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Close matches: 51
Close matches1
CD, LP, Vinyl record album cover art
Billy BangDistinction Without A Difference (with bonus tracks) ... CD
Hat Hut/Corbett vs. Dempsey, 1980. New Copy Gatefold ... Just Sold Out!
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups is always wonderful, the strengths of his genius maybe come through even more in a solo setting like this – as Bang uses the violin in ways that are completely unheard of, even in jazz work of the decade before – but also while somehow holding to an inherent core that always makes his music make immediate sense, even to the most casual listener. The album's a true testament to the genius that Bang brought to jazz violin – and why we still love him on the instrument more than anyone else. Titles include "Theme For Masters", "Sometime Later", "Improvisation On Sweet Space", and "Loweski". This great edition comes in a gatefold LP-styled cover – almost like a mini version of the original record released by Hat Hut – with bonus tracks that include "Fiddle In The Floodlight", "Subway Ride With Giuseppi Logan", "Echo Vamp", "Prana", and "A Pebble Is A Small Rock". CD

Close matches2
CD, LP, Vinyl record album cover art
Eugene ChadbourneLost Eddie Chatterbox Sessions ... CD
No Prestige/Corbett vs. Dempsey, 1977. New Copy ... $12.99
Magnificent early work from Eugene Chadbourne – a set that was recorded on Christmas Day, 1977 – and only issued a decade later on cassette – but sounds that are every bit as mindblowing as the material on Chadbourne's first few albums! The music here is heavy on compositions from Thelonious Monk – and the set also features Charlie Parker, John Coltrane, and Ornette Coleman tunes too – all reworked by Chadbourne with this incredible acoustic guitar style – very freewheeling, but still tied to the roots of jazz through a sense of melody – in ways that are maybe even more illustrative of his role in the scene than some of his other work. At one level, there's an acoustic guitar craft here that stretches back to the early blues recordings, but through a strong sense of avant freedom – ala Captain Beefheart – but Eugene's care with the tunes, mixed with his expressive phrasing, also put him in a space that's somewhere between the world of Derek Bailey and Fred Frith, and that of jazzman Barney Kessel, whose name he's holding in the poster on the cover. Titles include "5th Of Beethoven", "Reflections", "Off Minor", "San Francisco", "Hackensack", "Dewey Square", "Central Park West", "Brilliant Corners", and "Light Blue". Also includes a number of Chadbourne originals – and unissued tracks as well! CD

Close matches3
CD, LP, Vinyl record album cover art
Eugene ChadbourneThere'll Be No Tears Tonight ... CD
Parachute/Corbett vs. Dempsey, 1980. New Copy Gatefold ... $12.99
One of the most compelling albums ever recorded by guitarist Eugene Chadbourne – a set billed as "free improvised country and western bebop" – and which features Chadbourne serving up these wild variations on tunes by Carl Perkins, Roger Miller, David Allen Coe, Bobby Bare, Merle Haggard, and other country music legends! The album's much more Eugene than Nashville – although Chadbourne does sing lyrics on all of the tunes, but in a way that's very offbeat and hardly unlike the originals at all – as is his guitar work, which is acoustic and all twisted and turned up in all the offbeat phrasings you might expect! Much of the record is Chadbourne on vocals and electric dobro – but the set also features some drums by David Licht, saxes from John Zorn, and cello from Tom Cora. Titles include "The Last Word In Lonesome Is Me", "I'm The Only Hell My Mama Ever Raised", "Georgia In A Jug", "Motel Time Again", "Dang Me", "Window Shopping", "Jealous Loving Heart", "Mr Record Man", and "Swingin Doors". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches4
CD, LP, Vinyl record album cover art
Mats GustafssonTorturing The Saxophone ... CD
Corbett vs. Dempsey, 2014. New Copy Gatefold ... $13.99 14.99
Mats Gustafsson tortures the saxophone – but tortures it beautifully, too – in this wonderful set of solo tracks that mix tenor and live electronics, baritone and music box, and some solo baritone moments too! The title's a reference to a hilarious letter sent to Mats by Robert Crumb – who also did the lettering on the front – reproduced inside, in which Crumb says that he just really doesn't get this kind of music, or understand why anyone would want to listen to it too! Yet there's a beauty and fragility to the record that honestly make it one of Gustafsson's most compelling albums ever – especially the leadoff mix of tenor and electronics, laid out over five famous Duke Ellington numbers – all completely transformed by the process. Ellington titles include "Come Sunday", "In A Sentimental Mood", "I Never Felt This Way Before", and "Blue Goose" – and the set also features versions of the Ayler classics "Angels/Spirits" and "Ghosts" – and a 22 minute take on Lars Gullin's "Danny's Dream". CD

Close matches5
CD, LP, Vinyl record album cover art
Mats Gustafsson & Jason AdasiewiczTimeless ... CD
Corbett vs. Dempsey, 2018. New Copy Gatefold ... $12.99
Two of our favorite living improvisers – vibist Jason Adasiewicz and saxophonist Mats Gustafsson – each completely tremendous on their own, and even more amazing here together! We're not sure the musicians have ever recorded together before – and the sound of this album is way more than we might even have expected – a beautiful collaboration that brings out very sensitive sides of both artists, but at a level that's also true to greatest depths of their creative powers! Mats works these fantastic textures on alto, tenor, and baritone sax – alongside mostly vibes from Jason, who adds in a bit of balafon too – on selections that are often quite tuneful, and maybe even evoke a more soulful side of both musicians. Things are never too intense, but still push the boundaries too – and titles include "See Them Cold But See Them Last", "Time Is Less", "Valerie", "Memory Is A Voice", "A Fall They Call It", and "Dagger". CD

Close matches6
CD, LP, Vinyl record album cover art
Staffan HardeStaffan Harde ... CD
SJR/Corbett vs. Dempsey, 1971. New Copy Gatefold ... $12.99
One of the only recorded documents of the talents of Swedish guitarist Staffan Harde – a player who departed from the scene after the lack of critical response to this tremendous album! We're not sure why the record failed to make waves at the time – but it could well be because the whole thing is years ahead of its time – so bold in conception, and unique in ideas that Harde could never be easily pigeonholed in terms of sound or style! At one level, Harde's got a very chromatic approach to his instrument – often playing in ways that start with Jim Hall and move past Terje Rypdal – but often with phrasing that's very different than either – not as avant as Derek Bailey, with some of the vision of Ray Russell – but again, still very much his own man too. If we're throwing around big names, it's because we feel that Harde can stand with any of these inventive jazz giants – but in a space that's very much his own – working here ins hifting settings with Berngt Berger on drums, Lars Urban Helje on bass, and Lars Sjosten on piano. Titles include "Substance 1", "Bigaroon", "Incitement", "Electrification", and "Cordial L". CD

