Classic! Following the fairly radical change in style from the sample-crafted Paul's Boutique to the rawer hip hop and live band vibe of Check Your Head, Ill Communication feels more like a step forward than a reinvention – and it's a great one! The manic trio vocals are at peak precision without losing the playfulness, especially on tracks that lean on gritty NY hip hop beats. The live band-rooted tracks – ranging from jazz and funk to fuzzy punk – is more diverse and all the better thanks to heartier contributions from Money Mark on keyboards. Classic singles and deep cut favorites all the way – including "Sure Shot", "Sabotage", "Futterman's Rule", "Shambala", "The Scoop", "Do It", "Heart Attack Man", "Bodhisattva Wow", the killer Jimmy Smith tribute "Root Down", "Get It Together" featuring a very sharp Q-Tip guest spot, and lots more. This deluxe 30th Anniversary box set edition includes a bonus LP of remixes and rarities – and comes on triple 180 gram vinyl! LP, Vinyl record album

The funky Root Down EP by the Beastie Boys – riding high on a mid 90s creative peak! Root Down featuring a trio of versions of the title track and Ill Communication album standout, based on the Jimmy Smith's classic of the same name – and in hindsight, you really have to hand it to the Beasties, not only sampling and celebrating classic early 70s jazz funk, but for their earnest wish to introduce Jimmy Smith to the pop culture kids of the 90s – including a killer remix by the mighty Prince Paul. Also includes some live recordings from the time of classic Beasties tracks like"Time For Livin", "The Maestro", "Somethin's Got To Give", Time To Get Ill", thier punky "Heart Attack Man", "Sabrosa" and "Flute Loop". CD

If Paul's Boutique was the Beasties' psychedelic hip hop Sgt Peppers, then Check Your Head is their White Album – a raw, stylistically sprawling, yet always connected batch of live instrumentation – backing rhymes that range from stream of consciousness to expertly written. Check Your Head is also their first outing without the guidance of outside producers, though the trio did bring in a host of regular collaborators like Money Mark and Mario Caldato Jr, who work as well with the Boys as ever. It's stunning how far The Beastie Boys grew creatively over their first few albums, and this point is pretty close to perfection! Titles include "Jimmy James", "Pass The Mic", "Gratitude", "Finger Lickin' Good", "So Whatcha Want", "Time For Livin'", "Something's Got To Give", "Groove Holmes" and "Professor Booty". LP, Vinyl record album

The game changing Def Jam classic – and possibly the greatest album by the Beastie Boys – even though they'd grow up a whole lot after this! Profane party anthems galore, and the Beasties would distance themselves from much of the attitude of this album, making their career arc from stoopid (as opposed to stupid) to thoughtful and playful innovators one of the more interesting artistic evolutions of their generation for sure. With all the killer cuts: "Rhymin & Stealin", "The New Style", "Girls", "Fight For Your Right To Party", "No Sleep Til Brooklyn", "Paul Revere", "Hold It Now Hit It", "She's Crafty", and more. CD

The game changing Def Jam classic – and possibly the greatest album by the Beastie Boys – even though they'd grow up a whole lot after this! Profane party anthems galore, and the Beasties would distance themselves from much of the attitude of this album, making their career arc from stoopid (as opposed to stupid) to thoughtful and playful innovators one of the more interesting artistic evolutions of their generation for sure. With all the killer cuts: "Rhymin & Stealin", "The New Style", "Girls", "Fight For Your Right To Party", "No Sleep Til Brooklyn", "Paul Revere", "Hold It Now Hit It", "She's Crafty", and more. LP, Vinyl record album

The Beasties' masterpiece – and one of the original nightmares for sampling opponents everywhere – the cut & paste hip hop classic Paul's Boutique! The Dust Brothers unapologetic way of weaving very famous samples with soul, funk and film score obscurities would steal the show if not for the infectious, boisterous rhymes of the Beastie Boys – they couldn't possibly have cared less about alienating the massive frat boy fan base built with License To Ill, and it's a joy to behold. It's one of those mindblowing pop transformations on par with the Beatles (who the Beasties and Dust Brothers were so brazen to sample several times on this album) and the Beach Boys on the pop maturation scale from earlier hits to later artistry – even if the wild lyrics and deft back & forth rhymes by the Beasties aim to be the goofy antithesis of maturity. From classic rock dinosaurs to soul and disco classics, from the Jaws score to "Dueling Banjos", it all finds it's way into the beatcraft – and both mainstream pop and underground hip hop are better now because of this record. Tracks include "Hey Ladies", "Shake Your Rump", "High Plains Drifter", "Shadrach", "Johnny Ryall", "Eggman", "Car Thief", "What Comes Around", the "B-Boy Bouillabaisse" suite and more. LP, Vinyl record album

