Two freaky funky tracks from Cortex – the legendary French group from the 70s! "Les Oiseaux Morts" is a rare vocal track from the trio – but it's also one that's filled with the kind of funky riffs and Fender Rhodes that always made their music so great – and the vocals really have a way of pushing the whole thing over the top! "Back To Life" is a bit more upbeat, with these really cool keyboards mixed with a bit of harmonica – and the vocals this time around are in English, and again really send the whole thing home – especially as they only seem to be one line, repeated over and over again! 7-inch, Vinyl record

A legendary bit of funky fusion from the French scene of the 70s – the standout set from Cortex, a combo who's very heavy on the keyboards! The tunes have a feel that's quite different than American electric work of the time – funky, but also a bit breezy too – with a strong Brazilian influence in some of the rhythms, and hip use of female vocals alongside the Fender Rhodes – which makes for a double layer of sound that's totally great! There's a bit of alto sax in the instrumentation, but most of the sound comes from the interplay between keyboards, voice, bass, and drums – rolling along in a sound that's stunningly soulful, and which makes the record one of the hippest European dates from the decade. Tremendous all the way through – with tracks that include "Automne", "L'Enfant Samba", "La Rue", "Go Round", "Madbass", "Sabbat", "Mary Et Jeff", and "Chanson D'Un Jour D'Hiver". LP, Vinyl record album

A fantastic little collection – one that gets at a special side of the 70s European scene that wasn't quite prog, wasn't quite art rock, and wasn't quite experimental – but which definitely lay to the left of the mainstream during the decade and really helped set the tone for years to come! The music here is heavy on influences from the German scene, but also features some British tracks too – often in a way that makes a leaner approach to some of the bigger ideas of prog – with a more stripped-down approach, and often a less top-heavy sound – so that these cuts slide right in and sneak up on you with a really subtle sense of power. You'll recognize some of the names here, but the choice of tracks is key – put together by Bob Stanley, who gave us some other excellent "imaginary soundtrack" compilations from Ace. Titles include "Way Star" by Rubba, "L'Eroe Di Plastica" by Toni Esposito, "Tommy" by Focus, "Octave Doctors" by Steve Hillage, "Troupeau Bleau" by Cortex, "Canoe" by Piero Umiliani, "Penny Hitch" by Soft Machine, "Eileen" by Streetmark, "Jennifer" by Faust, "A Morning Excuse" by Amon Duul II, "Pony" by Annette Peacock, and "Don't You Know" by Jan Hammer. CD

A fantastic little collection – one that gets at a special side of the 70s European scene that wasn't quite prog, wasn't quite art rock, and wasn't quite experimental – but which definitely lay to the left of the mainstream during the decade and really helped set the tone for years to come! The music here is heavy on influences from the German scene, but also features some British tracks too – often in a way that makes a leaner approach to some of the bigger ideas of prog – with a more stripped-down approach, and often a less top-heavy sound – so that these cuts slide right in and sneak up on you with a really subtle sense of power. You'll recognize some of the names here, but the choice of tracks is key – put together by Bob Stanley, who gave us some other excellent "imaginary soundtrack" compilations from Ace. Titles include "Way Star" by Rubba, "L'Eroe Di Plastica" by Toni Esposito, "Tommy" by Focus, "Octave Doctors" by Steve Hillage, "Troupeau Bleau" by Cortex, "Canoe" by Piero Umiliani, "Penny Hitch" by Soft Machine, "Eileen" by Streetmark, "Jennifer" by Faust, "A Morning Excuse" by Amon Duul II, "Pony" by Annette Peacock, and "Don't You Know" by Jan Hammer. LP, Vinyl record album