A legendary album – one that has Aretha Franklin returning to her roots in gospel music – but working with all the strength and power that Atlantic Records had to offer! From early years recording as a young voice alongside her father's congregation, Aretha has matured into a hell of a lead singer – and really knocks it out of the park here alongside the mighty James Cleveland, and the Southern California Community Choir! While it might have been nice to record the set back home in Detroit, the California setting for the material works perfectly to elevate Franklin to a special place in the heavens – tying together her heritage in beautiful ways, and making for another great stride forward in her career during the 70s. One of the best ideas ever for a soul music concept album – with titles that include "Mary Don't You Weep", "How I Got Over", "Precious Memories", "Wholy Holy", "Never Grow Old", "Amazing Grace", and Climbing Higher Mountains". CD

A legendary album – one that has Aretha Franklin returning to her roots in gospel music – but working with all the strength and power that Atlantic Records had to offer! From early years recording as a young voice alongside her father's congregation, Aretha has matured into a hell of a lead singer – and really knocks it out of the park here alongside the mighty James Cleveland, and the Southern California Community Choir! While it might have been nice to record the set back home in Detroit, the California setting for the material works perfectly to elevate Franklin to a special place in the heavens – tying together her heritage in beautiful ways, and making for another great stride forward in her career during the 70s. One of the best ideas ever for a soul music concept album – with titles that include "Mary Don't You Weep", "How I Got Over", "Precious Memories", "Wholy Holy", "Never Grow Old", "Amazing Grace", and Climbing Higher Mountains". LP, Vinyl record album

A legendary album – one that has Aretha Franklin returning to her roots in gospel music – but working with all the strength and power that Atlantic Records had to offer! From early years recording as a young voice alongside her father's congregation, Aretha has matured into a hell of a lead singer – and really knocks it out of the park here alongside the mighty James Cleveland, and the Southern California Community Choir! While it might have been nice to record the set back home in Detroit, the California setting for the material works perfectly to elevate Franklin to a special place in the heavens – tying together her heritage in beautiful ways, and making for another great stride forward in her career during the 70s. One of the best ideas ever for a soul music concept album – with titles that include "Mary Don't You Weep", "How I Got Over", "Precious Memories", "Wholy Holy", "Never Grow Old", "Amazing Grace", and Climbing Higher Mountains". This package really expands past the original album – and adds in all these other tracks recorded during the proceedings, which were done over the course of two different nights in November of 1972 – with a mighty set of long tracks that quadrupalizes the original double album! CD

A great early album from the young Aretha Franklin – a set that shows a very different trajectory in her sound, but a great one too! There's less of the deep soul of Franklin's Atlantic recordings, but that's more than compensated for a great jazzy vibe – served up courtesy of the piano of Ray Bryant, whose group here really makes the album cook! And it's not just Ray on piano – the set also features Al Sears on tenor and Quentin Jackson on trombone – and Bryant steps aside to let Aretha play some piano too. Tracks include "Won't Be Long", "Love is The Only Thing", "Sweet Lover", "All Night Long", "Who Needs You", "Today I Sing The Blues", and "Maybe I'm A Fool". LP, Vinyl record album

Despite the title, this isn't really Aretha's greatest hits – as it includes no numbers from the Atlantic years – but it is a pretty good selection of Aretha's earlier work for Columbia, and features some real gems that should have been bigger hits than they were. Titles include "Runnin Out Of Fools", "Try A Little Tenderness", "Sweet Bitter Love", "Today I Sing The Blues", "Without The One You Love", and the sweet sample cut "One Step Ahead". LP, Vinyl record album

... LP, Vinyl record album

Tracks include "Chain Of Fools", "Say A Little Prayer", "A Natural Woman", "Think", "Rock Steady", "Respect", "Spanish Harlem", "Dr Feelgood", and more. 12 tracks in all. CD