With the dope remixes by Extra P and the Prunes. 12-inch, Vinyl record

The Beasties' peak-era, retro-style instrumentals LP! Even at their weakest vocal moments, we've always dug the Beastie Boys' firm commitment to funky instrumental backing – their albums are filled with lots of nice interludes, instrumentals, and backing grooves – but they often seemed to get buried amidst all the bugged out vocals. The record kind of has the vibe of a lost jazz organ session, with lots of weird twists and turns thrown in, and all the better thanks to Money Mark, pretty much a 4th Beastie here! A cool bit of instrumental funk with a very classic production feel. Every track's a winner, and the titles include "Ricky's Theme", "Groove Holmes", "Sabrosa", "In 3's", "Transitions", "Bobo On the Corner", and "Shambala". CD

One of the Beasties goofiest 12's – and with three non-lp tracks! "Some Dumb Cop Gave Me Two Tickets Already" also known as "Mike D's In Love" is a take off of a Barry White style rap by Mike D monologue with his voice slowed way down. "Your Sister's Def" sounds like it was taken from some demo tape sent in to them. "Caught In the Middle of a Three Way Mix" is about their troubles on the subway, including a run-in with Bernard Goetz. "And What You Give Is What You Get" is an intrumental of Shadrach with some added instrumentation and effects. Plus "Shadrach" and "Car Thief" from the Paul's Boutique. 12-inch, Vinyl record

2 previously unreleased tracks – "Boomin Granny" and "Drinkin Wine"! CD

The game changing Def Jam classic – and possibly the greatest album by the Beastie Boys – even though they'd grow up a whole lot after this! Profane party anthems galore, and the Beasties would distance themselves from much of the attitude of this album, making their career arc from stoopid (as opposed to stupid) to thoughtful and playful innovators one of the more interesting artistic evolutions of their generation for sure. With all the killer cuts: "Rhymin & Stealin", "The New Style", "Girls", "Fight For Your Right To Party", "No Sleep Til Brooklyn", "Paul Revere", "Hold It Now Hit It", "She's Crafty", and more. CD

The game changing Def Jam classic! Profane party anthems galore, and the Beasties would distance themselves from much of the attitude of this album, making their career arc from stoopid (as opposed to stupid) to thoughtful and playful innovators one of the more interesting artistic evolutions of their generation for sure. With all the killer cuts: "Rhymin & Stealin", "The New Style", "Girls", "Fight For Your Right To Party", "No Sleep Til Brooklyn", "Paul Revere", "Hold It Now Hit It", "She's Crafty", and more. LP, Vinyl record album

... 12-inch, Vinyl record

... CD

Original quad-fold copy of the Beastie's second LP, and their first one for Capitol. Like a great deal of hip hop from the late 80s/early 90s era, the production on this one is nothing short of watershed, pure Dust Brothers butter, super dense and super funky like heavy clouds of smoke from the bong! And besides it seems like there's almost no reason to mention the fab and now classic cover package, with a wrap around image from Ludlow and Rivington that's like a tribute from the Beasties to their pre-Cali transplant locale! 15 seminal tracks in all, including "Hey Ladies", "Shake Your Rump", "High Plains Drifter", "The Sound Of Science", "Looking Down The Barrel Of A Gun", "B-Boy Bouillabaisse" and "Shadrach". LP, Vinyl record album

The funky Root Down EP by the Beastie Boys – riding high on a mid 90s creative peak! Root Down featuring a trio of versions of the title track and Ill Communication album standout, based on the Jimmy Smith's classic of the same name – and in hindsight, you really have to hand it to the Beasties, not only sampling and celebrating classic early 70s jazz funk, but for their earnest wish to introduce Jimmy Smith to the pop culture kids of the 90s – including a killer remix by the mighty Prince Paul. Also includes some live recordings from the time of classic Beasties tracks like"Time For Livin", "The Maestro", "Somethin's Got To Give", Time To Get Ill", thier punky "Heart Attack Man", "Sabrosa" and "Flute Loop". LP, Vinyl record album

