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Anthony Braxton Edit search Phrase match

 
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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
Anthony BraxtonFreedom Years (Complete Braxton/Silence/Time Zones) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1969/1971/1976. New Copy 2CD Gatefold ... $29.99
A trio of fantastic recordings from Anthony Braxton – all of them at a pivotal time in his career, and each with his reed work in a very different setting! First up is the double-length album The Complete Braxton – a record that's something of a document of Anthony Braxton during his brief period with the group Circle – but a set that also offers up an expanded take on their new idea of freedoms in jazz! Braxton plays alto, soprano, clarinet, and bass clarinet – using his angular reedwork amidst his own fantastic "equation" compositions – which allow for plenty of improvisation from shifting lineups that include Chick Corea on piano, Dave Holland on bass and cello, and Barry Altschul on percussion! The tracks also feature the great Kenny Wheeler on trumpet and flugelhorn – playing mostly at moments when the piano of Corea drops out – and one tune also features the London Tuba Ensemble, who make for an especially bracing sound! Titles include "67M F-12", "R76", "JNK", and a bunch of those compositions that just have pictures for the title! Silence features Anthony Braxton, recorded in Paris at the end of the 60s – but in the company of two very familiar talents from his hometown – Wadada Leo Smith on trumpet and Leroy Jenkins on violin! Unlike some of Braxton's other Paris recordings, there's a very strong Chicago vibe going on here – as both of the album's long tracks unfold with thoughtful, almost gentle improvisation at times – a very different current of spiritualism than the post-Coltrane world, with all players picking up other instruments at times – in that mode-shifting way that made the early AACM so wonderfully creative! The set features two side-long titles – "Silence" and "Off The Top Of My Head". Time Zones is one of Anthony Braxton's most compelling albums of the 70s – a series of sonic explorations recorded with electronic music artist Richard Teitelbaum – whose work on a variety of moog synthesizers makes for a very groundbreaking accompaniment to Braxton's work on soprano, alto, and bass clarinet! The album features two long improvisations – "Crossing" and "Behemoth Dreams" – both of which are maybe more in the organic territory of the AACM than some of the later experiments that have electronics and improvisation – a really special space that the pair create together that's different from earlier electro-acoustic work, and even the sound of MEV or AMM – a completely fresh approach to electronics in improvisation – graced with some very interesting moments from Braxton as well. CD

Exact matches2
CD, LP, Vinyl record album cover art
Anthony Braxton & John McDonough6 Duos (Wesleyan) 2006 ... CD
Nessa, 2010. New Copy ... $13.99 16.98
One of the more obscure Anthony Braxton albums of the first decade of the century – but also one that's completely well worth seeking out, as it's got this warm spirit of collaborative creation that takes us back to some of his best moments of the 70s and 80s! The record features duets with trumpeter John McDonough – a Braxton fanatic who's clearly a great partner for the saxophonist to spin out ideas – trumpet notes both muted and muted, mixing with Braxton's work on alto, baritone, sopranino, and soprano sax – each with a very different sense of interplay from track to track! The album features two long, very out numbers – "Improvisation" and "Composition 168 + (103)" – then moves into a sublime sonic exercise on "Massive Breath Attack", offers a surprising reading of "Hail To The Spirit Of Liberty", and also includes the tunes "Finnish Line" and "Schizoid". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Anthony Braxton & Mario PavoneDuets (1993) ... CD
Music & Arts, 1993. Used ... $9.99
Bassist Mario Pavone makes for a surprisingly great choice to duet here with the reeds of Anthony Braxton – as Pavone's got a richly responsive way of improvising, one that almost creates these little shadows of sound behind Braxton's lead! The approach is extremely resonant – really bringing the players sensibilities together wonderfully, and making for a record that's almost warmer than other Braxton dates of this nature – especially when Anthony plays it a little straight on the album's readings of "I Remember You" and "Stablemates". Other titles include "Composition No 65", "Composition No 6(0)", "Composition No 135", and "The Call". CD
(Still sealed.)

