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Close matches: 41
Close matches1
CD, LP, Vinyl record album cover art
Blues BandLive (aka Bye Bye Blues) ... CD
BGO (UK), 1983. Used ... $4.99
... CD
(Out of print.)

Close matches2
CD, LP, Vinyl record album cover art
Don EllisAutumn/Shock Treatment ... CD
BGO (UK), 1968. New Copy 2CD ... $14.99
Two late 60s classics from trumpet legend Don Ellis – back to back in a single set! Autumn is an album of explosive power and imagination from Don Ellis – a set that shows him very firmly shaking off the more academic mode of earlier years, and heading into hipper, more youth-oriented directions! The group's still a bit band on most numbers – but it's one with a lean, well-crafted sound that's not really big band jazz, and which also features some elements of later soundtrack scoring. Players on the date are all great – and include Frank Strozier, John Klemmer, and Ira Schulman on saxes – plus Pete Robinson on clavinet, piano, and electric piano! The set begins with the beautiful extended "Variations For Trumpet" – a suite-type number that has plenty of great colors from Ellis, plus loads of other horn work too. Other titles include "Indian Lady", "Pussy Wiggle Stomp", "Scratt & Fluggs", and "Child Of Ecstasy". Shock Treatment is one of the first really funky records from Don Ellis! Ellis was an emerging California trumpeter/composer who'd noodled around with some modern big band work in the mid 60s – but this hip 1968 session has him adding in elements like clavinet, Fender Rhodes, sitar, timbales, vibes, percussion, and even a spot of vocals to change the groove to a more mod and swinging one. Titles include "Mercy Mabye Mercy", "New Kind Of Country", "Zim", "Star Children", "Opus 5", "Rasty", "The Tihai", and "Milo's Theme". Plus, the CD also includes some bonus tracks not on the original album! CD

Close matches3
CD, LP, Vinyl record album cover art
Jim HallConcierto/Big Blues/Studio Trieste ... CD
BGO (UK), Late 70s/Early 80s. New Copy 2CD ... $14.99
3 great CTI records from Jim Hall – including work with Art Farmer, Chet Baker & Hubert Laws – in a great 2CD set! Concierto is one Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues" and 5 bonus tracks including "Rock Skippin'", "Unfinished Business" plus a few alternate takes of album tracks. Big Blues is sweet and subtle genius from Art Farmer and Jim Hall – in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". Studio Trieste is great later date with Chet Baker & Hubert Laws! The session's a larger group effort headed up by Don Sebesky, and featuring key solos by Chet Baker, Jim Hall, and Hubert Laws – all of whom get plenty of room to do their thing on the album's longer tracks! Other players include Kenny Barron, Jack Wilkins, Jorge Dalto, George Mraz, and Steve Gadd – plus bit of added percussion – and although the group is large, the overall sound is relatively lean – spacious and airy, in keeping with Baker's best moments on records like these, and always sensitive enough to let Hall's gentle work on the strings of his guitar shine through nicely! Titles include "Malaguena", "Django", "Swan Lake", and "All Blues". CD

Close matches4
CD, LP, Vinyl record album cover art
Freddie HubbardGleam ... CD
CBS/BGO (UK), 1975. New Copy 2CD ... $14.99
Jazz funk genius from Freddie Hubbard in the mid 70s! Gleam was a Japanese-only double album from the jazz giant in its original release – mighty funky at times, too – right up there with some of the best Miles Davis and Herbie Hancock Japanese sets from the 70s! It's a live set captured in March of '75 at Tokyo's Yubin Chokin Hall – long numbers played by a group that includes Freddie on trumpet, Carl Randall on tenor and flute, George Cables on electric piano, Henry Franklin on bass, Carl Burnett on drums, and Buck Clark on percussion! Each player has plenty of space to groove, and it's very well captured – you can hear the most expressive solos and the most subtle nuances. Some great solos by Freddie and the rest of the players – breathless tenor & flute by Randall, keys by Cables that are jazz funk perfection and interplay between Burnett's drums and Clark's congas & percussion that's somehow tense and comfortable at the same time. The shortest number in the set runs more than the 7 minutes and the longest is more than 20 minutes – and none is one second shorter than necessary, actually leaving us pining for more – making it all the more vital in the double album format. Released on 2CDs here! How this great album has been so hard to find over the years is a mystery. Titles include "Kuntu", "Spirits Of Trane", an amazing cover of Stevie Wonder's "Too High", "Midnight At The Oasis", "Ebony Moonbeams", and "Put It In The Pocket". CD

Close matches5
CD, LP, Vinyl record album cover art
Steve KhanPublic Access/Headline/Crossings ... CD
GRP/BGO (UK), Late 80s/Early 90s. New Copy 2CD ... $9.99
A trio of later albums from a guitarist who first rose to fame in the 70s! First up is Public Access – a record that's got a slightly goofy cover, but a sound that's much richer than you might expect – thanks in part to great work on the album from percussionist Manolo Badrena! Some of the music here echoes the earlier fusion of guitarist Steve Khan – but other tunes bring in some warmer, Brazilian-y elements – including a bit of vocalization from Badrena, with occasional chorus work from Lani Groves and Vivian Cherry. The rest of the group features frequent partner Anthony Jackson on bass and Dave Weckl on drums – and titles include "Sise", "Silent Screen", "Mambosa", "Butane Elvin", "Botero People, and "Kamarica". The set then follows with three long tracks from Headline – a record that has guitarist Steve Khan almost returning to straight small combo work – although still with some of the wider colors of the fusion modes he first unleashed in the 70s! The album's got a tight core group here – Khan on guitar, Anthony Jackson on bass, Dennis Chambers on drums, and Manolo Badrena on percussion – and Chambers' drum performance is maybe more direct and swinging than some of Khan's previous drummers, which works especially well on the album's versions of songs by Joe Henderson and Ornette Coleman! Titles include "Caribbean Fire Dance", "All Or Nothing At All", and "Turnaround". Last up is Crossings – a great title for this set from guitarist Steve Khan – as the crossings here reflect Steve's increasing ear towards other cultures and rhythms in his music as the years moved on – even while still keeping things in a relatively fusion-based mode! Steve's got plenty of those warm colors that he always brought to his playing – working with a tight lineup that includes bassist Anthony Jackson, drummer Dennis Chambers, percussionist Manolo Badrena, and tenorist Michael Brecker. Titles include "Descarga Khanalonious", "Melancholee", "Inner Urge", "Capricorn", "What I'm Said", "Pee Wee", and "Think Of One". CD

Close matches6
CD, LP, Vinyl record album cover art
BB KingCompletely Well/Live In Cook County Jail ... CD
BGO (UK), 1969/1971. Used 2 CDs ... Just Sold Out!
... CD

Close matches7
CD, LP, Vinyl record album cover art
Hubert LawsMorning Star/Carnegie Hall/Chicago Theme ... CD
CTI/BGO (UK), 1973/1975. New Copy 2CD ... $14.99
A trio of CTI classics from reedman Hubert Laws! First up is Morning Star – one of the most sublime Hubert Laws albums for CTI – a set that features his incredibly soulful flute work floating over these beautiful large arrangements by Don Sebesky – all ticked by some sweet electric piano from Bob James! The sound is perfect – that balance of soul and sophistication that really made CTI a groundbreaking label at this point – and which made it a perfect place for a hip artist like Hubert to really hit his stride! And in fact, Laws may not have ever hit this height again – as even though later albums are all still pretty great, and plenty soulful, this set's got an extra something special that we never tire of hearing! Titles include "No More", "Morning Star", "Let Her Go", and "What Do You Think Of This World Now?". The next album features maybe some of the coolest music ever recorded at Carnegie Hall – a wonderful venue that's perfect for the blend of soul and space of the CTI Records years of Hubert Laws! Laws' lead lines on flute really stretch out beautifully in the setting – given ample room to roam amidst a lineup that features Dave Friedman on vibes, Ron Carter on bass, and Bob James on piano and electric piano – all on tracks that have the same open, breathy quality as Hubert's sublime Afro Classic album. Like that set, there's a subtle dose of funk in the mix, but more focus on an airier mode up top – stretched out beautifully over a medley of Chick Corea's "Windows" and "Fire & Rain" – and on a 20 minute take of "Passacaglia In C Minor". Chicago Theme is one of Hubert Laws' funkiest records for CTI – recorded with a full group funky style that's plenty darn great, and a lot harder-hitting than some of Hubert's more laidback sessions for the label! Arrangements are by Bob James and Laws – working here with a large batch of players who come together beautifully, almost in the style of a funky 70s cop show soundtrack! James plays keyboards, and other players include George Benson, Phil Upchurch, Stanley Clarke, Randy Brecker, Don Grolnick, and Ron Carter – on titles that include James' own "Chicago Theme", a great cover of "Midnight At The Oasis" with wonderful drums from Steve Gadd, who also kicks it nice and large on Laws' own "I Had A Dream". Other tracks include "Going Home", "I Had A Dream", and "Inflation Chaser". CD

