost some Ze Records touches on a few numbers – including some harder guitars and percussion – and a number of tunes move towards more of a quirky style than a soulful one. Titles include "Girls", "I Can't Stand The Heat", "Let's Be Bad", "Tonight", "Sambambe Rio", "I Belong To You", "She's So Cool", and "Rrrrock". CD

T-Connection are definitely on fire with this smoking little set – a killer batch of late 70s club, done with almost equal parts funk, soul, and disco! As with their debut, the group here are right on the money instrumentally – playing with a dexterity that few other large funk groups could match this well – especially blistering on some of the album's longer tracks too. There's also a great sense of balance to the record too – a ballad, some midtempo numbers, and a more well-rounded feel that also shows the group going for a wider palette of sounds than just their usual grooves. But as always, the upbeat club tracks are the best – and titles include "Lady Of The Night", "On Fire", "Cush", "Groove To Get Down", and "Let Yourself Go". CD

A soaring stormer from T-Connection – and a set that has them sounding even better than before! There's a perfection here the group didn't have with earlier releases – a quality that goes way past indie funk ensemble, into the realm of some of the best mainstream acts on the bigger labels at the time – company shared by a rare few, like Earth Wind & Fire, Ohio Players, or the Bar-Kays! Things are every bit as funky as before – but there's a way of putting the tunes together that really blows us away – fusing all the elements together perfectly, and making everything work towards the groove – yet all without making anything sound too slick or polished either. Mighty nice all the way through – and titles include "Funky Lady", "Don't Stop The Music", "Funkannection", "Saturday Night", "At Midnight", and "Love Supreme". CD

Great work by one of the funkiest disco bands of the late 70s! T Connection were always a step above most of their contemporaries, especially some of the weaker pop disco acts on the TK family of labels – which was the group's home during these years. They brought a really solid conception to all of their work in the early days – and this record's a great mix of soul and funk club tracks, done with a precision that almost approaches Earth Wind & Fire in the mid 70s – razor-sharp, and right on the money throughout! Vocals are tasty, there's lots of nice guitar work, and the production has a modern sound that points ahead to the 80s groove years. Tracks include "Totally Connected", "Let's Do It Today", "Choosing", "That's Love", and "Ecstasy". CD

Plenty of Magic here from T-Connection – a clubby set of tracks, yet one that's still put together more like a funk combo record from the mid 70s! The instrumentation is mindblowing – impeccable guitar and basslines, set to snapping rhythms that really capture the best Miami funk mode before smoother disco took over – especially impressive on the longer tracks on the set! The whole thing's great – more like a pile of fast funky 45s than the usual disco record – and titles include the long "Do What You Wanna Do", plus "Disco Magic", "Got To See My Lady", "Peace Line", "Monday Morning", and "Mothers Love". CD

A sublime little set – quite possibly the greatest album ever from Brazilian keyboardist Manfredo Fest! Manfredo first cut his teeth on the bossa scene of the 60s – but by the time of this rare indie session, he'd moved up to the US – and was working with sweet keyboards to really electrify his groove! The record's a wonderful blend of 70s Brazilian fusion modes and just a dash of American soul – and in addition to Manfredo's wonderful work on Fender Rhodes, the set also has these brilliant vocals from Roberta Davis – a singer who works wordlessly, using her voice as an instrument in this really cool way – sliding along with the grooves, and making the album sound unlike anything else we can think of. The overall feel is a bit like Joao Donato's excellent Quem E Quem album – and titles include "Jungle Cat", "Facing East", "Who Needs It", and "Brazilian Dorian Dream". LP, Vinyl record album

A fantastic lost psych album – with a moody spacey sound augmented by lots of organ, harpsichord, and electric piano! The best cuts are short and echoey – with kind of a trippy pop feel that sounds like post-Brit invasion lyricism, mixed with LA stoner freedom, and a good dash of Love-esque soul. Titles include Tim Hardin's great "You Upset the Grace of Living", "Hang Onto A Dream", and "Never Too Far" – plus a very cool version of "Nature Boy", and the tracks "Tiffany Rings", "I Watch The Moon", and "Me About You". (Note: This item is not for sale online until 7:00am on Sunday, April 21. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, April 20. It will not be pre-sold or reserved in any way. However, after 7:00am on April 21 we will offer up whatever we have left for sale online.) LP, Vinyl record album

