... 78 RPM, Vinyl record

Count Basie and Quincy Jones were always a mighty mighty combination – and there's no finer proof of that fact than this sweet little set! Quincy had a way of swinging Basie's group even more than Neal Hefti did – really letting the piano step out front, and swinging the larger horn parts in this mode that was extremely soulful, yet never with the hoke that could sometimes mar a Basie set – a style that was very 60s groovy, and which really helped breathe new life into the Count's ensemble! The album's a killer all the way through – and the tunes are all originals – written by Quincy, and arranged especially for the set – great little numbers that include "Nasty Magus", "Dum Dum", "Boody Rumble", "Count Em", "Belly Roll", and "Lil Ol Groovemaker Basie"! CD

Material recorded before Frank Sinatra's famous appearance at The Sands with The Count! CD

... 78 RPM, Vinyl record

The title's not a hokey TV reference or anything like that – but a strong reminder that the Count Basie group was still very much in their prime during the 1970s, thanks especially to the recording talents that the Pablo label brought to records like this! Most of the work here was arranged and composed by Sam Nestico – the talent who was bringing a really fresh voice to the Basie group while still keeping most of its best elements intact. The track "Bundle O Funk" features some great Fender bass in the grooves, and is arguably one of the few funky tracks that Basie ever recorded – but other tracks get back to an all acoustic groove, and include "The Great Debate", "Ya Gotta Try", "Reachin Out", "Featherweight", and "Prime Time". LP, Vinyl record album

A collection of recordings from 1962 and 1969, with sidemen including Thad Jones, Frank Foster, Freddie Greeen, Eddie Davis, and Harry Edison. LP, Vinyl record album

... 78 RPM, Vinyl record

We totally dig Basie's work from the mid 60s! He was working with Quincy Jones at the time – and Quince laid down some very soulful arrangements that used the best jazz elements of the Basie group to turn out some great pop instrumental tracks with a very groovy sound. This album's a perfect example of that format, as it features some great Basie sidemen, grooving nicely to Quincy's hip swinging arrangements of pop material like "Walk, Don't Run", "Fly Me To The Moon", "This Could Be The Start Of Something Big", and "One Mint Julep". LP, Vinyl record album

With Freddie Greene on guitar, George Duvivier on bass, Eddie Shaughnessy on drums, Roy Eldridge on trumpet, Al Grey and Billy Byers on trombone, and Eddie Lockjaw Davis on tenor sax. LP, Vinyl record album

An excellent gimmick – and yet another way that United Artists was trying to push its "Bond" catalog in the 60s! Count Basie brings a soulful swing to the work of John Barry – hitting hard on the tracks with his own smoking piano, and an orchestra filled with some of his best players, like Al Grey, Eric Dixon, and Freddie Green – as well as Eddie Lockjaw Davis, an artist who wasn't credited on the session at he time. Arrangements are by Chico O'Farrill and George Williams – and titles include "Thunderball", "From Russia With Love", "007", "Girl Trouble", and "Goldfinger". LP, Vinyl record album

Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the tracks include Williams' "My Baby Upsets Me", "Ev'ry Day", "April In Paris", and "Please Send Me Someone To Love". LP, Vinyl record album

A great little record from this legendary pair – a late nite, bluesy sort of record that's a nice change from some of the Joe Williams/Count Basie material on Verve! Basie plays Hammond on part of the record – and the organ makes a wonderful accompaniment to Joe's vocals – played with this open tone that kind of flows up from the bottom and around the edges, while the rest of the Basie group provide slightly gentler backigns – still that syncopated swing we love from the Count, but more laidback too – in a way that fits the material and the vocals perfectly! Titles include "Sweet Sue", "Dinah", "Memories Of You", "Baby Won't You Please Come Home", and "Call Me Darling. CD

A mighty jazzy Christmas from the Count Basie Orchestra – already great on their own in an instrumental mode – but joined here by a few different singers, including Carmen Bradford, Ledisi, and Johnny Mathis – all of whom add a little extra sparkle to the tunes! Pianist Ellis Marsalis also gets plenty of time in the spotlight – stretching out in the lead on piano on a few tunes, in a mode that recalls Basie's vamping in years past – and titles include "Let It Snow", "It's The Holiday Season", "Good Swing Wenceslas", "Winter Wonderland", "The Christmas Song", "Sleigh Ride", "Little Drummer Boy", and "Have Yourself A Merry Christmas". CD