... Cassette

Essential work by Aretha Franklin – one of her best albums for Atlantic in the late 60s, with tracks that virtually define the sound of hard soul during the late 60s! The album's filled with excellent material – featuring 2 killer tracks recorded in Muscle Shoals ("Do Right Woman, Do Right Man" and "I Never Loved A Man"), plus lots of other great hard soul groovers done with Aretha's guiding light, Arif Mardin, in Atlantic's New York studios – including the tracks "Respect", "Baby, Baby, Baby", "Save Me", and "Dr. Feelgood". CD

One of Aretha Franklin's undisputed classics from her late 60s run on Atlantic Records – a seminal session that furthered her deep soul agenda with key backings from Arif Mardin and Tom Dowd – both of whom handle the mix of rawness and polish that made Aretha so great at the time! The Sweet Inspirations provide sublime backing vocals behind Franklin's maturing delivery of the lyrics – and the music is by an all-star group of players that includes Spooner Oldham, Bobby Womack, Jimmy Johnson, King Curtis, Tommy Cogbill, Roger Hawkins, and even Eric Clapton – clearly the cream of the crop, more than willing to be part of such an amazing set! Cuts include "You Make Me Feel Like A Natural Woman", "Chain Of Fools", "Money Won't Change You", "Come Back Baby", and "Ain't No Way". LP, Vinyl record album

One of Aretha Franklin's undisputed classics from her late 60s run on Atlantic Records – a seminal session that furthered her deep soul agenda with key backings from Arif Mardin and Tom Dowd – both of whom handle the mix of rawness and polish that made Aretha so great at the time! The Sweet Inspirations provide sublime backing vocals behind Franklin's maturing delivery of the lyrics – and the music is by an all-star group of players that includes Spooner Oldham, Bobby Womack, Jimmy Johnson, King Curtis, Tommy Cogbill, Roger Hawkins, and even Eric Clapton – clearly the cream of the crop, more than willing to be part of such an amazing set! Cuts include "You Make Me Feel Like A Natural Woman", "Chain Of Fools", "Money Won't Change You", "Come Back Baby", and "Ain't No Way". CD includes 4 bonus tracks "Chain of Fools (unedited version)", "(You Make Me Feel Like) A Natural Woman (mono single version)", "Since You've Never Been Gone (Sweet Sweet Baby) (mono single version)", and "Ain't No Way (mono single version)"! CD

A completely cooking little live set from Aretha Franklin – and a crowning moment not just in her career, but for Atlantic Records soul in general! Aretha's working here before a very enthusiastic crossover crowd at the Fillmore West in San Francisco – getting tight backing from the combo of King Curtis (Memphis Horns, Billy Preston, and Pretty Purdie in tow!) – and hitting a groove that's often rawer, grittier, and more deep-soul tuned than some of her studio sides from the time! The recording quality is totally great – and goes out of its way to preserve the presence of the audience, and showcase Aretha's own interaction and strong sense of personality. Ray Charles makes a surprising guest appearance on one track, but the whole show is really Franklin's own – a majestic little live date that features the tunes "Spirit In The Dark", "Respect", "Make It With You", "Don't Play That Song", "Dr Feelgood", and "Love The One You're With". LP, Vinyl record album

... CD

A budget collection of material that Aretha cut during her early years at Columbia – featuring tracks from some of her hard to find albums, plus a few that we've never seen before. As with all of Aretha's Columbia work, the sound is very different from the Atlantic recordings – but she does a great job with material in a bluesy and jazzy style, showing herself to be an incredible singer even at a very young age. Titles include "Two Sides Of Love", "Hands Off", "Drinking Again", "Where Are You?", and "Here's Where I Came In". LP, Vinyl record album