Close matches8
CD, LP, Vinyl record album cover art
Hubert Laws/George BensonIn The Beginning/In Concert Carnegie Hall ... CD
CTI/BGO (UK), 1974/1976. New Copy 2CD ... $14.99
A split CTI package – with a record apiece by Hubert Laws and George Benson! Hubert Laws is first with In The Beginning – moody work from one of the most groundbreaking flute players of the 70s – and a real standout in the legendary catalog of CTI Records! Hubert Laws was not only richly talented, but he was also capable of a large number of styles – and this double-length set for CTI has him moving past the electric funky jazz that was the usual manner of the label. The set features backing by a range of different keyboardists – from Bob James, to Clare Fisher, to Richard Tee – plus tenor by Ronnie Laws, percussion by Airto, drums by Steve Gadd, and guitar by Gene Bertonicini. All tracks are long, and the material spans funk, jazz, and even a bit of classically influenced playing. Titles include "Mean Lene", "Restoration", "Moment's Notice", and "Reconciliation", and "In The Beginning". Next up is George Benson In Concert Carnegie Hall – one of his hardest-hitting albums of the time! In a way, the record returns George to his early years at CTI – particularly the album Beyond The Blue Horizon – as the set's got a stripped down smaller group, working in a tight blend of electric jazzy bits that's very nice! Ronnie Foster lays down some great keyboards on the set, Hubert Laws is on flute, and George himself plays a hollow body with a nice soulful tone – stretching out on some straight jazz on most cuts, but also hitting a few of his smoother notes from the mid 70s. Titles include "Sky Dive", "Take Five", "Octane", "Summertime", and "Gone". CD

Close matches9
CD, LP, Vinyl record album cover art
Jerry Lee LewisJerry Lee Lewis/Killer Country/When Two Worlds Collide ... CD
Elektra/BGO (UK), 1979/1980. New Copy 2CD ... $7.99
Three important records from Jerry Lee Lewis – the start of his time at Elektra Records, where he was able to find new energy after many years at Mercury! First up is the self-titled Jerry Lee Lewis – a late 70s record that has Jerry Lee opening up nicely – getting back to basics in a session headed by Bones Howe, who gives Lewis just the right sort of songs and special touch that he wasn't getting during his later years at Mercury! There's still currents of the country in the music, but The Killer's also finding some rocking roots as well – maybe not as entirely on fire on the piano as in the early days, but able to open up with just the right sort of energy when needed. Titles include a great cover of Bob Dylan's "Rita May" – plus "Don't Let Go", "Every Day I Have To Cry", "Number One Lovin Man", "Personality", "Rocking Little Angel", and "Who Will The Next Fool Be". Killer Country is a great little set that's every bit what it promises in the title – the country side of Jerry Lee Lewis, but restored to the status of The Killer at his best! The album's got a focused quality that Jerry only got on a handful of 70s records – and he's as upfront in the music as he is on the cover – looking and sounding a bit older, but also a bit wiser in the process. The mellower cuts are as great as the upbeat ones – and titles include "I'd Do It All Over Again", "Jukebox Junky", "Too Weak To Fight", "Late Night Lovin Man", "Change Places With Me", and "Mama This One's For You". When Two Worlds Collide is a great little set, with an even more back to basics vibe than Jerry Lee's first album on Elektra – recorded in Nashville, with a very personal, almost lean sort of vibe – which lets Lewis find his country genius all over again! Titles include "When Two Worlds Collide", "Good News Travels Fast", "Love Game", "Who Will Buy The Wine", "I Only Want A Buddy Not A Sweetheart", and "Honky Tonk Stuff". CD

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisHang On Ramsey/Wade In The Water ... CD
BGO/Cadet (UK), 1965/1966. Used ... $7.99
Ramsey Lewis grooving in 2 of his best modes of the 60s – live, and with funky studio backings from Richard Evans! Hang On Sloopy is easily one of Ramsey Lewis' most successful records – done in the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". On the album Wade In The Water, Ramsey's funky piano is backed by some soulful arrangements handled by Richard Evans – in a really tight style that includes great percussion, electric bass, and an all-out kicking style that makes even the mellowest tunes groove! Evans really adds a lot to the set – expanding the core groove of the Lewis trio with a proud and righteous Chicago approach – really bringing some "soul" to the soul jazz sound of the group, with incredible results! Titles include "Money In the Pocket", "Wade In the Water", "Ain't That Peculiar", "Up Tight", and "Hold It Right There". CD

Close matches11
CD, LP, Vinyl record album cover art
Little RichardRill Thing/King Of Rock & Roll/Second Coming ... CD
Reprise/BGO (UK), Early 70s. New Copy 2CD ... $14.99
A trio of revival albums from the legendary Little Richard – all of them pretty darn great! First up is the funky Rill Thing – a stunning comeback session from the start of the 70s – recorded at Muscle Shoals with a heavy funk component in the mix! Richard arranged and produced the record himself – and it's a beautiful illustration of his genius – hardly dimmed at this point in his career, and if anything, really redefined for a new generation – with some razor-sharp grooves that are perfect for his hard-wailing vocals! The title cut – "The Rill Thing" – is a monster 10 minute instrumental jam, with a heavy funk sound that you can't even begin to imagine – and the rest of the set is pretty amazing too, with tracks that include "Spreadin' Natta What's The Matter", "Freedom Blues", "Two Time Loser", "Somebody Saw You", "Lovesick Blues", and "Greenwood Mississippi". Next is King Of Rock & Roll – a much rootsier set than some of Little Richard's other work for Reprise Records – a record that almost goes back to the old days, but via the hipper styles of the early 70s! HB Barnum arranged and produced the set, but the groove is less funkier than some of Barnum's other work of the time – a bit more rockish in some of the rhythms and instrumentation, which is no surprise considering the title – with a nod back towards late 50s modes, but in that new-roots way that Warner was hitting with other artists of the period. Richard's vocals hold up very well in the setting – and apart from the original tunes "Green Power" and "King Of Rock & Roll", the album features versions of "Midnight Special", "Dancing In The Street", "Brown Sugar", and "Born On The Bayou". Last up is Second Coming – funky 70s Little Richard – very much in the spirit of his Rill Thing album, although a bit more polished! The album features production and arrangements from New Orleans soul legend Bumps Blackwell – who first handled Richard way back when – and the record's sort of divided half and half between tracks that have a 70s funky feel, and others that are going back for more of an older styled retro rocking groove – yet not nearly as much so as on Richard's previous Reprise album. Titles include "Nuki Suki", "The Prophet Of Peace", "Thomasine", "Second Line", and "It Ain't What You Do It's The Way How You Do It". CD

Close matches12
CD, LP, Vinyl record album cover art
Charlie McCoyReal McCoy/Charlie McCoy/Good Time Charlie/Fastest Harp In The South ... CD
BGO (UK), 1969/1972/1973. New Copy 2 CDs ... $9.99
Charlie McCoy famously played harmonica on some of Bob Dylan's Nashville sessions, and about a few hundred other recordings too – and here, he's in a country music mode all the way through – blowing these wonderful solos over music city backings in the best Monument Records mode! Like other work on that label at the time, the style here is a bit more open than straighter country sessions – still handled with help from a fair bit of Nashville studio pros, but with occasional unusual instrumental touches that include a bit of moog, vibes, and other more contemporary elements. Only one of the four albums has a bit of vocals – and even those are spare – leaving McCoy to handle all the voicing himself, via harmonica – on a whopping 45 tunes that include "Only Daddy That'll Walk The Line", "Grade A", "Real McCoy", "Good Time Charlie's Got The Blues", "Something", "Is Anybody Goin To San Antoine", "Soul Song", "Louisiana Man", "Delta Dawn", and "Fastest Harp In The South". CD

Close matches13
CD, LP, Vinyl record album cover art
Tom PaxtonHow Come The Sun (plus Tom Paxton EP) ... CD
Reprise/BGO (UK), 1971. New Copy ... $13.99
A great step forward for Tom Paxton – his first album on the Reprise label, and a set that really pushes the best post-folk modes of the singer! Tom's in this very dark setting here – still singing and playing acoustic guitar, but draped with these mature elements from a well-chosen group of accompanists – which includes some especially great sounds from David Horowitz on piano, organ, and melodica – elements which mix with some light string touches to really bring a moody vibe to the record – maybe more Brit late 60s folk at times than much of Paxton's earlier material. Titles include "I Had To Shoot That Rabbit", "Icarus", "Prayin For Snow", "How Come The Sun", "She's Far Away", "Little Lost Child", and "A Sailor's Life". CD also features the bonus Tom Paxton EP from 1967 – much more folksy overall, with original tunes that include "The Marvelous Toy", "Beau John", "Deep Fork River", and "My Dog's Better Than Your Dog". CD

