An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! LP, Vinyl record album

An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! CD

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An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! CD

An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! LP, Vinyl record album

A really amazing set of work from tenorist Clifford Jordan – a player who first rose to fame in the hardbop scene of the late 50s, but who moved into tremendous new territory with these Strata East recordings of the late 60s and early 70s! Jordan was a Chicago contemporary of players like Johnny Griffin and Von Freeman, but he was never content to rest on his laurels – and stretched out on these records with a spiritual vibe that he'd never expressed before – and which would go onto inspire countless other musicians in years to come! This set brings together all the Dolphy Series recordings that Jordan recorded – either as an artist or producer – two of which were never issued on record at the time. Jordan's own albums for the label are wonderful enough – the double-length Glass Bead Games, one of our favorite records ever – and the killer In The World, which is great too. But this set also adds in other Strata East albums that really help illustrate the scene in which Jordan was working – including the excellent Pharoah Sanders non-Impulse session, Izipho Zam; the modern music of Charles Brackeen on Rhythm X, with Don Cherry on trumpet and Brackeen on tenor; and the great Cecil Payne album Zodiac, which has some of the last trumpet work ever from Kenny Dorham. Plus, the set also features two extremely rare albums – the never-issued Shades Of Edward Blackwell – led by the drummer, with Don Cherry on trumpet and Luqman Lateef on tenor, plus a bit of log drum from Jordan – and the obscure Super Bass album from Wilbur Ware, which features Jordan on tenor, in a quartet with Ware on bass, Don Cherry on trumpet, and Ed Blackwell on drums! These two albums are worth the price of the package alone – even if you have other Strata East albums in your collection – and the whole thing features the usual sublime Mosaic package and booklet. CD

An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! CD

An overlooked gem from the British free jazz scene of the 70s – a set issued on the Bead Records label, and one that got very little circulation at the time – but which is equally as mindblowing as work from the period on labels like Ictus and Ogun! The duo here features Roy Ashbury on drums and percussion, and Larry Stabbins on soprano and tenor – working in this free, open space, but on tracks that are often shorter than album-length improvisations – which allows the players to stop a minute, take a breath, and move into these nicely varied moments of spontaneous creation! You might know Stabbins from later 80s work on more groove-oriented records – but here, he's a tremendousimproviser, with a sense for creative reedwork that might well rival his contemporary Evan Parker. Titles include "Puff", "Formants Of The Deep", "Wych Elm", "Fire Without Bricks", "Rough Cut", and "Maldoror". CD

A real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. CD features 14 tracks from both volumes of the LP releases – including "The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Nice reissue of this rare Clifford Jordan session from the mid 70s, recorded for "Dolphy Productions" in Paris, and with a feel and a spirit very similar to his Jordan's Strata East albums from the same time – like Glass Bead Games and In The World! The group is similar to those recordings too, and features Cedar Walton, Sam Jones, and Billy Higgins – all working with Jordan in a wonderfully exploratory groove that still has a deep and rhythmic swing. Tracks are nice and long, and there's a great take on the Strata fave "John Coltrane", plus other nice ones that include "Midnight Waltz","One For Amos", and "Highest Mountain". CD

There's some pretty nice moments on Jerry Goldsmith's great score for the film A Patch of Blue (so many, in fact, that the score was later re-cast by Sun Ra and Walt Dickerson). The overall approach is orchestral – but there's a lot of moments when the instrumentation gets odd, and when the instruments fall out and recombine in interesting ways. Nice titles include "Bead Party", "Help Me", and "Selina's Walk". CD

A totally fantastic record from tenorist Clifford Jordan – maybe his most sophisticated session ever, and an album that was originally intended for release on Strata East in the mid 70s, but which has never seen the light of day before! Here, Jordan expands on the spiritual modes of classics like In The World and Glass Bead Games – working with a larger lineup that also brings in some vocals at points – all set to incredible arrangements from bassist Bill Lee! Given the vocals, there's an approach here that's a bit like Lee's Descendants Of Mike & Phoebe album, but there's also a great lineup of hip Strata musicians too – including Stanley Cowell on piano, Dick Griffin on trombone, Bill Hardman on trumpet, and Charlie Rouse on bass clarinet – a group that's every bit as great as you might expect. Main vocals are handled by Donna Jordan Harris and David Smyrl – and titles include "Witch Doctor's Chant", "Drink Plenty Water & Walk Slow", "The Highest Mountain", "I've Got A Feeling For You", "My Papa's Coming Home", and "Talking Blues". CD