A huge hit for Aretha Franklin – and a record that brought her famous vocals to a whole new generation of listeners! The sound is definitely different than before – a change from both the deep soul of Atlantic years, and the initial classy approach of her time at Arista – and working with lots of help from Narada Michael Walden, Aretha gets an 80s groove that turns out to be a perfect platform for her sound – one that lets her vocals really take off, while still getting plenty of great hooks as well – all in a mode that somehow sounds far less commercial than we remember at the time. Includes the massive hits "Freeway Of Love" and "Who's Zoomin Who" – plus "Ain't Nobody Every Loved You", "Push", "Integrity", "Sisters Are Doin It For Themselves", and "Sweet Bitter Love". LP, Vinyl record album

A big one from Aretha Franklin's 80s comeback years on Arista Records – a set that features a surprising guest appearance from Keith Richards, but mostly concentrates on Franklin's successful run with producer/arranger Narada Michael Walden – who continues to do a great job of updating her sound! There's less deep soul numbers here than in the early days, and instead Aretha goes for a gentler expression of her range – but one that still soars in all the right places. The album features duets with Larry Graham and George Michael – and titles include "An Angel Cries", "Rock A Lott", "He'll Come Along", "Jimmy Lee", "I Knew You Were Waiting For Me", "Jumpin Jack Flash", and "Look To The Rainbow". LP, Vinyl record album

A great early album from the young Aretha Franklin – a set that shows a very different trajectory in her sound, but a great one too! There's less of the deep soul of Franklin's Atlantic recordings, but that's more than compensated for a great jazzy vibe – served up courtesy of the piano of Ray Bryant, whose group here really makes the album cook! And it's not just Ray on piano – the set also features Al Sears on tenor and Quentin Jackson on trombone – and Bryant steps aside to let Aretha play some piano too. Tracks include "Won't Be Long", "Love is The Only Thing", "Sweet Lover", "All Night Long", "Who Needs You", "Today I Sing The Blues", and "Maybe I'm A Fool". LP, Vinyl record album

One of a handful of crucial early Aretha Franklin albums for Atlantic – and a key example of her genius pairing with arranger Arif Mardin! Instrumental backing is by a hard burning Memphis/Muscle Shoals lineup that includes Spooner Oldham on electric piano and organ, Tommy Cogbill on guitar, Andrew Love and Charles Chalmers on tenor, Wayne Jackson on trumpet, and Roger Hawkins on drums – and even Aretha herself gets to play a bit of piano on the set. But the really amazing thing here is the way that this core live mode of backing is also given some airier, loftier overtones by Mardin and co-arranger Tom Dowd – in a way that lifts up the tunes a bit more, and pushes them away from straight indie southern soul – into the range of greatness that made Franklin stand apart from most of her contemporaries. A key example of this is the album's seminal reading of "I Say A Little Prayer" – but all cuts are great, and other tunes include "Think", "A Change", "You're A Sweet Sweet Man", "I Take What I Want", "See Saw", "Hello Sunshine", and "You Send Me". LP, Vinyl record album

One of Aretha Franklin's greatest records – and a complicated batch of jazzy tunes that features arrangements and production by Quincy Jones! The record breaks way past the stock southern soul style of some of Aretha's earlier work for Atlantic – and it features a more sophisticated style that hits a number of different moods, and which shows off Aretha's strong commitment to growth as an artist. Features a semi-hit reading of King Pleasure's old classic, "Moody's Mood For Love", plus "Sister From Texas", "Somewhere", "Angel", and "That's The Way I Feel About Cha". LP, Vinyl record album

Essential work by Aretha Franklin – one of her best albums for Atlantic in the late 60s, with tracks that virtually define the sound of hard soul during the late 60s! The album's filled with excellent material – featuring 2 killer tracks recorded in Muscle Shoals ("Do Right Woman, Do Right Man" and "I Never Loved A Man"), plus lots of other great hard soul groovers done with Aretha's guiding light, Arif Mardin, in Atlantic's New York studios – including the tracks "Respect", "Baby, Baby, Baby", "Save Me", and "Dr. Feelgood". LP, Vinyl record album