Close matches14
CD, LP, Vinyl record album cover art
Jerry ReedExplores Guitar Country/Cookin/Georgia Sunshine/Me & Jerry ... CD
RCA/BGO (UK), Late 60s/Early 70s. New Copy 2CD ... $9.99
A really wonderful collection of work from the great Jerry Reed – some more obscure albums than his bigger hits, which makes for a really fresh selection of music throughout! Explores Guitar Country is maybe one of the rootsier efforts during the early RCA years of Jerry Reed – a set that definitely lives up to the "guitar country" promised in the title, as his strong command of the instrument is right up front in the mix – often on these midtempo numbers that sound perfect with his style! Jerry sings a bit, but his guitar is almost the strongest voice on the record – nicely unadorned, especially for RCA at the time – on titles that include "Bluegrass With Guts", "Are You From Dixie", "Wayfarin Stranger", "Barbara Allen", "In The Pines", "Swarmin", and "A Worried Man". Cookin has Jerry Reed reaching for some of the groovier material that would bring him great fame – but the songs are also balanced with some slightly folksy currents, maybe a bit like the late 60s work of Waylon Jennings – with some surprising commentary from time to time, and a richness of feeling that wasn't always allowed Jerry in some of his more famous, joke-heavy moments. Titles include "Turn It Around In Your Mind", "How Many Tomorrows", "Sometimes Feelin", "Plastic Saddle", "Alabama Jubilee", and "My Next Impersonation". Georgia Sunshine is a record that has Jerry Reed really hitting that formula that would make for some big albums in the 70s – a mix of witty, upbeat numbers and some occasional deeper moments – many of which are featured here in songs penned by Jerry himself! The set features the big hit "Amos Moses" – plus "Good Friends & Neighbors", "Talk About The Good Times", "Preacher & The Bear", "Georgia Sunshine", "That's All Part Of Losing", and "Dream Sweet Dreams About Me". Me & Jerry is a great duet album with Chet Atkins – a set that showcases the super-strong guitar talents of both musicians – very different in sound and style, but perfectly matched on a strong set of instrumentals! The tunes are mostly familiar, but nicely fresh in this setting – with lots of creativity from both musicians – and titles include "Tennessee Stud", "Wreck Of The John B", "Nut Sundae", "Stump Water", "Cannonball Rag", and "The January February March". CD

Close matches15
CD, LP, Vinyl record album cover art
Jerry ReedJerry Reed/Hot A Mighty/Lord Mr Ford/Uptown Poker Club ... CD
RCA/BGO (UK), Early 70s. New Copy 2CD ... $19.99
Four albums from a time when Jerry Reed was really on fire – great little gems that work together as a collected set! First up is the self-titled Jerry Reed – a set with a title and cover that are a bit understated, but a groove that's got the Alabama wild man completely at home! As with other Reed albums from the time, there's a nice blend of styles at play – some tunes have Jerry's guitar right up front, some get a bit funky, and some have him laying back into a more traditional country-styled approach – the last of which makes for a surprisingly nice sound on the more sincere numbers. Titles include "You're Young & You'll Forget", "Alabama Wild Man", "Misery Loves Company", "Sunshine Day", "Almost Crazy", "500 Miles Away From Home", "You Made My Life A Song", and "Huggin & Chalkin". Hot A' Mighty is Jerry Reed at his swaggery, electric honky tonk, and country boogie best – the dude who will forever be remembered as the smart ass trucker sidekick in Burt Reynolds movies – but was also one of the best electric guitarists in country music, and one of the most charismatic characters of the 70s country scene! From country rock covers to weepy Nashville Sound styles, he does it all well. Includes "Goodnight, Irene", "Nashville Woman", a cowbell peppered "Sixteen Tons", "Back Home In Georgia" and more. Lord Mr Ford is a fantastic vehicle for the wit and sharpness of the great Jerry Reed – the former in his lyrics, the latter in his always-great guitar lines – the sort that made him one of the hippest pickers in Nashville back in the day! The tunes are a mix of originals and more familiar numbers – and whether Jerry's singing straight, or goofing things up, he really has a great way of making things his own through and through. Titles include the great 70s automobile tune "Lord Mr Ford" – plus "Pickie Pickie Pickie", "You Can't Keep Me Here In Tennessee", "Two Timin'", "I'm Gonna Write A Song", "Rainbow Ride", and "One Sweet Reason". Uptown Poker Club is a set with a great Jack Davis cover – and a vibrant sound from Jerry Reed to match the image on the front! The guitar work is worth the price of admission alone – chugging and funky at spots, faster-riffing and on fire at others, and surprisingly sensitive in a few other moments – especially when mixed with a bit of steel or dobro. There's also just the right balance between wit and sincerity to keep things well-rounded – on titles that include "Everybody Has Those Kind Of Days", "Lay It On My Lady", "It's Tough All Over", "You've Got It", "North To Chicago", "Honkin", "Some Of These Days", and "The Uptown Poker Club". CD

Close matches16
CD, LP, Vinyl record album cover art
Jerry ReedWhen You're Hot You're Hot/Ko Ko Joe/Smell The Flowers/Me & Chet ... CD
RCA/BGO (UK), 1971/1972. New Copy 2CD ... $14.99
Four albums from the breakout years of Jerry Reed – all collected here in a single CD set! First up is When You're Hot – the record that firmly catapulted Jerry Reed to the top – a set that draws on all his years of lyrical wit and razor-sharp guitar work – served up with some surprisingly funky touches too! That upbeat chugging groove that Jerry began on "Guitar Man" is in place on many tracks here – although there's also a few ballads that balance things out nicely, and some instrumental moments too. Titles include the hit "When You're Hot You're Hot", "Thank You Girl", "Turned On", "My Kinda Love", "Big Daddy", "Amos Moses", and "I'll Be Around". Ko Ko Joe is completely charming work from the great Jerry Reed – a set that often has him continuing that almost-swamp rock mode of his previous album – but also showing some deeper currents on the lyrical tip as well! There's a nice range of songs – maybe as Chet Atkins was trying to match the fuller range of expression that Jerry was capable of – and titles include the great "Another Puff" – plus "Early Morning Rain", "Framed", "You'll Never Walk Alone", and "Seasons Of My Mind". On Smell The Flowers, Jerry Reed steps up to the production helm, working alongside Chet Atkins – at a level that really pushes the singer/guitarist on all his many musical fronts! The album's got some of those great catchy, groovy numbers that always set Reed apart from the rest – and his guitar work graces most numbers in a really great way – sometimes shading alongside the vocals, sometimes right out front in bolder solo moments. Titles include "Pave Your Way Into Tomorrow", "Endless Miles Of Highway", "Take It Easy", "Don't Get Heavy", "Smell The Flowers", "It Ain't Home But It Ain't Bad", and "Don't Let The Good Life Pass You By". Me & Chet is a really wonderful collaboration with the great Chet Atkins – the producer who first recognized Jerry's genius for RCA, and who shares the instrumental spotlight here in a flurry of great guitar numbers! Chet's in one channel, Jerry's in the other – and the guitar interplay is fantastic, and easily some of the best Atkins material from the time – with all the dynamic sound of his earlier work. Titles include "Jerry's Breakdown", "Mystery Train", "Serenade To Summertime", "Limehouse Blues", and "The Mad Russian". CD

Close matches17
CD, LP, Vinyl record album cover art
REO SpeedwagonREO Speedwagon/REO/TWO ... CD
Epic/BGO (UK), 1971/1972. Used 2CD ... $9.99
... CD
(Includes slipcase.)

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Gap BandGap Band (1979)/Gap Band II/Gap Band III ... CD
Mercury/BGO (UK), 1979/1980. New Copy 2CD ... Temporarily Out Of Stock
Massive music in a wonderful package – three funky classics from The Gap Band! First up is the group's self-titled album from 1979 – the start of the legendary second chapter for the Gap Band – the point when the group had reemerged as the tight funky trio of the Wilson Brothers, with a groove that would really set them up nicely for the 80s! This first album in the new format has a wonderfully tight feel – still plenty of sharp edges that echo their earlier groove, but a leaner quality too – one that's got the bass and drums snapping together wonderfully, really setting the tone for the heaviest grooves. There's also a few mellower cuts too – which really sound great, and give the record the same sort of balance you might hear on work by Heaven & Earth at the time. War's Lonnie Simmons produced – and held the cash bag all the way to the bank! Titles include "I'm In Love", "Got To Get Away", "Messin With My Mind", "Shake", "Baby Baba Boogie", "Open Your Mind Wide", and "I Can Sing". Gap Band II features mean, lean grooves from The Gap Band – a legendary batch of mainstream funk from the end of the 70s – and a record that really has the trio working at the top of their game! There's a wonderful balance here between funky numbers and mellow ones – the latter of which really help pace the record nicely, giving it a depth that takes the group way beyond the cliches of some of their contemporaries, and firmly establishing the Gap Band as one to watch for the 80s! Titles include the massive "I Don't Believe You Want To Get Up & Dance" – with its classic "Oops Upside Your Head" refrain – plus "Who Do You Call", "No Hiding Place", "Steppin Out", "You Are My High", and "Party Lights". Gap Band III is sagreat one from the Gap Band – funky gems and sinister groovers – the best of both worlds for the group! Tunes like "Burn Rubber On Me (When You Want To Hurt Me)" and "Humpin" packed 80s dance floors for good reason, and put the band in steady rotation, while numbers like "Yearning For Your Love" showed the band could drop the tempo, stretch out a bit, and deliver the mighty mellow. This one's certainly at the top of the heap of 80s groovers, as far as we're concerned – a record that really took the Gap Band over the top! Other tracks include "Nothin' Comes To The Sleepers", "Are You Living", "The Way", "Gash Gash Gash" and more. CD

