Sarah Vaughan gets some backing from Count Basie – making for a record that's one of her jazziest and swinging of the time! As with other Basie-related vocal sessions from the early 60s, this one has a soulful edge and a nice little bounce – one that makes for a more solid approach that gets Sarah's jazz vocals firmly back on track, and away from some of the more overly-produced ballad albums of the time. We like those records too – but on a record like this, she really gets back to basics! Titles include "Perdido", "You Turned The Tables On Me", "Mean To Me", "Alone", "Little Man", and "The Gentleman Is A Dope" – plus 2 bonus tracks. CD

The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". CD

The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". LP, Vinyl record album

Excellent early 60s work for Roulette Records – with work from Barney Kessel or Mundell Lowe on guitar on some tracks, and larger backings from Count Basie, Don Costa, and Jimmy Jones! CD

Sarah Vaughan gets some great backings here from Quincy Jones – who brings a nice sort of punch to the record, and makes it one of her grooviest from the early 60s! The style's still somewhat traditional – not as much in moddish Jones modes from a few years later – but there's already that strong sense of syncopation that really sets Quincy's charts apart, the same sort of rhythms he brought to his Reprise arrangements for Frank Sinatra and Count Basie, although not as Basie-bombastic overall. Vaughan's vocals are still beautifully smooth in the setting, and titles include "I Could Write A Book", "Maria", "Baubles Bangles & Beads", "So Long", "You're Mine You", "Fly Me To The Moon", "Moonglow", and "Invitation". CD also features 2 bonus tracks – "One Mint Julep" and "Mama He Treats Your Daughter Mean". CD

The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". LP, Vinyl record album

Sarah Vaughan is working here with the Count Basie orchestra – but in a way that's still relatively relaxed, and very much in keeping with her best modes of the Pablo years! There's less of the Basie bombast than you might expect on the record – and the group, arranged and conducted by Sam Nestico, leave plenty of room for Vaughan to step out in that warmly flowing vocal style that characterized her best later albums. Most numbers build slowly – with Sarah's vocals leading the cues, and the band glowing in the background to color things in before taking off – and titles include "I Gotta Right To Sing The Blues", "Just Friends", "Ill Wind", "If You Could See Me Now", "I Hadn't Anyone Till You", "Indian Summer", and "When Your Lover Has Gone". CD

Sarah Vaughan is working here with the Count Basie orchestra – but in a way that's still relatively relaxed, and very much in keeping with her best modes of the Pablo years! There's less of the Basie bombast than you might expect on the record – and the group, arranged and conducted by Sam Nestico, leave plenty of room for Vaughan to step out in that warmly flowing vocal style that characterized her best later albums. Most numbers build slowly – with Sarah's vocals leading the cues, and the band glowing in the background to color things in before taking off – and titles include "I Gotta Right To Sing The Blues", "Just Friends", "Ill Wind", "If You Could See Me Now", "I Hadn't Anyone Till You", "Indian Summer", and "When Your Lover Has Gone". CD