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Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
Don BryantYou Make Me Feel ... CD
Fat Possum, 2020. New Copy ... $8.99 15.99
The mighty Don Bryant never got the chance to record much back in the day – save for one fantastic album and a set of singles on Hi Records – but he's really returned to form lately, and gets the chance to show the world his Memphis soul pedigree in all of its glory! Scott Bomar produced the set, plays bass, and gives the record some of those funky soul styles that made his work with the Bo-Keys so great – in a group that's heavy on organ lines and riffing guitars, and which also features backup singers behind Don on a number of the tracks. Yet the whole thing is clearly Don's showcase – with great vocals on titles that include "Your Love Is Too Late", "99 Pounds", "Is It Over", "Your Love Is To Blame", "I'll Go Crazy", "Cracked Up Over You", and "Walk All Over God's Heaven". CD
Also available You Make Me Feel ... LP 7.99

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Don BryantYou Make Me Feel ... LP
Fat Possum, 2020. Sealed ... $7.99
The mighty Don Bryant never got the chance to record much back in the day – save for one fantastic album and a set of singles on Hi Records – but he's really returned to form lately, and gets the chance to show the world his Memphis soul pedigree in all of its glory! Scott Bomar produced the set, plays bass, and gives the record some of those funky soul styles that made his work with the Bo-Keys so great – in a group that's heavy on organ lines and riffing guitars, and which also features backup singers behind Don on a number of the tracks. Yet the whole thing is clearly Don's showcase – with great vocals on titles that include "Your Love Is Too Late", "99 Pounds", "Is It Over", "Your Love Is To Blame", "I'll Go Crazy", "Cracked Up Over You", and "Walk All Over God's Heaven". LP, Vinyl record album
(Limited red vinyl pressing, still sealed with corresponding barcode sticker.)
Also available You Make Me Feel ... CD 8.99
 
Partial matches: 498
Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Delaney & BonnieAccept No Substitute – The Original Delaney & Bonnie ... CD
Elektra (Japan), 1969. Used ... Out Of Stock
Southern rock meets southern soul – all in this groundbreaking set from the team of Delaney and Bonnie Bramlett! The quality quotient here is quite high – light years beyond so many later folks who tried for this territory, but then slicked it up for radio airplay – and in another world, both singers might have been just cutting gritty 45s for a colorblind local audience – had Elektra Records not given them such a great shot with this classic! The already great Bramlett core sound gets strong support here from studio stalwarts like Bobby Whitlock, Bobby Keys, and Jim Price – and Leon Russell and Rita Coolidge also lend their talents to the proceedings too – on titles that include "Get Ourselves Together", "Ghetto", "Love Me A Little Bit Longer", "Soldiers Of The Cross", "Dirty Old Man", and a great take on "Do Right Woman". CD

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Delaney & Bonnie & FriendsOn Tour With Eric Clapton ... CD
Atco, 1970. Used ... Out Of Stock
A killer set of southern rock – even if the whole thing was recorded in London, while the group was on tour with Eric Clapton! Delaney and Bonnie Bramlett are at the height of their powers here – really reworking rootsy southern elements into the kind of sharp-edged 70s sound that made them such an important part of the scene at the time – even though they never went as mainstream to get the kind of crossover fame as some of their contemporaries! But it's that true-to-roots quality that really keeps things great here – as they work with famous help from Eric Clapton and Dave Mason on guitars – alongside sounds by southern stalwarts who include Bobby Whitlock on organ, Jim Price on trumpet, Bobby Keys on saxes, and Jim Gordon on drums. Titles include "Things Get Better", "Little Richard Medley", "Coming Home", "That's What My Man Is For", and "I Don't Want To Discuss It". CD
(Out of print.)

Partial matches5
CD, LP, Vinyl record album cover art
Harry NilssonSon Of Dracula ... LP
Rapple, 1972. Near Mint- Gatefold ... $14.99 19.99
Titles include "Daybreak", "The Count's Vulnerability", "Frankenstein Merlin & The Operation", "Jump Into The Fire", and "The End". With help from Ringo Starr, George Harrison, Peter Frampton, Bobby Keys, and more! LP, Vinyl record album
(Includes the iron-on in the printed inner bag! Cape-fold cover has a cutout notch & minimal wear.)

Partial matches6
CD, LP, Vinyl record album cover art
Jimmy SmithBucket ... LP
Blue Note, 1963. Very Good ... $13.99 16.99
Jimmy Smith serves up a bucket of soul here – on an album that's one of his last for Blue Note, and still very much in the strong trio mode that launched his work for the label! The group's that super-sharp early 60s combo of Jimmy's – with Quentin Warren on guitar and Donald Bailey on drums – both players who have a groove that's maybe a bit under-stated at times, but which really lets Smith dominate the record – on both the keys of the Hammond, and the great work he brings to the bass pedals too. The tracks are short, but very groovy – with a tighter sound than on some of Smith's early Blue Note trio albums, and the same kind of in-the-pocket sound that made his Crazy Baby album a big hit. Includes a very groovy remake of "John Brown's Body", the original groovers "Bucket" and "Sassy Mae", and a nice modal tune called "3 for 4". LP, Vinyl record album
(Mono New York pressing with Van Gelder stamp. Cover has light surface wear, small seam splits, name in pen on the back.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Paul BleyRamblin With Paul Bley (aka Ramblin) ... CD
Red (Italy), 1966. New Copy ... Temporarily Out Of Stock
Pivotal work from piano genius Paul Bley – an important recording done in Rome in the mid 60s, and one of those sessions that really helped Bley reinvent the sound of jazz piano at the time! The record's got this beautiful mix of free improvisation and group structure – a vibe that's very different than territory that Cecil Taylor was starting to explore, even though Bley can be relatively bold on the keys – with this sense of melody that lingers throughout, even on the more percussive passages – which feature superb work from a young Barry Altschul on drums, alongside bass from Mark Levinson, who is a subtle but powerful force in the proceedings! Titles include key tracks penned by Annette Peacock and Carla Bley – "Both", "Albert's Love Theme", "Ida Lupino", and "Touching" – plus a great take on Ornette Coleman's "Ramblin". CD

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Paul BleyRamblin' (Affinity pressing) ... LP
Affinity, 1966/1969. Near Mint- ... Out Of Stock
Pivotal work from piano genius Paul Bley – an important recording done in Rome in the mid 60s, and one of those sessions that really helped Bley reinvent the sound of jazz piano at the time! The record's got this beautiful mix of free improvisation and group structure – a vibe that's very different than territory that Cecil Taylor was starting to explore, even though Bley can be relatively bold on the keys – with this sense of melody that lingers throughout, even on the more percussive passages – which feature superb work from a young Barry Altschul on drums, alongside bass from Mark Levinson, who is a subtle but powerful force in the proceedings! Titles include key tracks penned by Annette Peacock and Carla Bley – "Both", "Albert's Love Theme", "Ida Lupino", and "Touching" – plus a great take on Ornette Coleman's "Ramblin". LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Freddie Hubbard, Joe Henderson & Bobby HutchersonKeystone Bop Vol 2 – Friday/Saturday ... CD
Prestige/ZYX (Germany), 1981. Used ... Out Of Stock
Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. The CD presents all tracks in long, unedited takes – and this Friday/Saturday Night volume features 4 tracks – "One Of Another Kind", "Round Midnight", "Red Clay", and "First Light". CD
(Still sealed, notch through spine.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonFarewell Keystone (Evidence) ... CD
Theresa/Evidence, 1988. Used ... Out Of Stock
A beautiful little session from Bobby Hutcherson – recorded live as a tribute to the legendary Keystone Korner jazz club in San Francisco – but even more important as a later meeting between Bobby and saxophonist Harold Land! The vibe here is a bit different than previous Land/Hutcherson albums – not as tightly righteous, but still tremendously soulful – gliding along with an energy that's always soaring and searching, but never in a way that's nervous or undirected. Other players include Oscar Brashear on trumpet, Cedar Walton on piano, Billy Higgins on drums, and Buster Williams on bass – a perfectly-matched lineup that sets each tune on fire with their imagination. Titles include "Rubber Man", "Starting Over", "Crescent Moon", "Short Stuff", and "Prism". CD
(Out of print.)

Partial matches11
CD, LP, Vinyl record album cover art
Chet BakerShe Was Too Good To Me (plus bonus track) ... CD
CTI, 1974. Used ... $2.99
A great return to form for Chet Baker – his first record in a number of years away from the studio, and proof that his genius could adapt to just about any setting! The album's got a tight focus that's probably one of the keys to its success – a set of arrangements by Don Sebesky that mix lusher moments with some more tightly snapping rhythms – a blend that allows Chet to display the full range of his talents without veering too far in one direction. Paul Desmond plays some great alto on the record, really bringing in a strong sense of crispness to a few numbers – and instrumentation also includes great electric piano from Bob James, vibes from Dave Friedman, and flute from Hubert Laws. Baker sings on a few numbers, and titles include "Autumn Leaves", "She Was Too Good To Me", "Funk In Deep Freeze", "Tangerine", "With A Song In My Heart", "What'll I Do", and "It's You Or No One". CD also features the previously unreleased track "My Future Just Passed". CD
(Out of print.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Kenny BarronKenny Barron At The Piano (with bonus track) ... CD
Xanadu/Elemental, 1981. New Copy ... $9.99 15.99
One of the best solo albums ever recorded by the great Kenny Barron – a set with so much life, so much cover, you really don't need any other instruments at all! Kenny's at a key point in his career here – really stretching out as an individual talent, and getting plenty of room to work on this beautifully-recorded grand piano – whose tones ring out with this soulful, majestic quality that seems to only amplify the genius that Barron brings to the keys! And while there's certainly been other Kenny Barron solo albums over the years – including some great dates from overseas – there's a power and confidence here that's somewhat missing from the rest – this righteous, commanding style that's almost like Stanley Cowell in a similar setting, but more lyrical too. Titles include "Bud-Like", "Calypso", "Body & Soul", "Enchanted Flower", "Star Crossed Lovers", and "Misterioso". CD features the bonus track "Wazuri Blues". CD

Partial matches13
CD, LP, Vinyl record album cover art
Art BlakeyIn This Korner (with bonus track) ... CD
Concord, 1978. Used ... $12.99
Art Blakey at the Keystone Korner – really rattling the rafters with a great lineup that includes Bobby Watson on alto sax, David Schnitter on tenor, and Valery Ponomarev on trumpet! Although the Shorter/Morgan lineup is always hailed as one of Blakey's best, we're also pretty partial to this great late 70s stretch of The Jazz Messengers – as it shows some wonderful early flowering of Watson's alto, and his songwriting abilities; Ponomarev's well-blown trumpet lines; and Schnitter's crisp, sharp lines on tenor – always carved out with a great depth of feeling. Add to the mix some great piano from James Williams, and bass from Dennis Irwin, and you've got a great lineup next to Blakey's drums – all working together in a rough-edged, hard soul space on tracks that include "Pamela", "Unlimited", "Dark Side Light Side", "Blues For Two", and "In This Korner". CD also features the bonus track "1977 AD". CD
(Out of print.)