Exact matches4
CD, LP, Vinyl record album cover art
Anthony Braxton – Georg Grawe DuoAmsterdam 1991 ... CD
Okka Disk, 1991/1997. New Copy Gatefold ... $9.99 14.99
A really wonderful, very organic album from the duo of Anthony Braxton on reeds and Georg Grawe on piano – a set that's got a looser, freer vibe than some of Braxton's other music of the time – and which maybe takes us back to the spirit of some of earliest work on the Chicago scene! Grawe's got a nicely pointed style of playing – notes that are free, but clear and distinct – which seems to almost produced a grittier style from Braxton at times, as he blows a range of instruments that include soprano sax, clarinet, alto, and flute. The titles are free of the more academic codes that Braxton usually brings to play, and the music is too – on selections that are simply titled "Duet 1", "Duet 2", and "Duet 3". CD

Exact matches5
CD, LP, Vinyl record album cover art
Anthony Braxton/Hildegard KleebPiano Music Vol 2 1968 to 1988 ... CD
Hatology (Switzerland), Late 60s/1970s/1980s. Used 2 CDs ... $32.99
Braxton's piano music – performed by Hildegard Kleeb! CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Anthony Braxton/Milford Graves/William ParkerBeyond Quantum ... CD
Tzadik, 2008. New Copy ... Just Sold Out!
A fantastic outing from these three legends of improvised music – set that's maybe more in the territory of work by Milford Graves and William Parker than it is the usual work of Anthony Braxton – especially for this time in his career! Graves plays drums and percussion, Parker is on bass, and Braxton leaps into the fray wonderfully as the three improvise together – drawing on energy that's much more like his Chicago roots in the AACM than his style of later years – almost as if Braxton's rewriting himself into loft jazz history and shaking loose of the mathematical formulas that often inspire his tunes! Braxton handles a range of saxes, and Graves is especially wonderful in the recorded space of the meeting – as the trio make their way through five improvised selections. CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Frederic Rzewski/Anthony Braxton/Hanns EislerNo Place To Go But Around/P Jos.. 4K D (Mix)/Third Sonata – Frederic Rzewski ... LP
Finnadar, 1976. Sealed ... $19.99
... LP, Vinyl record album
(Still sealed, with some small tears and sticker remnants.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Anthony BraxtonTown Hall 1972 ... CD
Trio/Ultra Vybe (Japan), 1972. New Copy ... Temporarily Out Of Stock
Seminal work from Anthony Braxton – a crucial concert recorded at Town Hall in the early 70s – originally only issued in Japan, but a date that's ended up getting some real global attention over the years! The first half of the set features Braxton's alto in a trio with Dave Holland on bass and Phil Wilson on percussion – working in lots of open, angular space – on two very long readings of Braxton compositions "Composition 6N" and "Composition 6(O)" – plus an incredible take on "All The Things You Are" – done around the time Braxton had recorded some straighter material, but really pushed outside here by the trio! The second half of the set features work by a quintet – still with Dave Holland on bass, but also a Circle appearance by Barry Altschul on drums, plus John Stubblefield on tenor, flute, and bass clarinet – and even Jeanne Lee on vocals. Braxton plays a number of horns – alto and soprano sax, flute, bass clarinet, b-flat clarinet – and even some percussion – and the group play one long track, "Composition 6", in two parts. CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Max Roach & Anthony BraxtonOne In Two/Two In One ... CD
Hatology (Switzerland), 1979. Used ... Temporarily Out Of Stock
A genius collaboration between Max Roach and Anthony Braxton – a single performance that spans the entire record, and which showcases some of the best work by both players at the time! Roach is a real revelation here – coming off of an already experimental side of 70s sessions, but moving into even more of a deeply complicated mode here through a range of different percussion instruments, gongs, and cymbals – all of which help him unlock a more melodic side of his playing, which is then offset by even more dramatic rhythmic moments. Braxton is wonderful too – moving beyond some of his colder 70s moments and often unleashing searing solo intensity that rivals the best of the European free scene. There's a mix of modes, styles, sounds, and textures here that keeps things exciting throughout – and the album's a real treasure in the catalog of both artists! CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Anthony BraxtonAnthony Braxton Quartet Ao Vivo Na Fabrica ... CD
SESCSP (Brazil), 2014. New Copy 2 CDs ... Out Of Stock
A very cool record from reedman Anthony Braxton – one that's got a trio of horns coming into play with a guitar – all at a level that creates beautiful interplay between the sharp edges of the former, and ringing tones of the latter! The quartet features Braxton on alto, soprano, and sopranino – as well as a bit of electronics – alongside Taylor Ho Bynom on cornet, bass trumpet, and flugelhorn; Ingrid Laubrock on soprano and tenor; and Mary Halverson on electric guitar – an instrument which really seems to shape the set, and give it a different feeling than most other Braxton recordings! Halvorsen is wonderful here – and can blend notes and textures in this beautiful way that really seems to work especially well with the reeds. The 2CD set features long performances from two different nights in Brazil – performances of "Composition No 366d" and "Composition No 367b". CD
 
