A shot of tequila and a whole lot more – one of the few albums issued by the legendary Champs, a group who helped reinvent the sound of instrumental rock at the start of the 60s! The group's classic "Tequila" is a very familiar mix of raunchy sax, strutting guitar, and some slightly south of the border rhythms – and the other tunes here follow suit beautifully – offering up some of the grittiest side of late 50s/early 60s instrumental rock you could hope to find. The album's a definitely all-killer, no-filler set – and in addition to "Tequila", titles also include "Go Champ Go", "I'll Be There", "Sky High", "Lollipop", "Night Beat", "Robot Walk", "Midnighter", and "Train To Nowhere". LP, Vinyl record album

An amazing set of work by John Coltrane – some of his best recordings ever, tracks that form a pivotal point between his later 50s work with Miles Davis and his mid 60s spiritual searching years. The set's unbelievably exhaustive – and includes every track that was ever issued by Coltrane on an Atlantic album, plus some great alternate takes, plus a 72 page hardbound book of photos and writings, plus a whole CD of rare material that was never issued before! (The folks at Atlantic say that they would have loved to make an even bigger set – but after a fire in their warehouse in the 70s, this one CD of tapes is all that ever remained!) The whole package is incredibly well put together – in a small discrete box with some great fold-out CD cases, and a wonderful mechanism for storage that's as great as the music in the set. Titles include "Syeeda's Song Flute", "Ole", "My Favorite Things", "Cousin Mary", "Giant Steps", "Mr Day", "Blues To Elvin", "Satellite", "Liberia", "Dahomey Dance", and sooooo much more! CD

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Early King Records material by Champion Jack Dupree – a hell of a pianist, and a heck of a great singer too – working almost as a raconteur on some of the best songs on this collection! The music has deep roots in New Orleans, where Jack must have really honed his piano skills – but there's also a more northern, more urban presentation of the music on these cuts – a strong current of wit that comes in the way that Jack puts over a tune, and a great mix of jazzy phrasing in both his piano and the electric guitar that sometimes provides strong accompaniment. Jack's vocals are almost more commentary than traditional lyrics – often with an undercurrent of raunch – and titles include "That's My Pa", "Failing Health Blues", "Big Leg Emma's", "Two Below Zero", "Camille", "Me & My Mule", "She Cooks Me Cabbage", and "Silent Partner". CD

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El Michels return again to the Wu-Tang chambers – and the results this time might even be better than before! Wu-Tang forged their initial sound out of a love of offbeat samples and unusual funk – so it's only fitting that one of the hippest funk groups around strip the music right down to its roots – performing new live interpretations with their wickedly sinister groove – all at a level that makes the whole thing a slow funk masterpiece from start to finish! El Michels has always been one of the few real standouts in the deep funk scene – and it's records like this that keep us loving them so much. And even though the set features vocals from Lee Fields on two tracks, and Lady Wray on one more – the instrumental groove is what dominates and draws our ears, on tracks that include "Tears", "Sipped Up", "Shadow Boxing", "Iron Man", "4th Chamber", "Shaolin Brew", "Drums For Sale", "Verbal Intercourse", "Tearz", and "Wu Tang Clan Ain't Nuthin Ta F Wit". LP, Vinyl record album

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A nice little collection of some of Dizzy Gillespie's best bop material for Savoy – tunes that were originally recorded as 78rpm singles – then issued together on this classic album of all-star players! The tunes are short, catchy, and often very grooving – that mix of whimsy and modernism that made Dizzy stand out from the start – handled by a few different groups of players, with musicians who include Milt Jackson on vibes, John Coltrane on tenor, Wynton Kelly on piano, and Percy Heath on bass. Titles include "Tin Tin Deo", "Star Dust", "The Bluest Blues", "The Champ", "Birk's Works", "Caravan", "Time On My Hands", and "Ooh Shoo Be Doo Bee". CD

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Two rare sound library gems – back to back on a funky 45! "Thoughtful Popper" moves a bit slow, but in a really great way – stepping with a mellow vibe from funky drums – while light flute, cello, and other instruments do some mighty great things over the top! "Chamber Pop" picks up the pace slightly, and still has some great funky drums – doing mighty nice things with the rhythms while some cool string work opens up in these warmly melodic ways! 7-inch, Vinyl record

