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Exact matches: 18
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Andrew HillBlack Fire (180 gram pressing) ... LP
Blue Note, 1963. New Copy Gatefold (reissue)... $26.99 34.99
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group here has some key figures fleshing out the sound – a young Joe Henderson, blowing tenor with a very edgey quality – the very versatile Richard Davis on bass – and the great Roy Haynes on drums, very much at his most fluid interpretation of rhythm! The whole set's pretty darn great – one of the more mindblowing Blue Notes you'll ever hope to buy – and tracks include "Pumpkin", "Subterfuge", "Cantarnos", and "McNeil Island". LP, Vinyl record album
(Part of the Blue Note Tone Poet series – pressed at RTI, with heavy vinyl and cover!)

Exact matches2
CD, LP, Vinyl record album cover art
Andrew HillDance With Death ... CD
Blue Note, 1968. Used ... $14.99
A wonderful session by Andrew Hill – recorded in 1968, but issued only briefly in 1981 – and out of print for years! The session is a key one in understanding Hill's work – as it's a bridge between the arch modernism of his early Blue Note sides, and the more soul-oriented playing of the Grass Roots album. The group features Joe Farrell and Charles Tolliver on horns – both of whom open up the sound at the same time they're giving it a nice bottom – and the rest of the combo includes Victor Sproles on bass and Billy Higgins on drums. The album's an enchanting one – lighter than earlier years, but still with a compelling vision that's all Hill's own. Titles include "Dance With Death", "Love Nocturne", "Black Sabbath", "Partitions", and "Fish N Rice". CD features a bonus alternate take of the title cut. CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Andrew HillDusk ... CD
Palmetto, 2000. Used ... $5.99
... CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
Andrew HillFrom California With Love ... LP
Artists House, 1979. Sealed Gatefold ... $7.99
Beautiful solo work from Andrew Hill – 2 side-long works that both spin out with more freedom and exploration than even most of his other 70s recordings! The style here is wonderfully laidback – never obsessed with the freedom too much, and instead concerned with painting beautiful little pictures in sound – exploring the themes of the tunes with a sense of color, and a feeling of joy that's also mixed with just the right amount of sadness the increase the depth of the work. Titles include "From California With Love" and "Reverend Du Bop". LP, Vinyl record album
(Includes book! Cover has a cutout notch.)

Exact matches5
CD, LP, Vinyl record album cover art
Andrew HillHommage ... LP
East Wind (Japan), 1975. Near Mint- ... $34.99
An obscure set of solo tunes from modernist Andrew Hill – originally recorded for the Japanese East West label in 1975, and a very different side of Andrew's music than his Blue Note work of the 60s – but one that's equally great!. Hill's playing a grand piano – with a complex approach to chords that's really compelling – this sense of flow and majesty that we really love, as Andrew tries out some sharp edges at points – but still retains some of that soulfulness he rediscovered as the 70s approached. There's a darkness to the material that we didn't always hear in Hill's other sides – and the intimacy of the recording shows that his talents are still extremely rich at this point in his career. Titles include "Naked Spirit", "Rambling", "Vision", "Clayton Gone", and "Insanity Riff". LP, Vinyl record album
(Japanese pressing – with insert.)

Exact matches6
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $4.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum". CD reissue also features 3 bonus alternate takes of some of these, for a total of 8 tracks in all. CD