Close matches7
CD, LP, Vinyl record album cover art
Beaver Harris/Don Pullen 360 ExperienceWell Kept Secret ... CD
Shemp/Corbett vs. Dempsey, 1984. New Copy Gatefold ... $12.99
One of the most striking Don Pullen albums of the 80s – a beautifully open session that has the pianist co-leading a version of the 360 Experience group of drummer Beaver Harris – with an excellent lineup that also features Ricky Ford on tenor sax, Hamiet Bluiett on baritone, and Buster Williams on bass! The mix of players is unusual, and the sound here is as well – a record that easily steps between freer moments and more tuneful passages – imbued with the creative spirit of the loft jazz generation, but also taken a step further too – possibly via the album's production work by Hal Willner. There's some truly majestic moments on the album – and the whole thing is a great demonstration of the way that the farther fringes of the jazz universe were finding even more focused expression in the 80s – during a time when records like this really helped give musicians a great outlet for their new ideas. The set begins with the very long "Goree", which has additional work by Candido on percussion – and other tracks include "Land Of The Pharoahs", "Double Arc Jake", and "Newcomer". CD

Close matches8
CD, LP, Vinyl record album cover art
Instant Composers Pool (Misha Mengelberg, Peter Brotzmann, Evan Parker & Others)Groupcomposing ... CD
ICP/Corbett vs. Dempsey, 1970. New Copy Gatefold ... $12.99
A landmark album from this groundbreaking free jazz ensemble – a record that's as important to improvised music as Peter Brotzmann's Machine Gun or Derek Bailey's solo albums! And no surprise, the group features Brotzmann on tenor and Bailey on guitar – alongside Misha Mengelberg on piano, Evan Parker on soprano and tenor, Peter Bennink on alto and bagpipes, Paul Rutherford on trombone, and Han Bennink on drums and percussion! Nearly every one of these musicians were emerging giants at the time – and together, they really live up to the promise of the title – moving fast and fiercely, with uncanny understanding of each other – as they maybe even blow away the famous American album-length improvisations with one of their own. CD

Close matches9
CD, LP, Vinyl record album cover art
Peter Kowald/Kent Kessler/Fred Lonberg-HolmFlats Fixed ... CD
Corbett vs. Dempsey, 1998. New Copy Gatefold ... $11.99 12.99
The strings have it – in this sweet little set from bassists Peter Kowald and Kent Kessler, and the great Fred Lonberg-Holm on cello! The combination of instruments is wonderful – very free, but often quite tuneful nonetheless – as each player seems to glide between rhythm and melody, very much awash in their strong senses of sounds! The recording is a vintage one – captured in the WNUR studios in Chicago, at a very formative time for each player, especially Kessler and Lonberg-Holm – and it's issued here for the first time ever. Tracks vary in length from 17 minutes to 55 seconds – and the CD features 16 titles in all. CD

Close matches10
CD, LP, Vinyl record album cover art
Fred Lonberg-Holm & The Amphibians Of The EvergladesBow Hard At The Frog ... CD
Corbett vs. Dempsey, 2016. New Copy Gatefold ... $12.99
One of the most unusual albums we've heard from cellist Fred Lonberg-Holm – and one that's a lot closer to the title than you might think! The album was actually recorded alongside frogs – specifically in the Everglades, where Fred collaborated with sound artist Gustavo Matamoros – who brings the sounds of the great swamp to life alongside Lonberg-Holm's work on the strings of his instrument! The match is pretty darn great – given that Fred himself has experimented often with electronics, and can make just the right textures from his instrument to fit the moment – although this time around, the sound is even more organic – as Matamoros echoes the sounds of nature and various Everglades creatures. Titles include "Far 1", "Near 2", "Far 3", "Far 4", and "Near 1". CD

Close matches11
CD, LP, Vinyl record album cover art
Rob MazurekMother Ode ... CD
Corbett vs. Dempsey, 2014. New Copy ... $11.99 12.99
Rob Mazurek has always been more of a multi-instrumentalist instead of just a cornet player – but on this amazing solo set, he really pushes the boundaries even further – by taking up a huge host of different elements and different sounds! That soaring, spacious horn is still in the lead – a legacy that Rob seems to have inherited from 70s Miles Davis, but taken to even trippier territory – but the record also features flute, electronics, maracas, and bells – as well as weird objects like books, boxes, and apples! Mazurek uses a bit of distortion at times, which really helps unlike things resonate together – and the set's easily some of his most personal, evocative music to date. Titles include "Toward New Light", "Quiet The Thunder Bells", "The Breath Of Life You Gave To Me", "You Were Born With Sun In Your Eyes", and "Toward Enlightenment". CD

Close matches12
CD, LP, Vinyl record album cover art
Joe McPheeGlasses ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy ... $11.99 15.99
Extraordinary work from one of the true giants of the American scene – a mindblowing set of mostly solo sounds from reedman Joe McPhee – also working here on flugelhorn and a bit of percussion as well! The set begins with the incredible "Glasses" – a piece that appears to have McPhee actually playing a glass in performance, and alternating with some searingly soulful sounds on tenor sax – blown with a texture that matches the glass wonderfully – already showing his amazing ear for sound shapes. Side two reminds us that McPhee's got a deeply spiritual side – as he takes on Coltrane's "Naima" in a haunting solo reading that's almost worth the price of the album alone – full of feeling, but graced with these textures that really open up the song. The set's completed by "New Potatoes" – a much more driving number with added help from percussionist Reto Weber – plus the promised flugelhorn from Joe! CD

Close matches13
CD, LP, Vinyl record album cover art
Joe McPheeLoneliest Woman ... CD
Corbett vs. Dempsey, 1981. New Copy ... $7.99
A previously-unissued performance from Joe McPhee – recorded in the early 80s, and a searing ensemble take on Ornette Coleman's "Lonely Woman"! The arrangements are beautiful – as the track retains some of the haunting melody of the original composition, yet has a loose, creative approach that also allows for lots of improvisation in the middle – stunning performances from Joe McPhee on pocket cornet, Andre Jaume on tenor, Daniel Bourquin on baritone, Michael Overhage on cello, Radu Malfatti on trombone, Raymond Boni on guitar, Irene Schweizer on piano, Francois Mechali on bass, and Pierre Favre on percussion – plus a bit of vocals from Tamia at one spot. The track only runs for 13 minutes, making this a mini-album of sorts – but it's a true treasure, finally unearthed! CD