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Joe BonnerTriangle ... CD
Why Not (UK), 1975. Used ... $11.99
A simply amazing session by pianist Joe Bonner – arguably his best ever! The album is one of a rare few that were cut for the Japanese Why Not label during the mid 70s, and like the others in the series, it features an American spiritual jazz player working far far past his usual mode. Bonner's in amazing form in a trio with Clint Houston and Billy Hart, and the tracks are filled with a fire and energy that you won't find on most of his American recordings from the time – as Bonner runs up and down the keys in a fury of passion, blending perfectly with Houston's deep soulful basslines, and Hart's dancing lyrical drums. Titles include "Triangle", "The Wind & The Rain", "Vega", "Mr PC" and "Invitation". CD

Partial matches15
CD, LP, Vinyl record album cover art
Chivo BorraroBlues Para Un Cosmonauta ... LP
Altercat (Germany), 1973. New Copy (reissue)... $14.99 29.99
A sweet set of 70s spiritual jazz from Argentine tenor player Chivo Borraro – one of his best albums of the time, and a really wonderful session with lots of nice touches! The record features Borraro playing keyboard effects, in addition to his usual tenor – and it also features some additional keyboards by Fernando Gelbard, who plays both Fender Rhodes and ring modulator on the album, working things wonderfully as he did on his own albums of the time. This wealth of keyboards gives the album a spacious feel – keys soaring out into space, creating platforms for solo work on sax, and a space to showcase the talents of Stenio Mendes, who plays the 12-stringed craviola on the album. There's lots of post-Coltrane exploration to the record – and titles include "Mi Amgio Tarzan", "Cancion De Cuna Para Un Bebe Del Ano 2000", "Lineas Torcidas", and "La Invasion De Los Monjes". CD also features two bonus tracks – "Intro/Mi Amigo Tarzan" and "Mi Amigo Tarzan (alt take)". LP, Vinyl record album
Also available Blues Para Un Cosmonauta (aka Buenos Aires Blues) (with bonus tracks) ... CD 9.99

Partial matches16
CD, LP, Vinyl record album cover art
Chivo BorraroBlues Para Un Cosmonauta (aka Buenos Aires Blues) (with bonus tracks) ... CD
RGS (Argentina), 1973. New Copy ... $9.99 18.99
A sweet set of 70s spiritual jazz from Argentine tenor player Chivo Borraro – one of his best albums of the time, and a really wonderful session with lots of nice touches! The record features Borraro playing keyboard effects, in addition to his usual tenor – and it also features some additional keyboards by Fernando Gelbard, who plays both Fender Rhodes and ring modulator on the album, working things wonderfully as he did on his own albums of the time. This wealth of keyboards gives the album a spacious feel – keys soaring out into space, creating platforms for solo work on sax, and a space to showcase the talents of Stenio Mendes, who plays the 12-stringed craviola on the album. There's lots of post-Coltrane exploration to the record – and titles include "Mi Amgio Tarzan", "Cancion De Cuna Para Un Bebe Del Ano 2000", "Lineas Torcidas", and "La Invasion De Los Monjes". CD also features two bonus tracks – "Intro/Mi Amigo Tarzan" and "Mi Amigo Tarzan (alt take)". CD
Also available Blues Para Un Cosmonauta ... LP 14.99

Partial matches17
CD, LP, Vinyl record album cover art
Will Boulware & RainbowHarmony (Japanese paper sleeve edition) ... CD
Eighty Eights/Sony (Japan), 2003. Used Gatefold ... $11.99 19.99
A well-crafted comeback from pianist Will Boulware and his Rainbow group – one that shares many qualities of his Over Crystal Green album, but which also takes things a bit further! Will's still got that great blend of acoustic and electric keys here – a sound that's really the strongest side of the record, and which takes us back to those first mid 70s moments when keyboardists were blending the two modes to reach an even fuller sound than before. But one main difference here is the presence of Phoebe Snow on vocals on 3 of the album's tracks – giving the record a bit more of a "soul" feel at those moments, in a way that occasionally disturbs the gentle Rainbow balance. Still, the overall sound here is still pretty great – with tenor from Michael Brecker, guitar from Peter Bernstein, drums from Steve Gadd, and a bit of guest keys from Philippe Saisse. Titles include "One Finger Snap", "Trouble In Mind", "Kentucky", "Foolish Door", "New & Old", "Peace", and "Rainbow". CD
(2013 Japanese Blu-spec CD2 pressing in a nice gatefold sleeve – includes obi!)

Partial matches18
CD, LP, Vinyl record album cover art
Nicola Conte & Gianluca PetrellaNigeria (Tall Black Guy boogie love rmx voc, rmx inst)/African Spirits (Andres ext rmx) ... 12-inch
Schema (Italy), 2022. New Copy ... $30.99 32.99
Two great cuts get a nice warming-over! Tall Black Guy takes the mix of acoustic percussion and keyboard lines on "Nigeria", and really deepens the soul – adding vocals from Broken Keys, and coming up with a clubbier vibe for the cut overall – one that has some nice currents for the tribal house crowd! That vibe also continues on "African Spirits" – which gets its beats kicked up by Andres, who also stretches out the tune and really lets it run wild! 12-inch, Vinyl record

Partial matches19
CD, LP, Vinyl record album cover art
Dr JohnDr John Plays Mac Rebennack (with bonus tracks) ... CD
Clean Cuts/Sundazed, 1981. New Copy 2CDs ... $24.99 25.99
A record that shows a very different side of Dr John than you might know from the trippy classics of his early years at Atlantic Records – as the set's all instrumental, but with the doctor focusing on an older tradition of New Orleans piano! The quality of the record is amazing – all solo, with no other instrumentation at all – and honestly, were it not for the setting, you might never know what a hell of a pianist Dr John can be – as his work on the keys is sometimes hidden amidst larger arrangements and placed next to his vocals. Many tunes are originals, and titles include "New Island Midnight", "Saints", "Honey Dripper", "Big Mac", "Memories Of Professor Longhair", "Mac's Boogie", and "Delicado". New version features bonus tracks – six more tracks added to the original album! CD
Also available Dr John Plays Mac Rebennack ... LP 34.99

Partial matches20
CD, LP, Vinyl record album cover art
Ebi SodaUgh (2LP yellow vinyl pressing – with bonus tracks) ... LP
Tru Thoughts (UK), 2021. New Copy 2LP (reissue)... $19.99 34.99
Sweetly glowing grooves from Ebi Soda – a set that features some really fantastic keyboards on most tracks, making their way along electric rhythms that have a beautifully laidback vibe! The approach is almost a 21st Century reworking of classic jazz funk – more sophisticated, and less tied to familiar forms – and unafraid to use the right production elements from time to time to expand the color palette of the performance! Louis Jenkins handles the great keys on the record – and the core group features guitar, bass, trombone, and drums – augmented by guest tenor, alto, and trumpet. J Harli sings on "Summer One", and Chloe Bodur provides vocals to "Run For President" – and all other tunes are instrumental, and include "Spooki", "Zip Your Boots Up Lad", "Ecchi", "Meow Meow", "Playstation", and "Something To Do In The Future". CD features bonus Ash Walker dubs of "Playstation", "Ecchi", and "Spooki". LP, Vinyl record album
(Limited edition yellow vinyl pressing – with download!)

Partial matches21
CD, LP, Vinyl record album cover art
FireballsBottle Of Wine (test pressing) ... LP
Atco, 1968. Very Good+ ... $14.99
The late 60s comeback album for the Fireballs and vocalist Jimmy Gilmer – a record that found the driving early rock rhythms fitting in very well with the light sunshine and psychedelic pop of the late 60s! The sound on this record has little in common with the early rock instrumentals that the Fireballs made their name burning through. This set is more of a catchy jangly sunshine rock record, with the tight Fireball rhythm section, plus some Stax-influenced horns, easy garage organ and keys, and groovy vocals by Gilmer. Tracks include "3 Minutes' Time", "Ain't That Rain", "Where Can We Be Found?", "Bottle Of Wine", "Mason Street", "Groovy Motions", "Goin' Away", "Barbara White", "A Girl As Perfect As You" and more. LP, Vinyl record album
(Test pressing with typed white label stickers. In a plain sleeve with an ink stamp, with minimal surface wear.)

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Hal GalperGuerilla Band/Rebop/Just Us (3CD set) ... CD
Ultra Vybe (Japan), 1970/1995. New Copy 3CDs ... $18.99 23.99
A trio of albums from pianist Hal Galper – one early, two later, and served up in a single set! Guerilla Band is electric piano genius from Hal Galper – one of his best non-acoustic albums ever, and a set that's filled with moody colors and changes! The album's a fair bit more dynamic than some of Galper's other albums from the 70s – with horns from the Brecker Brothers, guitar from Bob Mann, and tightly rhythmic work on the bottom that makes some of the best numbers hear all-out funky jams! There's a sharply angular feel to the record that's made it a favorite for beatheads for years – plenty of tunes that are ripe for samples, even when things get slightly mellow – and Galper's approach to the keys is really amazing, unlike any other player we can think of at the time! Titles include "Figure Eight", "Call", "Black Night", "Point of View", "Welcome To My Dream", and "Rise & Fall". Rebop is a gem of a later album from pianist Hal Galper – one that has him teaming up with tenorist Jerry Bergonzi, as both players really find a way to make the other sound great! Galper's always got a nicely spacious approach to the piano – using the spots between the notes in just the right way, which is great for Jerry, as he likes to fill them with well-placed, well-timed tenor elements that really make his horn sound great. The balance is a bit like that which Bergonzi brings up on some of his best sessions for Red Records – and the group also features Jeff Johnson on bass, and Steve Ellington on drums. Titles include "All The Things You Aren't", "Jackie-Ing", "Take The Coltrane", "Laura", and "It's Magic". On Just Us, the trio of pianist Hal Galper gets some great guest work here from tenorist Jerry Bergonzi – a rich-toned player who really seems to bring out a different vibe in Hal's music! Galper's touch on the keys seems to be extra-dexterous here – really spinning out these long, lively lines that are balance with the well-placed tones of Bergonzi – given gently swinging support from Pat O'Leary on bass and Steve Ellington on drums! Many of the tunes are standards, but opened up with all these great colors – and titles include "Just Us", "Bye Bye Blackbird", "Stablemates", "Lover Man", "I'll Never Be The Same", and "Unforgettable". CD

Partial matches23
CD, LP, Vinyl record album cover art
Al Haig/Peter King/Art ThemenBebop Live ... CD
Spotlite/EMI (Japan), 1982. Used ... $14.99
A nice little set that's got way more to offer than you might guess from its simple title! Sure the set's bebop, and sure it's live – but it's played with a sense of depth, color, and tone that go far beyond a simple "let's go back to the days of Bird and Diz" that you might think. Al Haig's piano work here is especially nice – fluid and flowing, in that great mode that he hit during his later years – and which provides a nice contrast to straighter bop work on the keys. The reed work by Pete King on alto and Art Themen on soprano and tenor is more than just bop soloing too – often more intimately expressive, and occasionally trying for new ideas that sometimes work, and sometimes falter a bit – but bring a nice edge to the set. Titles include "Laura", "Bag's Groove", "Loverman", "Birk's Works", and "Night In Tunisia". CD
(Out of print, includes obi.)

