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Blue Feather Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Blue FeatherCall Me Up/Let's Funk Tonight (180 gram blue vinyl pressing) (2021 Record Store Day Release) ... 12-inch
Mercury/Music On Vinyl (Netherlands), 1981. New Copy (pic cover, reissue)... $24.99
Blue Feather may look a bit hokey on the cover, but they sound really wonderful on the record – a sweet, smooth, funky group who were one of the best on the scene in the early 80s! The vibe here is a lot like the best Brit funk of the period – all these riffing guitars, warm keyboards, and bumping basslines on "Call Me Up" – fitting the catchy lyrics wonderfully, and setting things up for some very cool keyboard sounds too! "Let's Funk Tonight" definitely lives up to the title – a super-groovy tune that runs for almost 10 minutes in length – hook-heavy lyrics upfront, but lots of room for bass solos and all these cool spacey keyboard sounds too – so much so that the tune is more instrumental than vocal! 12-inch, Vinyl record
(40th Anniversary Edition individually numbered limited to 750 – on heavyweight transparent blue vinyl!)
 
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
Osamu KitajimaEarly Years (Shinchugoku/Benzaiten/Osamu/Masterless Samurai/Dragon King) (blue box 5CD set) ... CD
Everland (Netherlands), 1970s/Early 80s. New Copy ... $69.99 84.99
A special box set that collects all the key early albums from guitarist Osamu Kitajima – including a few rock moments too! First up is Shinchugoku – the earliest album we've ever seen from legendary guitarist Osamu Kitajima – a set that's a bit more pastoral and down to earth, as you might guess from its cover image! The work is a mellow take on folksy psych modes – electric and acoustic guitars mixed together on a set of songs that are hauntingly tuneful, with these evocative lyrics in Japanese that really fit the melodies – and which somehow have an appeal that goes way beyond the boundaries of language, thanks to a style that's expressive, but never overdone. A few tunes are a bit harder rocking, but the record's a pretty laidback affair overall – and titles include "Inchunfa", "Ronshuiko", "Tohoko", "Ketsumazuitemo", "Takai Takai Koanryo", and "Hyakusho Wa Tanoshi". Next is Benzaiten – a really unique project from guitarist Osamu Kitajima – a player you might know from his smoother fusion sets at the end of the 70s – but who works here in a very trippy blend of Japanese instrumentation and electric jazz! Kitajima handles a heck of a lot of strings – both acoustic and electric guitars, bass, and even the biwa – a Japanese style of lute, which appears to be electrified on the record. There's also work on hayashi-bue, narimono, and shakuhachi – other Japanese instruments folded into the album's mix of fuzz and keyboards – which are often used sparely, but in ways that bring a nicely psychedelic vibe to the album at times. Osamu vocalizes a bit – but mostly in ways that just go along with the music – and titles include "Benzaiten", "Tengu", "Whoma", and "Taiyo". The Osamu album follows – a set that's still got some of the exotic elements of his other material, but which also brings in a stronger fusion component too – mixing Kitajima's work on guitar and koto with plenty of Fender Rhodes and other great electric touches! The set was recorded in LA, and definitely has some warm Cali fusion elements – but Osamu also still hangs on to some "eastern" flavor with his own instrumentation – which is echoed by a bit of shakuhachi and nohkan by Tatsuya Sano. There's vocals on a few tracks, but they don't get in the way much, and with the cool banks of keyboards and nice drums, you hardly notice them at all! Sweet and breezy – in the best Japanese 70s fusion mode – and with tracks that include "Frost Flowers", "Elemental Spirits", and "Fur, Fin & Feather". Minnie Riperton also sings vocals on the track "Yesterday & Karma"! Masterless Samurai is a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". Dragon King is a great record from Osamu Kitajima – one of his most soulful ever! The record features some additional production and arrangements by Richard Evans – who takes Osamu's Japanese fusion style, and gives it a sparkling modern soul groove that's perfect for US audiences. In fact, Osamu's frequent use of eastern instrumentation – koto, biwa, and other instruments – works perfectly with the flair for the exotic that Evans always had during his years at Cadet. Includes the smooth stepper "Say You Will" with vocals by Phil Perry and Rena Scott – plus the tracks "Yamame", "Dragon King", "Willow Pattern", and "Share My Love". CD
(In a very cool cloth-covered box!)

Possible matches3
CD, LP, Vinyl record album cover art
Howard Rumsey's Lighthouse All StarsHoward Rumsey's Lighthouse All Stars Vol 4 – Oboe/Flute ... CD
Contemporary/OJC, 1956. Used ... $4.99
Sheesh, Howard Rumsey sure knew how to stick his name on a lot of records! (He must have been trying to give Norman Granz and Leonard Feather a run for their money!) Fortunately, most of them were also great – like this one, which features flute duets between Bob Cooper and either Bud Shank or Buddy Collette, over rhythms by Sonny Clark or Claude Williamson on piano, Max Roach or Stan Levy on drums, and Howard Rumsey on bass (actually making a rare appearance on wax here!) Titles include "Aquarium", "Still Life", "Bag's Groove", "Blue Sands", "Albatross", "Night In Tunisia", "Waikikian", and "Happy Town". CD
(Out of print.)
 