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos JobimTide/Stone Flower ... CD
CTI/BGO (UK), Early 70s. New Copy ... Temporarily Out Of Stock
A pair of CTI records gems from Antonio Carlos Jobim – back to back on a single CD! First up is Tide – an incredible record from the first off-key note to the last! The album's filled with some wonderfully moody LA studio sounds, arranged by Deodato, and a has a great swirling mix of sound that weaves around Jobim's lofty guitar and piano beautifully – complex, but still with the airy sense of space that Antonio Carlos first brought to his music in the 60s. From the very first note, you can feel the strange magic of Jobim and Deodato at work – as the album appears to be smooth and mellow, yet has a strangely unsettling undertone that keeps us coming back after all these years! Tracks include "Tema Jazz", "Carinhoso", "Rockanalia", and a nice remake of "Girl From Ipanema". Stone Flower is one of Antonio Carlos Jobim's greatest records – and a perfect blend of his subtle bossa genius with the moody electric sound of CTI! Jobim plays electric and acoustic piano, guitar, and sings a bit – and Deodato handled the arrangements with a breezy brilliance that matches all the magic of Jobim's wonderful compositions, but gives them a slightly more fluid feel too – in a way that's somewhat more sophisticated than the sound of Jobim's previous CTI outings – Tide and Wave. Other players on the album include Joe Farrell on soprano sax, Hubert Laws on flute, and Airto on percussion – and there's a great mix of Brazilian and American styles on the set – electric, sinister, breezy, and always wonderful! Includes the titles "Sabia", "God & The Devil In The Land Of The Sun", "Children's Games", "Stone Flower", "Brazil", "Tereza My Love", and "Choro". CD

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✨✧ NeutronsBlack Hole Star/Tales From The Blue Cocoons ... CD
BGO (UK), 1974/1975. Used ... Temporarily Out Of Stock
... CD

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✨✧ Tir Na NogTir Na Nog ... CD
Chrysalis/BGO (UK), 1971. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

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✨✧ Gary BurtonSomething's Coming/Groovy Sound Of Music/Time Machine ... CD
RCA/BGO (UK), 1964/1965/1966. New Copy 2CD ... Out Of Stock
A trio of excellent Gary Burton albums from the 60s – collected together in a single set! Something's Coming is the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". Next up is a very cool take on the music of Sound Of Music – handled with some help from arranger Gary McFarland, in a way that really unlocks the modal potentials of the tunes! As you might expect from the revolutionary vibist Gary Burton, the approach here is quite different than the usual jazz album of Broadway material – and instead, both Burton and McFarland do a heck of a lot to open up the coolest potential of the songs – as they bring in other hip players who include Bob Brookmeyer on trombone, Phil Woods on alto, Joe Puma on guitar, and Steve Swallow on bass. Titles include "An Ordinary Couple", "Sixteen Going On Seventeen", "Do Re Mi", "Edelweiss", and a great take on "My Favorite Things". Time Machine is filled with beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". CD

Close matches23
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✨✧ Classics IVSpooky/Mamas & Papas/Traces/Song ... CD
Imperial/BGO (UK), 1968/1969/1970. New Copy 2 CDs ... Out Of Stock
A quartet of albums by Classics IV – a fantastic late 60s group who hardly ever get their full due! The group's forever remembered for their huge title hit on the first album – but throughout these records they maintain a really wonderful sound – all while also pushing themselves a bit too! Lead singer Dennis Yost has this great raspy style – and maybe brings more soul to their records at times than you might expect, with a quality that's nicely balanced by the later sunshine pop elements that sometimes make these guys an important precursor to the soft rock in years to come. There's a nice sense of evolution over the three years in which these albums were recorded – and the production just seems to get groovier and groovier – on titles that include their classic "Spooky" – plus "You Are My Sunshine", "Goin Out Of My Head", "Bus Stop", "Poor People", "Book A Trip", "Traces", "Soul Train", "Bed Of Roses", "Stormy", "24 Hours Of Loneliness", "Pick Up The Pieces", "Where Did All The Good Times Go", "Traffic Jam", "Rainy Day", "Free", "Mamas & Papas", "Nobody Loves You But Me", "The Funniest Thing", and "The Letter". CD

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✨✧ Dr JohnRemedies/Desitively Bonnaroo ... CD
Atlantic/BGO (UK), Early 70s. New Copy 2CD ... Out Of Stock
Two funky classics from Dr John – back to back in a single set! First up is Remedies, one of the records that made Dr John a legend back in the day – a set that steps off from New Orleans roots into a world of weird funk, tripped-out sounds, and lots and lots of super-heavy grooves! The album's got a nicely exploratory vibe – as the first side features shorter funky cuts, but the second half really stretches out, and features a side-long track that has the Doctor at his most freewheeling – mixing deep currents from soul and blues with all the great ear for studio techniques he'd developed over the years – fused into a sound that's almost a fantasy of a soulful subculture in the swamps. Titles include "Loop Garoo", "Wash Mama Wash", "What Goes Around Comes Around", "Mardi Gras Day", and "Chippy Chippy" – plus the side-long "Angola Anthem". Desitively Bonnaroo is filled with tight funky work from Dr John – a second collaboration with producer Allen Toussaint, and a set that follows strongly on their Right Place record of the year before! The groove's not as messed-up as on the first few Atlantic records by the Doctor – but in it's place is a sweet electric funk mode, kind of an update on 60s New Orleans grooves – handled here by The Meters and a host of other key players from the Crescent City scene! Toussaint's production and arrangements are tight, but never slick at all – still much earthier than the later work, especially that on Warner Brothers, that was handled by the producer. And the tunes have a good focus that keeps Dr John on track lyrically – even though we'll admit that our main love of this record comes from the keyboards, bass, and funky drums! Titles include "Stealin", "What Comes Around (Goes Around)", "Mos' Scocious", "Rite Away", "R U 4 Real", "Let's Make A Better World", "Sing Along Song", "Go Tell The People", "Quitters Never Win", and "Can't Git Enuff". CD

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✨✧ Ramsey LewisFunky Serenity/Golden Hits/Solar Wind/Sun Goddess ... CD
Columbia/BGO (UK), Early 70s. New Copy 2CD ... Out Of Stock
A quadruple-header from Ramsey Lewis – four albums from his great 70s electric period on Columbia Records! First up is Funky Serenity – sweet electric funk from Ramsey Lewis! The album's one of his best from the 70s – and it's got Ramsey on Fender Rhodes, electric harpsichord, and other keyboards, grooving away in an open-ended 70s mode that still retains all the heavy soul of his classic work for Chess. Morris Jennings adds in some very nice percussion with his drum work, and Cleveland Eaton's on funky bass, giving the set a strong bottom groove. Features the sublime sample cut "My Love For You", a great version of "Knights In White Satin" that's done with a weird spacey groove, plus the tracks "Kufany Mapenzi (Making Love)", "Serene Funk", "What It Is!", and "Dreams". Golden Hits isn't a "best of", but instead has Ramsey and his funky mid 70s trio with Morris Jennings and Cleveland Eaton revisiting some of his best loved material from the Cadet years, but with the groovy Rhodes and wah wah sound that we dig so much about his CBS recordings. Unlike some of the other records from this period, the group's nice and stripped down, just the electric piano, bass and drums, so the groove's nice and wide open, Ramsey and company popping along with the sanctified soulful vibe of his 60s work, but updating their sound with some nice electric touches. 9 numbers in all: "Hang On Sloopy", "Blues For The Night Owl", "Hi-Heel Sneakers", "Carmen", "Delilah", "Wade In The Water", "Slippin' Into Darkness", "Somethin' You Got", and "The In Crowd". Solar Wind was cut smack dab in the middle of Ramsey's glory days at Columbia Records – with great production help and work on bass from the mighty Cleveland Eaton! The style is nice and lean, with just some occasional fuller touches – and Ramsey plays plenty of Fender Rhodes, in addition to bits of Arp and moog too – in a setting that's mostly trio, with a few guest players stepping into the mix from track to track! There's a nice degree of fuzz at points, thanks to added help from Steve Cropper – and titles include a great funky version of "Summer Breeze", plus "Solar Wind", "Come Down In Time", "Love for A Day", "Hummingbird", "Jamaican Marketplace", and "Sweet & Tender You". Sun Goddess is one of our favorite Ramsey Lewis albums ever – and a perfect summation of the genius that was brewing on the Chicago scene in the late 60s and early 70s! The album has Ramsey working strongly with Earth Wind & Fire – no surprise, given his close ties to Maurice White, who was the drummer in Ramsey's trio before starting his own group – and the shared relationship both artists had with producer Charles Stepney! The three were all key parts of the late 60s sound at Chess Records – but here, they've brought the same soulful energy to Columbia – working in a wider, more mature groove for the 70s – one that has Lewis' wicked Fender Rhodes lines stretching out strongly over tight, compressed, funky lines from EWF! The centerpiece of the set is the massive 7 minute "Sun Goddess", but there's lots of other nice ones like "Living For The City", "Gemini Rising", and "Jungle Strut". Funky, electric, and sublimely wonderful all the way through! CD