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Barry HarrisLive In Tokyo (with bonus tracks) ... CD
Xanadu, 1976. New Copy ... $9.99 15.98
A great live set from pianist Barry Harris – material recorded on the same date that gave us the excellent Live In Tokyo album from reedman Charles McPherson – but done in a very different way that shows that Barry's clearly the leader on these tracks! The rhythm duo is wonderful – the mighty Sam Jones on bass and Leroy Williams on drums – players who can crackle when Harris wants them to, yet also lay back and give Barry lots of spacious territory to work some incredibly deft, personal magic on the keys. The sound almost takes us back to the initial Harris recordings of the early 60s, but also has some of those colors that would flow even more freely in some of his sessions for the Japanese market – on titles that include "I'll Remember April", "Fukai Aijo", "A Soft Spot", "Round Midnight", and "Un Poco Loco". CD features four bonus tracks too – two versions of "Ornithology", plus "Like Someone In Love" and "Night In Tunisia", both nice and long! CD
Also available Live In Tokyo ... LP 24.99

Partial matches25
CD, LP, Vinyl record album cover art
Hampton Hawes TrioComplete Sessions (The Trio/This Is Hampton Hawes/Everybody Likes Hampton Hawes) ... CD
Contemporary/Gambit (Spain), 1955/1956. Used 2 CDs ... $16.99
The complete sessions by the best-known early version of The Hampton Hawes Trio – one that featured Red Mitchell on bass and Chuck Thompson on drums, heard here on the group's first three albums for the Contemporary label! The Hawes approach to the keys was a very popular one at the time – a mix of bop invention and older-styled phrasing – played mostly over standards, but creative and inventive enough to put Hampton on a par with Oscar Peterson, Ahmad Jamal, and some of the other rising trio talents of the 50s. Most of the set's 35 tracks were done in studio mode – but the package also features 3 bonus live numbers from the Embers night club in 1956, plus 3 more bonus tracks from live LA recordings – featuring either Mel Lewis or Shelly Manne in the drum chair. Titles include "Hamp's Blues", "Feeling Fine", "I Got Rhythm", "Round Midnight", "Blues For Jacques", "Section Blues", "Yesterdays", "Carioca", "Just Squeeze Me", "Body & Soul", "Coolin The Blues", "Walkin", and "The Champ". CD
(Sealed copy.)

Partial matches26
CD, LP, Vinyl record album cover art
Bobby HutchersonKnucklebean ... CD
Blue Note (Japan), 1977. New Copy ... $10.99 13.99
Beautiful late Blue Note work from vibist Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – a great mix of vibes and keyboards that's wonderful throughout! But all other players are wonderful too –including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Titles include a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good". CD

Partial matches27
CD, LP, Vinyl record album cover art
Curtis JonesLonesome Bedroom Blues (with bonus tracks) ... CD
Delmark, 1962. New Copy ... $6.99 12.99
Piano blues from the legendary Curtis Jones – a Texas player who first rose to fame in the late 30s, and who here still has a way with the keys and a vocal style that nobody else can touch! It's a bit hard to put the distinctness of Jones in words, but it definitely comes through on the record – piano lines that often feel as if two different musicians are playing the instrument at the same time, mixed with these casual and confident vocals that almost feel like Curtis is also standing off to the side, making commentary on the proceedings! There's no other instrumentation on the record at all – none is needed, either – and titles include "Evil Curse Blues", "Highway 51", "Curtis Jones Boogie Woogie", "Tin Pan Alley", "Black Magic Blues", and "Lonesome Bedroom Blues". CD features two different alternate takes, too! CD

Partial matches28
CD, LP, Vinyl record album cover art
Kirk Knuffke TrioGravity Without Airs (with bonus download) ... LP
Tao Forms, 2022. New Copy 2LP ... $27.99 32.99
The poetic title here is wonderfully well-suited to the album – as there's a free-floating, spacious quality to the music – yet one that's very different than some of the softer sessions that sort of reference might make you expect! Cornet player Kirk Knuffke always has a great sense of space in his music – and in this trio, it really seems to do a lot to the piano of Matthew Shipp, who can be a master of understatement at times, with really quietly brooding sounds on the keys – matched by the perfect energy of bassist Michael Bisio, who is exactly the right choice for this outing. If you know some of Knuffke's other work, you'll be surprised here – as there's more of an edge, and the session really builds a bridge to the world of Shipp, while finding this great spot in the middle for both to exist – on titles that include "Time Is Another River", "Paint Pale Silver", "Heal The Roses", "Today for Today", "Blinds", "June Stretched", "Between Today & May", "Stars Go Up", and "The Water Will Win". LP, Vinyl record album
(Includes download.)

Partial matches29
CD, LP, Vinyl record album cover art
Ramsey LewisLes Fleurs/Fantasy/Keys To The City ... CD
Columbia/BGO (UK), 1983/1985/1987. New Copy ... $14.99 19.99
A trio of 80s albums from piano genius Ramsey Lewis – all brought together in a single package! First up is Les Fleurs – a bit later than Ramsey Lewis' classic electric sides for Columbia Records in the 70s, but still a pretty great little album – and one that mixes mellow grooves on Fender Rhodes with a nice dose of acoustic piano – in a style that's a bit like Rodney Franklin at the time, but considerably warmer and sweeter overall! The core trio backs Ramsey on acoustic bass and drums – but there's plenty of extra bits added in throughout, including a bit of sax from Ronnie Laws, and some overall arrangements and additional keys from Tom Tom 84 – who really helps keep a sophisticated Chicago vibe in place – almost a ghost of Charles Stepney, lurking nicely in the background. Titles include remakes of "Reasons", "Les Fleurs", and "Super Woman" – plus the tracks "Physical", "With A Gentle Touch", and "Essence Of Love". Fantasy is a sweet 80s set that has Ramsey Lewis showing the world that he's still one of the reigning master of the keyboard – as he opens up here with a whole bunch of keys from that decade, at a level that marks a strong new chapter from his electric work of the 70s! Lewis works alongside additional keyboardists Morris Butch Stewart and Lonnie Graves – and at times, even the rhythms are electric too – influenced by both R&B and hip hop at times, similar to Herbie Hancock electric experiments of the time – but with more of that soulful vibe that we love from Ramsey! There's a bit of vocals on the record – courtesy of Stewart, Maurice White, Brenda Mitchell, Josie Aiello, and Alice Sanderson Echols – on titles that include "Les Clefs De Mon Coeur", "It's Gonna Change", "Victim Of A Broken Heart", "Slow Dancin", "Ram Jam", "This Ain't No Fantasy", "Part Of Me", and "The Quest". Keys To The City is a late 80s effort that still has the piano genius very much at the top of his game – tight, but never in the sleepier territory of some of the smooth jazz artists who were coming into the scene! Ramsey's on piano both electric and acoustic – getting more keyboard help from Larry Dunn, who also handles arrangements – with musicians who include Don Myrick on saxes, Roland Bautista on guitar, and Maurice White on percussion – the last of whom is a key influence here, as it's clear that Lewis is holding onto that great balance of jazz and soul that he furthered in his work with White and Earth Wind & Fire in the 70s. Titles include "Keys To The City", "7/11", "Strangers", "My Love Will Lead You Home", "You're Falling In Love", "Shamballa", and "Love & Understanding". CD

Partial matches30
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Lloyd Miller/Press Keys QuartetOriental Jazz ... LP
East West/Now Again, 1968. New Copy (reissue)... $22.99 25.98
Possibly the greatest album ever from the enigmatic Lloyd Miller – his legendary Oriental Jazz album from the late 60s, and a really wonderful blend of musical modes! Some of the tracks here really stretch out in the Eastern promise of the title – mixing jazz rhythms with santur, oud, zarb, and other unusual instrumentation – all in ways that are modal one minute, meditative the next, and which even echo gamelan styles on one tune! Other tracks are a bit straighter in the instrumentation, but still sparkle with a globe's worth of influence – Lloyd on piano, carving out sounds in a very unusual way! Some tracks are by Miller's trio, other by a quartet that features him, but which is led by pianist/trombonist Press Keys. Titles include "Hue Wail", "Pentalogic", "Tanya", "Natanie", "Guzel Gozler", "Prelude In The Iranian Mode Shur", "Impression Of Bhairava Raga", and "Njonja Mirah & Yona". Some of these tracks have appeared on Millers Oriental Jazz CD compilation – but others haven't – and this is his reissue of the full original album! LP, Vinyl record album
(Great pressing – in a heavy tip-on cover!)

Partial matches31
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✨✧ Thelonious Monk & Gerry MulliganMulligan Meets Monk (with bonus tracks) ... CD
Riverside, 1957. Used ... $4.99
An unlikely pair, but a great one here – and the record's one of those few magical moments where bringing together unusual partners actually works! Mulligan's cool hardly seems a match for Monk's angular modernism, but together the players seem to strike a middle ground that resonates with the strength of both – a sound that cuts a bit more edge on Gerry's normally smooth baritone, and which still lets Monk's keys flow into wonderful twists and turns. Rhythm is by the great bassist Wilbur Ware and drummer Shadow Wilson – and titles include the Monk classics "Straight No Chaser", "Rhythm A Ning", "Round Midnight", and "I Mean You" – plus a version of Mulligan's "Decidedly". CD features two bonus takes of "I Mean You" – plus one alternate each of "Decidedly" and "Straight No Chaser". CD
Also available Mulligan Meets Monk ... CD 2.99

Partial matches32
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Marc Moulin/PlaceboPhalene I/IV – Lost & Found ... 7-inch
Wallen Bink (UK), 1973. New Copy (pic cover)... $14.99 24.99
Two great cuts from Marc Moulin's legendary Placebo group – exactly the kind of funky monsters he did so well back in the day! "Phalene I" has a great mix of offbeat Fender Rhodes lines with chunkier funk rhythms at the bottom, sewn together with a cool soprano sax solo! "Phalene IV" is even heavier funk – with the Rhodes coming down right on the groove in a massive way – Marc opening up the tune tremendously with his keys, while more soprano snakes in for a great run too! 7-inch, Vinyl record

Partial matches33
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Phineas NewbornBack Home ... CD
Contemporary/OJC, 1976. Used ... $9.99
Previously unreleased material recorded by Phineas Newborn for Contemporary Records – a set that has him ringing out the notes in ways that are almost earthier than in earlier years – sometimes bluesy, but other times with almost a more traditional approach to the keys! There's a timeless sensibility here that's a bit hard to describe – and you can definitely hear that Phineas has been soaking it up strongly over the years, and works hard to get his musical vision out in the studio – sometimes sacrificing his lighter touch for a stiffer, almost startling approach to the keys. Ray Brown is on bass and Elvin Jones is on drums – and titles include "Sugar Ray", "Ill Wind", "Back Home", "Pamela", "On Green Dolphin Street", and "Love For Sale". CD
(Out of print.)