A great one by Clifford Jordan! The LP was originally recorded for "Dolphy Productions" in Paris, and with a feel and a spirit very similar to his classic Strata East albums from the same time, like Glass Bead Games and In The World. The group is similar to those recordings too, and features Cedar Walton, Sam Jones, and Billy Higgins. Tracks are nice and long, and there's a great take on the Strata fave "John Coltrane", plus other nice ones that include "Midnight Waltz","One For Amos", and "Highest Mountain". LP, Vinyl record album

A groundbreaking mix of tunes – early work by Thievery Corp, one of the best remix/producer teams of the past 10 years! The Thieves have a huge bag of influences to dip into – one that includes bossa grooves, easy melodies, and 70s electric funk, nearly all of which seem to come into play at one moment or another on many of the album's tracks. There's also a nice dubbed-out quality to the album – making it a downtempo classic with a really deep feel. Titles include "The Oscillator", "Interlude", "Encounter In Bahia", "The Glass Bead Game", "Incident At Gate 7", and "Shaolin Satellite". CD

Sophomore album from the Wu affiliate, with guest appearances by Ghost, Rae, and Killah Priest. 10 tracks total including "The Grits", "Super Model", "War Rats", "Bead Of Life", "Revenge" and "One Way 2 Zion". LP, Vinyl record album

Produced and arranged by Arif Mardin – with titles that include "Upstairs By A Chinese Lamp", "Map To The Treasure", "Up On The Roof", "Been On A Train", and "Blackpatch". CD

Despite the Native American theme of the title, the group, and the cover image, the set is mostly a pretty straight mix of soul and rock, mid 70s crossover material with a flanged-out LA kind of appeal. Titles include "Interstate Highway 101", "Blood Sweat & Tears", "Cookin With D'Redbone", "One More Time", "Suzy Girl", "Only You & Rock & Roll", "Moon When Four Eclipse", and "Beautiful Illusions". LP, Vinyl record album

A completely sublime collection of spiritual jazz numbers from the 70s – put together by the legendary Kev Beadle, one of the first cats to spin the music with Gilles Peterson on the UK scene! The package is a great mix of essentials from years back, plus some under-discovered nuggets from the American underground – all with a nice emphasis on the grooves and rhythms – in a way that you might have heard back at Dingwalls on a Sunday afternoon! The set's a great reminder that music can be progressive and groovy at the same time – and the whole thing's overflowing with righteous treasures. Vinyl version features some exclusive tracks not on the CD – "Safari" by Frank Walton, "Padali" by Chuck Flores, and "I See Chano Pozo" by Jayne Cortez & The Firespitters – plus "In Every Way" by Reverie, "Open Your Mind" by Southern Energy Ensemble, "Brotherhood" by Kamal Abdul Alim, and "Freedom Road" by The Pharoahs. LP, Vinyl record album

An overdue look at the great range of sounds that came from Inner City Records at the end of the 70s – a hip American indie with a strong specialty in soulful fusion, hip vocalists, and a range of other great styles too – all brought together here by London DJ Kev Beadle! Inner City's often a bit overlooked – as the label flourished most strongly in the years after some of the better-known soulful imprints of the 70s – and the label always had a great ear for new sounds, fresh ideas, and the kind of compelling global elements that often led them to license key tracks from overseas, and bring them to the US market. This collection's heavy on singers – the kind of cool, underground jazz vocalists that Inner City captured so well – and it's also got a nice mix of funky fusion, modal numbers, and spiritual currents – on titles that include "The Other World" by Judy Roberts, "Hunt Up Wind" by Hiroshi Fukumura, "Vera Cruz" by Helen Merrill, "Lucky Southern" by Tom Lellis, "Quickie Nirvana" by Kellis Ethridge, "Samba De La Cruz" by Terumasa Hino, "So High" by Janet Lawson, "The Samba" by Jeff Lorber, "Return Of The Prodigal Son" by Joe Lee Wilson, "Shenkansen" by Urszula Dudziak, "To An Elfin Princess" by Charlie Mariano, "Pandora" by Carlos Franzetti, and "Jennine" by Eddie Jefferson. LP, Vinyl record album