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✨✧ OsibisaHeads ... CD
BGO (UK), 1972. New Copy ... Out Of Stock
A really wonderful third album from Osibisa – and a record that really crystallizes the group's sound into a trademark blend of African roots and more progressive-styled jamming! There's a mode here that's perfect for the cross-cultural London of the post-colonial 70s – a style that brings many strands of music into the capital, and mixes them up with some of the headier styles going down at the time. Bits of highlife echo alongside more tribally-based percussion – but most of the instrumentation on the set also has a strong ear for jazzy changes, especially during the flute and keyboards passages that make the record so great. Titles include "Kokorokoo", "Che Che Kule", "Sweet Sounds", "Sweet America", and "Do You Know". CD
Also available Heads ... LP 8.99

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✨✧ Gary Puckett & The Union GapWoman Woman/New Gary Puckett & The Union Gap Album/Gary Puckett Album (plus bonus tracks) ... CD
BGO (UK), Late 60s/Early 70s. New Copy 2CD ... Out Of Stock
A trio of albums from Gary Puckett and The Union Gap – one of which just features Gary on his own! First up is Woman Woman – a set that takes the tightness that the group had forged in the Cali clubs of the mid 60s, and boosts it with bigger arrangements from Al Capps – who adds just the right blend of larger elements to give things a nice Sunshine Pop kind of vibe! Titles include the big hit "Woman Woman" – plus "M'Lady", "Believe Me", "Kentucky Woman", "Don't Make Promises", "I Want A New Day", "Paindrops", and "My Son". The New Gary Puckett & The Union Gap Album is a record with a Civil War-era photo on the cover – but a sound that's late 60s pop at its finest – arranged and conducted by Ernie Freeman, with a vibe that adds in swirling strings to the core groove of the group – all at a level that also seems to encourage even more vocal flourishes from mainman Gary Puckett! Gary started out as a bar singer, but is clearly reaching higher here – not exactly like, but similar too the way that Scott Walker was seeing himself more as a solo male singer once the 60s moved – especially on the mellower or more sensitive tunes. Titles include "Hard Tomorrow", "This Girl Is A Woman Now", "Stay Out Of My World", "Lullaby", "His Other Woman", "Simple Man", and "Out In The Cold Again". The Gary Puckett Album is great solo work from the leader of The Union Gap – a record that not only has Gary really maturing as a singer, but also emerging as a strong songwriter too! About half the tracks on the album are written by Puckett with other musical partners – and they really show a different set of themes from the earlier group material – with Gary's vocals really rising with a new sort of majesty that adds a lot to the lyrics! Arrangements are by Roger Kellaway, Jimmie Haskell, and Larry Muhoberac – and titles include "Shimmering Eyes", "Gentle Woman", "Do You Really Have A Heart", "Feeling Bad", "Angelica", "Hello Morning", "To Keep The Customer Satisfied", and "I Just Don't Know What To Do With Myself". 2CD package features 8 bonus tracks – including "Could I", "Let's Give Adam & Eve Another Chance", "The Beggar", "Life Has Its Little Ups & Downs", "Bless This Child", "Leavin In The Morning", "I Can't Hold On", and "No One Really Knows". CD

Close matches28
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✨✧ Stanley TurrentineCherry/Don't Mess With Mister T/Sugar Man (with bonus tracks) ... CD
CTI/BGO (UK), Early 70s. New Copy 2CD ... Out Of Stock
A trio of classic CTI Records albums from tenorist Stanley Turrentine – with bonus tracks too! First up is Cherry – one of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some tight changes and more pronounced rhythms that really give the best cuts a great groove! The group's a sextet – with Bob James on electric piano, Milt Jackson on vibes, Cornell Dupree on guitar, Ron Carter on bass, and Billy Cobham on drums – and titles include a monster version of Weldon Irvine's "Sister Sanctified" – a great funk tune that's probably best known as the sample for "My Philosophy" by BDP! Other tracks include "Speedball", "Cherry", and "The Revs". On Don't Mess With Mister T, Stanley Turrentine meets Bob James – on a record that's one of the 70s classics on CTI! Bob James handles the arrangements – with that laidback, mellowfunky approach to jazz that he helped pioneer at the time – lots of modal chords in the rhythms, and these wonderfully soulful solos by the great Stan himself! James plays keyboards on the set – and Harold Mabern adds some piano too – and the lineup also includes the mighty Eric Gale on guitar, and Idris Muhammad on drums. Titles include the great title cut – a remake of Marvin Gaye's "Don't Mess With Mister T", plus "Too Blue", "Two For T", and "I Could Never Repay Your Love". Sugar Man is a classic set from Stanley "Sugar Man" Turrentine – a nickname the reedman had at the time, given the success of his famous CTI Records version of "Sugar"! This set follows in that same great mode – jazzy, but a bit funky too – although couched with this gentle sense of soul that's perfect for that spacious style of soloing that Turrentine perfected over the years – a way of blowing openly, and without too much fuss – but managing to hit all the right notes along the way! There's a great glow to the whole record – an excellent easygoing sense of soul – and titles include an incredible reading of "Vera Cruz", done with Deodato on piano, and at a breakaway speed that's just great, and worth the price of the record alone! Other tracks feature piano by Harold Mabern or organ by Butch Cornell – and titles include "The Stretch", "Just As I Am", and "Pieces Of Dreams". Bonus tracks include "The More I See You", "Don't Mess With Mister T (alt)", "Mississippi City", and "Harlem Dawn". CD

Close matches29
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✨✧ AirtoFree/Identity/Promises Of The Sun (with bonus tracks) ... CD
Arista/BGO (UK), 1972/1975/1976. New Copy 2 CDs ... Out Of Stock
A trio of albums from percussionist Airto – with bonus tracks too! First up is Free – one of the coolest, grooviest albums you'll ever hear from the legendary percussionist Airto – a set that mixes his own Brazilian roots with the electric genius of 70s CTI – all with stunning results! Airto's in the lead – and blows some beautiful wood flute lines alongside percussion – but the album also features killer contributions from Joe Farrell on soprano sax, Hubert Laws on flute, Keith Jarrett on piano, and Chick Corea on Fender Rhodes – as well as a hip bit of vocals from Flora Purim as well! There's some added horns at parts – but the arrangements are relatively spare and subtle – so that most tracks have a core organic quality, very similar to Airto's work on Buddah/Cobblestone, but given a bit more of a CTI twist. Most tunes are quite long and free-flowing – and titles include "Lucky Southern", "Flora's Song", "Creek (Arroio)", and "Return To Forever". Identity is a soaring set of grooves from one of the world's greatest percussionists – a standout set as a leader from Airto, and a key set in his wonderful run of work from the 70s! The album's still got the loose, free feel of Airto's earliest work, and isn't nearly as crossover-oriented as some of the Flora Purim sets from the time – still strongly in a rootsy, earthy sort of vibe – and produced with a very respectful sound by Herbie Hancock. Herbie plays some Arp on the record, and Wayne Shorter brings in some soprano sax too – but the core elements of the album are Airto's range of percussion instruments, keyboards and piano from Egberto Gismonti, drums from Roberto, trombone from Raul DeSouza, and a bit of vocals from Flora. Titles include "Flora On My Mind", "Cafe", "The Magicians", "Tales From Home", "Identity", and "Encounter". Promises Of The Sun is a record that departs nicely from earlier work, yet still keeps all the best elements intact! Airto's percussion work is firmly at the core of the set – giving it a nice acoustic base to work from, while also adding in touches of electric guitar by Toninho Horta, bass by Novelli, and keyboards from Hugo Fattoruso. The groove is a wonderful blend of the acoustic and electric, organic and synthetic – and is often crafted in a majestic vibe that seems to be inspired by the work of Milton Nascimento from the early 70s. Tracks include "Circo Marimbondo", "Zuei", "Candango", "Ruas Do Recife", "Georgiana", and "La De Casa". CD features bonus tracks "Creek (alt version)", "So Tender", and "Jequie". CD

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✨✧ Arthur BlytheLenox Avenue Breakdown/In The Tradition/Illusions/Blythe Spirit ... CD
Columbia/BGO (UK), Late 70s/Early 80s. New Copy 2CD ... Out Of Stock
Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

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✨✧ CalderaCaldera/Sky Islands ... CD
Capitol/BGO (UK), 1976/1977. New Copy ... Out Of Stock
A pair of killers from this jazzy Latin combo of the 70s! First up is the self-title Caldera album – a jazzy Latin fusion classic – and the first album by the border-crossing combo! The group features both North and South American players – coming together in a hard-riffing approach to fusion that rivals the best fusion combos of both the California and Brazilian scenes at the time. There's a few nice moments that really belie their more southern roots – and recall the choppy fusion of Airto, or the vocal scatting of Flora – but the set's also got a sunny west coast finish, thanks to some wonderful production from Wayne Henderson – who kicks things up in a way that the group hardly matched on later albums! Guest stars include Raul De Souza and Roberto Da Silva – and titles include the funk classic "Coastin", plus "Guanacaste", "Out Of The Blue", "El Juguete", and "Synesthesia". Nest is Sky Islands – a set that's recorded with a smooth soulful style that's right up there with the best of the Capitol Rare generation! Caldera mixes together nice jazzy saxes with guitars, percussion, and some great keyboard work by Eduardo Del Barrio – all produced by the group with a sweet arching style that's very much in the Brazilian fusion style of the time – a wonderful blend that also gets a dose of California warmth, which is just the right element to send the whole thing home nicely! Tracks include the classic "Sky Islands", plus "Pegasus", "Carnavalito", "Triste", and "Ancient Source". CD