Close matches14
CD, LP, Vinyl record album cover art
Joe McPheeNation Time (with bonus tracks) ... CD
Corbett vs. Dempsey, 1970. New Copy Gatefold ... $12.99
Wild early work from avant jazz genius Joe McPhee – and a set that's actually pretty darn funky too! This rare indie release features 3 long tracks – two of which were recorded live, with a tight combo that includes a very funky drummer! The album kicks off with the hard wailing "Nation Time", which begins with a shout from Joe, and which rolls into a vamping modal groove (almost Pharoah Sanders-ish) filled with spiritual tenor work from McPhee, and some nice electric piano that sounds very off-kilter – funky, but unusual too. Next up is "Shakey Jake", an excellent 13 minute funk number – with bubbling organ, vamping rhythms, and a nice extended jazz dance groove – one of the rare tunes that has kept the album at the top of collectors' lists for years! And last up is "Scorpio's Dance", a pretty raw and somber track, with a nice open-ended loft jazz quality – balancing things out with a bit of avant energy. New CD version features three great bonus tracks – "Naima", "Blues In C", and "Secret Love". CD

Close matches15
CD, LP, Vinyl record album cover art
Joe McPheeVariations On A Blue Line – Round Midnight ... CD
Hat Hut/Corbett vs. Dempsey, 1977. New Copy ... $11.99 15.99
Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural elements that are right at home in the European concert setting of the recording. The album was a legendary start to Hat Art – and to the international fame of McPhee – and side one features an extended tenor performance on the original composition "Beanstalk", and side two features tenor again on "Variations On A Blue Line", then soprano on "Motian Studies", as well as "Round Midnight" – played by Joe with just the right sort of soul to round out the record! CD

Close matches16
CD, LP, Vinyl record album cover art
Joe McPheeWillisau Concert (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1975. New Copy ... $12.99 16.99
A beautiful set of live improvisations from reedman Joe McPhee – recorded early in his time with the Hat Hut label – at a concert in Willisau, Switzerland – already showing Joe's strong relationship with the European scene! The tracks here are all long, and every bit as creative as McPhee's solo or duo material of the time – but feature a trio with Makaya Ntschoko on drums and John Snyder on electronics and a bit of voice – the latter elements used in very different, unusual ways – very much in keeping with the new sonic spirit that Joe had unlocked in his own music! McPhee is wonderful throughout – blowing both tenor and soprano sax – and with this really revolutionary approach that's neither 70s loft jazz nor European free jazz – but a mode that must have been a huge inspiration to both scenes. Titles include "Voices", "Touchstone", "Bahamian Folk Song", and "Harriet". Also includes a never-issued version of "God Bless The Child". CD

Close matches17
CD, LP, Vinyl record album cover art
Joe McPhee & Andre JaumeNuclear Family ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... $12.99
Insanely beautiful work from the great Joe McPhee – an album that was recorded and intended to be issued during his groundbreaking stretch with Hat Art Records – but which never saw the light of day at the time! Why that happened, we're not entirely sure – because the album is tremendous right from the very first note – as McPhee blows alto, tenor, and pocket cornet alongside the work of Andre Jaume on alto, tenor, and bass clarinet – in a set of horn-only performances that are breathtaking from start to finish! Jaume's a great player too – and his work of the time, especially on Hat Art, is a masterpiece of subtlety and soul – and he balances McPhee perfectly here, often with some deeper currents that create a beautifully organic energy between the two. Jaume's got this way of handling his reed that's amazing – and, of course, Joe's phrasing is as incredible as always. Titles include great reworks of modern jazz classics – including "Pithecanthropus Erectus", "Self Portrait In Three Colors", "Evidence", "Chelsea Bridge", and "Lonely Woman" – plus the originals "Nuclear" and "Rue St Jaume". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches18
CD, LP, Vinyl record album cover art
Joe McPhee & Hamid DrakeKeep Going ... CD
Corbett vs. Dempsey, 2018. New Copy Gatefold ... $12.99
A long overdue return to duet formation for Joe McPhee and Hamid Drake – the duo who played together so beautifully on the Emancipation Proclamation album! This set is maybe even more personal, and more open – with Drake working some incredible magic on the drum kit, creating sounds that so many others would only get from a huge variety of percussion instruments – while McPhee blows both alto sax and pocket trumpet – sometimes with an intensity that makes it hard to believe the record's not some lost session of his from the 70s! If you think that you missed out on all the famous improv records the first time around, then think again – because this one's an instant classic. Titles include "Endangered Species", "Medgar/Malcolm/Martin", "Keep Going", "Lord Don't Let Them Drop Them Goddamn Nukes On Us Lord", "Sojourner's Truth", "Morning Star", and "Time Was". CD

Close matches19
CD, LP, Vinyl record album cover art
Joe McPhee & Mats GustafssonBrace For Impact (with bonus track) ... CD
Corbett vs. Dempsey, 2007. New Copy Gatefold ... $12.99
The first-ever album of studio duets between Joe McPhee and Mats Gustafsson – quite a surprise, given how often their paths have crossed over the years! The set was recorded in 2007, but only issued many years later – and it's a key document of the power that both improvisers have at this point in their career – each receiving strong global attention and facing new discovery by audiences nobody would have expected to be there for free jazz in the new millennium – but also able to completely put aside their egos and work together with the kind of sensitive interplay that only comes when you've got two masters in a rare moment like this. Sonically, the whole thing is very textural – maybe initially informed by that style that Gustafsson has of exploring all the outer reaches of a saxophone, from the tip of the reed right down to the surface of the pads – as he blows baritone, slide sax, and alto fluteophone – and McPhee works on pocket trumpet, alto, and alto clarinet. Titles include "Suicide Chicken Wings Over Nickelsdorf", "Bat Cave Feast", "Just Blue", "Just Green", "Race Matters", and "Blame Game". CD