Only the second album from Gypsy, but one that really has the group opening up their wings to soar – especially on the longer tunes that really feature some nicely freewheeling interplay between organ and guitar! Yet even on the shorter cuts, the sound between the two is great too – driven on by some rhythms that feature very tasty use of congas, in a way that might draw some slight comparison to Santana, although these guys maybe have some more mid-American elements in the mix too, almost a dash of light Allman Brothers at times! Whatever the comparisons, though, the whole thing is great – a really under-discovered gem that deserves to be in the bigger pantheon of the time – with cuts that include "Here In The Garden", "Blind Man", "Reach Out Your Hand", "Around You", and "As Far As You Can See". LP, Vinyl record album

Only the second album from Gypsy, but one that really has the group opening up their wings to soar – especially on the longer tunes that really feature some nicely freewheeling interplay between organ and guitar! Yet even on the shorter cuts, the sound between the two is great too – driven on by some rhythms that feature very tasty use of congas, in a way that might draw some slight comparison to Santana, although these guys maybe have some more mid-American elements in the mix too, almost a dash of light Allman Brothers at times! Whatever the comparisons, though, the whole thing is great – a really under-discovered gem that deserves to be in the bigger pantheon of the time – with cuts that include "Here In The Garden", "Blind Man", "Reach Out Your Hand", "Around You", and "As Far As You Can See". LP, Vinyl record album

A real breakthrough in female soul for the 70s – the initial album from Labelle – a set that's very different material than the group were doing on their girl group singles in the 60s! The trio here is legendary – Patti Labelle, Nona Hendryx, and Sarah Dash – three tremendous singers all working together at a level that really sets the standard for bad-rapping female soul in the 70s! We're not sure what happened with Patti and the group between their 60s material and this set – but whatever it was, it was something great – a turn towards a style that would keep them in the record racks for years! Titles include "Too Many Days", "Running Out Of Fools", "When The Sun Comes Shining Through", "Heart Be Still", and a nice version of "Time & Love". LP, Vinyl record album

An incredible solo record from Rob Mazurek – a wonderful change from some of his larger group and collaborative projects – even though we love those a heck of a lot too! This set's a great reminder of the core improvisational genius that Rob's always had, but which sometimes is overshadowed by the group activity on his other records. Here, Mazurek blows cornet alone, and also plays both standard and prepared piano – and colors things with just a dash of his great electronics – often used in more sparing and subtle ways than some of his group efforts. A really beautiful set from a musician who continues to reward us over the years – with titles that include "Twombly At New Church", "Gazing Through Walls", "King Of Rome", and "Sweet Life In Disrepair". CD

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

An image that conjures up the delight we experience every time we drop a needle on a record – kicking back and letting our mind drift away to the music! And sure, maybe we're not as likely to drop the cover on the floor as this guy – we are record collectors after all – but we certainly share his sense of bliss as the musical notes stream out of the speaker! As with our Dot Dash design, this one's an upgrade from our previous shirts – 100% ring-spun cotton, well fitted, crew neck, and super-soft! Clothing

A very cool double-sized issue of Roctober – long-overdue, as we haven't heard from them in a bit – but well worth the wait, as the range of features and mix of material continues to be stunning – a great reminder that, decades back, this magazine was exploring this territory long before newer publications like Maggot Brain and some of its contemporaries! There's way too much to mention in great detail – but we can tell you you'll find interviews with Mavis Staples, Mike Love, Air Supply, Wanda Jackson, Sarah Dash, and Prince – and that's just in the first few pages. Other features include articles on Yoko Ono, Muzak, Kid Stuff Records, Mick Clintrock, obscure Weird Al songs, rare Maison Soul singles, the secret Sex History Of The Cabbage Patch Kids, Roky Erikson, Question Mark, and a host of reviews, obits, and lots lots more! Magazine