... CD

A masterful later album by the Beastie Boys – who always preferred to put out a great record every five or six years, than a sub par album every 2 or 3! All these years after Paul's Boutique, when the world of difficult, expensive sample clearance could've kill the layers of pop pastiche sound bites that made P's B such a brilliant statement, the soul and funk samples are still piled on in abundance on this one (albeit with a more electro studio built backdrop), as are the block rockin' party rhymes – even if the tone is serious and strident in spots. There are no attempts at live funky jazz or punk rock this time – this may be the Beasties' most classifiable hip hop album in decades. Add it to that ever growing list of good-to-great albums by aging artists who were coaxed back into the game in part by their feelings about post 9/11 politics. Tracks include the great throwback single "Ch-Check It Out", "Right Right Now Now", "3 The Hard Way", "It Takes Time To Build", "Rhyme The Rhyme Well", "Hey F**k You", "Triple Trouble", "Oh Word?", "That's It That's All", "All Lifestyles", "Shazam!", "An Open Letter To NYC" and more. CD

No, it's not the same Mantan from Spike Lee's Bamboozled – instead, it's Mantan Moreland and his partner Livingood, obscure R&B comedians who were both part of Johnny Otis' rather large posse of stars, produced here by Otis for the Laff label during the 70s. The record's got plenty of comedy routines in the Redd Foxx mode – not really as raunchy as Rudy Ray Moore language wise, but inferring more than enough topic-wise, though you may know this set best for the "mashed potatoes" sample the Beastie Boys used. Titles include "Pass The Black Bass", "A Good Piece", "That's My Foot", "Hot Water", "I'll Wash It Fast As I Wanna", and "That Ain't My Finger", which is portrayed on the cover in a pretty nifty photo shoot! LP, Vinyl record album

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

The massive third album from Run DMC – a set that was done at a time when the duo were totally at the top of their game – and broke out big to a much wider audience than the usual hip hop crowd! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! And that sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way". But apart from that rocker, most of the rest of the set also shows an increased complexity in both the lyricism of the pair, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and "Walk This Way". Bonus tracks on this expanded edition include "My Adidas (acapella)", "Walk This Way (demo)", "Lord Of Lyrics (demo)", "Raising Hell Radio Tour Spot" and "Live At The Apollo Raw Vocal Commercial". CD

A record that was years ahead of its time – a late set in the Verve Records run from organist Jimmy Smith – and a funky nugget all the way through, which only got full appreciation many years later! The groove here is far different than the more familiar Jimmy Smith Verve sessions of the 60s – and the tracks open up in a really extended mode – vamping and jamming with a definite influence from funk, as Jimmy and the combo explore some of the hippest corners of their sound! Players include Paul Humphrey on drums, Wilton Felder on bass, and Arthur Adams on guitar – plus a bit of harmonica from Steve Williams – and there's almost lessons learned here from some of the Latin funk going on in the LA scene of the time. The set was recorded live, and features the great title cut – "Root Down" – a long drawn out groover with a slow funk feel that was made famous by a Beastie Boys sample years back – and other great cuts include "Slow Down Sagg", "Sagg Shootin His Arrow", and "Let's Stay Together". LP, Vinyl record album