Close matches20
CD, LP, Vinyl record album cover art
Joe McPhee/Ernie BosticLive At Vassar 1970 ... CD
Corbett vs. Dempsey, 1970. New Copy 2CDs ... $16.99
Some of the hippest jazz ever played at Vassar College – and previously-unreleased work from avant legend Joe McPhee, recorded right around the same time as his classic Nation Time record! One CD features a smoking performance by McPhee on tenor – working with a group that also includes Byron Morris on alto sax – really stretching out on a mixture of original tunes and some surprisingly free takes on standards – familiar songs blown openly, almost with a Coltrane Quartet sort of approach! But the other CD is even more amazing – and even more obscure – as it features a group with vibist Ernie Bostic, alto saxophonist Otis Greene, and Hammond player Herbie Leaman – all musicians we really don't know at all – but who sound wonderful together! The mix of organ and vibes is completely sublime – and tracks are very long and airy, with a haunting feel that's unlike anything we've ever heard before. The Bostic group plays "Flowers For Mattie B", "Bag's Groove", and "Resolution" – and McPhee's combo takes on "Green Dolphin Street", "Spring Street", "Muntu", "Maybell's Blues", "Softly As In A Morning Sunrise", and "Stella By Starlight". CD

Close matches21
CD, LP, Vinyl record album cover art
Thurston MooreSonic Street Chicago ... CD
Corbett vs. Dempsey, 2013. New Copy Gatefold ... $11.99 12.99
A pretty great solo performance from the legendary Thurston Moore – recorded at the Art Institute Of Chicago, as live accompaniment to the film Street, by James Nares – and maybe some of the most compelling sounds we've heard from Moore in awhile! The set features just solo electric guitar, in one long track – improvising over the space of an hour, with an especially great ear for sonic textures and very subtle shapes – a gentler, more personal version of the noise in which Thurston has been steeped for many many years – and music that's every bit as beautiful as the images on the screen! CD

Close matches22
CD, LP, Vinyl record album cover art
Thurston Moore & Frank RosalyMarshmallow Moon Decorum ... CD
Corbett vs. Dempsey, 2016. New Copy ... $11.99
Noise guitar legend Thurston Moore meets free jazz drummer Frank Rosaly – in a performance that really seems to open up new paths for both musicians! Moore's got a lot of texture in his work here – and a lot of space at times, too – an ear for notes and sounds that almost references the 70s British era of guitar improvisation at points, with currents of the American scene from the next decade that Moore helped shape so strongly. Rosaly's very loose in the setting – spare when needed, more full-on at other points – as he and Thurston shape the sound of a marshmallow moon in an improvisation that runs for more than 30 minutes! CD

Close matches23
CD, LP, Vinyl record album cover art
PicnicPicnic ... CD
Data/Corbett vs. Dempsey, 1985. New Copy Gatefold ... $12.99
Free jazz, and lots lots more – a lost nugget from an especially creative period in the Dutch scene, headed up by cellist Tristan Honsinger! At some level, the music echoes other improvised work by Honsinger – but at others, it also reflects the criss-crossing of genres and scenes that were taking place during these key years – a point after which free jazz had established itself, post-punk had opened up new waves of expression, too-prog tendencies had settled down, and the higher art world had opened their arms to embrace them all! The songs are both instrumental, and feature occasional vocals from Tiziana Simona Vigni – whose role with the sextet is not unlike some of Irene Aebi's performances with Steve Lacy, although maybe a bit more freewheeling and open-ended – more in a Recommended Records vein – a label that might have been a good home for this set, were it not issued by Data Records. In additional to Honsinger on cello and additional voice, the record also features Toshinori Kondo on trumpet, Jean-Jacques Avenel on bass, Sean Bergin on saxes, and Michael Vatcher on percussion – on titles that include "Quandro Era Estate", "Picnic", "Violets", "Teeth", "Orient Express", "Laly", "Romy", and "After The Rain". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches24
CD, LP, Vinyl record album cover art
PipelinePipeline ... CD
Corbett vs. Dempsey, 2000. New Copy ... $11.99 15.99
The long-overdue issue of the only recording by this lost Chicago/Swedish project – a massive lineup of young avant players from the start of the millenium – similar in construction to the Peter Brotzman Tentet, but working here with a very different sound! The group came together over the space of months, on both sides of the Atlantic – and really took their time to develop the album's two long compositions by Ken Vandermark and Fredrik Ljungkvist – working in amazing shades and tones that really reflect the individual personalities and strengths of the 16-member lineup. Each track spins out towards the half-hour mark – which allows lots of space for sounds from Mats Gustafsson on tenor, Ken Vandermark on clarinet and tenor, Fredrik Ljungkvist on tenor, clarinet, and baritone (were these guys having a competition?) – plus Guillermo Gregorio on alto and clarinet, Jeb Bishop on trombone, Per Ake Holmlander on tuba, Joe Morris and David Stackenas on guitars, Sten Sandell on piano, Jim Baker on piano and Arp, Fred Lonberg-Holm on cello, Kent Kessler and Johan Berthling on basses, Michale Zerang and Raymond Strid on drums and percussion, and Kjell Nordeson on drums, percussion, and vibes. There's a heck of a lot going on here – and titles include "Codeine Picasso" and "In This Very Room" – each of which have a mix of composition and improvisation that's not unlike some of the projects directed by Lonberg-Holm around the same time. CD

Close matches25
CD, LP, Vinyl record album cover art
Tom PrehnAxiom 1 & 2 ... CD
Sonet/Corbett vs. Dempsey, 1963. New Copy Gatefold ... $12.99
One of the rarest free jazz albums of the European 60s scene – a set that was originally intended for release by Sonet Records, pressed up in test records for the musicians, then denied release because they felt that they'd already moved past the performance! Yet in the space of over 50 years, the music still sounds remarkably fresh – an early, striking, and stunning example of the way that the European avant jazz scene was not only overtaking the American one, but also providing the kind of energy that would be a key inspiration for artists like Albert Ayler or Cecil Taylor! Pianist Tom Prehn offers up a lot of the latter here – boundless piano lines that leap forward into space with a frenzied, yet tuneful approach – followed by tremendous tenor from Frits Krogh, a player we don't know at all – but who blows powerfully and soulfully, at a level that maybe even prefaces some of John Coltrane's more outside material to come. The rest of the group features Poul Ehlers on bass and Finn Slumstrup on drums – and the album features the full "Axiom (parts 1 & 2)" performance from the Sonet album – plus a more contemplative number titled "Percussive Anticipations", recorded by the same group in 1966, and appearing here for the first time ever! CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches26
CD, LP, Vinyl record album cover art
Dudu Pukwana, Misha Mengelberg, & Han BenninkYi Yole ... CD
ICP/Corbett vs. Dempsey, 1978. New Copy Gatefold ... $12.99 15.00
A fantastic slice of sound from the legendary Dudu Pukwana – not his work with the famous Blue Notes combo, nor his globally-styled projects – but instead this searing free jazz date cut for the ICP label with Misha Mengelberg on piano and Hank Bennink on drums, clarinet, viola, and trombone! Pukwana is always great, but here he comes on with an improvising force that's even more amazing than you might expect – really stretching out over long tracks on alto sax, with moments that echo his more familiar tones, but with a lot more intensity – really driven on by the fantastic piano impulses from Mengelberg, and all pushed to the brink by Bennink's boundless energy on all instruments. Titles include "The King Of Weasle Is Called Easle", "Yi Yole", and "Silopobock". CD