God, we love this record – and we're not ashamed to admit it! Sure, it sold a gazillion copies – and sure, for some folks it showed the true demise of the Crusaders ensemble. But for us, it's a masterpiece of smooth fusion, and a landmark album of easy jazz that spawned countless imitators that could never hope to match Sample's simple and elegant use of funky riffing and lyrical chords – coming in with just the right dash of darkness when the record's in danger of sounding too light. Most of the rest of the Crusaders had a hand in the record, and the set's got the smooth west coast sound you'd expect from the title. Tracks include "Carmel", "Cannery Row", "Sunrise", and "More Beautiful Each Day". LP, Vinyl record album

A really cool record from the Japanese scene of the 70s – one that mixes traditional instrumentation with some high fidelity recording styles – then adds in just the right dash of contemporary elements too! The set's not as all-out funky as others like it from the time, but does rise up with some larger soundtrack-styled arrangements that are mighty nice – and there's a great balance of saxophone solos next to koto and shakuhachi, which makes for a warm style that moves between the acoustic aspects of the traditional instruments and some surprisingly jazzy moments too! This style really opens up on the second half of the record, which has the arrangements getting fuller and more uptempo – almost clubby at times, but with a great action soundtrack sort of vibe. LP, Vinyl record album

A cheesy cover, but a treasure trove of rare tenor work from the legendary Vee Jay Records – mostly non-LP numbers that were issued on singles, by Julian Dash, Tommy Dean, Wardell Gray, Al Smith, Noble Thin Man Watts, and David Shipp! CD

A record with a title that sounds like it should be something of a bachelor pad release from the title, but which is instead a good old fashioned, no holds barred, open-ended jazz session from trumpeter Buck Clayton! All tracks are nice and long – way more than usual for big label jazz at the time – and Clayton's trumpet is lineup alongside those of Joe Newman and Joe Thomas, plus other players who include Woody Herman on clarinet, Urbie Green and Benny Powell on trombones, Julian Dash and Al Cohn on tenor, Charlie Fowkes on baritone, Freddie Green on guitar, and Sir Charles Thompson on piano. Titles include "Moten Swing", "Sentimental Journey", "How Hi The Fi", and "Blue Moon". LP, Vinyl record album

A sublime little set – quite possibly the greatest album ever from Brazilian keyboardist Manfredo Fest! Manfredo first cut his teeth on the bossa scene of the 60s – but by the time of this rare indie session, he'd moved up to the US – and was working with sweet keyboards to really electrify his groove! The record's a wonderful blend of 70s Brazilian fusion modes and just a dash of American soul – and in addition to Manfredo's wonderful work on Fender Rhodes, the set also has these brilliant vocals from Roberta Davis – a singer who works wordlessly, using her voice as an instrument in this really cool way – sliding along with the grooves, and making the album sound unlike anything else we can think of. The overall feel is a bit like Joao Donato's excellent Quem E Quem album – and titles include "Jungle Cat", "Facing East", "Who Needs It", and "Brazilian Dorian Dream". CD

A real breakthrough in female soul for the 70s – the initial album from Labelle – a set that's very different material than the group were doing on their girl group singles in the 60s! The trio here is legendary – Patti Labelle, Nona Hendryx, and Sarah Dash – three tremendous singers all working together at a level that really sets the standard for bad-rapping female soul in the 70s! We're not sure what happened with Patti and the group between their 60s material and this set – but whatever it was, it was something great – a turn towards a style that would keep them in the record racks for years! Titles include "Too Many Days", "Running Out Of Fools", "When The Sun Comes Shining Through", "Heart Be Still", and a nice version of "Time & Love". CD

Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". CD

... CD

... LP, Vinyl record album

A boldly strutting debut from Crow – a group who are maybe a bit forgotten in terms of the pop music history books, but who were really up-and-comers on the American hard rock scene at the end of the 60s! The lead off cut on the album is their great "Evil Woman" – a bassy, fuzzy track that's got some very catchy lead vocals – of the sort that would have sounded great coming out of an AM radio through that tiny speaker that graced the dashboards of most cars in 1970. And the rest of the record is equally nice – with cuts that include "Gonna Leave A Mark", "Busy Day", "Rollin", "White Eyes", "Thoughts", "Da Da Song", and "Sleepy Woman". LP, Vinyl record album

Fusion Affair are a group who definitely take their name seriously – as the album's got a mix of keyboards and other electric instrumentation that really lives up to the legacy of jazz fusion – yet also has a way of coming across here with a nicely contemporary vibe! The group's inspirations are as much 80s as they are 70s – yet they've also got more of a 21st Century sense of rhythms, which means that some of the best cuts almost have a contemporary clubby sort of groove. Mathieu Guillot handles Fender Rhodes and a range of other keyboards on the set – in a lineup that also includes guitar, bass, drums, percussion, and additional keys – on the tracks "Venom", "Bounce", "Missing Cat", "Bougie Noire", "Dasha", and "Fruits Rouges". LP, Vinyl record album

A stunning set of vocal recordings by Tlahoun Gessesse – one of the most important singers during the golden age of Ethiopian Music – caught here on a set of sides that sadly saw that period coming to an end! The tracks on the set are mostly from the early 70s, a time that saw great political changes in Ethiopia – and tremendous censorship and restrictions on cultural production. Gessesse's vocals during this time are perhaps even more melancholy and heartfelt than before, and he's working here on a number of sides with the legendary Mulatu – with arrangements that have a angular, almost modernist edge. Despite the language barriers that keep us from understanding what Gessesse's singing about, there's an incredibly evocative quality to the work that transcends time and place – and titles include "Alegntaye", "Aykedashem Iebe", "Ene Negn Wey Antchi", "Yene Felagote", "Beyet New Mengedu", "Lantchi Biye", "Tchuheten Betsemu", and two versions of "Kulun Mankwalesh". First time on reissue vinyl for this material – which originally appeared on the 17th volume of the Ethiopiques series. LP, Vinyl record album

Really beautiful work from the great Terry Riley – and a set that continues some of the surprising and wonderful shift towards jazz improvisation he's brought to his career in more recent years! If you know Riley, you'll know that the record's not really a jazz album – and instead, it features him improvising and stretching out in his own minimal ways on both standards, and some original tunes – all recorded in a very intimate studio setting in Japan, with Riley playing both acoustic piano and keyboards, often overdubbed. The set includes really surprising takes on "Blue Room", "The Best Thing For You", "Round Midnight", and "Yesterdays" – then also includes original tunes "Ballad For Sara & Tadashi", "Pasha Rag", and "Gotcah Wakatcha" – the last of which has Riley singing along with Sara Miyamoto. CD

Really beautiful work from the great Terry Riley – and a set that continues some of the surprising and wonderful shift towards jazz improvisation he's brought to his career in more recent years! If you know Riley, you'll know that the record's not really a jazz album – and instead, it features him improvising and stretching out in his own minimal ways on both standards, and some original tunes – all recorded in a very intimate studio setting in Japan, with Riley playing both acoustic piano and keyboards, often overdubbed. The set includes really surprising takes on "Blue Room", "The Best Thing For You", "Round Midnight", and "Yesterdays" – then also includes original tunes "Ballad For Sara & Tadashi", "Pasha Rag", and "Gotcah Wakatcha" – the last of which has Riley singing along with Sara Miyamoto. (Note: This item is not for sale online until 7:00am on Sunday, April 21. It is in limited supply – and by nature of the Record Store Day rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, April 20. It will not be pre-sold or reserved in any way. However, after 7:00am on April 21 we will offer up whatever we have left for sale online.) LP, Vinyl record album