Possible matches: 16
Possible matches11
CD, LP, Vinyl record album cover art
Lester BowieNumbers 1 & 2 (50th anniversary edition) ... CD
Nessa, 1967. New Copy ... $13.99 16.99
Some of the earliest work ever recorded by Lester Bowie as a leader – and a set that stands in importance right next to the early Delmark AACM sides by Anthony Braxton and Roscoe Mitchell! Plus, the album's almost an early Art Ensemble of Chicago effort, given the lineup – which features Bowie on trumpet and flugelhorn; Roscoe Mitchell on alto, soprano, clarinet, and flute; Malachi Favors on bass; and Joseph Jarman on alto, sopranino, and clarinet!. The session was cut in 1967 by Chuck Nessa, and it features performances of the tracks "Number 1" and "Number 2" – very much in the Art Ensemble mode, with alternating instrumentation, sharp attacks and spare moments, plus a good dash of humor! CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Dave BrubeckAll The Things We Are ... LP
Atlantic, 1976. Near Mint- ... $14.99
One of the best Dave Brubeck albums from later years – and one of the hippest! The record is noteworthy for its pairing of Anthony Braxton and Lee Konitz – the former a rising star at the time, influenced strongly by the latter in his roots – showcased here in some rare moments of Braxton straight-aheadness! Brubeck's contribution is heard most strongly on the album's extended trio "Jimmy Van Huesen Medley" – played by Dave with Jack Six on bass and Alan Dawson on drums. But we're most partial to the saxophone tunes – Konitz playing a spare duet with Brubeck on "Don't Get Around Much Anymore", soloing with the group on "Like Someone In Love", duetting with Braxton on "All The Things You Are" – and stepping back to let Anthony play with Dave on a version of "In Your Own Sweet Way". Really great stuff throughout – and a unique Brubeck moment! LP, Vinyl record album
(Cover has light wear and aging, with a 6 inch center split in the spine.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Ray CharlesGenius + Soul = Jazz ... LP
Impulse, 1960. Very Good- Gatefold ... $11.99
A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album
(Orange and black label stereo Capitol Record Club pressing. Cover is lightly stained about 4 inches along the opening, with some waviness at the front panel, and a fairly large peeled patch on back.)
Also available
Genius + Soul = Jazz (SACD) ... CD 34.99
Genius + Soul = Jazz (180 gram pressing) ... LP 28.99

Possible matches14
CD, LP, Vinyl record album cover art
Ray CharlesGenius + Soul = Jazz (180 gram pressing) ... LP
Impulse, 1960. New Copy Gatefold (reissue)... $28.99 34.99
A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album
(Part of the Verve/Acoustic Sounds series – heavy vinyl and cover!)
Also available
Genius + Soul = Jazz ... LP 11.99
Genius + Soul = Jazz (SACD) ... CD 34.99

Possible matches15
CD, LP, Vinyl record album cover art
Ray CharlesGenius + Soul = Jazz (SACD) ... CD
Impulse/Analogue Productions, 1960. Used ... $34.99
A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". CD
(SACD pressing.)
Also available
Genius + Soul = Jazz ... LP 11.99
Genius + Soul = Jazz (180 gram pressing) ... LP 28.99

Possible matches16
CD, LP, Vinyl record album cover art
Don CherryMusic Wisdom Love ... LP
Cacophonic (UK), 1969. New Copy (reissue)... $19.99 26.99
One of the weirdest Don Cherry albums you'll ever hope to hear – and that's saying a lot, given the range of incredible albums the man has given us over the years! The music here was recorded for a French film based on the music, poetry, and "antics" of Cherry – done in the Saravah Records studios in 1969, around the same time as Cherry's albums for the BYG/Actuel label on the Paris scene – but with a much looser, more freewheeling vibe overall! The first side of the record features music done with Karl Berger – in a mix of piano, percussion, wood flutes, electronics, and pocket trumpet – shifting many times in terms of tone and spirit, with Cherry at his most organic. Side two features most of the same music, but with Anthony Braxton joining in – as well as poetry at some parts – in the complete edit that was used in the film. A fantastic document in so many ways – of the musicians, of post-68 Paris, and even of European avant cinema! LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Chick CoreaCirculus ... CD
Blue Note, 1970. New Copy ... $18.99
Amazing stuff – and work that will have you changing your opinion about Chick Corea! Around 1970, Corea was part of a groundbreaking group called Circle – an amazing avant quartet that featured his own piano next to the reeds of Anthony Braxton, bass of Dave Holland, and drums of Barry Altschul – a really groundbreaking group, one who was able to tie together so many new strands of jazz – even though they only were around for a few short years! Circle are one of those groups who always gets talked about, but who left behind almost no recorded legacy – which is why this set of recordings from 1970 is so important to an understanding of Corea and Braxton's career. The double length set features three sides worth of Circle material – including "Quartet Piece 1, 2, & 3", and the shorter "Percussion Piece". The 4th side of the set features the trio of Corea, Holland, and Altschul performing the haunting "Drone". CD
(SHM-CD pressing – part of the "Forever Chick Corea" collection!)
Also available Circulus ... LP 34.99