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A key outing from drummer Roy Haynes – a classic trio session that has a lot more energy than the usual set from the time – thanks to equal participation from Paul Chambers on bass and Phineas Newborn on piano! The unified approach hinted at in the title certainly comes through in the grooves – as Chambers bass works way more than rhythm here – and Haynes' drumming is lightly melodic on the best numbers, allowing Newborn to almost handle more of the pace of the tunes himself. Tracks are longish, and titles include "Reflection", "Sugar Ray", "Solitaire" and "Sneakin Around". CD

A key outing from drummer Roy Haynes – a classic trio session that has a lot more energy than the usual set from the time – thanks to equal participation from Paul Chambers on bass and Phineas Newborn on piano! The unified approach hinted at in the title certainly comes through in the grooves – as Chambers bass works way more than rhythm here – and Haynes' drumming is lightly melodic on the best numbers, allowing Newborn to almost handle more of the pace of the tunes himself. Tracks are longish, and titles include "Reflection", "Sugar Ray", "Solitaire", "Our Delight", and "Sneakin Around". CD

Beautiful work from Jamal's early Chicago years – and a perfectly titled set that really gets at the differences he made in modern jazz! The tunes are wonderfully fluid, soulful, and swinging – but not in the gutbuckety style of other trios of the time, more in a lightly modern style that features almost equal interplay between Jamal's piano, the bass of Israel Crosby, and the guitar of the wonderful Ray Crawford – who really ads an amazing touch to the record. Tracks include the great original "New Rhumba", plus cool versions of "Jeff", "Darn That Dream", "Spring Is Here", and "All Of You". LP, Vinyl record album

A massive collection of music – eight full albums from Evelyn Champagne King, plus bonus tracks as well! King was a hell of a singer who came along at just the right time – as cool and classy enough to have sung jazz in decades before, but with a richness that also really fit the spirit of 70s soul – and was perfect for the new infusion of grooves that the music got during the disco generation! King could sing disco, but also hit a lot wider range too – which made for some really well-formed records during her years at RCA – all of which are collected here! Unlike some of her crossover contemporaries, Evelyn managed to grow with the years and stay strong as the 80s moved in – shifting styles a bit, but never losing her groove – and working here with production and arrangements from the likes of T Life, Kashif, Willie Lester, Morrie Brown, Andre Cymone, and Leon Sylvers – all of whom help shape the groove. The box features the full albums Smooth Talk, Music Box, Call On Me, I'm In Love, Get Loose, Face To Face, So Romantic, and A Long Time Coming – nearly all of which are presented with bonus tracks – all wrapped up in a box set, with a 40 page booklet of notes. CD

A solid overview of RCA material from Evelyn Champagne King – from the disco era hits, catchy club soul, and synth soaked 80s grooves! Evelyn's sound is usually upbeat and catchy, but she's does her thing and more measured and and smoothed out soul numbers, and bass & synth grooves in the early 80s. Very nice stuff all around! Titles include "Shame", "I Don't Know If It's Right", "Music Box", "I'm In Love", "Don't Hide Our Love", "Betcha She Don't Love You", "Action", "Get Loose", "Teenager", "High Horse", "Your Personal Touch" and more. 16 tracks in all. CD

Wonderfully smooth soul from Evelyn Champagne King – one of her real standouts from the early days, and a tremendous collaboration with producer/arranger T Life! The sound here is upbeat and catchy, but never too poppy – done with a slight hint of that groove that King would hit more famously in the 80s, but served up here with a deeper sense of warmth, and a slightly more laidback feel. King is classy without being cloying – just like a sip of the right sort of champagne – and T Life's backings often have a slight undercurrent of funk. Titles include the club classic "Shame" – plus "Smooth Talk", "Til I Come Off The Road", "Dancin, Dancin, Dancin", "Nobody Knows", "We're Going To A Party", and "The Show Is Over". LP, Vinyl record album

Features Ingrid Laubrock on saxophones, Cory Smythe on piano and quarter-tone keyboard, Sam Pluta on electronics, Zeena Parkins on electric harp, Adam Matlock on accordion, Josh Modney on violin, Robert Landfermann on bass, and Tom Rainey on drums. CD