Exact matches7
CD, LP, Vinyl record album cover art
Andrew HillSmokestack (180 gram pressing) ... LP
Blue Note, Mid 60s. New Copy (reissue)... On May 8, 2020
A fantastic session by this groundbreaking modernist – essentially a piano trio album, but recorded with two bass players – Richard Davis & Eddie Kahn – one of whom plays rhythm, the other who solos along with Hill. The result is one of Hill's darkest piano outings, brought even deeper by the bass accompaniment, and the lack of any other horns to support the set. The album includes Hill's brilliant "Ode to Von", dedicated to Von Freeman, one of his early teachers – plus the tracks "Verne", "Not So", "Wailing Wall", and "The Day After". LP, Vinyl record album
(Blue Note 80th Anniversary pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Andrew HillAndrew – The Music Of Andrew Hill ... LP
Blue Note, 1964. Near Mint- ... Temporarily Out Of Stock
Quite possibly our favorite album ever from pianist Andrew Hill – a really unique outing that features the vibes of Bobby Hutcherson and a rare non-Sun Ra appearance by tenorist John Gilmore! The presence of Hutcherson brings a real "new thing" energy to the album – a feel that's similar to Bobby's classic Dialogue album, of which Hill was such an important part. But the searching tenor of Gilmore also brings a striking new level to the session as well – and his solos open up with a raw, earthy quality that really shades in the album with a great deal of feeling. Gilmore's role here is a bit like that of Joe Henderson on his freer Blue Note material – but his sound still undeniably unique, at a level that really makes us wish he'd recorded more albums like this at the time. The tracks are all originals by Hill, and include the titles "Duplicity", "Black Monday", "The Griots", and "Le Serpent Qui Danse". LP, Vinyl record album
(Liberty stereo pressing. Cover has lightly bumped corners and some aging on back, still looks great!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Andrew HillBeautiful Day ... CD
Palmetto, 2002. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Andrew HillComplete Remastered Recordings On Black Saint/Soul Note (Faces Of Hope/Strange Serenade/Verona Rag/Shades) (4CD set) ... CD
Black Saint (Italy), 1980/1986. New Copy 4 CDs ... Temporarily Out Of Stock
The Black Saint/Soul Note label provided a great home to pianist Andrew Hill in his post-Blue Note years – as you'll hear here in a cool package that features four different albums, each in tiny sleeves with their original artwork! First up is Faces Of Hope – later solo work from Andrew Hill – an Italian session with four long tracks, and a fair bit of sensitive tones throughout! The record definitely has some of Hill's tentative qualities of the period – playing that almost makes you feel like he's rediscovering the keyboard of the piano with each new track – but there's also a subtle sort of warmth as well, especially at points when Andrew relaxes into an area he's been hovering around for a few measures – relaxing just a bit, and relishing the sound. Titles include "Rob It Mohe", "Ceora", "Bayside 1", and "Bayside 2". Strange Serenade is a brooding little album from pianist Andrew Hill – played with an excellent trio that includes Alan Silva on bass and Freddie Waits on drums and percussion! Hill's angular lines on piano really direct the action of the set – often moving with a tentative quality that's pretty great – never too introspective to lose their edge, but always looking inward in search of the next step in sound – in ways that are a delight to hear Silva and Waits follow along. Tracks are all quite long, and titles include "Mist Flower", "Reunion", "Andrew", and "Strange Serenade". Verona Rag features more solo piano from Andrew Hill – done in that long-flowing mature style that he pulled out in later years – an approach that could be as warm as it was constantly creative! Titles include "Retrospect", "Afternoon In Paris", "Verona Rag", "Darn That Dream", and "Tinkering". On Shades, Andrew Hill works mostly in a trio – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great – and Reid and Riley bring a slightly straighter vibe to the date, and a sound that's filled with plenty of soul – and when Jordan joins in, there's almost a classic hardbop approach going on – quite a change from usual for Andrew, and proof that he can handle just about anything that comes his way. Hill still throws out plenty of creative piano lines throughout – those deft, modern moments that are always illuminating, even amidst a straighter swing – with a tension that's not unlike his Grass Roots album. Titles include "Ball Square", "Domani", "La Verne", "Monk's Glimpse", and "Tripping". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Andrew HillComplete Remastered Recordings On Black Saint/Soul Note (Faces Of Hope/Strange Serenade/Verona Rag/Shades) (4CD set) ... CD
Black Saint (Italy), 1980/1986. Used 4 CDs ... Temporarily Out Of Stock
The Black Saint/Soul Note label provided a great home to pianist Andrew Hill in his post-Blue Note years – as you'll hear here in a cool package that features four different albums, each in tiny sleeves with their original artwork! First up is Faces Of Hope – later solo work from Andrew Hill – an Italian session with four long tracks, and a fair bit of sensitive tones throughout! The record definitely has some of Hill's tentative qualities of the period – playing that almost makes you feel like he's rediscovering the keyboard of the piano with each new track – but there's also a subtle sort of warmth as well, especially at points when Andrew relaxes into an area he's been hovering around for a few measures – relaxing just a bit, and relishing the sound. Titles include "Rob It Mohe", "Ceora", "Bayside 1", and "Bayside 2". Strange Serenade is a brooding little album from pianist Andrew Hill – played with an excellent trio that includes Alan Silva on bass and Freddie Waits on drums and percussion! Hill's angular lines on piano really direct the action of the set – often moving with a tentative quality that's pretty great – never too introspective to lose their edge, but always looking inward in search of the next step in sound – in ways that are a delight to hear Silva and Waits follow along. Tracks are all quite long, and titles include "Mist Flower", "Reunion", "Andrew", and "Strange Serenade". Verona Rag features more solo piano from Andrew Hill – done in that long-flowing mature style that he pulled out in later years – an approach that could be as warm as it was constantly creative! Titles include "Retrospect", "Afternoon In Paris", "Verona Rag", "Darn That Dream", and "Tinkering". On Shades, Andrew Hill works mostly in a trio – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great – and Reid and Riley bring a slightly straighter vibe to the date, and a sound that's filled with plenty of soul – and when Jordan joins in, there's almost a classic hardbop approach going on – quite a change from usual for Andrew, and proof that he can handle just about anything that comes his way. Hill still throws out plenty of creative piano lines throughout – those deft, modern moments that are always illuminating, even amidst a straighter swing – with a tension that's not unlike his Grass Roots album. Titles include "Ball Square", "Domani", "La Verne", "Monk's Glimpse", and "Tripping". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Andrew HillEternal Spirit ... LP
Blue Note, 1989. Near Mint- ... Temporarily Out Of Stock
A wonderful comeback from the great Andrew Hill – a sweet return to the Blue Note label, after dropping off the recording scene a bit at the end of the 70s! Hill first rose to greatness on the label, and returns to the same here too – in a mode that echoes the edges of his "new thing" years, but also has a warmer feel too – one that's different than the style of his Grass Roots album, but also much stronger than most of the other records he'd done in the years in between too. The group's a very sympathetic quintet – with mighty vibes from Bobby Hutcherson, plus alto sax from Greg Osby, bass from Rufus Reid, and drums from Ben Riley. Titles include "Pinnacle", "Golden Sunset", "Samba Rasta", "Tail Feather", "Spiritual Lover", and "Bobby's Tune". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Andrew HillNefertiti (Inner City) ... LP
East West/Inner City, 1979. Near Mint- ... Temporarily Out Of Stock
One of Andrew Hill's best records of the 70s – a soulful trio recording performed with Richard Davis on bass and Roger Blank on drums – and a real return to the glory of his 60s material! Hill's piano still has that fresh angular modern approach of his Blue Note sides – but the bass and drum work on the album ground it a bit more – adding in some additional rhythmic components, and giving the session the spiraling searching mode of some of the other Japanese trio sessions from the time, in the spirit of the best recordings on the East Wind label for which this gem was recorded! Hill wasn't always at his best in the decade, but he definitely shines here on some long, very expressive tracks – with titles that include "Mudflower", "Nefertiti", "Blue Black", and "Relativity". LP, Vinyl record album
(US Inner City pressing. Cover has a small cutout hole.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Andrew HillPoint Of Departure (RVG remaster edition) ... CD
Blue Note, 1964. New Copy ... Temporarily Out Of Stock
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum". CD reissue also features 3 bonus alternate takes of some of these, for a total of 8 tracks in all. CD
Also available Point Of Departure (RVG remaster edition) ... CD 4.99