Produced and arranged by Arif Mardin – with titles that include "Upstairs By A Chinese Lamp", "Map To The Treasure", "Up On The Roof", "Been On A Train", and "Blackpatch". LP, Vinyl record album

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Kev Beadle dips into his private collection, and comes up with a stunning batch of jazzy tracks in the process! The grooves here aren't as locked up as the cover might imply – because some of these cuts are ones the global scene has dug for years – but they're definitely the kind of tracks that really need reviving, especially in a wonderful collection like this – where each new cut seems to bring out the best of the others! All tracks are nice and long, and most have some sort of vocals – blended with modal rhythms, Brazilian touches, and strong soulful solos throughout. 12 tracks on the CD version: "Song For Mozambique" by Archie Shepp, "I'mTrying To Find A Way" by Stanley Cowell, "Dreams Can Be" by Janet Lawson Quintet, "Wilpan's Walk" by Chico Freeman, "He Loves You" by Seawind, "Yours Is The Light" by Paz, "Carnaval" by Cortijo & His Time Machine, "=Autumn Song" by Appendix and more. CD

The title says "jazz", but there's a lot more going on here – a range of groundbreaking sounds and styles from the 70s, with some sweet electric modes, occasional Latin rhythms, currents of soul, and even a bit of Brazilian too! The package really takes us back to the kind of rare tracks we first started digging decades ago – when collectors from London and Tokyo were really helping us appreciate the kinds of records we might have passed by in the racks – the lesser names, the smaller labels, and even the more globally expansive range of releases that could sometimes be missed if you were only digging for American jazz! That range of music is really represented here in a great way – with tunes that soar strongly and bristle with energy throughout – sometimes in modes that might echo a label like MPS or Strata East, but often in very unique styles of their own. Titles include "Maryke" by John Thomas & Lifeforce, "La Em Guayaquil" by Banda Metalurgia, "Samba For A Cold Warrior" by Belair, "Samba De Amor" by Francisco Mora Catlett, "Little Sunflower" by Louis Hayes with Leon Thomas, "The World Is A Ghetto" by Lee Willhite, "No Other Love But You" by Clarice Labbe & Charlie Hampton, "Misturada" by Finn Savery Trio, "Kingdom Within You" by Ira Sullivan, and "Latinetta" by Ronald Snijders. CD

An obscure late 50s gem from Pepper – a stripped-down quartet session that has him blowing in a very open-ended mode – quite a difference from some of his more tightly arranged sets! The feel's a bit like Pepper's work with Donald Byrd, but even more openly swinging – played by a quintet that includes Stu Williamson on trumpet, Carl Perkins on piano, Leroy Vinnegar on bass, and Mel Lewis on drums. Tracks are all long and fresh – and the record's almost got the feel of a great Prestige blowing session from the time. Pepper's work on baritone is jaw-dropping throughout – and titles include "Unforgettable", "Baubles Bangles & Beads", "Freddie Froo", and "Muezzin". CD

CTI Records meets that Brazilian fusion sound of the 70s – served up here on two classic albums! Fingers is one of Airto's greatest records ever – a really hard hitting batch of tracks that mix sharp-edged fusion lines with some earthier Brazilian percussion touches – all in a way that nicely steps off of Airto's first few American releases, and warms the groove up with a nice dose of California soul! Flora Purim joins in here on both vocals and percussion – and the rest of the group features Hugo Fattoruso on keyboards and harmonica, Jorgte Fattoruso on drums, and David Amaro on both electric and acoustic guitars – shifting nicely between both instruments in a way that further underscores the blended vibe of the record! Most of these tracks are Airto classics – like "Tombo in 7/4", "San Francisco River", "Romance Of Death", "Ringers", and "Wind Chant" – and the record has a very sweet CTI production style, but is still rough enough around the edges to keep things nice and real! Deodato In Concert is an excellent little live set from Deodato – hard to believe because the sound's just as tight and funky as his studio albums, and possibly even more interesting because he manages to pull it off equally well in a live setting! The record features percussion by Airto, guitar by John Tropea, and vocals by Flora Purim – and those are just the marquee names of a large and amazing grew of great musicians! All tracks are long and complicated, for very hynotic feel throughout. The funkiest number is "Tropea", which has a nice long 8 minute groove – and the set also features a cover of Steely Dan's "Do It Again", plus the tracks "Parana", "Branches", "Baubles, Bangles And Beads" and "Skyscraper". Amazing! CD