Partial matches34
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Phineas NewbornHarlem Blues ... CD
Contemporary/OJC, 1969. Used ... $6.99
A later issue of material recorded in the late 60s by Phineas for Contempoary – tunes from the sessions for the album Please Send Me Someone To Love, but which didn't make the cut at the time – and are here issued a decade after the original recordings! The group on the set features Ray Brown on bass and Elvin Jones on drums – a slightly strange lineup for the record, given that Phineas is exploring the keys in a relatively traditional mode – a format that works well with the round, careful tones of Brown, but which is sometimes oddly punctuated by Jones' more forceful drum work. Titles include "Harlem Blues", "Sweet & Lovely", "Little Girl Blue", "Stella By Starlight", and "Ray's Idea". CD

Partial matches35
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Phineas NewbornWorld Of Piano (180 gram pressing) ... LP
Contemporary/Craft, 1961. New Copy (reissue)... $26.99 28.99
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The sound here is really tremendous – boldly leaping forth from the keys with a strength that's really surprising – but still sensitive enough to slide in a few more contemplative notes when the moment calls – sometimes while Newborn is still racing down the keys at breakneck speed! Rhythm on both sides is great – with Paul Chambers & Philly Joe Jones on side one, and Sam Jones and Louis Hayes on side two – and titles include "Cheryl", "Manteca", "Oleo", "Dahoud", "Cabu", and "For Carl". LP, Vinyl record album

Partial matches36
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Oscar PetersonKeyboard – Music By Oscar Peterson ... LP
Verve, Early 50s. Near Mint- ... $19.99
An unusual Verve album from Oscar Peterson, and one that really lives up to its title! There's no drummer on the album at all – just bass from either Ray Brown or Major Holley – which leaves plenty of space for Oscar's work on the keys of the piano, opening up warmly with a really fluid sound. The tunes still have that romping quality of Peterson's early years on Verve, but a bit more lyricism too – and titles include "Tico Tico", "Robbins Nest", "Get Happy", "Easy To Love", "Deep Purple", and "Squatty Roo". LP, Vinyl record album
(80s mono Japanese pressing, including obi & insert – MV 2666.)

Partial matches37
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Sonny StittMade For Each Other (with bonus track) ... CD
Delmark, 1972. New Copy ... $6.99 12.99
An album recorded for the Delmark label, but one that follows strongly from the style of Prestige Records in the 60s – particularly those great sessions that featured saxophonist Sonny Stitt blowing next to a Hammond! In this case, the Hammond is handled by the great Don Patterson, who played with Sonny in the 60s – in a trio that also has the great Billy James on drums – a player whose loose, open style really works great with the magic Patterson touch on the keys! The tracks are a bit shorter than some of the longer jams on Don's albums of the 60s, but still equally nice. Stitt plays tenor and alto – and titles include "Funny", "Honey", "Blues For JJ", "Night Has A Thousand Eyes", and "Samba De Orfeo". CD features a previously unissued alternate of "The Night Has A Thousand Eyes". CD

Partial matches38
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Bobby TroupBobby Swings Tenderly ... CD
Mode/VSOP, 1957. Used ... $9.99
A rare all-instrumental outing from Bobby Troup – best known for his work as a singer and songwriter at the time! But like a number of Bobby's contemporaries on the male vocal scene, Troup was equally well-skilled at handling the keys – no doubt because he'd frequently be called to accompany himself when trying out a tune at session, or during a more intimate live performance. Here, the group's a larger one than might be expected – a septet that features horn work by Bob Enevoldsen, Stu Williamson, Ted Nash, and Ronnie Lang – all of whom are featured in some nicely arranged passages, but who often step aside to let Bobby have plenty of space to solo. And we've gotta admit, we like Troup's vocals so much we wouldn't expect his piano to be that entertaining – but he really sparkles with a lightly playful approach on tracks that include "Always", "I See Your Bass Before Me", "It Never Entered My Mind", and "Stella By Starlight". CD

Partial matches39
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Armando TrovajoliBrutti Sporchi E Cattivi (Ugly Dirty & Bad) (with bonus tracks) ... CD
GDM/Quartet (Spain), 1976. New Copy ... $21.99 28.99
A sweet 70s groover from Italian soundtrack maestro Armando Trovajoli – one that has some nice funky tracks! There's a bit more electricity running through the mix than on Trovajoli's 60s recordings – sweet keys and bass bubbling under the strings, and often hitting some nice laidback funky tunes in a sexy 70s Euro style. Some cuts are mellower and more traditional, but the electric ones, especially those with a bit of moog, are totally great – and the album's a great reminder of why Trovajoli continues to be one of our favorite soundtrack composers ever! Titles include "Racconto Televisivo", "Brutti Sporchi E Cattivi", "Nonna Antonecca", and "Il Sogno". This stunning version is overflowing with bonus tracks – a total of 22 numbers in all, and way more than the previous CD release! CD

Partial matches40
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Stanley TurrentineLook Out! (with bonus tracks) ... CD
Blue Note, 1960. Used ... $3.99
One of the greatest Stanley Turrentine albums ever – a hard-blown session that's been one of our favorite Blue Notes for years! Turrentine's tone here is amazing – really raspy and earthy, with a quality that never shows up much in later recordings – a mode that's incredibly focused, yet deeply personal – stepping out with equal parts of gritty groove and creative imagination. The group's a perfect one too – with Horace Parlan really setting fire to the keys of the piano, and the team of George Tucker on bass and Al Harewood on drums giving Stan some super-tight rhythmic backing. The record is incredible, and the kind that keeps us hanging for every moment that it's on – and titles include "Journey Into Melody", "Return Engagement", "Little Sheri", "Tiny Capers", "Minor Chant", and "Look Out". CD features 3 bonus tracks – "Tin Tin Deo", "Yesterdays", and a 45 take of "Little Sheri". CD
(1987 CD pressing. Cutout notch through spine.)

Partial matches41
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✨✧ Stanley TurrentineLook Out! (XRCD pressing – with bonus track) ... CD
Blue Note/Audio Wave, 1960. New Copy ... Just Sold Out!
One of the greatest Stanley Turrentine albums ever – a hard-blown session that's been one of our favorite Blue Notes for years! Turrentine's tone here is amazing – really raspy and earthy, with a quality that never shows up much in later recordings – a mode that's incredibly focused, yet deeply personal – stepping out with equal parts of gritty groove and creative imagination. The group's a perfect one too – with Horace Parlan really setting fire to the keys of the piano, and the team of George Tucker on bass and Al Harewood on drums giving Stan some super-tight rhythmic backing. The record is incredible, and the kind that keeps us hanging for every moment that it's on – and titles include "Journey Into Melody", "Return Engagement", "Little Sheri", "Tiny Capers", "Minor Chant", and "Look Out". Features a bonus 45rpm take of "Little Sheri". CD
(XRCD pressing – audio wave transfer from the original master tapes, and in a cool book-styled package!)

Partial matches42
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Michal Urbaniak GroupSound Pieces (Paratyphus B/Inactin/bonus tracks) (3CD set) ... CD
Egg/Moosicus (Germany), Early 70s. New Copy 3CD ... $22.99 25.99
A great collection of groundbreaking early work from Michal Urbaniak – early European recordings that are very different than his American records from later years! First up is Paratyphus B – some of Michal Urbaniak's heaviest work of the 70s – an album of relatively free and exploratory fusion, recorded in Stuttgart with a group of Polish contemporaries who include Urszula Dudziak on voice and percussion, and Adam Makowicz on electric piano! Urbaniak plays soprano sax, tenor, and flute next to his more familiar electric violin – and many of the tracks are spacey explorations in sound, with some sort of rhythm, but really more a focus on the jamming of the keys, violin, and Dudziak's incredible voice. Titles include "Valium", "Irena", "Sound Pieces", "Winter Piece", and "Paratyphus B". Inactin is one of the greatest albums that Polish jazzman Michal Urbaniak ever cut – and a sparkling session of funky fusion recorded in Germany, at the studios of Horst Jankowski! The album feels like one of the great MPS electric albums from the 70s – and it's got loads of cool Fender Rhodes and clavinet playing, spacey electric violin, and some tight choppy soprano work. Urszula Dudziak lays down some incredibly spooky vocals on the best tracks – riffing away in an otherworldly way that matches the funk on the album. Includes the nice breakbeat tracks "Inactin" and "Ekim", plus the cuts "Lato", "Fall", and "Groovy Desert". 3CD set features 2CDs worth of rare bonus live material – a concert recorded in Bremen in 1972, with very long tracks that include "Introduction/Valium", "Sound Pieces", "Irena", and "Groovy Desert/Silence/Lato". CD

Partial matches43
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Baby Face WilletteStop & Listen (RVG remaster edition – with bonus track) ... CD
Blue Note, 1961. Used ... $9.99 12.99
One of only two albums that organist Baby Face Willette cut for Blue Note – and it's a killer! The record is a hard-wailing trio format – with Willette on organ, Grant Green on guitar, Ben Dixon on drums – and it's got a sound that's very similar to Green's excellent Grant's First Stand LP – a stripped-down sound that's a bit more rough around the edges than some of the other organ jazz dates you might normally hear on Blue Note! The groove is totally no-nonsense, and Willette's a firecracker on organ – running up and down the keys and pedals with amazing dexterity, and a sound that should have made him one of the biggest Hammond players of the 60s. Green's great too, and the drums of Dixon are more than loose enough to fit the vibe of the soloists beautifully. Titles include "Soul Walk", "Stop & Listen", "Jumpin Jupiter", and "Work Song". Also includes the bonus track "They Can't Take That Away From Me". CD
(2009 RVG edition.)

Partial matches44
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✨✧ Cannonball Adderley QuintetCannonbal Adderley Quintet Plus (Japanese paper sleeve edition – with bonus track) ... CD
Riverside/Universal (Japan), 1962. Used ... Temporarily Out Of Stock
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". CD also features a bonus alternate take on "Lisa". CD
(2008 pressing.)
Also available Cannonball Adderley Quintet Plus ... CD 3.99

Partial matches45
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✨✧ Black IvoryBaby, Won't You Change Your Mind (with bonus track) ... CD
Today/Octave (Japan), 1972. New Copy ... Temporarily Out Of Stock
Fantastic ballad soul from one of the greatest groups from the east coast 70s scene! Black Ivory may not have scored as big as some of their contemporaries on the charts – but to fans of harmony soul, they'll always be kings, and this record is the sort that forever gave them keys to the kingdom! They're working here with writer/arranger/producer Patrick Adams – back when his main talents were for ballads, not disco – and Adams perfectly crafted a set of songs to bring out the best side of the group's heavenly vocal talents. Includes loads of wonderful ballads, like "Wishful Thinking", "No Ifs, Ands, Or Buts", "It's Time to Say Goodbye", "Time is Love", and "Baby, Won't You Change Your Mind". Features the bonus track "We Made It". CD

Partial matches46
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✨✧ Bill EvansAlone (plus bonus tracks) ... CD
Verve, 1968. Used ... Temporarily Out Of Stock
Solo work by Bill Evans – recorded in 1968, at a time when he was increasingly exploring gentleness in his work! The album's quite haunting – done with no other musicians, no overdubs (as in other solo 60s albums) – just Evans alone at the keys, expressing himself with a somber genius that's breathtaking in its subtlety. The album features a side-long version of "Never Let Me Go" – running for over 14 minutes, and worth the price of admission alone – plus "Here's That Rainy Day", "A Time For Love", "Midnight Mood" and "On A Clear Day (You Can See Forever)". CD features 6 bonus tracks – most previously unissued, including alternates of 5 tracks on the album, plus a bonus medley of "All The Things You Are/Midnight Mood". CD
(2002 Verve Master Edition – with lots of bonus tracks! Barcode has a cutout mark.)
Also available Alone ... LP 39.99

Partial matches47
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✨✧ Bobby HutchersonKnucklebean ... LP
Blue Note, 1977. Very Good+ ... Temporarily Out Of Stock
Beautiful late Blue Note work from Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – and all other players are wonderful too, including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Includes a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good". LP, Vinyl record album
(Original pressing. Cover has light ring & edge wear, cut corner, corner bend.)
Also available Knucklebean ... CD 10.99

Partial matches48
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✨✧ Phineas NewbornWorld Of Piano ... CD
Contemporary/OJC, 1961. Used ... Temporarily Out Of Stock
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The sound here is really tremendous – boldly leaping forth from the keys with a strength that's really surprising – but still sensitive enough to slide in a few more contemplative notes when the moment calls – sometimes while Newborn is still racing down the keys at breakneck speed! Rhythm on both sides is great – with Paul Chambers & Philly Joe Jones on side one, and Sam Jones and Louis Hayes on side two – and titles include "Cheryl", "Manteca", "Oleo", "Daahoud", "Cabu", and "For Carl". CD
(Out of print.)