Hmm . . . Maybe we'd be afraid, too – if we saw that atom bomb explosion on the cover! A nice Riverside Records release of a Detroit sermon by Aretha Franklin's dad. LP, Vinyl record album

Storming old school R&B, simmering southern soul, stirring gospel soul, and some tender balladry – prime ingredients of some of the best material ever recorded by the incalculably iconic Aretha Franklin! This great collection of tracks cut in the 50s & 60s for Atlantic, Duke, Coral, Scepter, Savoy, Roulette, Mercury and other labels is easily imaginable as the source of inspiration and influence of the Queen Of Soul. Includes tracks by pivotal singers and soul stars, and some lesser known (but hardly lesser in quality) numbers – each and every one top notch and worthy of any conscientious collector of prime soul, and most importantly, it all works well together in the set, sequenced thoughtfully with a deep depth of styles. 24 tracks in all: "Respect" by Otis Redding, "The House That Jack Built" by Thelma Jones, "Sit Down And Cry" by Jean Walls, "Soulville" by Dinah Washington, "Try A Little Tenderness" by Little Miss Cornshucks, "Prove It" by Mary Wheeler, "Let Me Me In your Life" by Bill Withers, The Day Is Past And Gone" by Clara Wind and much more – with notes on each track in the nicely done booklet. CD

Storming old school R&B, simmering southern soul, stirring gospel soul, and some tender balladry – prime ingredients of some of the best material ever recorded by the incalculably iconic Aretha Franklin! This great collection of tracks cut in the 50s & 60s for Atlantic, Duke, Coral, Scepter, Savoy, Roulette, Mercury and other labels is easily imaginable as the source of inspiration and influence of the Queen Of Soul. Includes tracks by pivotal singers and soul stars, and some lesser known (but hardly lesser in quality) numbers – each and every one top notch and worthy of any conscientious collector of prime soul, and most importantly, it all works well together in the set, sequenced thoughtfully with a deep depth of styles. 24 tracks in all: "Respect" by Otis Redding, "The House That Jack Built" by Thelma Jones, "Sit Down And Cry" by Jean Walls, "Soulville" by Dinah Washington, "Try A Little Tenderness" by Little Miss Cornshucks, "Prove It" by Mary Wheeler, "Let Me Me In your Life" by Bill Withers, The Day Is Past And Gone" by Clara Wind and much more – with notes on each track in the nicely done booklet. CD

Early early work from Aretha's foxy sister – recorded in a mode that's similar to some of Aretha's Columbia work from the same period! Erma's singing in a bluesier style than on her Brunswick recordings – working in an approach that's almost like Ruth Brown on Atlantic – singing with larger backings that occasionally have some backing singers and strings on some tracks, and which are more in a rocking soul mode on others. Titles include "Pledging My Love", "Don't Blame Me", "Hello Again", "What Kind Of Girl Do You Think I Am", and "Each Night I Cry". LP, Vinyl record album

Lost funky work from one of the soulful sisters of Aretha Franklin! Erma's got a hard-hitting style that's right up there with Aretha's best for Atlantic – and on this album, she's working in Chicago with Johnny Pate, Sonny Sanders, and Willie Henderson – for a harder-hitting sound than her famous sis, really in the groove with the best of Brunswick from the late 60s! There's as much funk on the record as there is the deep soul you'd expect from the Franklin family, and Erma's vocals are incredible – equally at home with the original tracks on the record, as well as some late 60s hits that are nicely soulized by the boys in the band! Titles include "Hold On I'm Coming", "Baby I Love You", "Light My Fire", "You've Been Cancelled", "Can't See My Way", and "Gotta Find Me A Lover". CD features five bonus tracks – including "Whispers", "It Could've Been Me", "I Just Don't Need You", "Higher & Higher", and "I Get The Sweetest Feelin". CD

