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Bunky Green Edit search Phrase match

 
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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bunky GreenVisions ... LP
Vanguard, 1978. Near Mint- ... Temporarily Out Of Stock
Mellow electric jazz from this Chicago alto player. The groove is fairly laidback, with electric keyboards and bass, and a smooth funk sound. The record includes covers of "Alone Again, Naturally", "Never Can Say Goodbye", "Ali Theme", and a funky version of "The Entertainer". LP, Vinyl record album
(Cover has a cut corner and light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Bunky GreenAnother Place ... CD
Label Bleu (France), 2004. Used ... Out Of Stock
Later work from Bunky Green – the Chicago alto player who recorded famously for Chess and Vee Jay – working here with Jason Moran on piano, Lonnie Plaxico on bass, and Nasheet Waits on drums. CD
(Includes slipcase.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Bunky GreenTransformations ... LP
Vanguard, 1977. Very Good+ ... Out Of Stock
Funky Bunky from Chicago, with backing from Al Dailey on piano, Billy Butler and Carl Lynch on guitar, Wilbur Bascomb on bass, Jimmy Johnson on drums, Al Chalk on percussion, and Jeff Bova on ARP string ensemble and ARP 2600. The sound's quite different from his Cadet albums – but not bad overall, kind of a smooth jazz funk approach. Tracks include "Funk Ain't a Word", "Chillon", and "The Lady from Ancona". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Sonny Stitt & Bunky GreenSoul In The Night ... CD
Cadet/Universal (Japan), 1966. Used ... Out Of Stock
A twin-alto session that matches the sax of Sonny Stitt with that of Bunky Green – both set up in a tight little combo that includes some smoking work on Hammond by organist Odell Brown! Brown's fierce approach to the keys creates a really gutbuckety sound on the set – making the album burn like some of the best Prestige soul jazz sides from the mid 60s – but also opening up some of the tunes in the same sort of skittish groove that Brown was using on his own albums of the period! A young Maurice White plays drums – and titles include "Soul In The Night", "One Alone", "The Spies", and "Home Stretch". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Sonny Stitt & Bunky GreenSoul In The Night (purple cover) ... LP
Cadet, 1966. Near Mint- ... Out Of Stock
A twin-alto session that matches the sax of Sonny Stitt with that of Bunky Green – both set up in a tight little combo that includes some smoking work on Hammond by organist Odell Brown! Brown's fierce approach to the keys creates a really gutbuckety sound on the set – making the album burn like some of the best Prestige soul jazz sides from the mid 60s – but also opening up some of the tunes in the same sort of skittish groove that Brown was using on his own albums of the period! A young Maurice White plays drums – and titles include "Soul In The Night", "One Alone", "The Spies", and "Home Stretch". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Bunky GreenPlayin' For Keeps ... LP
Cadet, 1966. Near Mint- ... Out Of Stock
Tremendous work from an alto player with a very unique conception – a player who was unlike Charlie Parker, Sonny Stitt, or some of his precursors on the instrument – and instead really took off in bold new directions, like Lou Donaldson or fellow Chicagoan Sonny Cox in the mid 60s! Bunky's got a very sharp edge on his horn – one that's deft and skillful, but never too boppish. Instead, he really uses space and timing to carve out a new sort of groove – one that's punctuated slightly by the rhythms of the combo, but which also firmly takes its cue from Bunky's own forcefully blown horn. Players here include Cleveland Eaton on bass, Willie Pickins on piano, and Harold Jones on drums – and titles include "Playin For Keeps", "Mi Compasion", "Brazilano", "Mama Looka Boo Boo", and "What Can I Do". LP, Vinyl record album
 
Possible matches: 1
Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Elvin Jones, Clark Terry, James Moody & OthersSummit Meeting ... LP
Vanguard, 1977. Near Mint- ... Out Of Stock
A great session of all-star work by artists who were recording for Vanguard Records in the 70s – a crack lineup that features Elvin Jones on drums, James Moody on tenor, Clark Terry on trumpet and flugelhorn, Roland Prince on guitar, and Bunky Green on alto sax! The group also gets some non all-star help on rhythm from Albert Dailey on piano and keyboards, Angel Allende on percussion, and David Williams on bass – players who really help flesh out the groove, and keep things from just being more in an old school blowing session style. The great Ed Bland produced, and clearly had a hand in the overall sound – as there's moments here that recall his work for Perception Records – and tunes include a great one by Bland, and two more by Green – titles that include "Moody Magic", "Blues For Clark", "Summit Song", "Jones", and "Tee Pee Music". LP, Vinyl record album
(Cover has light wear.)
 
 
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