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Andrew HillTime Lines ... CD
Blue Note, 2006. Used ... Temporarily Out Of Stock
A bold return to Blue Note for pianist Andrew Hill – his first record for the label in over 15 years, and a record that echoes with the modern tones of Hill's legendary Blue Note run in the 60s! The sound here is a bit more starkly modern and obtuse – done with more of a sense of space than Hill's tenser 60s recordings, in a way that's almost a more contemplative reflection of the "new thing" ideal. All tracks are originals, and Andrew is working with a quintet that includes Charles Tolliver on trumpet, Greg Tardy on tenor and bass clarinet, John Hebert on bass, and Eric McPherson on drums. Hill and Tolliver seem to dominate the record, though – musing gently, but starkly on their respective instruments – on a set of tracks that includes "Malachi", "Time Lines", "Smooth", "Whitsuntide", and "For Emilio". CD

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Andrew HillBlack Fire ... CD
Blue Note, 1963. Used ... Out Of Stock
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group here has some key figures fleshing out the sound – a young Joe Henderson, blowing tenor with a very edgey quality – the very versatile Richard Davis on bass – and the great Roy Haynes on drums, very much at his most fluid interpretation of rhythm! The whole set's pretty darn great – one of the more mindblowing Blue Notes you'll ever hope to buy – and tracks include "Pumpkin", "Subterfuge", "Cantarnos", and "McNeil Island". CD
(Out of print original pressing.)
Also available Black Fire (180 gram pressing) ... LP 26.99