Close matches27
CD, LP, Vinyl record album cover art
Hans ReichelBonobo ... CD
FMP/Corbett vs. Dempsey, 1975. New Copy Gatefold ... $12.99
A seminal album from Hans Reichel – a musician who might be to free jazz what John Fahey was to acoustic music – a player who can at once be immediately modern and completely timeless in his approach – working here in a way that opens up the instrument beyond any conventional expectations! Many of these tracks have an inherent cyclical pulse – a bit like the way that Fahey could mix Eastern elements with blues inspiration – but there's also a more chromatic approach to the instrument, and ways of playing that go beyond simple notes – so that each touch of a string is almost like a little explosion of color – explosions that work together to make some amazing sounds throughout! Titles include "Bonobo I", "Peter Zweifel", "Lurch", "Toeni", "Moor", "Nicht Sand Sondern Popel Im Getriebe", and "Mariahhilf". CD

Close matches28
CD, LP, Vinyl record album cover art
Hans ReichelWichlinghauser Blues ... CD
FMP/Corbett vs. Dempsey, 1973. New Copy Gatefold ... $12.99
Overlooked work by one of the true guitar geniuses of the 70s – an artist who should be right up there with Derek Bailey and Fred Frith – especially with groundbreaking work of this nature! Hans Reichel has a very unique approach to the electric – one that's both very deft on the strings, but also has a sonic sensibility that almost seems to use the instrument to trigger sounds as much as to create notes – moments that are often quite melodic, even when free – shifting between the infinite tonal possibilities of the guitar and some of its textural elements too. Some of Reichel's later work wasn't as great as his 70s output – but this album's a tremendous and well-lauded classic! Titles include "Lupi", "Shaved Guitar", "Krampfhandlugen", and "Alfons Al Piepenbrink & His Lonely Wah Wah Pedal". CD

Close matches29
CD, LP, Vinyl record album cover art
Wadada Leo SmithRed Chrysanthemums – Live 1977 ... CD
Corbett vs. Dempsey, 1977. New Copy ... $11.99
An unreleased set of solo performances from trumpeter Wadada Leo Smith – one that we'd rank right up there with his most adventurous work of the 70s! Smith comes across wonderfully on the record – full of soul and imagination, and easily as impressive on his solo instruments as scenemate Roscoe Mitchell could be in a similar setting – always moving around with thoughtful shifts in timing and purpose, in ways that always make the whole performance feel very organic, especially as Smith moves between other instruments that include flute, percussion, gongs, and steelophone. Titles include "Jupiter's Astro Waves", "Blue Green Gardens Of The Indigenous People", and "Pan Sonic Fire Rhythms/Red Chrysanthemums/Dark Purple Night On Crater Lake With A Clear View Of Saturn's Rings & Moons". CD

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Ken Vandermark & Mats GustafssonVerses ... CD
Corbett vs. Dempsey, 2013. New Copy ... $11.99 12.99
Bold, beautiful work from the team of Ken Vandermark and Mats Gustafsson – two of the most inventive reed players of the past few decades – working together here in free, unfettered formation! The set was actually recorded right above Dusty Groove – in a very open, woody loft space – which really helps shape the sound of the set – as the notes from both players ring out wonderfully in the loft – almost recalling the creative improvisations of the New York scene from decades before – but handled here with all the amazing new sense of invention that both Vandermark and Gustafsson seem to bring to any instrument they touch! Ken plays tenor, bass clarinet, and b flat clarinet – and Mats handles alto, tenor, and baritone – all in a rich range of sounds and tones that really leave us breathless. Titles include "Ripolin", "The Madness Of Branches", "I Never Dreamed", "Fortunate Rust", "We Turn The Page", and "Beside Me Images". CD

Close matches31
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Ken Vandermark & Michael SnowDuol ... CD
Corbett vs. Dempsey, 2015. New Copy Gatefold ... $12.99
The album's titled after the 1960 Michael Snow painting that graces the cover – but it features recently-recorded music that remind us that Snow's still a hell of an improviser too! Snow's is maybe best known to most for his important experimental film work of the 60s and 70s – but as the cover will attest, he's also a multi-faceted artist, and also has a long legacy of creative improvisation – one that's still very much alive and well here as he works alongside saxophone genius Ken Vandermark! The album features three improvisations, all recorded live – very much in an older spirit of free jazz, but with all the amazing saxophone explorations that Vandermark has opened up over the years. Titles include "Duol One", "Duol Two", and "Duol Three". CD

Close matches32
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VariousOption 1 ... CD
Corbett vs. Dempsey, 2019. New Copy 2CD ... $18.99 20.00
A brilliant series of creative performances pulled from Option – a weekly music salon hosted organized by Chicago avant jazz talents Ken Vandermark, Tim Daisy, and Andrew Clinkman – featuring contributions from some of their greatest contemporaries, and a few older legends too! Most of the material here is free improvisation, but the scope is also nicely wide – with a mix of elements that really keeps things interesting, and which also makes for a hell of a double-length record, even if you don't care at all about the weekly event! The set features performances by Susan Alcorn on steel guitar, Wayne Horvitz on piano with Sara Schoenbeck on bassoon, Ladonna Smith on violin and vocals, Havard Wilk on piano, Gerry Hemingway on percussion and electronics, Lou Mallozzi on electronics and turntables with Douglas Ewart on reeds and percussion, Greg Kelly on trumpet, Bonnie Jones on electronics, Ingrid Laubrock on tenor, Kris Davis on piano, Sandy Ewen on guitar, Louise Dam Eckerdt Jensen on alto and Kent Kessler on bass, and the trio of Booker Stardrum on percussion, Beth McDonald on tuba, and Dave Rempis on alto. CD