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✨✧ Graham CollierDown Another Road/Songs For My Father/Mosaics ... CD
Fontana/Philips/BGO (UK), 1969/1970/1971. New Copy 2CD ... Out Of Stock
3 incredible albums from the British jazz scene at the end of the 60s – all together in one 2CD package! Down Another Road is incredible work from one of England's greatest jazz talents – bassist Graham Collier, a player with an amazing ability to absorb a lot of the modern and progressive influences of his jazz generation – but all without succumbing to the same indulgences as them – a fact which resulted in a razor-sharp style that forged some of the freshest jazz ever to come out of the UK. This 1969 album is a masterpiece – filled with a modal groove and a strident searching theme, yet also as tight and grooving as most of the best Blue Note sessions from the same time. Harry Beckett's on trumpet, Nick Evans is on trombone, John Marshall plays drums, and Stan Sulzmann handles the reeds. Tracks include "Down Another Road", "Danish Blue", "The Barley Mow", and "Aberdeen Angus". Songs For My Father is a masterpiece of modernist soul jazz, with a sound that recalls the best late Blue Note work by Lee Morgan or Hank Mobley. Alan Wakeman's tenor is perfectly pitched, and searingly searching; Harry Beckett's trumpet is round, lyrical, and filled with soul; and the piano of John Taylor comps along in chunky modal grooves that make the whole album fall together brilliantly. Tracks include "Song One", "Song Two", "Song Three", etc – and they're all fantastic! Mosaics is a wonderfully searching session – filled with warm McCoy Tyner-esque modal moments, and searing post-Coltrane solos! The album comprises one long piece – Collier's "Mosaics" – performed live by a group that includes Alan Wakeman on tenor and soprano, Harry Beckett on trumpet, and Geoff Castle on piano. "Mosaics" has that amazing mid 60s Coltrane quality of going out in a spiritual kind of way – yet always returning to the groove, never getting too free, and always remaining firmly focused on the direction ahead. All players are great, and the record crackles with the intensity of a classic session on Impulse! CD

Close matches33
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✨✧ Mike CooperOh Really/Do I Know You/Trout Steel/Places I Know/Machine Gun Co (plus bonus tracks) (3CD set) ... CD
Dawn/BGO (UK), Late 60s/Early 70s. New Copy 3CD ... Out Of Stock
An amazing legacy in music from Mike Cooper – a British musician who started out in the world of folk blues, but never ended up moving towards some of the rockish modes of his contemporaries – instead finding his very own sort of special space in the freedom allowed by the Dawn Records label! The set begins with the very spare Oh Really – a set that has Mike Cooper mostly on guitar and vocals, in a style that's part Piedmont, part Delta blues – but also given a more folksy spin, and graced with Cooper's unusual vocals – almost making the whole thing feel like a spare acoustic version of Canned Heat territory – with titles that include "Maggie Campbell", "Saturday Blues", "Electric Chair", "Crow Jane", and "You're Gonna Be Sorry". Do I Know you is a record that follows up with a sound that's maybe a bit fuller than Mike Cooper's debut, but still relatively spare – with Mike on acoustic guitar and slide guitar, Harry Miller on bass (really great bass, by the way!), and Poor Little Anne on a bit of vocals. Miller brings these deep tones to the record that really transform things – and titles include "Do I Know You", "Start Of A Journey", "First Song", "Theme In C", and "The Link". Trout Steel is a beautiful set from the British scene at the start of the 70s – a record that's got a fairly folksy tone, but lots of jazzy currents as well! The set was issued on the seminal Dawn Records label – and really shows that imprint's commitment to the left side of the spectrum – as Mike Cooper's vocals and acoustic guitar come into play with more guitar from Stefan Grossman – plus alto sax from Mike Osborne, tenor and soprano from Alan Skidmore, piano from John Taylor, and bass from the late Harry Miller – all key players on the UK avant jazz scene of the time! The mix of these players with Cooper's core inspiration is not unlike some of the most progressive material coming from Island Records – or, even better, the special jazzy moments on records by Tim Buckley or Tim Hardin – company that Cooper could very easily keep, given the strength of his songwriting. Titles include "Don't Talk Too Fast", "On My Way", "Hope You See", "Weeping Rose", "Trout Steel", "I've Got Mine", "That's How", and "Pharoah's March". Places I Know blends Cooper's acoustic guitar and rootsy vocals with some very compelling arrangements from Mike Gibbs – the British jazz talent who was already known for his larger ensemble creations at the time, but who works here in these really subtle ways – to inflect Cooper's core inspirations with just some slight instrumental colors, tones, and phrases on most numbers – while Cooper brings in the core Machine Gun Co group on a few more. The result is a record that's way more than familiar folk – and arguably a lot hipper than most of the British acid folk of the time, too – on titles that include "Night Journey", "Paper & Smoke", "Country Water", "Time To Time", "Goodbye Blues Goodbye", and "Places I Know". The Machine Gun Co album is a partner record to Places I Know – recorded in the same sessions, but with tracks that are longer, and even more openly expressive – all with backings from the sweet Machine Gun Co quartet, a group with some especially nice electric piano from Alan Cook! Heavy use of that instrument really works against some of the folksier elements in Cooper's music – with these blocks of warm sound and color that really illuminate the tunes, and almost unlock a new level in the vocals. Cooper plays a bit of electric guitar at times – and titles include "So Glad That I Found You", "Lady Anne", "Midnight Words", and "Song For Abigail". CD also features songs from singles – "Your Lovely Ways (parts 1 & 2)", "Time In Hand", and "Schaabisch Hall". CD

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✨✧ Earth Wind & FireEarth Wind & Fire/Need Of Love ... CD
Warner/BGO (UK), 1971. New Copy ... Out Of Stock
A pair of spiritual soul classics – the rare early Warner Brothers albums from Earth Wind & Fire – back to back on a single CD! Earth, Wind & Fire's first album was recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of experience that ran the gamut from work with Sun Ra, the Artistic Heritage Ensemble, The Pharoahs, Ramsey Lewis, and countless other influential groups. Headed up by Maurice White on drums and percussion, the group forged an amazing blend of all these influences, creating a future soul sound that pushed black music to the next level – taking a wealth of previously underground modes of expression, and fusing them into a soaring sound that would soon put them at the top of the charts. This album's a lot looser and freer than their Columbia albums – with plenty of raw funk and some nice off-beat jazz soling. Includes the classic break track "C'Mon Children", plus "Fan The Fire", "Bad Tune", and "Moment Of Truth". Need Of Love is one of the two early Earth Wind & Fire LPs recorded for Warner – and the one that shows their amazing roots in the avant-garde jazz scene in Chicago! At the forefront, the record's a righteous soul album with an ensemble funk sound – but deeper in, there's a lot of jazz-based playing, and a number of moments that almost get "out" in the solos! Surely this one couldn't have been made without the spiritual advancements in jazz made by the AACM – and EWF couldn't have helped rubbing shoulders with those players, considering that they all often gigged together in the Chicago studio scene, and that they'd also shared some time together in groups like The Pharoahs and Phil Cohran's Artistic Heritage Ensemble. Titles include "Energy", "Beauty", and a nice remake of Donny Hathaway's "Everything is Everything". CD

Close matches35
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✨✧ HolliesBus Stop/Stop Stop Stop ... CD
Imperial/BGO (UK), 1966. New Copy ... Out Of Stock
A pair of mid 60s albums by The Hollies – Bus Stop and Stop Stop Stop from 1966! Both sets find the group working a fairly raucous, but still pretty sweet Brit rock mode. Bus Stop has more of a straight forward rockin' vibe and the tracks include "Bus Stop", "Candy Man", "Baby That's All", "I Am A Rock", "Sweet Little Sixteen", "Mickey's Monkey", "Little Lover" and more. Stop Stop Stop a bit more adventurous in instrumentation, with a bit of jangly folk rock. Titles include "Stop! Stop! Stop!", "Don't Even Think About Changing", "Crusader", "Peculiar Situation" and more. CD