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One of the coolest records in the 60s surf/hotrod/motorcycle years of instrumental sets – an album that's partly sound effects from races, and partly instrumental music! There's no credits as to the players, but we're guessing it's the cream of the crop of LA studio musicians, of the sort who usually worked for Liberty! LP, Vinyl record album

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A timeless collaboration between Nujabes and Fat Jon – tracks done for the animated Samurai Champloo project, but music that stands more than strongly on its own – with a sublime mix of soulful currents and beat-heavy rhythms! The set begins with a number of tracks that have Nujabes in the lead – with that soul-heavy style that makes his work of this moment so wonderful – balanced by Fat Jon contributions that are maybe even better than records issued as a solo act! Titles include "Ole", "Genome", "No Way Back", "Transcendence", "Aruarian Dance", "Battlecry", "The Space Between Two Worlds", "1st Samurai", and "How You Feel". LP, Vinyl record album

A trio of talents make this Samurai Champloo soundtrack so great – Japanese producer Nujabes, hip hop duo Force Of Nature, and American hip hopper Fat Jon The Ample Soul Physician! The sound here is often a bit more dense and intense than on some of the other Champloo soundtracks, but it depends on the cut – as others have that open, melodic quality that makes the series so great – even on the Fat Jon tracks, which are instrumental. Titles include "Just Forget", "Nightshift", "Set It Off", "Death Wish", and "The Stroll" by Force Of Nature; "Bracelet", "In Position", "Night Out", "Not Quite Selah", and "Here & There" by Fat Jon; and "Dead Season", "Sanctuary Ship", "Tsurugi No Mai", and "Decade" by Nujabes. Also features "Who's Theme" by Minmi. LP, Vinyl record album

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Tracks include "I'm A Playa" feat Three 6 Mafia, "They Don't Know" feat Mike Jones, "State To State" feat Freeway, "So Many Diamonds" feat TI, "Smooth Operator", "Sittin Sidewayz" feat Big Pokey, "Internet Going Nutz", "Trill" feat BG & Bun B, "Sippin Tha Barre", "Drive Slow" feat Kanye West & GLC, "Girl", "Big Ballin", "Sip-N-Get High" feat Aqualeo, and "Just Paul Wall". LP, Vinyl record album

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Great straight work from the legendary Sonny Stitt – recording here in a mode that's different than his funky sides of the time – and a lot more back to basics! The group's a quintet – as Sonny blows both tenor and alto, with help from Joe Newman on trumpet, Duke Jordan on piano, Sam Jones on bass, and Roy Brooks on drums – and excellent combo who really keep things interesting – on titles that include "The Champ", "Sweet & Lovely", "The Midgets", "The Eternal Triangle", "All The Things You Are", and "Walkin'". CD

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Few folks get a classic groove as right as T-Groove – and here, he's working with the George Kano Experience for an even more classic vibe – this wonderful blend of soul, jazz, funk, and boogie – all put together with the best sort of 80s groove production! The album's got a wonderfully understated vibe – so much so, the whole thing almost feels like the kind of lost major label production from back in the day – the sort of the set that was cut with top-shelf talents in the studio, then under-promoted by the record company – only to be discovered years later by rare groove hounds like us! Yet it's contemporary, and hopefully will get the attention it deserves – overflowing with great tracks that include a clubby remake of Herbie Hancock's "Cantaloupe Island", topped with the lyrics penned by Mark Murphy in the 70s – plus tracks that include "Shallow Naked Love", "Timeless Groove", "Haven", "Do It Baby", and "Secret Lover". CD

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Tsutchie does a really wonderful job here – blending hip hop elements and some warmer melodic moments – all with a vibe that makes the Samurai Champloo soundtracks so unique! Think of a hip hop take on the instrumental music from a Studio Ghibli film, and you'll get part of the charm – but there's a lot more going on at the core – and at many moments, the simplicity of the sound is the real charm – as you'll hear on "Flip", "Mists", "Absolute", "Adapt Myself", "No Icon", "Stretch Out", "Tune", "Deeper Than Words", "Let Me Know What U Think", and "Strike Back". Azumi Riki of Small Circle Of Friends also makes an appearance on "Fly". LP, Vinyl record album

