A pretty swinging batch of tracks that are very much in the same vein as Buddy Morrow's crime jazz LPs cut for RCA at the end of the 50s! The album features all TV themes from the time, most of them detective ones – like "Richard Diamond", "Perry Mason", "Naked City", "Sea Hunt", "Peter Gunn", and "Riff Blues" – plus a few others from westerns or other action shows. In all, the set's a very strong one in the style – with a blaring hard sound that must have been great to hear coming out of a tinny little speaker on an old black & white TV! LP, Vinyl record album

Second set of swinging tracks, very much in the same vein as Buddy Morrow's crime jazz soundtracks cut for RCA at the end of the 50s! More great TV themes from the time, running the gamut from action and thriller series to westerns and dramas, including "Men Into space", "Staccato's theme", "The Deputy", "Bourbon Street Beat", "Bonanza", "Twilight Zone", 'San Francisco Blues" and "The Untouchables". LP, Vinyl record album

A pretty swinging batch of tracks that are very much in the same vein as Buddy Morrow's crime jazz soundtracks cut for RCA at the end of the 50s! The albums feature all TV themes from the time, most of them detective ones – like "Richard Diamond", "Perry Mason", "Naked City", "Sea Hunt", "Peter Gunn", "The Untouchables", "International Detective", "Staccato's Theme", "Hawaiian Eye", and "Riff Blues" – plus a few others from westerns or other action shows. In all, the set's a very strong one in the style – with a blaring hard sound that must have been great to hear coming out of a tinny little speaker on an old black & white TV! CD

Accompanied by Rusty Dedrick, Johnny Mince, Buddy Morrow, Dick Hyman, Bucky Pizzarelli, George Duvivier, and Don Lamond. LP, Vinyl record album

With Bud Freeman, Yank Lawson, Bernie Privin, Lou McGarity, Buddy Morrow, Bernie Leighton, George Duvivier, and Gus Johnson. LP, Vinyl record album

Music from the Johnny Mann Singers, David Mccallum, Francis Lai, Mel Torme, Hollyridge Strings, Buddy Morrow, Peggy Lee, the Royal Blue, the Little Big Horns, Henry Jerome, Lord Zitar, Julie London & more. CD

Late niceness from Count Basie – and a set that definitely lives up to its name – a really high energy set, and one of the few times that Basie ever recorded for the MPS label! The group here works with sharp arrangements from Chico O'Farrill – who's got that punchy groove he was really perfecting in the 60s – a rhythmic snap that works just as well with the Basie group as Neal Hefti's charts did a decade before! Tunes are mostly standards, served up in a no-nonsense mode that's very heavy on the overall rhythmic conception of the group – but with some nice breakout solo moments, too – as you might hope for with a group that includes Eddie Lockjaw Davis on tenor, Eric Dixon on flute and tenor, Joe Newman on trumpet, Jerry Dodgion on alto, and Buddy Morrow on trombone. Titles include "Together", "If I Were A Bell", "The Lady Is A Tramp", "Chicago", "Have You Met Miss Jones", "Day In Day Out", and "When Sunny Gets Blue". LP, Vinyl record album

Sarah Vaughan's looking pretty groovy on the cover of this album, and she's sounding pretty groovy too – thanks to some sweet 70s backings from Ernie Wilkins! The style isn't exactly funky, but it's got some fully soulful sounds, and some great electric moments too – modes that almost feel more like some of the best Kudu Records vocal sets from the time, instead of the usual Mainstream Records groove. Sarah really fits well in this sort of setting – stretching out into groovier territory than before with the same sense of change that Ella Fitzgerald or Marlena Shaw were bringing to their music at the time. Players include Jerome Richardson on saxes, Buddy Childers on trumpet, Benny Powell on trombone, Jimmy Cobb on percussion, and Earl Palmer on drums – and titles include "Inner City Blues", "Magical Connection", "Universal Prisoner", "Tomorrow City", "That's The Way I've Always Heard It", "Imagine", "On Thinking It Over", and "If Not For You". LP, Vinyl record album

Quite possibly the funkiest album ever recorded by saxophone legend Nathan Davis – a sweet little session with plenty of electric touches! The sound here differs greatly from Davis' 60s work on the European scene – his amazing albums for MPS and Polydor – and the record's awash in funky drum breaks, rolling basslines, keyboard solos, and plenty of searing work on soprano, tenor, alto, and flute by Nathan himself! There's a spare, stripped-down brilliance to this album that makes it one of our favorite indie jazz albums ever – a sense of groove that's apparent from the very first note, but also a righteous vision for arranging and composition that easily puts the set right up there with the best on the Strata East or Black Jazz labels! A few funky standouts on the record have been sampled heavily over the years, but the whole thing's great through and through – and titles include "Tragic Magic", "New Orleans", "African Boogie", "Stick Buddy", and "Bahia". CD