Hanif Abdurraqib gave us a great book on Tribe Called Quest a few years back – and here, he turns his fantastic prose to a range of other artists, singers, and musicians – all presented with a fantastic balance of personal reflection mixed with a deep understanding of their work! The subjects range from Aretha Franklin to Don Shirley, Josephine Baker, Whitney Houston, Wu-Tang, and many others – presented by Abdurraqib in ways that are really different than usual, and often cast in the larger setting of the black experience in America – echoing some of Hanif's other writings too. Abdurraqib is easily one of the most compelling essayists on music and culture to emerge in the past few decades – and this well-done volume runs for 300 pages in length in this hardcover edition. Book

The landmark debut of Mary J Blige – a record that not only did a great job of blending underground hip hop and mainstream soul sensibilities – but maybe also opened the door for the Neo Soul revolution to come! Mary comes on here with a fresh new vision in female soul – one that's informed by the youth and upfront energy of the hip hop female MCs that preceded her – but with a depth that also makes Blige sort of the new Aretha Franklin for the end of the century – a deep soul singer, but one who's equally at home in the streets and the studio. Important production is by a young Sean Combs – some of his first great work on record – and the set also features guest appearances from Busta Rhymes, Little Shawn, Grand Puba, Erick Sermon, and CL Smooth. Titles include "Real Love", "Sweet Thing", "Love No Limit", "You Remind Me", "Reminisce", "What's The 411", "I Don't Want To Do Anything", "Changes I've Been Going Through", "Slow Down", and "My Love". CD

A hip little set from Ruth Brown – miles away from her earlier R&B for Atlantic, and much more in the adult, righteous, and contemporary mode you'd expect from the title! The session's one of the key sides from the late 60s Skye Records catalog – and like others on the label, it features Gary McFarland production, and some great small group backings by a group that includes Richard Tee on organ, Billy Butler on guitar, and Herbie Lovelle on drums. Ruth's trials and tribulations are listed in detail inside the notes – and the record was one of the first re-discovery efforts that Brown undertook – a session that was trying to help her pay her dues, and expose her to the same sort of audiences that were lapping up Aretha Franklin at the time, but not giving as much attention to older singers. Tracks are a mix of (then) contemporary numbers and updated older tunes – with titles that include "Yesterday", "Please Send Me Someone To Love", "Lookin Back", "Try Me & See", "Miss Brown's Blues", "My Prayer", and "This Bitter Earth". CD

Doris Duke's no loser at all – certainly not with a record this great – a killer set of deep soul tracks that may well stand as the singer's finest moment ever! Doris works here at a level that rivals all the best southern-tinged singers of her generation – Aretha Franklin, Ann Peebles, and others – and also gets some key help from Jerry "Swamp Dogg" Williams in the studio – who helps give the record a raw undercurrent, linking it to the best Stax Records material of the time. Duke sometimes brings a sophisticated twist to the vocals, which is nicely appreciated – and which keeps everything far from the realm of cliche – on titles that include "I Don't Care Anymore", "He's Gone", "To The Other Woman (I'm The Other Woman)", "Divorce Decree", "We're More Than Strangers", and "The Feeling Is Right". LP, Vinyl record album

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". LP, Vinyl record album

The very first solo album from Chaka Khan – recorded after a great 70s run in Rufus, and an instant-classic that showed the world that she might be an even more amazing artist on her own! All those fantastic vocals from the previous albums with Rufus seem to get even more center stage action here – set up with these superb arrangements from Arif Mardin, who does the same thing for Chaka that he'd done for Aretha Franklin a decade before – pushing her immediately into the role of superstardom, but in a way that's doesn't sacrifice her art at all – and which in fact may well make it even better! Titles include the long-running classic "I'm Every Woman" – but we love even more the incredible "Love Has Fallen On Me" – a funky gem that seems to evoke the Chess/Cadet scene that was in Chicago during Chaka's early years – next to other great tunes that include "I Was Made To Love Him", "Sleep On It", "We Got The Love", "Life Is A Dance", and "Sleep On It". CD