One side of prime Count Basie, with Joe Williams on vocals – another side of Dizzy Gillspie working here with a sweet large group, and arrangements from Quincy Jones and Ernie Wilkins! LP, Vinyl record album

One of the coolest, grooviest Tony Bennett albums you could ever hope to buy – a really wonderful album that features backings by the Count Basie band, in the best swinging mode of their Roulette Records years! Tony always had a lot of jazz in his sound, but this album's a really special one – and quite different than the gentler territory of his later jazz efforts with Bill Evans – instead a record that really pushes that strong vocal range that Bennett always had on his pop singles of the 50s, but refocuses the sound towards a deeper Basie mode. Arrangements are by Ralph Sharon, Tony's usual accompanist – but the sound is pure Basie all the way through! Titles include "Life Is A Song", "Plenty Of Money", "Strike Up The Band", "Poor Little Rich Girl", "I've Grown Accustomed To Her Face", and "Growing Pains". CD

A pair of later jazzy vocal LP gems by Teresa Brewer, both backed by jazz greats – Songs Of Bessie Smith with Count Basie and Thad Jones, and It Don't Mean A Thing If It Ain't Got That Swing with Duke Ellington – both released by Flying Dutchman in 1973! Teresa's popularity peaked a couple decades earlier as a girlish pop singer, and she succeeds strongly on both records – not just because of the jazz heavies in the band, but because she has the pipes and genuine affection for the material to pull it off. It's lovely stuff! Songs Of Bessie Smith have the bluesy overtones necessary to make it work, without trying the hide Teresa's naturally softer approach. Basie on piano throughout, with arrangements by Jones, and a great big band on half and more intimate arrangements on the other half. It Don't Mean A Thing. . .works just as wel, with Duke Ellington and Ernie Wilkins arrangements, and great Flying Dutchman players that include Bernard Purdie, Joe Beck and Mtume. 20 tracks in all, including "Trombone Cholly", "Gmme A Pigfoot", "I Ain't Got Nobody", "St Louis Blues", "I Ain't Got Nothing But The Blues", "Mood Indigo", "I'm Beginning To See The Light", "I've Got To Be A Rug Cutter", "Tulip Or Turnip", "I'ts Kinda Lonesome Out Tonight" and more. CD

A brilliant album that follows on the trend that was begun by Sinatra and Tony Bennett – one that takes strong jazz backings from Count Basie to push a singer past the usual pop format! Sammy didn't always get backing this strong – and the album's got Quincy Jones handling the arrangements for Basie in the same mode the he used on the Sinatra/Basie sides for Reprise. Titles include "The Girl From Ipanema", "She's A Woman", "New York City Blues", "Work Song", and "Blues For Mr Charlie" – and the album even features Sammy doing a bit of tap dancing! CD

Hard to believe it took a few decades in the careers of both players for them to record together – but that's exactly what you've got here – a landmark meeting of Count Basie and Duke Ellington from the early 60s, near the tail end of Duke's classic stretch on Columbia! Teo Macero produced the session with just the right amount of care and class to keep the whole thing from being an exercise in cliche – and there's a surprising amount of depth here that you might not expect – the best modern elements of Duke's orchestra on Columbia, coming into play with a bit more of the fire and vamp of the Basie group at the time! Titles include "Battle Royal", "Wild Man", "Segue In C", "Jumpin At The Woodside", "To You", and "Take The A Train". LP, Vinyl record album

Arrangements by Quincy Jones! CD

A cool meeting of talents – and one that makes for some of the grooviest Count Basie material of the 70s! The vibes of Milt Jackson are a very welcome addition to the Basie groove here – an instrumental sound that didn't always show up in the Count's work, and which brings an extra soulful swing to the proceedings – ringing out with that rich tone that Milt developed in his years away from the MJQ! Horn players include some familiar Basie names, plus Fred Wesley in the trombone line – and titles include "The Comeback", "Lady In Lace", "Lil Darlin", "Good Time Blues", and "Basie". CD features the bonus track "Corner Pocket". CD

An incredible pairing of two important 60s talents – magnificent vocals from Arthur Prysock, and some of the best backings he ever received – thanks to Basie! LP, Vinyl record album