Possible matches18
CD, LP, Vinyl record album cover art
Chick CoreaCirculus ... LP
Blue Note, 1970. Near Mint- 2LP Gatefold ... $34.99
Amazing stuff – and work that will have you changing your opinion about Chick Corea! Around 1970, Corea was part of a groundbreaking group called Circle – an amazing avant quartet that featured his own piano next to the reeds of Anthony Braxton, bass of Dave Holland, and drums of Barry Altschul – a really groundbreaking group, one who was able to tie together so many new strands of jazz – even though they only were around for a few short years! Circle are one of those groups who always gets talked about, but who left behind almost no recorded legacy – which is why this set of recordings from 1970 is so important to an understanding of Corea and Braxton's career. The double length set features three sides worth of Circle material – including "Quartet Piece 1, 2, & 3", and the shorter "Percussion Piece". The 4th side of the set features the trio of Corea, Holland, and Altschul performing the haunting "Drone". LP, Vinyl record album
(Cover has light wear, aging, and a cut corner.)
Also available Circulus ... CD 18.99

Possible matches19
CD, LP, Vinyl record album cover art
Roscoe MitchellLRG/The Maze/S II Examples ... CD
Nessa, 1978. New Copy ... $13.99 16.98
A crucial record from Roscoe Mitchell – a set that builds both on his important solo work, and his musical discoveries with the Art Ensemble of Chicago – but which also opens up the more sonic territory that would soon set Mitchell and a few other colleagues apart, and open up even more possibilities for experimentation in the AACM! The set begins with "LRG" – a trio piece with two key collaborators – George Lewis on trombones and sousaphone, and Leo Smith on trumpets – both working with Mitchell, who blows piccolo, flute, oboe, clarinet, soprano, alto, tenor, and baritone saxes – in these amazing ranges of sounds, tones, and shapes – almost a catalog of improvisational possibilities. "The Maze" is even more striking – less reed work, and instead a piece done for eight percussionists – with an unlikely lineup that features Anthony Braxton, Malachi Favors, Joseph Jarman, Douglas Ewart, Don Moye, Thurman Barker, Mitchell, and Henry Threadgill – in this moody, choppy piece that runs for twenty minutes. Last up is "S II Examples" – probably our favorite – as it's got Roscoe playing solo soprano in a long tone-oriented piece that sounds a lot more like some electronic instrument than it does a soprano sax – further proof that he was really doing tremendous things at the time! CD

Possible matches20
CD, LP, Vinyl record album cover art
Roscoe MitchellNonaah ... CD
Nessa, 1977. New Copy 2CD ... $22.99 25.99
A seminal session from Roscoe Mitchell – beautiful work recorded for the small Nessa label, and a real testament to the fragile beauty of his music! Some of the tracks are solo, and others feature Roscoe in shifting groups with other AACM players – a duet with bassist Malachi Favors, another with reedman Anthony Braxton, a trio with Muhal Richard Abrams on piano and George Lewis on trombone, and a quartet with Joseph Harman, Henry Threadgill, and Wallace McMillan. The sound's about as haunting as you can get for the AACM in the 70s – sensitive sounds, complex tones, and a rich approach to creative music that goes far beyond jazz – a really stark contrast to the styles of New York or European avant players from the same period! Titles include "Off Five Dark Six", "A1 Tal 2LA", "Nonaah", "Sing", "Chant", "Ericka", and "Tahquemenon". CD