Four late 60s gems from Perry Como – all records that really have him pushing beyond his pop style of the 50s! First up is Lightly Latin – one of the most sublime albums we've ever heard from Perry Como – a set that definitely takes its Latin lightly, and instead really goes for the best sort of mellow side of the Como sound! There's definitely a few bossa touches in the mix – a bit of acoustic guitar or light percussion – but they're added in very sparely, and couched with a beautifully subtle wall of sound from arranger Nick Perito, who works here with a lot more understatement than on some other records. Como's vocals are very far from pop – and the album brings out his maturing style wonderfully with a spacious, soft-toned style of production. Titles include "Dindi", "Once I Loved", "Stay With Me", "How Insensitive", "The Shadow Of Your Smile", "Baia", and "Manha De Carnaval". Next is Perry Como In Italy – one of the most haunting albums we've ever heard from Perry Como – a session recorded in Italy during the mid 60s – featuring arrangements by Nick Perito, and backing vocals by the Alessandro Alessandroni Singers! The tunes include a fair bit of older Italian numbers – some sung in the language of their origin, some in English translations that we've come to know on this side of the Atlantic – and Como takes them all with a sad-tinged style that makes the album one of his moodiest ever – a record that oozes melancholy with every song, and which has a late nite, heartbreaking appeal that goes beyond even the understanding of language. The set's a great one to convey the popularity of Italian work on the American market in the 60s – and Como carries off the session even better than some of the more likely singers on the scene during the period. Titles include "Souvenir D'Italie", "Forget Domani", "Anema E Core", "One Day Is Like Another", "Arrivederci Roma", "Oh Marie", and "E Lei". Look To Your Heart is the kind of record that moves so far beyond familiar pop vocalizations, it's almost like Perry's in a universe all by himself! The words seem to just be sneaking out of the singer's voice – these mutterings that are almost to himself, which makes his readings of the tunes feel even more personal than you might expect – even amidst larger backings from Nick Perito – like Como is off to the side of the room, ruminating on love lost and life lived! That quality comes through tremendously on the eerie "Father Of Girls" – a tune that's worth the price of admission alone – and other titles include "Try To Remember", "Look To Your Heart", "In These Crazy Times", "Sunrise Sunset", and "When You're In Love". Seattle is a record that has Perry Como taking on a bit of a country tinge at times – working with Chet Atkins production that almost seems as if the singer is trying to match the Dean Martin spirit of the late 60s, right down to phrasing that feels a bit like ol Dino himself! A few other cuts have more familiar Como modes, with backings by Nick Perito – and titles include the lively title cut "Seattle", plus "Happiness Comes Happiness Goes", "Together Forever", "Sunshine Wine", "Deep In Your Heart", "Hearts Will Be Hearts", "Turnaround", and "Beady Eyed Buzzard". CD

A legendary album from the 70s funk scene – and one of the crowning achievements of keyboard maestro Eumir Deodato! Deodato got his start during the bossa years of the 60s – where his sophisticated charts were already enough to make his career a landmark – but in the following decade he picked up the Fender Rhodes, and really took off in a great new direction with classic records like this! The set's a wonderful blend of larger charts and jazzy soloing – with sublime Rhodes lines from the leader, plus a mix of acoustic and electric instrumentation in the best CTI mode – underscored by percussion from both Ray Barretto and Airto. The features Deodato's remake of "Also Sprach Zarathustra" into the funky "2001" – soaring with Fender Rhodes lines that set a new standard for the instrument, with a funky undercurrent that few would have expected for the tune. Other tracks are nice too – and include a great bossa-y version of "Baubles Bangles & Beads", plus "Spirit Of Summer", "September 13", and "Carly & Carole". LP, Vinyl record album