Close matches33
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✨✧ Rudiger Carl IncKing Alcohol (New Version) (with bonus tracks) ... CD
FMP/Corbett vs. Dempsey, 1972. New Copy 2CD Gatefold ... Temporarily Out Of Stock
Maybe the greatest moment ever on record from Rudiger Carl – and not just because the album is "dedicated to all drinker friends"! Despite that embrace of alcohol, the record's got a very sobering power – as the group is a free jazz trio, working in the best bracing early FMP way – with Carl on tenor, Gunter Christmann on trombone, and Detlef Shoenenberg on drums – all turning their instruments inside out as they madly, freely, explosively work off the power of one another! Christmann is especially amazing – and this album might well be to his trombone what the late 60s FMP sides were to Brotzmann's tenor – although Detlef's drums are pretty amazing too – very different than any contemporaries or precursors, and worth the price of admission alone. Titles include "Thrombose", "King Alcohol", "AEIOU", and "Rush Hour/Something/Triotrip". Plus, this 2CD reissue adds in an astounding 70 more minutes of unreleased recordings from the same sessions! CD

Close matches34
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✨✧ ICP TentetTetterettet ... CD
Instant Composers Pool/Corbett vs. Dempsey, 1977. New Copy Gatefold ... Temporarily Out Of Stock
A landmark record from the Dutch jazz scene – one that takes all the strong 70s years of free improvisation in that world, and helps it find a new sort of focus! As fans of the scene know, ICP stands for Instant Composers Pool – writing while improvising on the spot – a notion that's applied here to a completely amazing tentet, with a lineup that moves even beyond the core scene – to include Misha Mengelberg on piano, John Tchicai on alto and soprano, Gilius Bergeyk on alto, Peter Bennink on alto and sopranino, Peter Brotzmann on alto and tenor, Bert Koppelaar on trombone, Tristan Honsinger on cello, Alan Silva on bass, Han Bennink on drums and bass clarinet, and Michel Waisisz on the very cool "crackle box". The force of the individual players is already amazing – but the way they come together here is breathtaking – sometimes with a full blast that should be chaos, but which finds an amazing sense of song, thanks in part to the strength of Mengelberg on piano. Titles include "Valse Trovee", "Ludvig's Blue Note", "Dank", "Alexander's Marschbefehl", "Rumboon", and five "Tetterettet" selections. CD

Close matches35
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✨✧ Jimmy LyonsPush Pull ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy 2CD Gatefold ... Temporarily Out Of Stock
Alto saxophonist Jimmy Lyons had a legendary run of performances on record with Cecil Taylor – but he sounds equally amazing here as a leader – given the space to really stretch out in a 3LP set that brings together a landmark live performance from 1978! Lyons works here with some lesser-known names – a quintet that includes Karen Borca on bassoon, Hayes Burnett on bass, Munner Bernard Fennell on cello, and Roger Blank on drums – but all players really catch the fire from his horn, and open up in a way that starts with loft jazz inspiration, then really soars to the stratosphere! The live setting of the album – recorded in a cinema – brings a really great quality of "space" to the overall production – and you can really feel Lyons and the group working together as their sounds and performance echo throughout the theater. Titles include the 32 minute "Mary Mary" – plus "Tortuga", "Breakout", "After You Left", and "Push Pull". CD

Close matches36
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✨✧ Joe McPheeAlone Together – The Solo Ensemble Recordings 1974 & 1979 ... CD
Corbett vs. Dempsey, 1974/1979. New Copy Gatefold ... Temporarily Out Of Stock
A stunning exploration of the "solo ensemble" concept from the legendary Joe McPhee – a mode that might seem like an oxymoron in its name, but which actually features McPhee working with overdub techniques to play alongside himself on a range of different brass and reed instruments! The overdub approach is nothing new – players like Jimmy Giuffre and Anthony Ortega had tried it out in the past, with great results – but in the hands of someone like McPhee, the mode becomes something different altogether – almost as if the creatively-growing Joe is saying that he's finding it hard to find like-minded musicians to work with, so instead decides to turn inward and create these amazing groups of sound all by himself. There's a dynamism here that really makes the music feel as if it's coming from more than one intellect at once – as Joe holds us rapt with work on tenor, alto, soprano, trumpet, alto horn, and other instruments throughout the set. CD

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✨✧ Joe McPheeWillisau Concert (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1975. Used ... Temporarily Out Of Stock
A beautiful set of live improvisations from reedman Joe McPhee – recorded early in his time with the Hat Hut label – at a concert in Willisau, Switzerland – already showing Joe's strong relationship with the European scene! The tracks here are all long, and every bit as creative as McPhee's solo or duo material of the time – but feature a trio with Makaya Ntschoko on drums and John Snyder on electronics and a bit of voice – the latter elements used in very different, unusual ways – very much in keeping with the new sonic spirit that Joe had unlocked in his own music! McPhee is wonderful throughout – blowing both tenor and soprano sax – and with this really revolutionary approach that's neither 70s loft jazz nor European free jazz – but a mode that must have been a huge inspiration to both scenes. Titles include "Voices", "Touchstone", "Bahamian Folk Song", and "Harriet". Also includes a never-issued version of "God Bless The Child". CD
Also available Willisau Concert (with bonus track) ... CD 12.99

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✨✧ Sounds Of LiberationUntitled – Columbia University 1973 ... CD
Dogtown/Corbett vs. Dempsey, 1973. New Copy Gatefold ... Temporarily Out Of Stock
A true treasure from this righteous Philly collective – a group who only issued one album in the 70s, and who finally double their catalog with the release of this rare performance from 1973! Sounds Of Liberation have this all-star lineup of musicians who did great work in Philadelphia and elsewhere – with Khan Jamal on vibes, Monette Sudler on guitar, and Omar Hill and Rashid Salim on percussion – working alongside some great work on flute and alto from Byard Lancaster, heavy bass from Billy Mills, and just the right touch of drums from Dwight James! The style here is maybe tighter, and occasionally more funky than on their one self-titled album – but the group also stretch out strongly too – hitting all the right spots in this forward-thinking blend of spiritual jazz modes, of the sort that would have made them a huge 70s ensemble, had they held on and found the right venue. Titles include the extended "New Horizon", plus "Badi", "Sweet Evil Mist", "Thoughts", and "Keno". CD

Close matches39
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✨✧ Torbjorn Zetterberg & The Great QuestionTorbjorn Zetterberg & The Great Question – Live ... CD
Corbett vs. Dempsey, 2019. Used ... Temporarily Out Of Stock
An insanely wonderful album from bassist Torbjorn Zetterberg – a player we've loved for many years, but who seems to be hitting a new level of genius with this record! As with other key bassist-driven ensembles over the years – like the work of Charles Mingus, or more appropriately, the Liberation Music Orchestra of Charlie Haden – Zetterberg has this way of driving the group from the bass position with a vivid, fluid sort of energy – never overstating his own role, and getting this wonderfully dynamic performances out of the other members – so that although the group's just a sextet, it feels as if it's got a lot more parts in motion. The lineup is as tremendous as Torbjorn's leadership – Susana Santos Silva on trumpet, Mats Aleklint on trombone, Jonas Kullhammar on tenor and flute, Alberto Pinton on baritone and flute, and Jon Falt on drums – working beautifully through long Zetterberg originals. titles include "Cherry Tree Carol/Weekday Miracles", "The Oracle In Finnaker", "Tiny Slippers", and "Song From The End Of The World". CD