The very first solo album from Chaka Khan – recorded after a great 70s run in Rufus, and an instant-classic that showed the world that she might be an even more amazing artist on her own! All those fantastic vocals from the previous albums with Rufus seem to get even more center stage action here – set up with these superb arrangements from Arif Mardin, who does the same thing for Chaka that he'd done for Aretha Franklin a decade before – pushing her immediately into the role of superstardom, but in a way that's doesn't sacrifice her art at all – and which in fact may well make it even better! Titles include the long-running classic "I'm Every Woman" – but we love even more the incredible "Love Has Fallen On Me" – a funky gem that seems to evoke the Chess/Cadet scene that was in Chicago during Chaka's early years – next to other great tunes that include "I Was Made To Love Him", "Sleep On It", "We Got The Love", "Life Is A Dance", and "Sleep On It". LP, Vinyl record album

Chaka Khan on Warner Brothers – a fantastic second chapter in the career of the singer who already took the 70s by storm with her work in Rufus! Here, Chaka emerges as an even more powerful solo singer on her own – often getting treatment from Arif Mardin in the studio, who elevates Chaka in the same way he did Aretha Franklin during the generation before – with modes that are at once sophisticated and soulful, and instantly classic in a way that few other soul singers in the 80s would ever sound. Titles include "I'm Every Woman", "Papillon", "Hot Butterfly", "I Know You I Live You", "I Feel For You", "Tell Me Something Good (live)", "Through The Fire", "And The Melody Still Lingers On", and "What Cha Gonna Do For Me". CD

Dianne Reeves – as lovely as ever, perhaps even more so – as the set's a nicely stripped-down session that really showcases her best side! The tunes are spare and simple small combo numbers – mostly with piano trio backing, but also including a bit of occasional trumpet and guitar. Dianne performs wonderfully on a mix of standards served up with a heck of a lot more soul and expression than we're used to hearing from the tunes – and production on the set is by Arif Mardin, showing the same simple elegance that he brought to classic work by Aretha Franklin and Chaka Khan. Titles include "I'm All Smiles", "Loads Of Love", "Skylark", "We'll Be Together Again", "What A Little Moonlight Can Do", and "Reflections". CD

A label-spanning collection that definitely offers up the best of this wonderful soul singer – plus loads of lesser-known gems as well! Bettye Swann may never have truly hit the big time in the late 60s – at least not in comparison to a contemporary like Aretha Franklin – but she was a hell of a deep soul singer who always gave her best, and who got set up with an excellent range of sessions on labels that include Fame, Atlantic, Capitol, and Money Records – all of which are featured here! Swann's got this badass way of putting over a lyric when she wants to – the deep soul grit that came from her time in the indie market – but she also grew to a new level of sophistication in the 70s, and moved past any of the southern soul cliches that so many artists were still clinging to – to emerge with a righteous power that's summed up in the cool cover image here! The set features a few new mixes of tracks from Bettye's Money label sessions – plus lots more tracks too – a total of 24 that include "Traces", "Then You Can Tell Me Goodbye", "A Change Is Gonna Come", "Make Me Yours", "Our Love", "Don't Wait Too Long", "When The Game Is Played On You", "Kiss My Love Goodbye", "Time To Say Goodbye", "I'm Just Living A Lie", "Tell It Like It Is", "All The Way In Our All The Way Out", "Closed For The Season", and "I Think I'm Falling In Love". CD