Sinatra-Basie is the inaugural effort from the 2 leaders and the stellar orchestra – and it's a great one. Sinatra is as charismatic and loose out front as he's ever been on record, and the Basie & his players swing brilliantly with arrangements by Neal Hefti. Titles include "Pennies From Heaven", "Please Be Kind", "My Kind Of Girl", "Learnin' The Blues", "Nice Work If You Can Get It" and more. CD

A classic Vegas moment for Sinatra – with accompaniment by Count Basie, and arrangements from Quincy Jones, to boot! The set features some great spoken bits – really one of the first chances the American mainstream got to taste the Vegas vibe – and titles include "It Was A Very Good Year", "Fly Me To The Moon", "The Shadow Of Your Smile", "Come Fly With Me", "Street Of Dreams", "One For My Baby", and "My Kind Of Town". CD

An obscure one for both artists – and a surprisingly nice match! LP, Vinyl record album

A really wonderful collaboration between two very unlikely partners – and a great album that really stands out as some of the best work from both artists in the 60s! Count Basie's group gets hard and soulful on the record – and even a little funky on the best cuts – and Jackie Wilson is in a raw bluesy vocal style that recalls the best moments of his earlier Brunswick singles – a great edge that makes the whole Basie groove sound even more hard-hitting than ever. Benny Carter arranged, but the groove is more a hard-edged Count Basie mode mixed with Brunswick soul styles – and Jackie blows it out over the top on great versions of "Funky Broadway", "Ode To Billie Joe", "I Was Made To Love Her", "Even When You Cry", and "Respect". Also features a version of "For Your Precious Love" that was a bit of a hit for the pair! LP, Vinyl record album

Collects late 30's recordings featuring Lester Young and Count Basie – 20 tracks in all. CD

One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". LP, Vinyl record album

One of THE seminal Basie albums of all time – and a masterful pairing between the Count and arranger Neal Hefti! Hefti has an amazing ear for the Basie groove, and he works here to re-fit the overall sound of the group with a tighter, more fluid approach – one that ensured that they'd be alive and booming well into the 60s. The Hefti touch is one that's slightly lighter than the Basie of before – one that assumes the bump at the bottom, but never overdoes it – and instead almost uses the sound of no sound at all to carry the rhythm – while the horns at the top of the group are vamping around in these majestic charts that break out into fantastically searing solos. Basie's on piano, natch – and other players include Thad Jones, Joe Newman, Henry Coker, Al Grey, Frank Wess, Frank Foster, and Eddie Lockjaw Davis. Titles are all brilliant Hefti originals – and include "After Supper", "Flight Of The Foo Birds", "Teddy The Toad", "Splanky", "Fantail", and "Lil Darlin". LP, Vinyl record album

Basieland in the 60s – a very nice place to be! This excellent Verve session features the highly pyrotechnic Basie 60s ensemble really letting loose – complete with great horn work by Frank Foster, Frank Wess, and Eric Dixon on reeds – all of whom bring a very soulful edge to the proceedings, and blow these strong sharp lines over the album's great arrangements from Billy Byers. Byers also wrote all the tunes too – making the set one of those great Basie albums that overflows with fresh new songs that continually redefine the Count's groove. Tracks are short and tight, but have some wonderful horn charts that really explode with magical energy – and titles include "Sassy", "Wanderlust", "Instant Blues", "Basie Land", "Big Brother", and "Yuriko". CD

A strangely wonderful album – Count Basie's group performing tunes by the Beatles, and doing a better job than they had on a similar Verve album from a few years before! Part of the credit goes to arranger Bob Florence, who gives the tunes a really fluid swing – with lots of cascading reed parts that soar and dip in a groovy late 60s mode that's perfect for the songs. Basie and crew clearly enjoy their work, too – and the band really sets up nicely on late Beatles tunes that include "Norwegian Wood", "The Fool On The Hill", "Something", "Get Back", "Come Together", and "Penny Lane". LP, Vinyl record album

A really great collection of these momentous early recordings from the Basie Band! CD

An early collaboration between Count Basie and Norman Granz – and a real cooker too! Granz shows some great foresight here – grabbing Basie at a time when his group was just getting its groove back, and really learning how to hit a more modern sound! The set includes some great tenor sax work from Eddie Lockjaw Davis and Paul Quinichette –and titles include "Sure Thing", "Jive At Five", "Every Tub", and "New Basie Blues". In a great David Stone Martin cover too! LP, Vinyl record album