An excellent little live set from Deodato – hard to believe because the sound's just as tight and funky as his studio albums, and possibly even more interesting because he manages to pull it off equally well in a live setting! The record features percussion by Airto, guitar by John Tropea, and vocals by Flora Purim – and those are just the marquee names of a large and amazing grew of great musicians! All tracks are long and complicated, for very hynotic feel throughout. The funkiest number is "Tropea", which has a nice long 8 minute groove – and the set also features a cover of Steely Dan's "Do It Again", plus the tracks "Parana", "Branches", "Baubles, Bangles And Beads" and "Skyscraper". Amazing! LP, Vinyl record album

Completely sublime work from Beverly Glenn Copeland – a really unique artist who's almost a genre unto herself – and who sings here in a mix of folk, jazz, and soul – maybe resonant with work at the time by Terry Callier or Nina Simone, but every bit as individual as the best from those two giants too! The performance was recorded by CBC at a key moment in Beverly's career – after a time she'd spent on the scene in Montreal, really soaking up different influences and exploring musical pathways away from her American roots – to a point where she emerges here as a very righteous, yet very personal singer – clearly not immediately interested in chart success, even though she's got the power of a young Roberta Flack. Titles include "Northwind", "Swords Of Gold", "Don't Despair", "Nothing Beautiful", "Song From Beads", "Untitled", "Interval", "Reflections", and "Durocher". LP, Vinyl record album

21 heavy classics – including the short take of "In A Gadda Da Vida" – plus "Most Anything You Want", "Soul Experience", "Real Fright", "Iron Butterfly Theme", "Easy Rider", "Soldier In Our Town", "New Day", "Stone Believer", and "Flowers & Beads". Cassette

21 heavy classics – including the short take of "In A Gadda Da Vida" – plus "Most Anything You Want", "Soul Experience", "Real Fright", "Iron Butterfly Theme", "Easy Rider", "Soldier In Our Town", "New Day", "Stone Believer", and "Flowers & Beads". CD

A pretty darn important album for Wes – as it was his first session with the sort of larger arrangements that would later make him huge! Although Montgomery was mostly recording for Riverside in small combos, this session has him playing in front of larger backings by Jimmy Jones – not as sublime as later work by Don Sebesky or Gil Evans, but done in a way that definitely shows that Wes can do a lot with the guitar when freed from the need to stick with the rhythm strongly. Titles include "All The Way", "Pretty Blue", "Somewhere", "God Bless The Child", "Tune Up", and "Baubles Bangles & Beads". LP, Vinyl record album

One of the few albums ever cut by Ernie Wilkins as a leader – despite his presence as an arranger on countless jazz sessions of the 50s and 60s! Ernie's got a real flair for a tight bounce at the bottom and unusual horn formations at the top – a style that reminds us a lot of Oliver Nelson at his best, and which, like Nelson, often comes across with a more soulful approach than most of his contemporaries! The Wilkins groove is often playful, but never over-indulgent – joyously reveling in its own sharpness, but open enough to let the strong talents in the group do their own thing. Titles include "The Continental", "Broadway", "Gone With The Wind", "Baubles Bangles & Beads", "Somebody Loves Me", "All Of You", and "Gone With The Wind". LP, Vinyl record album

Sarah Vaughan gets some great backings here from Quincy Jones – who brings a nice sort of punch to the record, and makes it one of her grooviest from the early 60s! The style's still somewhat traditional – not as much in moddish Jones modes from a few years later – but there's already that strong sense of syncopation that really sets Quincy's charts apart, the same sort of rhythms he brought to his Reprise arrangements for Frank Sinatra and Count Basie, although not as Basie-bombastic overall. Vaughan's vocals are still beautifully smooth in the setting, and titles include "I Could Write A Book", "Maria", "Baubles Bangles & Beads", "So Long", "You're Mine You", "Moonglow", and "Invitation". LP, Vinyl record album

A cool Japanese-only collection, overflowing with CTI keyboard gems from Deodato – including "Super Strut", "Spirit Of Summer", "2001", "Baubles Bangles & Beads", "Prelude To Afternoon Of A Faun", "September", "Pavane For A Dead Princess", and "Rhapsody In Blue". LP, Vinyl record album