Heavy sounds from two key forces on the Japanese scene at the start of the century – both united here in a fantastic batch of instrumentals for Samurai Champloo! The work at times almost feels as if there's been a return Pacific journey of some of the elements that influenced the Wu-Tang back in the 90s – mixed with some of the warmer soulful currents of the Nujabes generation too – all delivered at a level that's very much a high cut above instrumental hip hop, and use of these styles in a soundtrack! Titles include "Mist", "Vagrancy", "Raw Material", "Dry", "Tubed", "I Sighed", "Sincerely", "New Dimension", "Sneak Chamber", and "Silver Children". LP, Vinyl record album

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Numero Group does it again – and manages to pull together all the best bits from the crucially overlooked powerpop scene in the Land Of Lincoln – a wealth of wonderful groups from the 70s and 80s, all of whom recorded great indie sounds in Illinois! Sure, you've heard of Cheap Trick, and maybe The Kind – but Illinois was also home to handfuls of other great groups – many of whom never found national fame, due to lack of access to the kind of A&R that groups on the coast were getting. The sound here is wonderful – razor sharp guitars, super-tight drums, and tuneful lyrics that still burst forth with plenty of power – a great reminder that not all the hot energy of the late 70s was going into punk rock. As usual, Numero's overdone themselves with the package – lots of info on the groups, and the kind of stylish package that even goes way beyond most of the original records too. Titles include "At Practice" by Band Jocks, "Get Away" by Julian Leal, "I Wanna Make You" by Prettyboys, "Midnight Girls" by Eyz, "Where Are You Now" by Tom Orsi, "More & More" by Lay Z, "See You Tonight" by Contra-Band, "Kyle" by Loose Lips, "Total Insanity" by The Kind, "So Lifelike" by The Jerks, and "I Have Always Loved You" by Paul. CD

Numero Group does it again – and manages to pull together all the best bits from the crucially overlooked powerpop scene in the Land Of Lincoln – a wealth of wonderful groups from the 70s and 80s, all of whom recorded great indie sounds in Illinois! Sure, you've heard of Cheap Trick, and maybe The Kind – but Illinois was also home to handfuls of other great groups – many of whom never found national fame, due to lack of access to the kind of A&R that groups on the coast were getting. The sound here is wonderful – razor sharp guitars, super-tight drums, and tuneful lyrics that still burst forth with plenty of power – a great reminder that not all the hot energy of the late 70s was going into punk rock. As usual, Numero's overdone themselves with the package – lots of info on the groups, and the kind of stylish package that even goes way beyond most of the original records too. Titles include "At Practice" by Band Jocks, "Get Away" by Julian Leal, "I Wanna Make You" by Prettyboys, "Midnight Girls" by Eyz, "Where Are You Now" by Tom Orsi, "More & More" by Lay Z, "See You Tonight" by Contra-Band, "Kyle" by Loose Lips, "Total Insanity" by The Kind, "So Lifelike" by The Jerks, and "I Have Always Loved You" by Paul. LP, Vinyl record album

Pretty hip stuff – recorded in Paris, but featuring some leading lights of American bohemia! The first half of the CD features work by a quartet led by bassist Buddy Banks, and featuring work by American players Bob Dorough on piano and Roy Haynes on drums, as well as the French musician Jimmy Gourley on guitar. Gourley's tone is excellent on the session, and he really dominates the proceedings over piano work by Dorough – especially on the tracks "I Love You", "Line For Lyons", "Night In Tunisia", and "Buddy Bank's Blues". The second half of the CD features a quartet with Bobby Jaspar on flute and the enigmatic Blossom Dearie on piano. Blossom doesn't sing on the set, but she works in a lovely way with Jaspar – providing some light lyrical backing that gives the tracks a nice little kick. Titles include "Old Devil Moon", "Flamingo", and "There Will Never Be Another You". CD

A really wonderful setting for the vibes of Gary Burton – a special ECM session that pairs his quartet with larger orchestral backdrops – all conducted by Michael Gibbs, who also wrote the music for the date! Gibbs had already risen to fame by the time of this record – thanks to some groundbreaking albums for large ensembles on the British jazz scene of the late 60s – where he demonstrated a tremendous ear for intimate tones and subtle sounds amidst a larger group. Here, that talent turns out to work perfectly for the rich tones of Burton's vibes – allowing them to develop slowly and spaciously, despite the larger orchestra. The core quartet also features Michael Goodrick on guitar, Steve Swallow on bass, and Ted Seibs on drums – and titles include "The Rain Before It Falls", "Three", "Phases", "Throb", and "Nocturne Vulgaire/Arise Her Eyes". CD