Partial matches49
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✨✧ Sun RaHaverford College – January 25,1980 (with bonus track) ... CD
Modern Harmonic, 1980. New Copy ... Temporarily Out Of Stock
Solo Sun Ra, and a set that's heavy on Fender Rhodes as well – a record that's maybe a bit more inside than some of Ra's more avant live sessions, yet one that still features a fair bit of improvisation as well! From an electric piano perspective, the set's a gem – and it's great to hear Ra open up on the keys, working in modes that are a bit like some of his Improvising Artists recordings from a few years before – showing the world that although he's sometimes working in a larger ensemble, he's also a hell of a pianist with sold grounding in older jazz modes – displayed strongly here on titles that include "Haverford Impromptu #2", "Love In Outer Space", "Space Is The Place/Over The Rainbow", "St Louis Blues", and "Haverford Impromptu #1". The set also features two never-issued shorter acoustic piano tracks – "We Love To Be" and "Take The A Train". CD also features the excellent "Haverford Encore Duet" – with vibist Walt Dickerson! CD

Partial matches50
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✨✧ VariousJ Jazz 2 – Deep Modern Jazz From Japan 1969 to 1983 (with bonus track) ... CD
BBE (UK), Late 60s/1970s/Early 80s. New Copy 2CD ... Temporarily Out Of Stock
An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more – plus the CD bonus track "Original Bill" by Koichi Matsukaze Trio. 15 tracks on 2CDs. CD
Also available J Jazz 2 – Deep Modern Jazz From Japan 1969 to 1983 (3LP set) ... LP 34.99

Partial matches51
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✨✧ Bill EvansWaltz For Debby (20 bit remaster – with bonus tracks) ... CD
Riverside, 1961. Used ... Out Of Stock
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". Features bonus tracks – "Porgy", plus alternates of "Waltz For Debby", "My Romance", and "Detour Ahead". CD
(Slipcover has some light wear.)
Also available Waltz For Debby ... LP 399.99

Partial matches52
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✨✧ Mar-KeysGreat Memphis Sound ... CD
Stax/Atlantic, 1966. Used ... Out Of Stock
A great Memphis sound from the second greatest instrumental group on Stax next to Booker T & The MGs – heard here on a massive record that really pushes The Mar-Keys to the next level! On previous records, the combo always had a sound that was a bit brighter than Booker and his group – still soul, but not nearly as sharp. Yet this time around, they really dig deep – and have a way of smoking out plenty of the best soulful elements associated with the Stax Records sound – that great way with a heavy-stepping groove, instrumentation that's tight yet never slick, and solo moments that burst out and really give the tunes a hell of a lot of personality! The rhythm jumps out of the grooves on numbers like "Honey Pot", "Grab This Thing" and "Philly Dog", and the album winds up with a James Brown medley that's pretty darn swingin too. CD
(Out of print.)

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✨✧ Raekwon/El Michels AffairPJs From Afar (orig, clean, inst)/Little Sloppy (bonus beat)/Phil My Don/This One's For My Baby ... 12-inch
Truth & Soul, 2007. Near Mint- (pic cover)... Out Of Stock
Wu Tang lyrical swordsman Raekwon teams with Brooklyn's finest modern funk groovers El Michels Affair on the "PJs (From Afar)" – a live in the studio re-imagining on the Pete Rock/Raekwon/Masta Killa track "PJs" – plus a handful of cinematic soul styled instrumentals! "PJs" is a live in the studio re-imagining of the Pete Rock/Raekwon/Masta Killa cut of the same name – a true hybrid of 70s style funky soundtrack soul – with an overall vibe that's more attuned to golden age hip hop thanks to the solid wordplay from the Chef! The Affair's live backing is surprisingly hip hop centered, too – with an incredibly sinister bass groove and persistent funky drums leading the way! "A Little Sloppy" is a brief bit of instrumental funk with a more ragged drum style. "Phil My Don" is a mirror image on the flip, with some spacey soul keys out front. "This One's For My Baby" is a longer funky instrumental, the most cinematic sounding tune of all. A straight up hip hop funk gem! 12-inch, Vinyl record

Partial matches54
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✨✧ SilkieYou've Got To Hide Your Love Away (with bonus tracks) ... CD
Fontana/One Way, Mid 60s. Used ... Out Of Stock
The one and only album by The Silkie – the title track being the classic and hugely catchy cover of the Beatles' "You've Got To Hide Your Love Away" – really one of the sweeter, more lovely and hard-to-shake catchy folk pop records of the era! The simple and raw acoustic guitar backdrop works very well with the male and female harmonies, really somehow feeling far more lovely and affecting than so many similar groups of the era. Lots of Dylan songs, including "The Times They Are A Changin'", "Mr Tamborine Man", "Girl From The North Country", "Love Minus Zero/No Limit" and more, plus "Close The Door Gently", "Blood Red River" and more. CD includes 4 bonus tracks: "Leave Me To Cry", "Keys To My Soul", "Born To Be With You" and "I'm So Sorry". CD
(Out of print. Note – traycard artwork is wrinkled from some light water damage.)

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✨✧ Sonny StittMade For Each Other (with bonus track) ... CD
Delmark, 1972. Used ... Out Of Stock
An album recorded for the Delmark label, but one that follows strongly from the style of Prestige Records in the 60s – particularly those great sessions that featured saxophonist Sonny Stitt blowing next to a Hammond! In this case, the Hammond is handled by the great Don Patterson, who played with Sonny in the 60s – in a trio that also has the great Billy James on drums – a player whose loose, open style really works great with the magic Patterson touch on the keys! The tracks are a bit shorter than some of the longer jams on Don's albums of the 60s, but still equally nice. Stitt plays tenor and alto – and titles include "Funny", "Honey", "Blues For JJ", "Night Has A Thousand Eyes", and "Samba De Orfeo". CD features a previously unissued alternate of "The Night Has A Thousand Eyes". CD
(Punch through barcode.)
Also available Made For Each Other (with bonus track) ... CD 6.99

Partial matches56
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✨✧ Cecil TaylorLive In Bologna ... CD
Leo (UK), 1987. Used ... Out Of Stock
A sharply focused session from Cecil Taylor – one that's driven by plenty of his free flights on the keys of the piano, but which also receives key support from a larger group! There's a great match here between the dynamism of solo Cecil and some of the collaborations of his earlier years – and in a way, the recording is one of a stretch that almost has Taylor reconciling the solo years of the 70s with the early group recordings of the 60s. Players here are Cecil's excellent Unit group – and include Carlos Ward on reeds, Leroy Jenkins on violin, William Parker on bass, and Thurman Barker on drums – and the set features one long performance that runs for nearly 70 minutes in length! CD
(Out of print, crease through traycard artwork.)

Partial matches57
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✨✧ Stanley TurrentineLook Out! (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1960. Used ... Out Of Stock
One of the greatest Stanley Turrentine albums ever – a hard-blown session that's been one of our favorite Blue Notes for years! Turrentine's tone here is amazing – really raspy and earthy, with a quality that never shows up much in later recordings – a mode that's incredibly focused, yet deeply personal – stepping out with equal parts of gritty groove and creative imagination. The group's a perfect one too – with Horace Parlan really setting fire to the keys of the piano, and the team of George Tucker on bass and Al Harewood on drums giving Stan some super-tight rhythmic backing. The record is incredible, and the kind that keeps us hanging for every moment that it's on – and titles include "Journey Into Melody", "Return Engagement", "Little Sheri", "Tiny Capers", "Minor Chant", and "Look Out". CD features 3 bonus tracks – "Tin Tin Deo", "Yesterdays", and a 45 take of "Little Sheri". CD
Also available Look Out! (with bonus tracks) ... CD 3.99

Partial matches58
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✨✧ Dave BrubeckCut Above ... LP
Direct Disk, 1978. Very Good+ 2LP Gatefold ... Out Of Stock
Featuring Darius Brubeck on keys, Dan Brubeck on drums, and Chris Brubeck on bass. LP, Vinyl record album

Partial matches59
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✨✧ Alan Clare TrioJazz Around The Clock/Alan Clare Trio With Bob Burns ... CD
Decca/Vocalion (UK), 1957/1958. Used ... Out Of Stock
Early work as a leader by British jazz pianist Alan Clare – a key part of the swinging sound of the London jazz scene of the late 50s, and a really moody player with a nice touch on the keys! The album Jazz Around The Clock was recorded at Clare's home base – the Star Club in London – in a style that features a unique "after hours" sort of mode, one in which guest horn players drop by the session, and make appearances on a few of the tracks. Don Rendell joins the group on a great reading of "I'm Old Fashioned", trumpeter Ray Premru plays bass trumpet on the track "Everything Happens To Me", and alto saxophonist Bob Burns blows a nice icy solo on a version of "Yesterday". The core trio features Clare on piano, Kenny Napper on bass, and either Eddie Taylor or Bobby Kevin on drums – and other tracks include Clare's "Luxury Flat", plus "Drop Me Off At Harlem", "Morning Fun", and "There's A Lull In My Life". The CD also features 4 more tracks from Clare's debut LP – featuring the core trio of Clare, bassist Lenny Bush, and drummer Tony Kinsey joined by bass clarinetist Bob Burns on a set of tracks that includes "Sometimes I'm Happy", "How Long Has This Been Going On", and "Easy Living". And if that's not enough, the CD also features 2 more bonus tracks from that session, plus one with a quartet that includes Ike Issacs on guitar – titles that include another reading of "Luxury Flat", plus "Manhattan", and "Lullaby In Rhythm". CD

Partial matches60
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✨✧ Curtis Counce QuintetComplete Studio Recordings (Landslide/Counceltation/Carl's Blues/You Get More Bounce) ... CD
Contemporary/Gambit (Spain), Late 50s. Used 2 CDs ... Out Of Stock
Material recorded by LA bassist Curtis Counce at the height of his career – working in the mid 50s with a group that includes Jack Sheldon on trumpet, Harold Land on tenor, Frank Butler on drums, and the weird "sideways" piano player Carl Perkins on the keys! The group is a great meeting of LA modes – with Sheldon blowing harder than usual, and Land cutting in the sort of edges that always made his sessions in the town kick a bit more than most. The 2CD set features tracks that wrere recorded in 1956 and 1957 – spread out over a number of different albums on the Contemporary Records label, but brought together here for the first time ever. Tracks are longish – especially by the standards of the Contemporary label – and the set features 26 titles that include "Pink Lady", "Counceltation", "Love Walked In", "Nica's Dream", "Mean To Me", "LaRue", "Carl's Blues", "Sonar", "Woody N You", "A Fifth For Frank", "Sarah", "Mia", "Sonar", and "Landslide". Also included are 4 rare TV show appearances from 1956 – titles that include "The Butler Did It", "Love Walked In", "Fifth For Frank", and "Sophisticated Lady". CD