Count Basie on piano & organ, Ed Jones on bass, Sonny Payne on drums, Frank Wess on flute & alto flute, Eric Dixon on flute, tenor saxophone & clarinet, Frank Foster on tenor saxophone & clarinet & Thad Jones on trumpet. CD

Stripped-down Count Basie from the start of the 60s – a great little set that has the Count working with some of the best players from his larger group, in a session of even more intimate small combo material! The sounds here echo the Basie groove of the earlier years, but the overall presentation is a fair bit more modern – nicely syncopated with that sense of space discovered by Basie in the 50s – and perfectly interpreted by players who include Thad Jones on trumpet, Frank Wess on flute, Frank Foster on tenor, Freddie Green on guitar, Eric Dixon on flute, and Basie himself on both piano and organ – the latter of which is quite a treat! Titles include "Secrets", "Count's Place", "I Want A Little Girl", "Tally Ho Mr Basie", "Senator Whitehead", "Whatcha Talkin", and "Shoe Shine Boy". LP, Vinyl record album

A Count Basie trio set – the second meeting of the Kansas City Three, a combo that features Ray Brown on bass an Louis Bellson on drums! Basie's really great here – out front, and moving with modes that are quite different than his fuller group sessions – surprisingly sensitive at points, even though still imbued with all of his trademark swing! Bellson's touch on the kit really helps – punctuating things, while never going too far at all – a nice punch, right when needed – and Ray Brown proves once again that he's just the right fit for just about any combo. Titles include "Racehorse", "Blues For Eric", "Draw", "Sandman", "If I Could Be With You For One Hour Tonight", and "I Surrender Dear". LP, Vinyl record album

Count Basie and Quincy Jones were always a mighty mighty combination – and there's no finer proof of that fact than this sweet little set! Quincy had a way of swinging Basie's group even more than Neal Hefti did – really letting the piano step out front, and swinging the larger horn parts in this mode that was extremely soulful, yet never with the hoke that could sometimes mar a Basie set – a style that was very 60s groovy, and which really helped breathe new life into the Count's ensemble! The album's a killer all the way through – and the tunes are all originals – written by Quincy, and arranged especially for the set – great little numbers that include "Nasty Magus", "Dum Dum", "Boody Rumble", "Count Em", "Belly Roll", and "Lil Ol Groovemaker Basie"! LP, Vinyl record album

A sublime blending of modes – the sound of the excellent Count Basie band during their Roulette Records years, mixed with a bit of strings for a very moody sound! Don't worry about any too-commercial or pop modes going on here – as the arrangements are all super hip, and handled by talents like Quincy Jones and George Williams – who keep things in this dark-tinged style that's just perfect for the key talents in the Basie group, as the album features standout solos on almost every number – including a bit of tenor from guest Ben Webster! Titles include "Song Of The Islands", "Stringing The Blues", "The One I Love", "Blues Bittersweet", "She's Funny That Way", and "Summertime". LP, Vinyl record album

Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the tracks include Williams' "My Baby Upsets Me", "Ev'ry Day", and "Please Send Me Someone To Love". CD

A great little record from this legendary pair – a late nite, bluesy sort of record that's a nice change from some of the Joe Williams/Count Basie material on Verve! Basie plays Hammond on part of the record – and the organ makes a wonderful accompaniment to Joe's vocals – played with this open tone that kind of flows up from the bottom and around the edges, while the rest of the Basie group provide slightly gentler backigns – still that syncopated swing we love from the Count, but more laidback too – in a way that fits the material and the vocals perfectly! Titles include "Sweet Sue", "Dinah", "Memories Of You", "Baby Won't You Please Come Home", and "Call Me Darling. LP, Vinyl record album

Live material recorded in Germany in the early 70s – also featuring Eddie Lockjaw Davis on tenor and Al Grey on trombone! LP, Vinyl record album

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Features some great vocals by Jimmy Rushing – plus early Basie swingers! LP, Vinyl record album

Titles include "Back To The Land", "Constantinople", "You Got It", "St James Infirmary", "Follow The Leader" and "Ow". LP, Vinyl record album