A fantastic overview of the later genius of Sister Rosetta Tharpe – a key figure in the development of rock, soul, and a number of other styles from that key midcentury moment in American music! Tharpe's a singer with a voice that influenced Aretha Franklin and other female soul artists – and a guitarist with a fast-riffing style that was born in gospel, but had a huge influence on rock and roll – as you'll hear here in a really well-chosen batch of cuts from the second half of her career! The package features two titles from 40s radio broadcasts, but all the rest of the material is from the years 1957 to 1971 – half with Rosetta in front of a larger ensemble, half with just the singer and her guitar. There's a bit less in the way of notes than we'd like, but it appears that much of the solo material is from her live set of 1970 – leaving a mix of other material along the group side of the collection. 30 tracks in all – with titles that include "Can't No Grave Hold My Body Down", "Mansions In The Sky", "Didn't It Rain", "Rock Daniel", "Shout Sister Shout", "This Train", "Precious Moment", "Up Above My Head I Hear Music", "Peace In The Valley", "Is Everyone Happy", and "Vacation In The Sky". LP, Vinyl record album

Killer soul from Doris Troy – a wonderful selection of classic singles from a variety of different labels – mostly smoking selections from the 60s, but a few rare gems from later years too! Doris is one of those singers who never hit the chart heights of some of her contemporaries, but always managed to do impeccable work – as you'll hear here on a range of singles for labels like Calla, Cameo, Capitol, Atlantic, and Apple! Troy's got this amazingly rich voice – one we'd rank right up there with Aretha Franklin at her best – supported here by a range of backings that run from deep soul to uptown soul to some warmer 70s modes. Titles include "Face Up To The Truth", "Just One Look", "What A Night Night Night", "Don't Tell Your Mama", "You Tore Me Up Inside", "Heartaches", "He's Qualified", "I'll Do Anything", "Hear Me Calling", "Can't Hold On", "Tomorrow Is Another Day", and "What A Wonderful Lover". CD

Mindblowing work from Ella Washington – a lesser-known force in southern soul during the late 60s, but a singer whose music really leaves us breathless! Washington's work on this set is impeccable throughout – far beyond the simple southern soul cliches that were coming to be common in the generation of Aretha Franklin and Tina Turner – and instead, very much in her own space – recorded with sophistication and emotion that so many other singers wouldn't tap this well until a few years later. The themes of the tunes are great – heartfelt, but still with an emotional inner strength that really matches Ella's vocals – and titles include "Stop Giving Your Man Away", "Sweeter & Sweeter", "Fragile", "Starving For Love", "He Called Me Baby", "All The Time", and "The Affair". LP, Vinyl record album

A special version of this excellent series – with an album by each artist in the package! Side one features a killer album by the justly described Great JJ Jackson – and one that's been a darn tough one to find over the years! The leadoff cut is JJ's amazing single "But It's Alright", a slammin' soul track that always stops us dead whenever we hear it – which isn't often enough! The rest of the material is excellent too, and there are lots of nice tracks like "I Dig Girls", "Courage Ain't Strength", "Too Late", "Try Me", "Down But Not Out", Sho Nuff (Got A Good Thing Going", and "Four Walls". He's equally adept at uptempo soul and more ballad inflected tunes – great stuff all the way! Side two features Hypnotized by Linda Jones – one of the greatest female singers on the east coast scene at the end of the 60s – heard here on a classic Warner Brothers set that includes some of her best-remembered tracks! At some level, the set's a prequel to Linda's later recordings for the Stang/All Platinum label – as it features production and arrangements by the great George Kerr – who really has a way with slow-moving soul tunes, and the kind of sad-tinged tracks that Jones always did so well! Plus, his raw production really brings out some of the deeper soul qualities in Linda's voice – a mode that's quite a surprise at times, and presented here in a way that's far beyond any of the Aretha Franklin-styled cliches of other singers. Jones is a tremendously unique talent in female soul, and this album's her lasting legacy – a true treasure with cuts that include the hit "Hypnotized", plus loads of other nice ones like "Last Minute Miracle", "Give My Love A Try", "You Can't Take It", "What've I Done", and "I Can't Stand It". LP, Vinyl record album

Includes tracks by Aretha Franklin, Jackie Wilson, Wilson Pickett, Otis Redding, The O'Jays, The Five Stairsteps, and Tyrone Davis. CD