Partial matches61
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✨✧ Bill EvansWaltz For Debby (with bonus tracks) ... CD
Riverside/OJC, 1961. Used ... Out Of Stock
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". Features bonus tracks – "Porgy", plus alternates of "Waltz For Debby", "My Romance", and "Detour Ahead". CD
Also available Waltz For Debby ... LP 399.99

Partial matches62
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✨✧ Tommy FlanaganOverseas (with bonus tracks) ... CD
Prestige/OJC, 1957. Used ... Out Of Stock
A fantastic early trio album from pianist Tommy Flanagan – a set that was originally recorded overseas by Metronome Records, hence the title – and part of a long tradition of Tommy making some of his best music for non-US labels! Flanagan's already a hell of a craftsman here on the piano – able to mix boppish sharpness with the strong sense of lyricism that would grace some of his later work – in a trio that features great bass from Wilbur Little, and a pre-Coltrane Elvin jones on drums. The set's a great early example of Flanagan's special touch on the keys – and titles include "Skal Brothers", "Verdandi", "Dalarna", "Little Rock", "Eclypso", and "Beat's Up". This great CD not only unearths this rare album (usually only the province of jazz collectors), but also includes 3 rare bonus cuts – alternate takes of titles on the album. CD

Partial matches63
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✨✧ Hampton HawesEverybody Likes Hampton Hawes – Vol 3 The Trio (20 bit mastering) ... CD
Contemporary/OJC, 1956. Used ... Out Of Stock
Maybe the title's a bit overly-optimistic – but with a record like this, you can certainly imagine a world in which everybody does like Hampton Hawes! The record's the third in a legendary early run for the Contemporary label – trio material that broke Hawes out of the box and firmly put his rich talents on the keys at the top of the list of the best players in jazz. The sound's an amazing blend of jazz idioms at the time – with some of the flourishes of the Peterson or Jamal crowd, but often a tighter, almost rootsier bottom in the rhythms – a touch of the LA soul jazz sound, showing up here quite early! The trio features Red Mitchell on bass and Chuck Thompson on drums – and tracks are short, but showcase the open sound that Hawes was developing at the time. Titles include "Night In Tunisia", "Body & Soul", "Lover Come Back To Me", and the Hawes originals "The Sermon" and "Coolin The Blues". CD

Partial matches64
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✨✧ Hampton HawesEverybody Likes Hampton Hawes – Vol 3 The Trio (SHMCD pressing) ... CD
Contemporary/Universal (Japan), 1956. New Copy ... Out Of Stock
Maybe the title's a bit overly-optimistic – but with a record like this, you can certainly imagine a world in which everybody does like Hampton Hawes! The record's the third in a legendary early run for the Contemporary label – trio material that broke Hawes out of the box and firmly put his rich talents on the keys at the top of the list of the best players in jazz. The sound's an amazing blend of jazz idioms at the time – with some of the flourishes of the Peterson or Jamal crowd, but often a tighter, almost rootsier bottom in the rhythms – a touch of the LA soul jazz sound, showing up here quite early! The trio features Red Mitchell on bass and Chuck Thompson on drums – and tracks are short, but showcase the open sound that Hawes was developing at the time. Titles include "Night In Tunisia", "Body & Soul", "Lover Come Back To Me", and the Hawes originals "The Sermon" and "Coolin The Blues". CD

Partial matches65
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✨✧ Howlin WolfBack Door Wolf (with bonus track) ... CD
Chess, 1973. Used ... Out Of Stock
Later Chess work by Howlin Wolf, but done in a rootsier electric mode that's similar to his earlier forays for the label! The set's from the years when Chess was backing off that great funk approach they brought to blues work at the end of the 60s – kind of a "back to basics" approach for which Wolf was a key contender. The album's got a fair bit of organ or electric keys alongside the guitar and harmonica – and titles include "Speak Now Woman", "Watergate Blues", "Leave Here Walking", "Back Door Wolf", "Coon On The Moon", and "Moving". CD

Partial matches66
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✨✧ Bobby HutchersonHead On ... LP
Blue Note, 1971. Very Good+ ... Out Of Stock
One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than before for the team of Hutcherson and Land – a deepening of the soulful spirits first cooked up on their earlier collaborations, stretched out to farther-reaching territory in the hands of Cochran's arrangements and compositions. The group's got a full sound too – with trumpet and flugelhorn from Oscar Brashear, trombone from George Bohannon, and added reeds from players who include Ernie Watts, Fred Jackson, and Charles Owens. Harold Land plays tenor and flute, Hutcherson vibes and marimba, and Cochran is on acoustic piano throughout – but the record also features some electric keys from William Henderson. Titles include the 3 part suite "At The Source", plus "Many Thousands Gone", "Clockwork Of The Spirits", and "Mtume". LP, Vinyl record album

Partial matches67
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✨✧ Bobby HutchersonHead On (with bonus tracks) ... CD
Blue Note, 1971. Used ... Out Of Stock
One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than before for the team of Hutcherson and Land – a deepening of the soulful spirits first cooked up on their earlier collaborations, stretched out to farther-reaching territory in the hands of Cochran's arrangements and compositions. The group's got a full sound too – with trumpet and flugelhorn from Oscar Brashear, trombone from George Bohannon, and added reeds from players who include Ernie Watts, Fred Jackson, and Charles Owens. Harold Land plays tenor and flute, Hutcherson vibes and marimba, and Cochran is on acoustic piano throughout – but the record also features some electric keys from William Henderson. Titles include the 3 part suite "At The Source", plus "Many Thousands Gone", "Clockwork Of The Spirits", and "Mtume". CD also features 3 great bonus tracks – the funky 17 minute "Hey Harold", plus "Jonathan" and "Togo Land". CD

Partial matches68
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✨✧ Bob JamesGenie ... LP
CTI, 1983. Near Mint- ... Out Of Stock
A smooth set of keyboard instrumentals built around Bob James' famous theme to the TV show Taxi – also known as "Angela", and probably the way that most mainstream folks know Bob's work! And although that track was plenty famous, it's still a really great number that echoes out with amazing Fender Rhodes notes that never fail to please! "Angela" is included here – along with 9 other tunes that have Bob tweaking around the keys a bit more than usual, going for a few more upbeat tunes, and some slower ones with that sad TV-emotion kind of sound – a nice kind of balance that almost serves as an ersatz soundtrack for the many moods of Taxi. Titles include "Groove For Julie", "Hello Nardo", "The Marilu", "New York Mellow", "Night Moods", and "Angela". LP, Vinyl record album

Partial matches69
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✨✧ Bob JamesTouchdown ... LP
Tappan Zee/Columbia, 1978. Very Good Gatefold ... Out Of Stock
Sweet electric keys from the great Bob James – a record that's a bit smoother than some of his first few classics for CTI, but still plenty darn nice! The set's got Bob working with a range of key fusion and studio players who include Steve Gadd, Earl Klugh, Eric Gale, Hubert Laws, Mongo Santamaria, and Idris Muhammad – all coming together into the compressed 70s Bob James approach to funky jazz – a sound that's possibly best summed up in the album's extended take on "Angela" (also known as "Theme To Taxi"), done here with a slightly funky undercurrent that's totally great. Other tracks are a bit brighter and warmer – but still wonderfully soulful – and James has a way of hitting the keys on the Fender Rhodes that makes them "plunk" with this sweet sweet tone that's unlike anybody else on the instrument! Titles include "Sun Runner", "Angela (Theme From Taxi)", "Touchdown", "I Want To Thank You", and "Caribbean Nights". LP, Vinyl record album

Partial matches70
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✨✧ Sam LazarOrgan Grooves (Space Flight/Playback/bonus tracks) ... CD
Argo/Jasmine (UK), Early 60s. Used ... Out Of Stock
A pair of Hammond jazz classics from organist Sam Lazar – back to back on a single CD, with rare bonus tracks too! First up is Space Flight – a tight batch of organ groovers with a raw R&B feel, recorded by the obscure St Louis organist Sam Lazar – with a very young Grant Green on guitar! The album's a bit different than Sam's other records for Argo – in that the tunes are all quite short, with a tight fast sound that's almost more R&B at times than jazz – a very unusual setting especially for Grant Green! The guitar is nice and loud – really racing to keep up with Lazar's fast work on the Hammond – and other members of the group include Willie Dixon on bass and Chauncey Williams on drums. Titles include "Mad Lad", "Space Flight", "Caramu", "Funky Blues", and "Big Willie". Playback is one of a few rare albums from Hammond player Sam Lazar – a lesser-known artist from the same searing generation as Baby Face Willette and Jack McDuff, but a musician who never full got his due! This record was done for the Argo side of Chess Records, and it's got a raw sound that's equal parts soul jazz and R&B – with Sam doing some great work on the keys, and the obscure tenorist Miller Brisker in the group too – a really great musician who works with lots of unique twists – and spurs Lazar onto new heights of playing, with maybe an even farther reach on the keys than his other albums. Lazar wrote most of the set, and the tracks include "Deep", "Fuzz Buzz", "S&S", "Scootin", and "Long Gone". A nice bit of soul jazz, with a deep rootsy sound all the way through! CD also features the bonus two-part 45rpm single of "Space Flight". CD

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✨✧ Marc Moulin/PlaceboPlacebo Years – 1971 to 1974 ... CD
EMI (UK), Early 70s. Used ... Out Of Stock
Some of the heaviest keyboard funk recorded in Europe during the early 70s – all the work of the jazz/rock combo Placebo, headed up by the legendary Marc Moulin! The tracks here are awash in Fender Rhodes and other keys – all supported by tight basslines, funky drums, and a fair bit of jazzy riffing on sax, trumpet, and flute. But the main groove always focuses around the keyboards – recorded with a spare, almost earthy quality that's a fair bit greater than some of the slicker keys that crept into the European scene a few years later. Moulin's really at the top of his game here – working in a groove that could easily rival Herbie Hancock or Bob James in the US – and unlike his Sam Suffy set, of similar vintage, this collection's all straight ahead jazz funk, with hardly a bit of experimentation! Tracks are from the albums Ball Of Eyes, 1973, and Placebo – and the set list here differs from the earlier Counterpoint collection with a similar name. 9 tracks in all – including "NW", "Balek", "SUS", "Aria", "Stomp", "Red Net", "Showbizz Suite", "Polk", and "Humpty Dumpty". CD