Close matches36
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✨✧ Jerry Lee LewisGolden Hits Of/Live At The Star Club/Greatest Live Show On Earth/By Request ... CD
Smash/BGO (UK), Mid 60s. New Copy 2CD ... Out Of Stock
A quartet of early Smash Records albums from Jerry Lee Lewis – including some especially smoking live material! First up is Golden Hits – an early moment of Smash Records genius from Jerry Lee Lewis – a set that was one of his first for the label, after many years at Sun – and a record that definitely sought to leave the new imprint's stamp on the material! As the title implies, most of the tracks are older hits by Jerry – Sun Records material, but recast here with some of the 60s fullness that Smash did so well – although oddly not far from the roots of Sun, given that the whole thing was recorded at the Nashville studios of Sam Phillips, with Billy Sherrill at the engineering deck! Technical details aside, though – Jerry's already starting to show some of those country modes that would set fire to the second chapter of his career – on titles that include "Down The Line", "End Of The Road", "Break Up", "You Win Again", "Crazy Arms", "Fools Like Me", and "I'll Make It Up To You". Live At The Star Club was recorded in Hamburg, Germany – and is an incredible 60s performance from Jerry Lee Lewis – proof that the man was always on fire when he worked overseas, even if his star had dimmed a bit back home! Jerry gets sharp, tight backings from The Nashville Teens – but the Lewis is center stage throughout – really wailing on piano, and singing in this unbridled style that maybe even blows away his early singles – especially when combined with the sense of personality he brings out in a live setting. Titles include "Money", "What'd I Say", "I Got A Woman", "Whole Lotta Shakin Goin On", "Long Tall Sally", "Lewis Boogie", and "Matchbox". Greatest Live Show On Earth is a great early live album from the Smash Records years of Jerry Lee Lewis – and a set that really shows the new fire that was burning for the singer as he moved away from Sun Records! Smash always did a great job with live records – and this one's got a great approach that really captures the enthusiasm of the audience, the intensity of the performance, and all the charms of the man himself! Both Jerry's vocals and piano are very well-recorded – and titles include "Who Will The Next Fool Be", "No Particular Place To Go", "Together Again", "Long Tall Sally", "I Got A Woman", "Memphis", and "Jenny Jenny". On By Request, another live set from 1966 – Jerry's working with the super-tight Memphis Beats, who really manage to keep time with the boundless energy of their leader! Jerry's completely on fire – both vocally, and on the piano – which he completely decimates with fast-moving chords, and the kind of keyboard runs that must have been a piano tuner's nightmare! There's also just a hint of the country that would soon become a much bigger part of Jerry's career – mixed with really strong live versions of early rockin hits. Titles include "Little Queenie", "How's My Ex Treating You", "Money", "Crying Time", "I'll Sail My Ship Alone", "You Win Again", and "Green Green Grass Of Home". CD

Close matches37
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✨✧ Pamela PollandPamela Polland/Have You Heard The One About The Gas Station Attendant (with bonus track) ... CD
Columbia/BGO (UK), 1971/1973. New Copy 2CD ... Out Of Stock
Two albums by Pamela Polland – one of which was never issued in the 70s! First up is the self-titled Pamela Polland – an obscure bit of 70s underground rock – the first solo album by Polland, who might be better known for her work in the psych-folk group Gentle Soul at the end of the 60s. This album's got a style that's a bit different than work by Gentle Soul – a lot more personal, and at times, a bit more rootsy – but not in a folksy way, instead more of that kind of early 70s California "back to nature" kind of rock – if that makes any sense at all. There's some great little songs on the record that show Pamela as a potentially huge figure in 70s rock – had she not gotten stuck off on the sidelines so much – but that fact makes the album all that much more compelling. Titles include "The Rescuer", "Texas", "Lighthouse", "The Dream", and "Sing A Song Man". The set also features Pamela's never-issued second album – Have You Heard The One About The Gas Station Attendant – a record that was finished, but squashed by Columbia Records as part of a political move after the label fired president Clive Davis! Polland was Davis' pet project at the time – and got top-shelf treatment for this second album – Elton John producer Gus Dudgeon put together most of the set in London, and Pamela is even more expressive, more thoughtful in both her singing and songwriting – with help from a host of key London studio talents, but all working in an understated mode that really sets the songs perfectly. CD

Close matches38
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✨✧ Ben SidranFree In America/Doctor Is In/Little Kiss In The Night/Live At Montreux ... CD
BGO (UK), Late 70s. New Copy 2CD ... Out Of Stock
Four albums from the great Ben Sidran – a mighty hip jazz singer, and a great pianist too! First up is Free In America – a great little set all the way through – and about as classic as you can get for Sidran in the 70s! The album's got a bit more soul in the mix, but still has some jazzy elements in the backings – and where things were sometimes messed up in the past, they're much more straightforward here – in ways that make the record really sparkle nicely! Ben's voice is still really compelling, and as on his best albums, there's some nice funky grooves in the mix that keep things fresh. Players include Phil Upchurch on bass and guitar, Woody Shaw on trumpet, David Newman and Sonny Seals on saxes, and Richard Tee on organ. Titles include the great instrumental "Let's Make A Deal" – a fast groover with guitar and keyboards riffing away, sounding like some lost jazz funk gem from the Fantasy Records catalog – plus "Beg For It", "Cuban Connection", "Free In America", "New York State Of Mind", and "Feel Your Groove". Doctor Is In is one of Ben Sidran's biggest records from the 70s – a smooth combination of jazz, fusion, soul, and a bit of New Orleans groove! There's still a very unique feel to Sidran's music here – a sense of personality that really makes the whole thing sparkle – and which keeps the record from sounding too much like anyone else. Grooves are a great mix of jazz and soul elements – in territory that certainly has a 70s LA sort of quality, but which never gets too poppy or commercial – thanks to Ben's vocals, and mostly small combo backings from players who include Phil Upchurch on bass, Blue Mitchell on trumpet, Larry Carlton on guitar, and Tony Williams on drums. Nick DeCaro adds in a bit of extra strings from time to time – and titles include "Silver's Serenade", "Charlie's Blues", "Be Nice", "Goodbye Porkpie Hat", "One Way Grave", and "See You On The Other Side". Little Kiss In The Night is one of our all-time favorites from the great Ben Sidran – thanks to a strong dose of fusion in the mix! The grooves here are somehow a bit sharper than the few Sidran records before – with a quality that almost reminds us of Fantasy Records soul from the mid 70s, or some of the best jazz-tinged R&B sets of the time – all linked back nicely to Ben's rootsier elements from the start. As always, Sidran's got some really top-shelf musicians on board to help him find his groove – including Phil Woods on alto sax, Blue Mitchell on trumpet, and Arthur Adams on guitar – and arrangements on many numbers are by Mike Melvoin, who sounds even funkier here than we'd expect. There's a great instrumental on the set called "The Cadillac Kid", which has a nice hard fusion groove – and other cuts include "Face Your Fears", "Doing You", and "Moose The Mooch". Live At Montreux is tightly funky work from Ben Sidran – thanks to a strong lineup of players, and the open-ended relaxed setting of Montreux! The tracks here are a bit longer than some of Ben's studio sides for the label at the time – and almost hearken back to the more open flow of his Blue Thumb years – with plenty of room not only for Sidran's great vocals, but also from instrumental contributions from Steve Khan on guitar, Mike Mainieri on vibes, and the Brecker Brothers on horns. Titles include "I Remember Clifford", "Eat It", "Song For A Sucker Like You", "Midnight Tango/Walking With The Blues", and "Come Together". CD

Close matches39
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✨✧ Sonny & CherLook At Us/Wondrous World/In Case You're In Love (plus bonus tracks) (3CD set) ... CD
BGO (UK), Late 60s. New Copy 3CD ... Out Of Stock
A huge amount of music from Sonny & Cher – a set that not only includes three full albums, but also every one of their singles for Atco Records too! First up is Look At Us – a fantastic moment in 60s pop – and the record that forever launched the duo of Sonny & Cher upon the world – a completely charming, if also mismatched couple whose work together is completely fantastic! Sonny had been bumping around the LA music scene for years by the time of this record – but when he found the young Cher, the pair instantly clicked – with a chemistry that's so different than so many other male/female duos of the time – partly because of the difference in their voices, but also because of the way that each of them remain completely individual, even while singing together. Titles include the massive worldwide hit "I Got You Babe", plus versions of "Then He Kissed Me", "The Letter", and "Let It Be Me". The real treat, though, is the material by Sonny – including the tunes "It's Gonna Rain", "Just You", and "Sing C'Est La Vie". On Wondrous World Of Sonny & Cher, it seems as if the pair can completely transform anything they touch with their talents! The tunes here are a mix of older numbers and a few originals by Sonny – arranged and produced by the man himself, and given an extra dose of soul, thanks to musical backings from Harold Battiste – who finds the sort of balance that also allowed these early records to cross over to an R&B market too. The vocals are wonderful – sometimes together, sometimes trading lines or choruses, on titles that include "I Look For You", "Tell Him", "I'm Leaving It All Up To You", "Bring It On Home To Me", "Set Me Free", "Leave Me Be", "Laugh At Me", and "Turn Around". On In Case You're In Love, Sonny & Cher are singing with this perfect sense of complement that few other vocal duos of the 60s could ever hope to match! They hardly need harmony at all – and could never have it, either – given all the "nose" in Sonny's style – but that separation is what really makes the charm of the pair – guy/girl, young/old, perfect/imperfect – coming together with a set of very groovy tunes, all arranged and produced by Sonny – and given a nice bounce in the backings by Harold Battiste! The set features their classic "The Beat Goes On" – plus lots more Sonny originals, including "Monday", "Podunk", "Little Man", "Living For You", and "Love Don't Come". 3CD package also features 17 more bonus tracks from Atco singles – both a-sides and b-sides – with tunes that include "Plastic Man", "Good Times", "Love Is Strange", "Baby Don't Go", "A Beautiful Story", "Have I Stayed Too Long", "It's The Little Things", "Hold You Tighter", "Good Combination", "You Gotta Have A Thing Of Your Own", "You're A Friend Of Mine", "Circus", and "It's The Little Things" – most originals by Sonny! CD