We're not sure if the match is perfect, but it's still pretty darn nice – a live performance that has Ella Fitzgerald singing in front of the Count Basie Band – all recorded before a very enthusiastic audience at the Montreux Jazz Festival in 1979! The set's a nice capper to one of Ella's biggest decades as a star – and she steps out here with a well-earned confidence that allows her to match the energy of the Basie group and take new inspiration from their fire. Titles include "Make Me Rainbows", "Round Midnight", "Basella", "You've Changed", "Fine & Mellow", "Some Other Spring", and "After You've Gone". LP, Vinyl record album

One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank's slightly failing pipes – but it also picks up on a seminal beat change in 60s pop, the same sort of gentle snapping groove that you'd find in the best work by Bacharach, a shift that really infuses Frank's vocals with a whole new sound, one that shows that he's ready to keep on growing and growing after being stuck in a Nelson Riddle rut. All tracks are superb – hip 60s pop and showtunes, like "I Believe In You", "Fly Me To the Moon", "More", "The Good Life", "Wives & Lovers", and "I Wanna Be Around". LP, Vinyl record album

Sinatra-Basie is the inaugural effort from the 2 leaders and the stellar orchestra – and it's a great one. Sinatra is as charismatic and loose out front as he's ever been on record, and the Basie & his players swing brilliantly with arrangements by Neal Hefti. Titles include "Pennies From Heaven", "Please Be Kind", "My Kind Of Girl", "Learnin' The Blues", "Nice Work If You Can Get It" and more. LP, Vinyl record album

A classic Vegas moment for Sinatra – with accompaniment by Count Basie, and arrangements from Quincy Jones, to boot! The set features some great spoken bits – really one of the first chances the American mainstream got to taste the Vegas vibe – and titles include "It Was A Very Good Year", "Fly Me To The Moon", "The Shadow Of Your Smile", "Come Fly With Me", "Street Of Dreams", "One For My Baby", and "My Kind Of Town". CD

One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". Features 6 bonus tracks too! CD

An all-star jam session from Montreux in 1973 – recorded in true Verve style by the great Norman Granz, Count Basie at the head of a group that includes Louie Bellson, Ray Brown, JJ Johnson, Harry Edison, Eddie Lockjaw Davis, and Zoot Sims! Tracks are nice lengthy rakes of Basie classics, with plenty of solo space – a bit tighter than a more traditional jam session, probably because the players get along so well together! 5 numbers in all, including "Doubling The Blues", "Hanging Out", "Red Bank Blues", "One-Nighter" and "Freeport Blues". LP, Vinyl record album

Count Basie picks his own set of "winners" – tracks pulled from the pop charts, and re-arranged by Billy Byers to give them the true Basie touch – that soaring, syncopated groove that makes the Basie band so great at this stretch in their career! The set features a number of 60s standards, plus a few older tunes – all performed in a warm, buoyant tone that was every bit the best side of the Basie group in that decade. Players include Eric Dixon and Eddie Lockjaw Davis on saxes, plus lots of great trombone from Al Grey – players who burst out of the group with tight short solos that really get the point across! Titles include "I'll Get By", "Watermelon Man", "Exodus", "I'm Walkin", and "Volare". CD

Tremendous work from one of the greatest pairings in 50s jazz – the crack later group of Count Basie and the amazing arranging talents of the great Neal Hefti! Hefti later went onto greater fame as a 60s soundtrack composer, but back in the day him and Basie were an incredible team together – as Hefti's talent for quirky, witty, whimsical horn passages really opened up the Basie sound of earlier years – and took the band far past any Kansas City cliches, into a groove that was much more suited for a modern audience! This album's one of the best the two ever cut together – and it's overflowing with Hefti gems that include "Cute", "Pensive Miss", "Sloo Foot", "Scoot", "A Little Tempo Please", "Count Down", and "Pony Tail". CD

Way before Sinatra first grabbed the "Chairman Of The Board" title for his own musical persona, Basie laid great claim to the tag with this tight little album for Roulette! The album's got the 50s Basie band working at the height of their powers – with original compositions written and arranged by Frank Foster, Ernie Wilkins, Thad Jones, and Frank Wess – all of whom play in the bad, along with other all-stars like Freddie Green, Billy Mitchell, and Al Grey. The sound is tight, soulful, and searing Basie all the way through – with tunes that include "Segue In C", "Blues In Hoss' Flat", "Who Me?", "The Deacon", "Half Moon Street", "Mutt & Jeff", "TV Time", "Speaking Of Sounds", and "HRH". LP, Vinyl record album