Featuring Vincent Herring, Eddie Henderson, Mulgrew Miller and Ira Coleman. Tracks include "Tu-Way-Pock-E-Way", "Mirrors", "Caravanserai", "Ruth", "Mariposa", "Lady In My Life", "Circles", "Come Back to Me" and "Ruthless". CD

One of the most obscure of the Paul Chambers albums on Blue Note – and one of the most interesting as well! Although best known for his solid rhythm work on late 50s hardbop recordings, Chambers breaks out here with a more introspective, more exploratory style on the bass – using the instrument "on top", as a lead solo force in a group with Kenny Burrell on guitar, Hank Jones on piano, and Art Taylor on drums. The sound is surprisingly soulful, and modern yet swinging – in the manner of Oscar Pettiford's best sides of this style. Titles include "Yesterdays", "You'd Be So Nice To Come Home To", "Confessin", and "The Theme". CD

One of the few great records that modern bassist Paul Chambers made as a leader – a rare treasure given to the world before he left this planet all too soon! Chambers is maybe best remembered for some of his late 50s work with Miles Davis and John Coltrane – and the session also marks a key early appearance on Blue Note for Coltrane on tenor – acting as a sideman here, instead of a leader – but also bringing a really deep vibe to an all-star lineup that also includes Donald Byrd on trumpet, Horace Silver on piano, Kenny Burrell on guitar, and Philly Joe Jones on drums. The writing is great, and the group has a nice dark edge that gives the session a slightly different sound than other Blue Note albums from the time. Chambers leads off with the bass on most tracks, kind of putting the work at an off-center pace that really gives it a fresh feel – and which makes it different from the straighter bop sound of his albums as a leader on Vee Jay. Tracks include "We Six", "Dear Ann", "Tale Of The Fingers", and "Omicron". CD

One of the few later recordings we've seen from tenorist Eddie Chamblee – a player who first rose to prominence on the Chicago scene of the 50s, and one who's got a well-bitten style that creates a deeply soulful tone! Eddie's roots are more in swing than bop, but there's also a quality here that recalls some of the earliest soul jazz sides on Prestige – especially as Eddie's working in a combo that includes organ and vibes from Milt Buckner. Other players on the session include Earl Warren on alto sax, Arnett Cobb on tenor, and Buster Cooper on trombone – and titles include "New Green Onions", "Gone", "Jacques That's The Blues", "Pour Chamblee", "Soul Food Boogie", "A Pretty Song", and "Twenty Years After". CD features a number of bonus tracks! CD

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Beautiful work from Jamal's early Chicago years – and a perfectly titled set that really gets at the differences he made in modern jazz! The tunes are wonderfully fluid, soulful, and swinging – but not in the gutbuckety style of other trios of the time, more in a lightly modern style that features almost equal interplay between Jamal's piano, the bass of Israel Crosby, and the guitar of the wonderful Ray Crawford – who really ads an amazing touch to the record. Tracks include the great original "New Rhumba", plus cool versions of "Jeff", "Darn That Dream", "Spring Is Here", and "All Of You". LP, Vinyl record album

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A deep glass of champagne from Wilbert Longmire – classy, sophisticated jazz from the end of the 70s – but still served up with plenty of soul, too! Bob James and Jay Chattaway produced – and James plays Fender Rhodes and other keyboards on the set – helping carve out some mighty sweet lines next to Longmire's lead guitar – which often sounds best at some of the record's mellowest moments! Wilbert sings just a bit, too – underscoring some of the soul influences on the set – and titles include "Pleasure Island", "Ragtown", "Funshine", "Diane's Dilemma", and "Love's Holiday". LP, Vinyl record album

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A treasure trove of incredible recordings – pulled from across the DG catalog with performances by Martha Argerich, Andras Schiff, Gidon Kremer, Wilhelm Kempff, Emil Gilels, Vladimir Ashkenazy, the Amadeus Quartet, Beaux Arts Trio, Claudio Abbado, and others. CD