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✨✧ Peter Brotzmann & Harry MillerBrotzmann & Miller ... CD
Corbett vs. Dempsey, 1980. New Copy ... Out Of Stock
The only musical meeting ever between saxophonist Peter Brotzmann and British bassist Harry Miller – a live performance recorded in France in 1980, with more than enough clarity to match the brilliance of the music! Brotzmann's playing alto, bass clarinet, and clarinet with a wonderfully unfettered style here – often reaching out with shapes in sound, then turning them back upon themselves – deconstructing his own melodic moments with a very dynamic sort of energy. Miller's great too – using his bass with equally creative inspiration, at a level that often has a bit more edge than some of his British recordings of the 70s. The performance is less than 15 minutes, but its brevity gives it a great deal of focus – and titles include a reading of Charlie Haden's "Song For Che", plus the improvised originals "Short Sweet" and "Swimming Pool". CD
(Limited Edition, 200 copies.)

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✨✧ Peter Brotzmann/Fred Van Hove/Han BenninkBrotzmann/Van Hove/Bennink – 1971 (LP sleeve edition) ... CD
JG/Corbett vs. Dempsey, 1971. New Copy Gatefold ... Out Of Stock
Very rare, very obscure material from this important free jazz trio of the German scene in the 70s – a set that features one long performance originally issued on the JG label, despite the FMP-like image on the cover – plus two more tracks from the same year that appear here for the first time ever! "Just For Altena" offers up the power trio at their best – very freewheeling piano from Fred Van Hove, drums from Han Bennink, and tenor from Peter Brotzmann – with intensity that may well surpass the Machine Gun years, and an understanding of each players strengths that means that there's almost no tentative moments at all in the improvisation! "Filet Americain" and "ICP No 17" are from earlier in 1971 – and showcase a different, more sonic side of the trio – some tones that are at the farther end of hearing, which ruminate then blossom into bolder statements, but still often with a very abstracted approach to each instrument. Great stuff – and every bit as essential as any of the better-known Brotzman recordings of the time! CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches42
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✨✧ Milford GravesBabi (with bonus CD) ... CD
IPS/Corbett vs. Dempsey, 1969/1976. New Copy 2CD Gatefold ... Out Of Stock
One of the rarest albums ever from percussionist Milford Graves, and one of the most intense as well – a completely unbridled live performance that features saxes from Hugh Glover and Arthur Doyle! Glover and Doyle are amazing together – and with that trademark raspy tone, Doyle's set apart nicely, even amidst the frenzy – and Graves is a complete monster on the drum kit, moving with a speed that must have been breathtaking to see in person – at a level that always has us checking the record to make sure that we don't have it set to 45rpm! If you've ever overlooked the contributions that Graves has made to improvised music, this is the record to convince you – with titles that include "Ba", "Bi", and "Babi". Great bonus material too – a whole CD that features the same trio, playing together 8 years before – recorded in New York in 1969, with four improvisations of varying length. CD

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✨✧ Steve LacyStamps (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy 2CDs ... Out Of Stock
A massive double-length set from saxophonist Steve Lacy – and maybe one of the strongest 70s statements from his legendary European quintet! The album features two different live performances – each of which open up in the brilliant freedoms allowed by the European scene since the end of the 60s, but restructured by Lacy in that fantastic energy he shared with Steve Potts on alto, Irene Aebi on cello and voice, Kent Carter on bass, and Oliver Johnson on drums. The group display a masterful balance between united energy and individual expression – and the synchronicity between Lacy and Potts is especially striking. Titles include "Stamps", "Wickets", "The Dumps", "The Blinks", "Duckles", "Ire", and "Existence". Also features the bonus track "Follies". CD
Also available Stamps ... LP 43.99

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✨✧ Steve Lacy & Steve PottsTips ... CD
Hat Hut/Corbett vs. Dempsey, 1981. New Copy Gatefold ... Out Of Stock
Steve Lacy works here with one of his best partners of the 70s – altoist Steve Potts – whose tone and phrasing always turns out to be a perfect match for Lacy's ideas! And the duet also get some great accompaniment from vocalist Irene Aebi – who's almost has more presence here when she makes an appearance, but at a level that's arguably stronger and more powerful than some of her other contributions to Lacy records – this unusual manner of vocalizing that almost puts her in the Saravah Records tradition of Brigitte Fontaine, in terms of creativity and moving beyond the boundaries of language. Irene's words are more musical elements than anything else – giving shape to the start of each selection, then dropping out to make the interplay between Lacy's soprano and Potts' alto seem even warmer and more organic. The album features one long track – "Tips" – divided up into fourteen lettered sections. CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches45
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✨✧ Joe McPheeCosmic Love/Cosmic Love (number 2) ... 7-inch
Corbett vs. Dempsey, 1970. New Copy (pic cover)... Out Of Stock
Two versions of a great track by Joe McPhee – both of which have the saxophonist laying out some surprisingly soulful sounds! If you only know Joe from his later avant years, you'll be stunned to hear McPhee here – as "Cosmic Love" has Joe spinning out this soulful saxophone lead over organ, which burns very slowly in the background – as McPhee starts out first straight, then surprisingly outside once things get going – but with a vibe that's somewhere between Kalaparusha on Delmark, and Arthur Doyle a few years later. The second version of the tune really turns up the echo on the organ, which makes things even more cosmic – as McPhee's solo follows a similar way-out path! 7-inch, Vinyl record

