One of the greatest Christmas albums of the 70s – a landmark assemblage of some of the hippest soul music talents of the time – offering up a host of different tracks that have gone onto become classics over years! Most artists were working for Atlantic/Cotillion Records at the time, but the set seems to bring in a few surprising guest stars too – and the big highlight is the album's work by a young Luther Vandross – the perennial classic "May Christmas Bring You Happiness", a 70s Christmas tune on a par with "This Christmas", and his mellower "At Christmas Time". Other tracks are mostly standards, and titles include "The Christmas Song" and 'White Christmas" by John Edwards, "Have Yourself A Merry Little Christmas" and I'll Be Home For Christmas" by Willis Jackson, and "I Saw Mommy Kissing Santa Claus" and "Silent Night" by The Impressions. Also includes "Feeling Like Christmas" and "Christmas Gift" by Margie Joseph, both by Lamont Dozier, who also produced the tracks! LP, Vinyl record album

An incredibly captivating album of female soul – unlike anything else we can think of! Side one features a suite of tracks that details an ill-fated love affair in 4 modes: Introduction, Hoping, Final Attempt, and The Next Time – all done in a mode that mixes standard southern soul with these deeper monologues delivered by Tami in between each track! Lynn performs the work in a starkly intimate style that sends chills down our spine – and which makes you feel like you're listening in on her talking to her best friend – very cool, very personal, and deeper than most other work of its type. Side two is back on the regular tip – with shorter songs overall – but Tami does a pretty good job its range of mellow southern ballads and a few more uptempo numbers. Titles include a version of Andre Williams "Mojo Hanna", plus "Ain't No Soul", "One Night Of Sin", "Love Is Here & Now You're Gone", and "That's Understanding". CD

The end of the road for the Velvet Underground – but a set that's also one of the group's best-remembered albums too! The record marked a big shift for the group – a move to Atco from Verve, continuing to work without John Cale – and the sound is possibly more rockish and straight ahead than some of their previous efforts (certainly compared to White Light/White Heat) – but always with that dark edge that Lou Reed could bring to the music! In a way, the whole thing's almost a recasting of all the advances made in 60s rock, but seen through a lens that shows the darker corners and shadows that have crept up alongside – that kind of subtle, yet extremely powerful quality that Reed would bring to his long run of solo albums in the 70s – but served up here with more of an edge, in the definite VU fashion. Titles include the seminal classics – "Sweet Jane" and "Rock & Roll", plus "Cool It Down", "New Age", "Head Held High", "Lonesome Cowboy Bill", "Oh Sweet Nuthin", and "I Found A Reason". LP, Vinyl record album

A seminal album from the end of the 60s – the triple-length soundtrack to the legendary Woodstock Festival in 1969 – pulled from all the many hours of material recorded for the film of the event! The set list reads not just like a "who's who" of hipness at the time – but also expands to show just how wide the range of sounds was in the underground – strands that move past the obvious rock material that you might expect, and which have the record standing as a great memory to the time – with maybe more diversity than some of the more monolithic memories! Features work by Canned Heat, Arlo Guthrie, Jimi Hendrix, Crosby Stills Nash & Young, Richie Havens, Santana, Ten Years After, The Who, Country Joe & The Fish, Sly & The Family Stone, Joan Baez, Butterfield Blues Band, Joe Cocker, Jefferson Airplane, John B Sebastian – and yes, Sha Na Na. LP, Vinyl record album

An incredible bit of southern soul – and one of the few records ever by deep soul singer Lou Johnson! The masterpiece was recorded at the Fame Studios in Muscle Shoals, at a time when the outfit was at the height of its powers – capturing Lou with a sweet-burning style that matches (if not betters) the best by Otis Redding or James Carr from the same period. Each song is a treasure, handled by Lou as if it were his own, and transformed completely by the amazing setting of the recording. Titles include "Tears Tears Tears", "Don't Play That Song", "People In Love", "It's In The Wind", "Rock Me Baby", and "I Can't Change". LP, Vinyl record album