A huge dip into the history of hip hop – in a set that's something of a groundbreaking effort from the folks at the Smithsonian! If we're honest, we'll tell you that we're old enough to remember a time when folks thought that hip hop was just a fad – when it was a musical style that would disappear in just a few short years. But now, all these many decades later, the form has had such an impact on American culture that the Smithsonian Institute is giving it some official sort of due – something we never would have believed back in the 80s! The package is huge – 9CDs with a whopping 129 tracks in all, and a 300 page book that supports the recordings with an insane amount of notes, photos, and all sorts of other information – alongside a track list that was put together by folks who include Questlove, 9th Wonder, Chuck D, Jeff Chang, and MC Lyte! The set is especially great on old school tracks up through the golden era hip hop years – but also moves into the 21st century too – and artists include Treacherous Three, Afrika Bambaataa, Fearless Four, Cold Crush Brothers, Herbie Hancock, Run DMC, Fatback, Sugarhill Gang, Kurtis Blow, Funky Four +1, T La Rock, Schoolly D, Beastie Boys, Kool Moe Dee, LL Cool J, Eric B & Rakim, Mantronix, Stetsasonic, Audio Two, Big Daddy Kane, MC Lyte, Marley Marl, Tone Loc, Jungle Brothers, NWA, Public Enemy, Slick Rick, 3rd Bass, De La Soul, Queen Latifa, DOC, 2 Live Crew, Dr Dre, Sir Mix A Lot, Digable Planets, Positive K, Pete Rock & CL Smooth, Naughty By Nature, Black Sheep, Tribe Called Quest, Geto Boys, Pharcyde, 2Pac, Warren G, Gang Starr, Notorious BIG, and many many more! CD

A massive bit of funky fusion from the 70s – an album that was crucially overlooked at the time, but which has gone onto become a crate-diggers classic over the years! The group's fronted by Polish jazz legends Michal Urbaniak and Urszula Dudziak – but it also features a fair bit of American players too – all working together in a blend of the best funky fusion modes going down in both the US and Eastern Europe in the mid 70s! Drums on the set are totally great – played by Steve Gadd or Gerald Brown, depending on the track – and some tracks have weird vocal bits that riff around the instrumentation, sung either by Urszula, Bernard Kafka, or some other backing singers. The keyboards are great – quite tripped-out at times, but never too over the top – and overall, the album's a fair bit more soulful and funky than most of Urbaniak's other work of the 70s. Titles include the killer sample track "Rien Ne Va Plus" – used famously by the Beastie Boys many years back – plus "After The World Goes Home", "Funk It", "Sinkin Low", "Next Please", "Horsing Around", and "Watusi Dance". LP, Vinyl record album

13 tracks in all, including "Livin' In A Zoo" by Public Enemy, "Black Cop" by Boogie Down Productions, "May Day On The Front Line" by MC Ren, "Stick 'Em Up" by Hurricane featuring the Beastie Boys, "Sneaking Up On Ya" by Fu-Schnickens, "Lifeline" by Parental Advisory, plus "Sweat Of My Balls", "Straight Out Of Locash" and "Rapper's Delight" by CB4. CD

The mad funky keyboard wizard is back – back with a great set of heavy-duty instrumentals with his usual "speakers blown out" kind of sound! Mark's picked up a bit of moog along the way since the last release, and he's given a few of these tunes a fuzzed out trippy edge that moves the tunes on nicely since his earlier work. The usual penchant for a strong funky groove is still well in place – as it was on his work with the Beastie Boys – and titles include "Rain (NYC)", "People's Party (Red Alert)", "Love Undisputed", "Doo Doo Doo", "Use Your Head", "Chocochip", "Information Contraband", and "Another Day To Love You". LP, Vinyl record album

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". LP, Vinyl record album

The massive third album from Run DMC – made at the top of their game – a pivotal effort that brought them to peak popularity and helped break hip hop in a huge way in the pop culture landscape! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! That sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way", resulting in the commercial breakthrough, but the real triumph here is the increased complexity in both the lyricism, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and more. CD

A record that was years ahead of its time – a late set in the Verve Records run from organist Jimmy Smith – and a funky nugget all the way through, which only got full appreciation many years later! The groove here is far different than the more familiar Jimmy Smith Verve sessions of the 60s – and the tracks open up in a really extended mode – vamping and jamming with a definite influence from funk, as Jimmy and the combo explore some of the hippest corners of their sound! Players include Paul Humphrey on drums, Wilton Felder on bass, and Arthur Adams on guitar – plus a bit of harmonica from Steve Williams – and there's almost lessons learned here from some of the Latin funk going on in the LA scene of the time. The set was recorded live, and features the great title cut – "Root Down" – a long drawn out groover with a slow funk feel that was made famous by a Beastie Boys sample years back – and other great cuts include "Slow Down Sagg", "Sagg Shootin His Arrow", and "Let's Stay Together". The CD features a nice amount of bonus material – including full unedited performances of "Sagg Shootin' His Arrow", "Slow Down Sagg", and "Root Down", plus the cuts "For Everyone Under The Sun" and "Let's Stay Together". CD