Possible matches21
CD, LP, Vinyl record album cover art
Evan ParkerChicago Solo ... CD
Okka Disk, 1997. New Copy ... $9.99 14.99
Evan Parker sounds wonderful here – on a 90s session recorded in Chicago, but a record that may well stand with our favorites from his earliest years on vinyl! Parker was sometimes sounding more academic and dry at this point in his career, but he really wakes up our ears here too – maybe in part because the album's his first-ever solo effort on tenor, in contrast to a number of other records over the years in a Lacy-like fashion, recorded with solo soprano sax! A few tunes are dedicated to heroes and inspirations – Lee Konitz, Anthony Braxton, George Lewis, and Chris McGregor – and the album features 14 solo tenor tracks in all. CD

Possible matches22
CD, LP, Vinyl record album cover art
VariousBlack Saint/Soul Note Critics' Pick Sampler Vol 1 ... CD
Black Saint/Soul Note (Italy), 1997. Used ... $9.99
Tracks by Billy Harper, Andrew Hill, Don Cherry, Max Roach, Anthony Braxton, Roswell Rudd, Muhal Richard Abrams, George Adams, David Murray and more. CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Lester BowieAll The Numbers (Numbers 1 & 2 – plus bonus tracks) ... CD
Nessa, 1967. New Copy 2CD ... Out Of Stock
Some of the earliest work ever recorded by Lester Bowie as a leader – and a set that stands in importance right next to the early Delmark AACM sides by Anthony Braxton and Roscoe Mitchell! Plus, the album's almost an early Art Ensemble of Chicago effort, given the lineup – which features Bowie on trumpet and flugelhorn; Roscoe Mitchell on alto, soprano, clarinet, and flute; Malachi Favors on bass; and Joseph Jarman on alto, sopranino, and clarinet!. This fantastic CD features all the material recorded at the initial sessions in 1967 – both trio and quartet material, with titles that include trio numbers "Warm Up", "Number 2", "Number 1", and quartet takes on "Number 2". CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Marion BrownAfternoon Of A Georgia Faun ... LP
ECM, 1970. Near Mint- ... Out Of Stock
One of Marion Brown's more ambitious albums – and a key bridge from his freer work of the late 60s, to his more contemplative sides of the early 70s. The instrumentation on the set's a bit more expanded than on other Brown albums – with saxes by Anthony Braxton and Bennie Maupin, piano and percussion by Chick Corea, percussion by Andrew Cyrille, and voice by Jeanne Lee and Gayle Palmore. At times, the setting gets a bit cluttered, and obscures Brown's soulful tone a bit too much – but at others, the whole thing comes off well. Titles include "Djinji's Corner" and "Afternoon Of A Georgia Faun". LP, Vinyl record album
(US pressing. Cover has light wear and a cut corner.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Rudiger Carl/Joel Grip/Sven-Ake JohanssonIn Early November ... CD
Corbett vs. Dempsey, 2021. New Copy ... Out Of Stock
A great live set by an incredibly dynamic trio – Rudiger Carl on clarinet and Sven-Ake Johansson on drums – both older improvisers, joined here by the well-matched bass of the younger Joel Grip! If you've not heard Carl before, you're in for a treat – as his sounds on his instrument are incredible – far past Jimmy Giuffre, but with a bit more of a sense of structure than Anthony Braxton on the instrument – something we might also well say for Johansson's drums, maybe in part because the basswork of Grip is such a key part of the puzzle here as the three players spontaneously create together. The set features one long live performance, divided into three movements – "Inflow", "Inflect", and "Inflict". CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Chick CoreaCircling In ... CD
Blue Note (Japan), 1968/1970. New Copy 2CD ... Out Of Stock
Groundbreaking early work from pianist Chick Corea – a set of unissued material that's very different than much of what he'd record during his later, more successful years! The set's especially noteworthy in that it features the amazing pairing of Chick and AACM reed genius Anthony Braxton – working together here during the short space of time when they were together in the group Circle, and really making some sublime sounds together! Some of the tracks feature a trio – Chick on piano, Braxton on clarinets and alto, and Dave Holland on guitar, cello, and bass – and some feature the full Circle lineup, with the addition of Barry Altschul on drums and percussion. The package also features some other unique early sides – a trio track with Altschul and Holland, and a few more trio tracks with Miroslav Vitous on bass and Roy Haynes on drums – equally groundbreaking, but in a different sort of way. Titles include "Duet for Bass & Piano", "Bossa", "Gemini", "Starp", "Chimes", "Danse For Clarinet & Piano", and "Samba Yanta". CD
(SHM-CD pressing – part of the "Forever Chick Corea" collection!)
 
 
 



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