A great look at a key moment in the Japanese scene – an early 70s stretch when musicians were going for a style that was warmer and more intimate overall – which would then lead to all the big changes in music to come, but in very surprising ways! Gone are the more postured rock modes and Anglo-aping styles of the previous decade – and in their place are more confident, personal styles delivered in this mix of acoustic and electric instrumentation that maybe echoes some of the sophistication of the early 70s Cali scene, but which has a very unique approach overall. Most music here is from the first few years of the decade – and titles include "Beautiful Song" by Hiroki Tamaki, "Hitoribotchi" by Niningashi, "Gingatetsudo No Yoru" by Ken Narita, "Man In No Ki" by Takashi Nishioka, "Kawa" by Hiroki Tamaki, "Anmari Fukasugite" by Tokedashita Galasubako, and "Kaze Wo Atsumete" by Happy End. LP, Vinyl record album

A record that picks up on a very particular strand of Japanese music in the 70s – and one that's maybe not even fully described with all the evocative words in the title! The sounds here are leaner and more open than work you'd know from the city pop years – but also not like Japanese rock of the late 60s, and maybe not even like some of the bigger names of the 70s who crossed over to American audiences. Instead, the whole package is very creative and inventive – certainly with currents of psych and soul, but often moving into territories that really defy easy categorization – as if these Japanese artists feel free to pick and choose whatever they want to put in the mix! The sound is great, and the album is a treasure trove of discoveries – with sounds that include "Aoi Galasu Dama Blue Glass Ball" by Yoshiko Sai, "Have You Smoked Gauloise" by Hiroshi Kamayatsu, "Jikan Wo Koero Go Beyond Time" by Tadashi Goino Group, "Omae You" by Jun Fukamachi, and "Hachigatsu No Inshow Augusts Impression" by Momotaro Pink. LP, Vinyl record album

One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean – fusing all elements together into a sharp, tight rhythm that steps along with some of the slight African touches you might guess from the title – a groove that's not really that authentic, but which resonates with some of the best inspirations that Hugh Masekela was bringing to American music at the time. And while the album might be an attempt to cash in on Masekela's groove, the feel here is really quite different overall – as tracks are nicely stretched out, with plenty of room for jazzy solo work – and a groove that's much harder overall, thanks to Higgins! Other players include Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, and Plas Johnson on tenor – and titles include "HNIC", "Flat Backing", "Na Ta Ka", "Bantu Village", and "Blue Dashiki". CD

Beautiful tenor work from Buck Hill – an under-acknowledged genius who finally got his chance to reach a larger audience with a handful of Muse Records releases like this one! Hill's a player with a great deal of feeling – a tone that stretches back to Coleman Hawkins in his best later years, schooled with some of the soul of Stanley Turrentine, but delivered with a warm, rich sound that's all Buck's own – the kind of overlooked tenor talents that would grab your ears from the back of a bar, even if you weren't already hip to the player! Buck's working here with a familiar combo that includes Jon Ozmont on piano, Carroll Dashiell on bass, and Warren Schadd on drums – and he also delivers some surprisingly great original tunes on the set – the titles "Blue Hill", "Mitzi", "Lullaby Of Loosdrecht", "Bossa For Sax", and "Blues In Five For Four Or More". Other titles include "But Beautiful", "I Want To Be Happy", and "Warm Vally". CD

The classic! Todd Rundgren production, Jim Steinman songs, and lots of classics like "Bat Out Of Hell" and "Paradise By The Dashboard Light". Plus, we went to high school with Karla DeVito! CD

One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean – fusing all elements together into a sharp, tight rhythm that steps along with some of the slight African touches you might guess from the title – a groove that's not really that authentic, but which resonates with some of the best inspirations that Hugh Masekela was bringing to American music at the time. And while the album might be an attempt to cash in on Masekela's groove, the feel here is really quite different overall – as tracks are nicely stretched out, with plenty of room for jazzy solo work – and a groove that's much harder overall, thanks to Higgins! Other players include Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, and Plas Johnson on tenor – and titles include "HNIC", "Flat Backing", "Na Ta Ka", "Bantu Village", and "Blue Dashiki". LP, Vinyl record album

Bobby Watson on alto and soprano saxophone, Melton Mustafa on trumpet, Edward Simon on piano, Carroll Dashiell on bass viol, and Victor Lewis on drums. CD