Produced by Russell Simmons and featuring DJ Hurricane, later of the Beastie Boys. CD

A massive bit of funky fusion from the 70s – an album that was crucially overlooked at the time, but which has gone onto become a crate-diggers classic over the years! The group's fronted by Polish jazz legends Michal Urbaniak and Urszula Dudziak – but it also features a fair bit of American players too – all working together in a blend of the best funky fusion modes going down in both the US and Eastern Europe in the mid 70s! Drums on the set are totally great – played by Steve Gadd or Gerald Brown, depending on the track – and some tracks have weird vocal bits that riff around the instrumentation, sung either by Urszula, Bernard Kafka, or some other backing singers. The keyboards are great – quite tripped-out at times, but never too over the top – and overall, the album's a fair bit more soulful and funky than most of Urbaniak's other work of the 70s. Titles include the killer sample track "Rien Ne Va Plus" – used famously by the Beastie Boys many years back – plus "After The World Goes Home", "Funk It", "Sinkin Low", "Next Please", "Horsing Around", and "Watusi Dance". CD

The massive third album from Run DMC – made at the top of their game – an pivotal effort that brought them to peak popularity and helped break hip hop in a huge way in the pop culture landscape! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! That sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way", resulting in the commercial breakthrough, but the real triumph here is the increased complexity in both the lyricism, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and more. LP, Vinyl record album

Funky flute work from the great Jeremy Steig! The album's one of his best-ever – and it features the growling "Howling For Judy", a non-stop modal flute number that's been sampled to great fame by the Beastie Boys, and which you'll recognize immediately from the breathy rumbling tone of the intro. Most of the record's got a similar feel, and Steig's working with bassist Eddie Gomez – a fantastic player and friend who provides some incredible basslines that work perfectly with Steig's flute. Titles include "Hot Head", "Permutations", "Alias", and "Nardis". LP, Vinyl record album

Funky funky flute! Long passed-over by snobby jazz folks during the 80s, the great Jeremy Steig is once again getting his props thanks to samples by The Beastie Boys and others. This tasty 13 track set brings together some of his best recordings for the Groove Merchant label – recordings that stand as some of his best, with a nice hard funky drum sound (thanks to Don Alias), lots of funky bass (courtesy of Eddie Gomez and Gene Perla), and some great electric piano (Jan Hammer) under Jeremy's free funky flute! Titles include "Home", "Cakes", "Swamp Carol", "Down Stretch", "Give Me Some", "Come With Me", "Dance of The Mind", and "Elephant Hump". Nice price – funky grooves! CD

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

A huge dip into the history of hip hop – in a set that's something of a groundbreaking effort from the folks at the Smithsonian! If we're honest, we'll tell you that we're old enough to remember a time when folks thought that hip hop was just a fad – when it was a musical style that would disappear in just a few short years. But now, all these many decades later, the form has had such an impact on American culture that the Smithsonian Institute is giving it some official sort of due – something we never would have believed back in the 80s! The package is huge – 9CDs with a whopping 129 tracks in all, and a 300 page book that supports the recordings with an insane amount of notes, photos, and all sorts of other information – alongside a track list that was put together by folks who include Questlove, 9th Wonder, Chuck D, Jeff Chang, and MC Lyte! The set is especially great on old school tracks up through the golden era hip hop years – but also moves into the 21st century too – and artists include Treacherous Three, Afrika Bambaataa, Fearless Four, Cold Crush Brothers, Herbie Hancock, Run DMC, Fatback, Sugarhill Gang, Kurtis Blow, Funky Four +1, T La Rock, Schoolly D, Beastie Boys, Kool Moe Dee, LL Cool J, Eric B & Rakim, Mantronix, Stetsasonic, Audio Two, Big Daddy Kane, MC Lyte, Marley Marl, Tone Loc, Jungle Brothers, NWA, Public Enemy, Slick Rick, 3rd Bass, De La Soul, Queen Latifa, DOC, 2 Live Crew, Dr Dre, Sir Mix A Lot, Digable Planets, Positive K, Pete Rock & CL Smooth, Naughty By Nature, Black Sheep, Tribe Called Quest, Geto Boys, Pharcyde, 2Pac, Warren G, Gang Starr, Notorious BIG, and many many more! CD