Two Cotillion classics from Screaming Lord Sutch – back to back on a single CD! First up is Lord Sutch & Heavy Friends – an album that's almost equally well-known for its work by a host of famous guests – including Jeff Beck, Jimmy Page, John Bonham, and others! Page is perhaps the most involved here – as he produced the set with Sutch, co-wrote some tracks, and plays some mighty searing guitar – as does Beck, which makes the album almost worth it alone for all the wonderful solos! But Sutch himself is pretty great too – kind of a mish-mash of late 60s nasty camp references, with the same sinister vibe as Kim Fowley – and an equally freewheeling approach to a tune that makes the album a heck of a lot of fun. Titles include "Gutty Guitar", "Flashing Lights", "Wailing Sounds", "Thumping Beat", "Union Jack Car", and "London". Hands Of Jack The Ripper is filled with weird and wild sounds from Screaming Lord Sutch – and a set that has as many "heavy friends" at play as his better-known previous album for Cotillion! As with that set, the vibe here is an odd mix of older beat group styles from mid 60s London, but filtered through a generation that's already bursting out with hard rock, psych, and prog inspiration – which means any nod towards older rock and soul roots come out sounding very offbeat in the end! Players include Ritchie Blackmore on lead guitar, Keith Moon on drums, and Noel Redding on bass – and titles include "Country Club", "Great Balls Of Fire", "Bye Bye Johnny/Johnny B Goode", "Gotta Keep A Rocking", and "Hands Of Jack The Ripper", which is mini-horror movie itself! CD

A stunning spinoff from the first incarnation of King Crimson – a brilliant record from the team of Ian MacDonald and Michael Giles – both of whom move into territory that's quite different than their work with the more famous Fripp-led group! There's definitely elements here of the music the pair brought to King Crimson – but the songs are looser, more personal, and often have more jazz-rock elements in the mix – which can even result in some cool funky passages at times that are a quite soulful surprise! The album also features strong lyrical contributions from Peter Sinfield, who also sounds a bit hipper here – and work from Steve Winwood, who may well be one of the forces for the more soulful side of the spectrum. Lots of nice flute lines – almost Harold McNair-ish at times – and titles include "Suite In C", "Flight Of The Ibis", "Is She Waiting", "Tomorrow's People The Children Of Today", and "Birdman". LP, Vinyl record album

The end of the road for the Velvet Underground – but a set that's also one of the group's best-remembered albums too! The record marked a big shift for the group – a move to Atco from Verve, continuing to work without John Cale – and the sound is possibly more rockish and straight ahead than some of their previous efforts (certainly compared to White Light/White Heat) – but always with that dark edge that Lou Reed could bring to the music! In a way, the whole thing's almost a recasting of all the advances made in 60s rock, but seen through a lens that shows the darker corners and shadows that have crept up alongside – that kind of subtle, yet extremely powerful quality that Reed would bring to his long run of solo albums in the 70s – but served up here with more of an edge, in the definite VU fashion. Titles include the seminal classics – "Sweet Jane" and "Rock & Roll", plus "Cool It Down", "New Age", "Head Held High", "Lonesome Cowboy Bill", "Oh Sweet Nuthin", and "I Found A Reason". LP, Vinyl record album

A surprisingly great batch of kick ass rock and roll tunes – southern fried, but done with a cosmic undercurrent that makes for a mighty weird approach! The drums are amazing – fierce right from the get-go, in a way that has made the record a favorite with break collectors for years – and the fuzzy guitars really step out strongly too – with just a slight southern twang, and a great edge that keeps things pretty funky at parts! Bobby Caldwell is in the group on percussion, piano, vibes, and bells – and he also co-wrote most of the songs on the album – and titles include the classic "Dancing Madly Backwards", plus "Myopic Void", "Frozen Over", "Thousand Days Of Yesterdays", "As The Moon Speaks", and "Astral Lady". LP, Vinyl record album