Close matches40
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✨✧ Ike & Tina TurnerWorld Of Ike & Tina – Live ... CD
United Artists/BGO (UK), 1973. New Copy ... Out Of Stock
A fiercely funky live set from Ike & Tina Turner – one that almost feels like some of the James Brown albums at The Apollo – given the expanded structure of the presentation, which also includes the whole Ike Turner universe! The show gets announced with this bold sense of pride – ala some of James' "showtime" announcements – and it begins with funky backings from The Family Vibe, who continue the groove throughout – then opens to the Ikettes singing on their own, before Tina takes the stage and makes the whole thing really come together! There's a great variety of material here – all of which gets a really sharp sound, thanks to the setting – and Ike and the crew really transform the tunes, and set them up perfectly for Tina's vocals to knock them out of the park. Tracks include "Let Me Touch Your Mind", "Shaft", "I Gotcha", "She Came In Through The Bathroom Window", "Dust My Broom", "I Wish It Would Rain", "Get Back", "Games People Play", "Annie Had A Baby", "Chopper", "River Deep Mountain High", and "Just One More Day". CD

Close matches41
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✨✧ Miroslav VitousBass (aka Mountain In The Clouds) ... CD
Vortex/BGO (UK), 1972. New Copy ... Out Of Stock
One of the greatest moments ever from bassist Miroslav Vitous – a very cool album recorded for the trippy Vortex label! The lineup here has Miroslav working with key help from the American underground – piano from Herbie Hancock, tenor from Joe Henderson, and drums from Jack DeJohnette – plus added guitar from John McLaughlin, who seems to have the same spacey sensibilities as Vitous! Henderson really opens up too – in that fluid style of his post-Blue Note work on Milestone – and obviously Herbie's a great one for a set like this too – hitting some of the spiritual modes of his Warner work. Some tracks are nice and long – and titles include "Freedom Jazz Dance", "Infinite Search", "I Will Tell Him On You", "Mountain In the Cloudes", and "Epilogue". Originally issued as the album Infinite Search on Embryo, but expanded here with the additional track "Cerecka". CD
 
Possible matches: 1
Possible matches42
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Michael WeissPresenting Michael Weiss ... CD
Criss Cross (Holland), 1986. Used ... $9.99
With Tom Kirkpatrick on trumpet, Ralph Lalama on tenor, Ray Drummond on bass, and Kenny Washington on drums. Titles include "Apres Vous", "Enigma", "Riverbed", and "BGO". CD
(Out of print, punch through booklet with promotional stickers on the booklet cover & the disc.)
 
Partial matches: 10
Partial matches43
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Laurence HobgoodLeft To My Own Devices ... CD
Naim (UK), 2000. Used ... $2.99
... CD

Partial matches44
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Laurence Hobgood/Brian Torff/Paul WerticoState Of The Union ... CD
Naim (UK), 1998. Used ... $1.99
... CD
(Out of print.)

Partial matches45
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FallGrotesque (After The Gramme) ... LP
Superior Viaduct, 1980. New Copy ... $19.99
The first great punk rock album of the 80s! The Fall are at their ragged, blurry best on Grotesque (After The Gramme), with Marc E. Smith balancing bored, barbed witticism and coy sarcasm brilliantly over the bands patented tinny trudge. As with the Fall's other great albums, it's difficult to make out just Smith is saying most of the time, but you still get the point. So many indie rock bands owes the inspiration for their career to songs like "New Face In Hell" – and other tracks include "City Hobgoblins", "Put A Block", "Container Drivers", "Pay Your Rites", "Impression Of J. Temperance" and more. LP, Vinyl record album

Partial matches46
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FallRough Trade Singles ... LP
Rough Trade/Superior Viaduct, Early 80s. New Copy ... $19.99
Fantastic early work from The Fall – some key singles issued by the Rough Trade label as 45s during the first few years of the group – already a great showcase for the mad wit of Mark E Smith! While we love the albums from this time, these singles are maybe the songs we go back to again and again – as they sometimes have surprisingly catchy hooks, even while maintaining an edge – and often resonate with that Smith sense of humor that sometimes takes a few listens to pick up on! Tracks include "Totally Wired", "Putta Block", "How I Wrote Elastic Man", "City Hobgoblins", "The Man Whose Head Expanded", "Ludd Gang", "Kicker Conspiracy", "Wings", "Container Drivers", and "New Puritan". LP, Vinyl record album

Partial matches47
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Mostly Other People Do The KillingLoafer's Hollow ... CD
Hot Cup, 2017. New Copy ... $5.99
Fantastic work from a group who never fail to blow our minds – and who also seem to try out something different with each new record, yet never falter at all in their progress forward! Mostly Other People Do The Killing may have one of the longest names in jazz, but they've also got a brash approach that really lives up to the cockiness of their name – a confident step in whatever direction they want, which always leads them down the best path. This time around, they're mixing both modern and trad jazz expressions with literary inspiration from writers who include Thomas Pynchon, Kurt Vonnegut, James Joyce, Cormac McCarthy, and David Foster Wallace – each of whom are listed as reference points for certain songs – which are based around snippets of their text, then transformed into a musical mode. The instrumentation is a very offbeat take on trad – with Jon Irabgon on tenor and sopranino sax, Steven Bernstein on trumpet and slide trumpet, Dave Taylor on bass trombone, Brandon Seabrook on banjo and electronics, Kevin Shea on drums, Ron Stabinsky on piano, and leader Moppa Elliott on bass. Titles include "Kilgore", "Hi Nella", "Honey Hole", "Bloomsberg", "Glen Riddle", "Mason & Dixon", and "Five". CD

Partial matches48
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New Watusi Jazz UnitConference ... LP
Dancing Man, Mid 70s. Very Good ... $9.99
We've got to admit, we know nothing about this band, although they appear to be some type of school or university jazz band. A few of the tracks are kind of weak, but there's some others that have a nice spiritual large band sort of feel, with more open-ended arrangements that allow for good solos. Laurence Hobgood is on piano, and solos a lot on the record. Tracks include "Watusi", "Free Beer", "Bijou", and "Go Shakabushi". LP, Vinyl record album

Partial matches49
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✨✧ Dave DouglasBrazen Heart – Live At Jazz Standard (8CD set) ... CD
Greenleaf, 2018. New Copy 8 CDs ... Temporarily Out Of Stock
A tremendous tribute to the ever-evolving genius of jazz trumpeter Dave Douglas – and a super-expanded live set that puts Dave in the company of classic players like John Coltrane, Sonny Rollins, or Dexter Gordon – whose extended live expressions never fail to hold our imagination! The 8CDs of material here were recorded over four nights in 2015 – with Dave's trumpet in the same company as his excellent group on the Brazen Heart album – Jon Irabgon on tenor, Linda Oh on bass, Rudy Royston on drums, and Matt Mitchell on piano – a superb lineup that balances individual expressions with a really coherent sense of soul in the group. Many tunes repeat from night to night, but the solos and conception changes nicely – as you'd find in a box of this nature by John Coltrane – and the whole thing offers up a heck of a bang for your record-buying buck! CD

Partial matches50
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✨✧ Ekkehard EhlersPlays ... CD
Staubgold (Germany), 2002. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Partial matches51
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✨✧ VariousModern Jazz Dance Classics Vol 1 – Compiled By Jeff The Fish ... LP
Staubgold (Germany), 2000s/2010s. New Copy 2LP ... Out Of Stock
A great little record – even if it's not entirely what you might guess from the title! These tune's aren't all jazz – although all are plenty jazzy – a mixture of contemporary club cuts that draw on jazz-based inspirations from earlier generations – mostly numbers from the past decade or two, served up here in a really wonderful package! Some of the work is from a time when European and Japanese groups were opening things up to keyboard solos that are far deeper and more interesting than the house music years – other cuts have more of the clubjazz vibe that grew out of certain scenes around the globe at the start of this century – and a few more are straight jazz, but still with a very unusual vibe. Everything is upbeat and rhythmic – as you might expect – and titles include "A New Day" by Hajime Yoshizawa, "Gemineyes" by Khari Cabral & Jiva, "Lovely Day" by Sol, "Flying Funk" by Novox, "First Landing" by Cro Magnon Jin, "Moroccan Dancehall" by Maurice Brown, "Line On The Sea" by Yusuke Shima, "Para Thad Jones" by Hermeto Pascoal, "Runners High" by Tri4th, and "Julkinen Sana" by The Ricky Tick Big Band with Julkinen Sana. LP, Vinyl record album

Partial matches52
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✨✧ Patrick VianBruits Et Temps Analogues ... LP
Egg (France), 1976. Very Good+ ... Out Of Stock
Definitely the sounds promised in the title – and a sweet little set from 70s Paris, and one that bridges the gap between earlier electric prog and some of the clubbier cosmic sounds to come! The tunes are heavy on keyboards – great moog, Arp, and Fender Rhodes played by Patrick Vian and Georges Granier – mixed with guitar from Bernard Lavialle and lots of cool percussion from Mino Cinelu – all with a style that echoes some of the best modes of the Sky Records scene in Germany, but which has a tighter, more melodic approach overall! Things are still plenty trippy, but have a great sort of focus too – a wonderful balance that really makes the record stand out from more noodly, self-indulgent sets of the time. Titles include "Oreknock", "Sphere", "Grosse Nacht Musik", "Barong Rouge", "Tricentennial Drag", and "R&B Degenerit". LP, Vinyl record album
(Recent German Staubgold pressing.)
 
 
 



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