Partial matches72
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✨✧ Phineas NewbornPlease Send Me Someone To Love ... CD
Contemporary, 1969. Used ... Out Of Stock
A really bold little record from Phineas Newborn – one that certainly has some of the bluesy overtones that you might guess from the title, but which also has other numbers that really leap along the keys! There's a fluid beauty here that really has Newborn at the top of his game – still drenched in the sounds of his Memphis roots, but also picking up some of the looser, livelier styles of the time of this recording – helped, no doubt, by the work of Elvin Jones on drums and Ray Brown on bass. Titles include "Rough Ridin", "Brentwood Blues", "Come Sunday", "Little Niles", and "Stay On It". CD

Partial matches73
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✨✧ Phineas NewbornWorld Of Piano ... LP
Contemporary, 1961. Very Good+ ... Out Of Stock
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The sound here is really tremendous – boldly leaping forth from the keys with a strength that's really surprising – but still sensitive enough to slide in a few more contemplative notes when the moment calls – sometimes while Newborn is still racing down the keys at breakneck speed! Rhythm on both sides is great – with Paul Chambers & Philly Joe Jones on side one, and Sam Jones and Louis Hayes on side two – and titles include "Cheryl", "Manteca", "Oleo", "Dahoud", "Cabu", and "For Carl". LP, Vinyl record album
Also available World Of Piano (180 gram pressing) ... LP 26.99

Partial matches74
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✨✧ Phineas NewbornWorld Of Piano (SHMCD pressing) ... CD
Contemporary/Universal (Japan), 1961. New Copy ... Out Of Stock
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The sound here is really tremendous – boldly leaping forth from the keys with a strength that's really surprising – but still sensitive enough to slide in a few more contemplative notes when the moment calls – sometimes while Newborn is still racing down the keys at breakneck speed! Rhythm on both sides is great – with Paul Chambers & Philly Joe Jones on side one, and Sam Jones and Louis Hayes on side two – and titles include "Cheryl", "Manteca", "Oleo", "Dahoud", "Cabu", and "For Carl". CD
Also available World Of Piano (180 gram pressing) ... LP 26.99

Partial matches75
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✨✧ Return To ForeverReturn To Forever Live – The Complete Concert (4LP Box Set) ... LP
Columbia, 1978. Near Mint- 4LP Box Set ... Out Of Stock
Return To Forever Live – a vastly-extended exploration of this legendary 70s group at their best! The triple-length package offers the ensemble plenty of room to open things up – long tracks that stretch out with the boundless energy that Chick Corea first brought to the group, yet also coming together with the sort of soulful focus that really makes this second chapter so great too! Chick plays a huge host of keyboards, almost more than we can imagine being on a single stage – Fender Rhodes, minimoog, Arp, clavinet, and more – and Gayle Morgan also plays more keys, but more importantly lends some soulful vocals to the outing. Other players include John Thomas and James Tinsley on trumpets, Joe Farrell on saxes, and Stanley Clarke on bass – and titles include "Opening 77", "The Endless Night", "The Moorish Warrior & Spanish Princess", "Spanish Fantasy", "Music Magic", and "So Long Mickey Mouse". LP, Vinyl record album

Partial matches76
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✨✧ Gil Scott-HeronI'm New Here (Japanese pressing – with bonus tracks) ... CD
XL (Japan), 2010. Used ... Out Of Stock
Heavy, soul-baring lyricism delivered with spiritual resonance and wise authority by Gil Scott-Heron – his first album shot in far too many years, and a direct hit – essential listening for longtime listeners and neophytes alike and a well worthy entry in a legendary career! Scott-Heron is documenting his world as profoundly and poetically as ever here, and the production is built with spare, haunting beats and atmospheric bits of strings, guitar, keys, loose atmospherics and hazy electronics – loosely framing his voice and giving it all the room in needs to carry the mood. Gil sings and speaks with equal authority throughout, and you can hear the years in his voice like never before, giving him the worn edges of the old soul he always evoked. This is a record we're proud to put among his treasured recordings of the 70s and early 80s. Titles include "On Coming From A Broken Home" (Parts 1 & 2), "Your Soul And Mine", "I'll Take Care Of You", "Where Did The Night Go", "Running", "The Crutch" and more, including several interludes that are pretty amazing – captures of conversation that show Gil nearly as charismatic and poetic in "off" moments as he is recording a song. Also includes 2 covers, "Me And The Devil" (the Robert Johnson song) and the title track, Smog/Bill Callahan's "I'm New Here", given a whole new life. Japanese pressing adds two live studio takes of "Is That Jazz" and "Winter In America". CD

Partial matches77
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✨✧ George ShearingShearing Bossa Nova ... LP
Capitol, 1962. Near Mint- ... Out Of Stock
A heavenly album, and easily one of our favorite George Shearing records of the 60s – thanks to some sweet bossa arrangements by a young Clare Fischer! Fischer's got a better ear for this groove than just about anyone else – and he beautifully mixes light woodwinds with bossa rhythms for the date – providing a perfect backdrop for that well-punctuated Shearing sound on the keys of the piano! The set's got a lightly soaring swing that's mighty nice – and thanks to deft playing by George, still retains a lot more jazz elements than you'd find on other records of this nature. Titles include "One Note Samba", "Blue Prelude", "Desafinado", "Pensativa", "On Green Dolphin Street", "Algo Novo", "Black Satin", "Manha De Carnival", and "Amazona's Legend". LP, Vinyl record album

Partial matches78
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✨✧ James Taylor QuartetFew Useful Tips About Living Underground ... CD
Acid Jazz (Australia), 1996. Used ... Out Of Stock
A unique little album from organist James Taylor – proof that he was always changing things up in pursuit of a groove! The set has Taylor moving past some of the warmer, more soulful modes of some of his other 90s work – hitting a vibe that's still plenty darn funky, but which moves his organ more in the direction of Brian Auger than the Johnny Hammond lines he'd hit on his few previous records! The sound is quite majestic at times – Hammond pushing forward alongside guitars, driven by cosmic rhythms that move way past the mod soul of James' early years, pushing into the stratosphere with a great deal of power. Taylor's work on the keys is sublime throughout – possibly even more impressive in this setting than ever before, given the dexterity required to keep up with the rhythms – and the production is wonderful, and really makes the album come across like some of Auger's best work of the early 70s. There's no vocals at all – and titles include "Selectivity", "Summer Fantasy", "Don't Let Money Be Your God", "Serenity", "Theme From Dirty Harry", and "It's Your World". CD

Partial matches79
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✨✧ Bobby TimmonsSoul Man! ... CD
Prestige (Japan), 1966. Used ... Out Of Stock
A hard-to-find gem from funky pianist Bobby Timmons – a non-trio session recorded in the mid 60s for Prestige, and featuring some especially great work from Wayne Shorter on tenor! Shorter's appearance here is a real anomaly – especially since we can't recall another Prestige appearance from the time – but his presence really adds a lot to the record, bringing in some dark tones and sharp edges that are a perfect match for the growing complexity of Timmons' work on the keys of the piano! The sound's a bit soul jazz, but also has more of the modern edges you'd hear in Shorter's Blue Note sides – and the rest of the quartet features Ron Carter on bass and Jimmy Cobb on drums. Titles include a great version of Shorter's "Tom Thumb", plus "Cut Me Loose Charlie", "Ein Bahn Strasse", "Tenaj", and "Damned If I Know". CD

Partial matches80
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✨✧ Michal UrbaniakBody English ... LP
Arista, 1976. Near Mint- ... Out Of Stock
Sweet funky fusion from Michal Urbaniak – one of the few people who could ever make us like the violin in jazz! Of course, part of the reason for that is the Michal's also pretty darn great on the keyboards – which almost dominate this set, and certainly have an influence on the way he plays the violin. The keys and strings come together in wide washes of sound – supported by additional keys, some nice funky bass and drums, and a bit of light vocals from Urszula Dudziak! Titles include "Body English", "Sevenish", "Zad", "Afterglow", "Zomar Land", and "Satin Lady". LP, Vinyl record album

Partial matches81
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✨✧ Mal WaldronNews – Run About Mal ... CD
Progressive (Japan), 1981. Used ... Out Of Stock
An overlooked Mal Waldron album from the early 80s – recorded with a trio that includes George Mraz on bass and Al Foster on drums! Given the rhythm players, the sound here is a bit warmer than some of Waldron's more avant work from the European scene– and both sets are a nice reminder that Mal could still be a very sensitive interpreter of a standard, too – not just his own, slightly bolder compositions. Mraz is nicely high in the recording, stepping around in this sweet pulse that often seems to dominate Foster's work on drums – which makes for a nice bottom end that lets Mal do plenty of his own thing on the keys. Titles include "It Could Happen To You", "Willow Weep For Me", "Tea For Two", and "With A Song In My Heart". CD

Partial matches82
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✨✧ Bobby Womack/JJ JohnsonAcross 110th Street ... CD
United Artists/Charly (UK), 1972. Used ... Out Of Stock
One of the best blacksploitation soundtracks of the early 70's – not only for the great title cut by Bobby Womack, "Across 110th Street", but for the excellent hard-hitting instrumentals by J.J. Johnson, which are perfectly in the groove of the blacksploitation generation! Lots of wah-wah guitar, funky keys, and tight riffing by the band – especially on the cuts "Harlem Clavinette", "Hang On in There", and "Harlem Love Theme". Also features "Do It Right" and another vocal version of "Hang On In There", both by Bobby. CD

Partial matches83
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Chet BakerShe Was Too Good To Me ... LP
CTI, 1974. Very Good+ Gatefold ... $39.99
A great return to form for Chet Baker – his first record in a number of years away from the studio, and proof that his genius could adapt to just about any setting! The album's got a tight focus that's probably one of the keys to its success – a set of arrangements by Don Sebesky that mix lusher moments with some more tightly snapping rhythms – a blend that allows Chet to display the full range of his talents without veering too far in one direction. Paul Desmond plays some great alto on the record, really bringing in a strong sense of crispness to a few numbers – and instrumentation also includes great electric piano from Bob James, vibes from Dave Friedman, and flute from Hubert Laws. Baker sings on a few numbers, and titles include "Autumn Leaves", "She Was Too Good To Me", "Funk In Deep Freeze", "Tangerine", "With A Song In My Heart", "What'll I Do", and "It's You Or No One". LP, Vinyl record album
(Original stereo pressing with Van Gelder stamp. Includes the CTI inner sleeve. Cover looks great, with minimal wear.)