Partial matches: 7
Partial matches4
CD, LP, Vinyl record album cover art
Robert GordonMemphis Rent Party – The Blues, Rock & Soul In Music's Hometown (hardcover) ... Book
Bloomsbury, 2018. New Copy ... $6.99 28.00
One of the best writers on Memphis gives us a journey through his musical hometown – portrayed through chapters that focus on some of the city's most legendary figures – including James Carr, Sam Phillips, Jim Dickenson, Robert Johnson, Charlie Feathers, Jeff Buckley, Tav Falco, Bobby Blue Bland, Alex Chilton, Jerry Lee Lewis, and even Cat Power! The chapters are a mixture of history, narrative, and interview material – all done with that great sense of prose that makes Robert Gordon such an important musical chronicler of the south – and the book is 252 pages, hardcover, with some black and white images. Book
(Spine has a small remainder mark.)

Partial matches5
CD, LP, Vinyl record album cover art
Gil EvansGreat Jazz Standards/New Bottle Old Wine ... CD
World Pacific/Poll Winners Records (Spain), 1958/1959. Used ... $9.99
Great Jazz Standards is a fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! New Bottle Old Wine, is a masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ RL BurnsideBothered Mind (yellow vinyl pressing) ... LP
Fat Possum, 2004. New Copy ... Out Of Stock
Gritty revival blues from RL Burnside – and a record that really broke his music into a wider audience! Of course, it helps that the set features guest appearances from Kid Rock and Lyrics Born – the latter we enjoy more than the former – but the overall vibe is still very much in the best spirit of Burnside's other music – on titles that include "Detroit Boogie (parts 1 & 2)", "Someday Baby", "Goin Down South", "Go To Jail", "Bird Without A Feather", "Glory Be", "Goin Away Baby", "Rollin & Tumblin", and "Stole My Check". LP, Vinyl record album

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ RL BurnsideBothered Mind ... LP
Fat Possum, 2004. New Copy ... Out Of Stock
Gritty revival blues from RL Burnside – and a record that really broke his music into a wider audience! Of course, it helps that the set features guest appearances from Kid Rock and Lyrics Born – the latter we enjoy more than the former – but the overall vibe is still very much in the best spirit of Burnside's other music – on titles that include "Detroit Boogie (parts 1 & 2)", "Someday Baby", "Goin Down South", "Go To Jail", "Bird Without A Feather", "Glory Be", "Goin Away Baby", "Rollin & Tumblin", and "Stole My Check". LP, Vinyl record album
(Includes free download.)

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Gil EvansNew Bottle Old Wine (180 gram pressing) ... LP
World Pacific/Blue Note, 1958. New Copy (reissue)... Out Of Stock
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Blue Note Tone Poet Series – 2019 remaster on 180 gram vinyl pressed at RTI!)

Partial matches9
CD, LP, Vinyl record album cover art
Lizzy Mercier DesclouxOne For The Soul (with bonus tracks) ... CD
Ze/Light In The Attic, 1985. New Copy ... $5.99 15.98
The amazing Lizzy Mercier Descloux adds one more global feather to her cap with this sweet little album – a set recorded in Rio, with help from a host of Brazilian musicians – and some special guest work from legendary trumpeter Chet Baker too! The record warms up the sound a bit from some of Lizzy's earlier records – still quite creative in both the songwriting and overall approach, but almost given a warmer spin alongside instrumentation that includes accordion from Sivuca, cavaquinho from Alceu Maia, acoustic guitar from Neco, and percussion from Djalma Correa! Other instrumentation still includes some of the keyboards and rhythm lines you'd know from Lizzy's other Ze Record releases – and titles include "Simply Beautiful", "Fog Horn Blues", "My Funny Valentine", "One For The Soul", "A World Is A Wah", and "Scala Saga Samba". CD features the bonus tracks "Bravado" and "Let's Get It On". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Lizzy Mercier DesclouxOne For The Soul (with download including bonus tracks) ... LP
Ze/Light In The Attic, 1985. New Copy Gatefold (reissue)... Out Of Stock
The amazing Lizzy Mercier Descloux adds one more global feather to her cap with this sweet little album – a set recorded in Rio, with help from a host of Brazilian musicians – and some special guest work from legendary trumpeter Chet Baker too! The record warms up the sound a bit from some of Lizzy's earlier records – still quite creative in both the songwriting and overall approach, but almost given a warmer spin alongside instrumentation that includes accordion from Sivuca, cavaquinho from Alceu Maia, acoustic guitar from Neco, and percussion from Djalma Correa! Other instrumentation still includes some of the keyboards and rhythm lines you'd know from Lizzy's other Ze Record releases – and titles include "Simply Beautiful", "Fog Horn Blues", "My Funny Valentine", "One For The Soul", "A World Is A Wah", and "Scala Saga Samba". LP, Vinyl record album
(Includes download of full album and bonus tracks too!)
Also available One For The Soul (with bonus tracks) ... CD 5.99
 
 
 



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