One of THE seminal Basie albums of all time – and a masterful pairing between the Count and arranger Neal Hefti! Hefti has an amazing ear for the Basie groove, and he works here to re-fit the overall sound of the group with a tighter, more fluid approach – one that ensured that they'd be alive and booming well into the 60s. The Hefti touch is one that's slightly lighter than the Basie of before – one that assumes the bump at the bottom, but never overdoes it – and instead almost uses the sound of no sound at all to carry the rhythm – while the horns at the top of the group are vamping around in these majestic charts that break out into fantastically searing solos. Basie's on piano, natch – and other players include Thad Jones, Joe Newman, Henry Coker, Al Grey, Frank Wess, Frank Foster, and Eddie Lockjaw Davis. Titles are all brilliant Hefti originals – and include "After Supper", "Flight Of The Foo Birds", "Teddy The Toad", "Splanky", "Fantail", and "Lil Darlin". CD features 5 bonus tracks too – including "The Late Late Show", "Sleepwalker's Serenade", and "Silks & Satins". CD

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Orchestra personnel include Jimmy Forrest, Al Grey, Curtis Fuller, John Duke, Butch Miles, Eric Dixion, Fred Green, Bill Hughes, and Pete Minger. LP, Vinyl record album

A wonderful album of 60s Basie – one that focuses on the writing and arranging talents of the great Neal Hefti! Hefti's one of our favorite soundtrack composers of the decade, but in the years before his film fame, he was a frequent partner of Basie – and this album marks one of their greatest collaborations together. The tunes are very much in the "loud, then soft, then loud" mode that Hefti pioneered with Basie's angular group of the 50s – but they've also got some of the warmer, more whimsical touches that Neal would explore more fully in his later soundtrack work too. The result is a classic Basie session, but with plenty of surprises – featuring a fresh batch of tunes that includes "Jump For Johnny", "Ducky Bumps", "Rose Bud", "Shanghaied", "Together Again", and "Eee Dee". LP, Vinyl record album

Two wonderful early 50s albums recorded by Count Basie for Verve – both sessions aimed at the dancefloor, and served up with an undeniably soulful groove! The style here is hard and swinging – the older Basie mode refined for the 50s – thanks to arrangements by Ernie Wilkins, Frank Foster, Neal Hefti, Manny Albam, and others! Groups on the set are often a bit small – and feature reeds by Frank Foster, Frank Wess, and Paul Quinichette; trumpets by Thad Jones, Joe Wilder, and Joe Newman; trombone from Henry Coker and Benny Powell; guitar by Freddie Green; and both piano and organ from Count Basie – the latter of which is a surprising and wonderful addition to this set! Features 24 tracks in all – with titles that include "Cherry Point", "Bubbles", "Straight Life", "Basie Goes Wess", "Mambo Mist", "Stereophonic", "Plymouth Rock", "Sixteen Men Swinging", "You For Me", "Soft Drink", "Slow But Sure", and "She's Just My Size". LP, Vinyl record album

Transcription sessions featuring vocals by Jimmy Rushing, Earl Warren, and Thelma Carpenter. CD

... CD

An unusual large group recording from this legendary pianist from the Three Sounds – definitely done in a Basie mode, with Gene on piano – and other players who include Jon Faddis and Snooky Young on trumpets, Marshal Royal on alto, Bob Cooper on tenor, Jack Nimitz on baritone, Thurman Green and Garnett Brown on trombones, Herb Ellis on guitar, and Ray Brown on bass. LP, Vinyl record album

An overlooked gem from Mel Torme's years at Verve – an album dedicated to the music of Duke Ellington and Count Basie, set to some very upbeat, jazzy backings from Johnny Mandel! The album's quite swinging at points – and given the choice of material, Mel really breaks from the familiar – stretching out nicely to reach the spirit of the famous leaders, but always with that tremendous sense of tone! Titles include "Down For Double", "I'm Gonna Go Fishin", "I Like The Sunrise", "Reminiscing In Tempo", "Oh What A Night For Love", and "In The Evening". CD