Partial matches84
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Matt BerrySimplicity ... LP
KPM/Acid Jazz (UK), 2023. New Copy ... $28.99 31.98
A really fantastic pairing of forces – as keyboard collector Matt Berry serves up a special set of instrumental tracks for the KPM sound library – many of which are done on the kinds of keys that KPM were recording back in the day! You might know Matt for his work on screen, but he's also a very devoted musician, with a rich legacy of projects – and although we love his vocals on his more pop-oriented records, this set lets his keyboard skills really come to the forefront! The set features Berry on electric pianos, guitars, bass, and other keyboards – assisted by the funky drums of Craig Blundell, on titles that include "Rising Bass", "Set The Scene", "Simple Basics", "Widescreen Features", "Too Many Hats", "Telescopic", and "Driving Seat". LP, Vinyl record album

Partial matches85
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Brief EncounterWe Want To Play (Japanese paper sleeve edition) ... CD
Dream/P-Vine (Japan), 1981. New Copy ... $13.99 24.99
An obscure bit of boogie from Brief Encounter – a southern soul group known best for their mid 70s sides for the Sound Stage Seven label, stepping out here in a completely different 80s groove! Most tracks are upbeat and dancefloor funky – plenty of bass on the bottom and some sweet electric keys – but often used in a way that's more in a 70s ensemble funk mode than the keyboards you'd hear on other early 80s indie soul. There's a warmth here that's quite nice, and most tracks feature the larger group harmonizing on vocals – in a way that sounds especially sweet on the mellower tracks. And while the recording quality of the original record is sometimes a bit muted, the group themselves sound plenty great – really bouncing along wonderfully with a soaring groove and a sense of tightness that goes beyond their indie roots! Titles include "Sweet Tender Loving", "We Want To Play For You", "Now I Know I Love You", "Rocking", "Since I Met You Girl", "Just For Love", "Open Up Your Heart", and "If You Want My Love". CD

Partial matches86
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Julius BrockingtonUnited Chair ... CD
Today/Octave (Japan), 1973. New Copy ... $18.99 22.99
Keyboardist Julius Brockington really takes off here – in a style that's not quite funk, not quite jazz – and which has some of the unique sophisticated changes that Gene Harris was bringing to his Blue Note records in the mid 70s! Like Gene, Julius already has a strong background on the keys – and here, he's able to open up and create all sorts of new rhythms in his music – working on organ, piano, and even a bit of Arp – in a combo that features Steve Turner on alto and flute, Jim Wilson on trumpet, and Garry Langston on guitar! The vibe is great – sophisticated, but funky too – and very unusual compared to other albums of the time. All the material is original – and titles include "Gettin' Into It", "Lost Tribe", "Jaded Jackie", and "In the Back of the Churchyard". CD

Partial matches87
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✨✧ Milt Buckner & Jo JonesDeux Geants Du Jazz ... LP
Jazz Odyssey (France), Early 1970s. Very Good ... $14.99
A fantastic pairing of talents – brought together here in a set focused on spare duets between drummer Jo Jones and organist Milt Buckner – both American jazz musicians from a slightly earlier age, given a chance to really stretch out in a great way during the early 70s – taken into the studio by producer Hugues Panassie, in a mode that's free from any restrictions or commercial trappings at all! Both musicians can really do a lot with a little – especially Buckner, whose Hammond almost always sounds better without a larger group alongside him – because you can really hear his great command of the keys and pedals, and his amazing ear for a very wide range of sounds. LP, Vinyl record album
(The first track on side two has some crackling – the rest of the record is nice.)

Partial matches88
CD, LP, Vinyl record album cover art
Ian Carr with NucleusBelladonna ... LP
Vertigo/Mr Bongo (UK), 1972. New Copy Gatefold (reissue)... $25.99 27.98
One of the heaviest electric sets from UK trumpeter Ian Carr – and that's really saying a lot, given how much heavy work he cut with his group Nucleus! The sound here is a groundbreaking mix of acoustic horns and keyboards – trumpet from Carr, and a mix of tenor, soprano, alto, and flute from Brian Smith – coming into contact with the Fender Rhodes of Dave MacRae and the Hohner electric of Gordon Beck! The pairing of keys is wonderful – and the whole thing is sewn together by the guitar of a young Allan Holdsworth, who's very much in the sway of Carr's sound here, instead of the later directions he'd take as a leader. The set might be worth it alone for the massive "Summer Rain" – a slow funk track that trips along beautifully – but the whole thing's great, and other titles include "Belladonna", "Mayday", "Suspension", and "Hector's House". LP, Vinyl record album

Partial matches89
CD, LP, Vinyl record album cover art
Ian Carr with NucleusSolar Plexus/Belladonna ... CD
Vertigo/BGO (UK), 1971/1972. New Copy 2CD ... $14.99 19.98
Two jazz rock classics – back to back as a 2CD set! Solar Plexus was a pivotal album in the career of British jazzman Ian Carr – one that had him really opening up into some trippy, spacey grooves – adding in a lot of keyboards, kicking up the grooves, yet still never losing the strong jazzy finish that was the best part of his earlier work. Players on the set include trumpeters Harry Beckett and Kenny Wheeler, guitarist Chris Spedding, and keyboardist Karl Jekins, who really throws in some groovy lines on the set! Titles include "Elements 1 & 2", "Snakehips Dream", "Torso", "Spirit Level", and "Bedrock Deadlock". Belladonna is one of the heaviest electric sets from UK trumpeter Ian Carr – and that's really saying a lot, given how much heavy work he cut with his group Nucleus! The sound here is a groundbreaking mix of acoustic horns and keyboards – trumpet from Carr, and a mix of tenor, soprano, alto, and flute from Brian Smith – coming into contact with the Fender Rhodes of Dave MacRae and the Hohner electric of Gordon Beck! The pairing of keys is wonderful – and the whole thing is sewn together by the guitar of a young Allan Holdsworth, who's very much in the sway of Carr's sound here, instead of the later directions he'd take as a leader. The set might be worth it alone for the massive "Summer Rain" – a slow funk track that trips along beautifully – but the whole thing's great, and other titles include "Belladonna", "Mayday", "Suspension", and "Hector's House". CD

Partial matches90
CD, LP, Vinyl record album cover art
Norman ConnorsDance Of Magic (180 gram pressing) ... LP
Buddah/Pure Pleasure (UK), 1972. New Copy (reissue)... $23.99 44.99
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown and Archie Shepp. For this initial set, Norman's in incredible company – working with players that include Herbie Hancock on both electric and acoustic keys, plus Eddie Henderson on trumpet, Gary Bartz and Carlos Garnett on saxes, Stanley Clarke on bass, and Billy Hart and Airto on percussion – plus a chorus of vocalists on the album's mighty title cut! Tracks are all long, spiritual, and freely exploratory – but never in a style that goes too far outside, or that forgets the joy and love that can spring forth in a forward-thinking session like this one! Titles include "Dance Of Magic", "Give The Drummer Some", "Morning Change", and "Blue". LP, Vinyl record album

Partial matches91
CD, LP, Vinyl record album cover art
Curtis CounceCarl's Blues ... LP
Contemporary, 1957. Very Good+ ... $19.99
A seminal session of LA hardbop – featuring a great group that includes Gerald Wilson, Jack Sheldon, Harold Land, Frank Butler, and pianist Carl Perkins, the unique talent who had a strange way of playing the keys (sideways!), and who died shortly after the recording of this set. As the title might imply, the album's dedicated to Perkins – and titles include "Nica's Dream", "Pink Lady","Carl's Blues", and "Larue". LP, Vinyl record album
(Early 80s yellow label stereo pressing.)

Partial matches92
CD, LP, Vinyl record album cover art
Guilherme Coutinho E O Grupo StaloGuilherme Coutinho E O Grupo Stalo ... LP
Mr Bongo (UK), 1978. New Copy (reissue)... $25.99 30.99
A warm jazzy gem from 70s Brazil – a set that's filled with incredible keyboard work from Guilherme Coutinho, who handles organ, electric piano, and other keyboards too – mixed with vocal modes that often have the best sorts of jazzy touches from the scene at the time! The blend is the sort you'd find on some of your favorites from back in the day – such as work by Joao Donato or Marcos Valle – but there are moments that are also more personal and unique, including a few spots where Coutinho gets all cool and moogy with the keys! Titles include "Fuga", "Flauta De Bambu", "Rio Corrente", "Foicera", "As Ferras", "Atalaia", and "Tema Pro Alvarito". LP, Vinyl record album

Partial matches93
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Miles DavisBlue Haze ... LP
Prestige, 1954. Very Good ... $169.99
An early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". LP, Vinyl record album
(Yellow and black NJ pressing with deep groove and RVG etch – nice and clean. Cover has a promo stamp on the back, and light wear on the top seam, but overall this is a nice clean copy.)

Partial matches94
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... $2.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print.)

Partial matches95
CD, LP, Vinyl record album cover art
DeodatoArtistry ... LP
MCA, 1974. Near Mint- ... $4.99
A live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". LP, Vinyl record album
(Early 80s blue label MCA pressing. Cover has some ringwear, edge wear, and is bent a bit at the corners.)

Partial matches96
CD, LP, Vinyl record album cover art
DeodatoWhirlwinds ... LP
MCA, 1974. Near Mint- Gatefold ... $6.99
Sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! LP, Vinyl record album
(Original black label pressing – A great copy.)

Partial matches97
CD, LP, Vinyl record album cover art
DeodatoWhirlwinds/Artistry ... CD
MCA/BGO (UK), 1974. New Copy ... $7.99 14.99
Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! Artistry is a live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". CD

Partial matches98
CD, LP, Vinyl record album cover art
✨✧ Krzystof DudaOstinato ... CD
GAD (Poland), Early 80s. New Copy ... Just Sold Out!
If you like 80s keyboards, you'll find plenty to love here – as Krzystof Duda works on a whole host of classic keys – Arp Axxe, Micromoog, Korg Polysix, Solina String Ensmeble, Hohner Clavinet, and even a bit of Fender Rhodes – used mostly on tunes that just feature Duda himself, but with occasional guest spots along the way on bass, drums, and guitar! Jolanta Rados sings on three tracks, but most of the record is instrumental – and very much in the best keyboard-driven, catchy side of the 80s sound library world – with titles that include "Mister GD", "Music Market, "Epidemia Nudy", "W Stylu Punk", "Slodycz Nocy", and "Takie Sobie Trzy Po Trzy". CD

Partial matches99
CD, LP, Vinyl record album cover art
✨✧ Duke Ellington & Johnny HodgesSide By Side ... LP
Verve, 1959. Very Good+ ... $16.99
A great little session that builds on the strength of Johnny Hodges' small group 50s sessions for Verve – and which lets Duke Ellington in on some of the action! The format is nicely stripped-down throughout – featuring Hodges in sextet and septet formation with players who include Ben Webster on tenor, Roy Eldridge on trumpet, Les Spann on flute, Lawrence Brown on trombone, and Jo Jones on drums. Surprisingly, Duke's actually only on piano on three tracks on the album – Billy Strayhorn handles keys on the other – but the session's still a great example of small combo Ellingtonia at its best, the special way Ellington players could extrapolate his ideas into a leaner formation on a record like this! Titles include "Ruint", "Stompy Jones", "Big Shoe", "Going Up", "Just A Memory", and "You Need to Rock". LP, Vinyl record album
(Mono MGM pressing. Cover has light wear.)

Partial matches100
CD, LP, Vinyl record album cover art
Don EllisSoaring ... CD
MPS (Germany), 1973. Used ... $9.99 12.99
A well-titled album from trumpeter Don Ellis – as the set soars to the skies from the very first note! The album's got a dynamic energy that almost beats Don's American work of the time – lots of funky rhythms, and a cool MPS groove that shows the label's strong 70s legacy of larger group jazz recordings! Like other MPS dates of the time, there's a nice mix of electric and acoustic instrumentation in the lineup – bass and guitar that kick the rhythms up strongly, plus keyboards and electrified strings that bring in their own unique sounds. Milcho Leviev handles the keys on the session – and titles are a fresh batch of numbers that include "Sidonie", "Image Of Maria", "Sladka Pitka", "Go Back Home", "Whiplash", "The Devil Made Me Write This Piece", and "Invincible". CD
(2008 pressing.)
 
 
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