A 70s classic from Atlanta Rhythm Section – a group with roots in southern rock, but one who also really picked up a great sort of AOR-styled sound, too – one that's often got this record showing up in as many soul collections as rock! The groove is often nice and laidback – these guys have chops, but don't need to hit you over the head with them – and the lead vocals of singer Ronnie Hammond are produced with this cool, compressed sound that has him filtering in especially well next to the keyboards on the record. This approach is heard to great effect on the group's classic "Imaginary Lover" – and on other cuts that include "Large Time", "I'm Not Gonna Let It Bother Me Tonight", "Normal Love", "The Great Escape", and "Evileen". LP, Vinyl record album

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Wonderful work from an unsung hero of the soulful jazz underground of the 70s! Although Joe Chambers came to great fame as the writer and drummer behind some of Bobby Hutcherson's best records late 60s, he didn't really ever make that many records under his own name as a leader – and this date is not only one of the few that he cut that way, but also one of the best! Joe's powerful presence on the record is tremendous throughout – and he works with an ultra-hip lineup that shifts throughout the album, and really gives the whole thing an almost Strata East vibe – with work from Cedar Walton on Fender Rhodes, Woody Shaw on trumpet, Harold Vick on flute and tenor, Cecil McBee on bass, and Ray Mantilla on percussion. The whole thing is as uplifting as you might expect – and tracks include "Medina", "The Almoravid", "Early Minor", "Jihad", and "Gazelle Suite". LP, Vinyl record album

Drummer Joe Chambers never records much as a leader – but every time he does, the album really turns out to be something special! That's definitely the case with this early 90s session for Candid Records – a date that recalls the brooding intensity that Joe brought to some of his late 60s dates for Blue Note as a sideman, carried out here on a set of tunes and concepts that are all Chambers' own – and given great life by a lineup that features Bob Berg on tenor, Philip Harper on trumpet, George Cables on piano, and Santi Debriano on bass! Berg is at his moodiest here – a great reminder of that side of his talents – and titles include "For Miles", "El Gaucho", "Phantom Of The City", "In & Out", and "Fun". CD

One of the most obscure of the Paul Chambers albums on Blue Note – and one of the most interesting as well! Although best known for his solid rhythm work on late 50s hardbop recordings, Chambers breaks out here with a more introspective, more exploratory style on the bass – using the instrument "on top", as a lead solo force in a group with Kenny Burrell on guitar, Hank Jones on piano, and Art Taylor on drums. The sound is surprisingly soulful, and modern yet swinging – in the manner of Oscar Pettiford's best sides of this style. Titles include "Yesterdays", "You'd Be So Nice To Come Home To", "Confessin", and "The Theme". LP, Vinyl record album

Great stuff – most likely the most hardbop oriented of all Paul Chambers' sessions for Blue Note, and a great little album that has the famous bassist fronting a group that includes Donald Byrd on trumpet, Clifford Jordan on tenor, Tommy Flanagan on piano, and Elvin Jones on drums! Chambers' basslines ring out nice and clear, adding a warm frontline sound to the album that works well with Byrd's young and soulful sound – and creating a unique bass-led sound that's neither gimmicky nor sluggish, but as brash and burning as the best Blue Note sides of the time! Titles include "Four Strings", "Beauteous", "Minor Run Down", and "The Hand Of Love". CD

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One of the biggest albums ever from The Chambers Brothers – a set that helped them cross over big into the mainstream – shaking off their previous folksy roots with a rumbling approach to psychedelic soul! The record's got a much heavier groove than any of the group's previous work – a way of hitting a track that still holds onto their gospel-influenced roots, but which also brings in plenty of the fuzzier, funkier touches that were sparking in soul music during the late 60s – especially over at Columbia Records, where their labelmate Sly Stone was capturing a big audience with a very similar sound. The record features the full-length version of the group's massive "Time Has Come Today", an excellent psychedelic soul number that's been lifted for movies and TV shows more times than we can count – and other tracks include "People Get Ready", "Please Don't Leave Me", "In The Midnight Hour", "What The World Needs Now Is Love", "All Strung Out Over You", "I Can't Stand It", "So Tired", and "Uptown". LP, Vinyl record album