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✨✧ Sun RaContinuation (with bonus tracks) ... CD
Saturn/Corbett vs. Dempsey, 1963. New Copy 2CD ... Out Of Stock
Mindblowing music from Sun Ra & The Arkestra – sounds recorded during the same marathon session that gave the world the records Other Planes Of There, When Sun Comes Out, and When Angels Speak Of Love – but titles that are much more obscure overall! The initial release of the material featured very misleading notes, but the true details of the session are even more impressive – as Ra plays a variety of unusual instruments alongside piano – including the piano strings, space organ, and clavioline – alongside some sublime straight horn work from John Gilmore on tenor, Marshall Allen on alto and oboe, Pat Patrick on baritone, Danny Davis on alto and clarinet, Walter Miller on trumpet, Robert Cummings on bass clarinet, and Ali Hasaan on trombone! The lineup here has that raw power the Arkestra first unleashed after their initial move to New York – almost a sense of new freedom in the new environment – even at a time when they weren't clicking on a financial level, but still continued to push forward with new ideas in music! Some passages have this great approach that links the cosmic ideas of the Arkestra with older traditions of jazz soloing – while others reflect the growing concern of the group with new textures and sounds – making for some very impressive elements on both the horns and percussion. The group is completed by Ronnie Boykins on bass, Art Jenkins on space voice and percussion, and Tommy Hunter on drums, percussion, and some mighty nice reverb – and titles include "Biosphere Blues", "Intergalactic Research", "Earth Primitive Earth", "New Planet", and "Continuation To Jupiter Festival". Beautiful 2CD reissue features sublime sounds from the original tapes, remastered – plus a full bonus CD of unreleased tracks that include "Blue York", "Conversation Of The Universe", "Red Planet Mars", "Cosmic Rays/Next Stop Mars", "The Myth", "Meteor Shower", "Infinity", "The Beginning Of", and "Endlessness". CD

Close matches47
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✨✧ Sun Ra, Peter Brotzmann, & OthersEye & Ear (original pressing) ... CD
Corbett vs. Dempsey, 1960s/1970s. New Copy ... Out Of Stock
A really unique collection of work – filled with previously unreleased tunes by a host of jazz and avant notables – all pulled together as part of an art exhibit! The exhibition's titled Eye & Ear, and focuses on paintings and art works by a great variety of talents who are better known for their musical work – but who also have spent quite a bit of time on the visual arts as well. Supposedly, all tracks are exclusive to this collection – pulled together by the Corbett Vs Demsey team – and titles include the completely unlikely "Jada", a duet between structural filmmaker Michael Snow and trad jazz legend Pee Wee Russell – plus "I Don't Believe In Love" by Sun Ra, "Take 5" by Peter Brotzmann & Han Bennink, "Weave & Raze" by Hal Rammel, "#2" by Sebi Tramontana & Lou Mallozzi, "November" by Mark Booth, and "Dickie's Dream" by Dave Coleman & Friends. CD

Close matches48
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✨✧ Tomeka ReidSoundtrack To Hairy Who & The Chicago Imagists ... CD
Corbett vs. Dempsey, 2014. New Copy Gatefold ... Out Of Stock
Some of the coolest music we've ever heard from Tomeka Reid – a soundtrack for a film based on the Chicago school of imagist painting in the 60s – nicely scored with music from the windy city itself! Reid composed the different selections on the soundtrack – most of which are different themes for Hairy Who artists, such as Ed Paschke, Ray Yoshida, Jim Nutt, and others – and the music features Reid's cello and the percussion of Adam Vida, plus some slight vocalizations at a few haunting moments! The music is surprisingly tuneful at most points – and quite beautiful as well – and titles include "Jizz & Jazz", "Hairy Shoes", "Tin Eared Tenor", "Dappled Pleasure Dress", "O Number I", "The Design & The Dilemma", and "Snooper Trooper". CD

Close matches49
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✨✧ Phillip Wilson with Olu DaraEsoteric ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... Out Of Stock
Percussionist Phillip Wilson's got his name on the cover, but the set's a very collaborative outing with trumpeter Olu Dara – recorded in Paris by Jef Gilson with a very free-thinking, open style that bridges both American and European modes of free jazz at the time! Wilson plays both a conventional drum kit and assorted percussion instruments – although not a huge range – and Dara brings a real sense of "voice" to the proceedings, both with his phrasing on the trumpet – often in a gritty, "mouthy" mode – and his occasional vocalizations through the horn – both of which evoke the more spiritual currents of the New York scene in the 70s. There's mindblowingly creative spirit to the music throughout – that best Hat Hut sound from the first few years of the label – and titles include "Call Call The So", "Double Click", "The Chad", "Elephant Bossa", "Olu 1", and "Lester 3". CD

Close matches50
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✨✧ Torbjorn Zetterberg & The Great QuestionTorbjorn Zetterberg & The Great Question – Live ... CD
Corbett vs. Dempsey, 2019. New Copy Gatefold ... Out Of Stock
An insanely wonderful album from bassist Torbjorn Zetterberg – a player we've loved for many years, but who seems to be hitting a new level of genius with this record! As with other key bassist-driven ensembles over the years – like the work of Charles Mingus, or more appropriately, the Liberation Music Orchestra of Charlie Haden – Zetterberg has this way of driving the group from the bass position with a vivid, fluid sort of energy – never overstating his own role, and getting this wonderfully dynamic performances out of the other members – so that although the group's just a sextet, it feels as if it's got a lot more parts in motion. The lineup is as tremendous as Torbjorn's leadership – Susana Santos Silva on trumpet, Mats Aleklint on trombone, Jonas Kullhammar on tenor and flute, Alberto Pinton on baritone and flute, and Jon Falt on drums – working beautifully through long Zetterberg originals. titles include "Cherry Tree Carol/Weekday Miracles", "The Oracle In Finnaker", "Tiny Slippers", and "Song From The End Of The World". CD

Close matches51
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✨✧ VariousAmarcord Nino Rota ... CD
Corbett vs. Dempsey, 1981. New Copy ... Out Of Stock
One of the first true moments of genius from producer Hal Willner – the man who helped open up so many ears to diverse music with projects like these! The album's a tribute to the music of Nino Rota, as used in the films of Federico Fellini – but rather than just be a slavish remake, the set instead has a set of ultra-hip jazz musicians providing their own interpretations of Rota compositions – in a range of formats that's completely breathtaking, and which takes these sublime melodies and transforms them even past their use in the films! The set features fantastic Jaki Byard solo performances of "Amarcord" and "La Strada", solo vibes from Dave Samuels on "La Dolce Vita/Juliet Of The Spirits", the Clarla Bley Big Band performing "8 1/2", solo soprano sax and gong from Steve Lacy on "Roma", David Amram playing "Satyricon", solo Bill Frisell guitar on "Juliet Of The Spirits", a great "La Dolce Vita Suite", with passages by Muhal Richard Abrams and Sharon Freeman, and even a medley of "The White Sheik/I Vitelloni/Il Bidone/Nights Of Cabiria" by arranger William S Fischer with Branford Marsalis and George Adams on saxes, Wynton Marsalis on trumpet, and Kenny Barron on piano. CD
 
 
 



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