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Andrew HillBlack Fire ... CD
Blue Note (Japan), 1963. New Copy ... Out Of Stock
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group here has some key figures fleshing out the sound – a young Joe Henderson, blowing tenor with a very edgey quality – the very versatile Richard Davis on bass – and the great Roy Haynes on drums, very much at his most fluid interpretation of rhythm! The whole set's pretty darn great – one of the more mindblowing Blue Notes you'll ever hope to buy – and tracks include "Pumpkin", "Subterfuge", "Cantarnos", and "McNeil Island". CD
(Part of the "Blue Note 80 – More 60 Works" series!)
Also available Black Fire (180 gram pressing) ... LP 26.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Andrew HillJudgment! ... CD
Blue Note (Japan), 1964. New Copy ... Out Of Stock
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together with the stark, raw energy that made the key Blue Note modern sides from this time so great. Hutcherson hits these amazing tones on the vibes, similar to those that he uses on some of the Jackie McLean albums from the same time – and those tones work perfectly with Hill's fractured piano lines. Titles are all originals by Hill, including "Alfred", "Reconciliation", "Yokada Yokada", and "Flea Flop". CD
(Part of the "Blue Note 80 – More 60 Works" series!)
 
Possible matches: 9
Possible matches19
CD, LP, Vinyl record album cover art
Sam DillonForce Field ... CD
Posi tone, 2019. New Copy ... $11.99 15.99
A smoking little set from tenorist Sam Dillon – a musician who's really coming into his own as a leader, after a number of years working in the ensembles of others! Sam's got this nice bite on his reed – which makes for a sharp tone on the numbers here that feature just a quartet, and creates even more fire when Sam adds in a few other horns to the mix – which he does on tracks here that feature extra work from Michael Dease on trombone, Max Darche on trumpet, and Andrew Gould on alto. There's a cascading sense of colors on the numbers with added horns that we really love – but Dillon also balances things out with his own rich voice on the quartet numbers – which feature work from Theo Hill on piano and Fender Rhodes, David Wong on bass, and Anwar Marshall on drums. Titles include "Shift", "Two Part Problem", "Flight Of Mind", "Force Field", "Go For The Jugular", and "Straight Up & Down". CD

Possible matches20
CD, LP, Vinyl record album cover art
Bobby HutchersonDialogue (non-RVG remaster edition) ... CD
Blue Note, 1965. Used ... $6.99
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". CD also features the bonus track "Jasper" – not on the original LP! CD

Possible matches21
CD, LP, Vinyl record album cover art
Hank MobleyNo Room For Squares ... CD
Blue Note, 1963. Used ... $5.99
An excellent CD reworking of the original Mobley hardbop classic, and one that restores a number of tracks that were originally recorded for the album's session, but which showed up on other Blue Note albums. The whole thing's got 8 cuts in all, some of which didn't appear on the orignal album, and all of which are killer modal hardbop numbers, of the sort that Mobley was perfecting during this key point in his career. Lee Morgan's on trumpet, and pianist Andrew Hill makes a rare "straight" appearance on the album. Titles include "Comin Back", "Me N You", "Syrup & Biscuits", "Carolyn", and the classic "No Room For Squares". CD
(Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... $18.99
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyComplete Hank Mobley Blue Note Sessions 1963 to 1970 (8CD set) ... CD
Blue Note/Mosaic, 1960s. New Copy 8CD ... Temporarily Out Of Stock
An amazing run of music – some of our favorite albums ever recorded for the Blue Note label, and the legendary second chapter of the career of tenor genius Hank Mobley! Hank was already a hell of a tenor player when he came on the scene in the 50s – graced with this deeply soulful style that helped usher in a whole new generation of talents on the instrument – but during his final years at Blue Note, he really took off with amazing new ideas, unusual rhythms, mindblowing arrangements, and the kind of compositional skill she never showed at the start! Blue Note recorded Mobley very heavily over the eight years covered in this set – so much so, that not all the albums were issued at the time, but came out to great acclaim in later decades – even as Hank was sadly fading from the limelight. The players on the set are some of the greatest of Hank's contemporaries – Woody Shaw, Lee Morgan, Dizzy Reece, Donald Byrd, Freddie Hubbard, and Blue Mitchell on trumpets; McCoy Tyner, Harold Mabern, Andrew Hill, Cedar Walton, John Hicks, and Herbie Hancock on piano; and the rhythm combos on all dates are superb, including a few with guitar work by Sonny Greenwich or George Benson. Box includes the full albums No Room For Squares, Turnaround, Dippin, Caddy For Daddy, Hi Voltage, Reach Out, The Flip, Far Away Lands, Straight No Filter, Slice Of The Top, Thinking Of Home, and Third Season – plus bonus alternate tracks, all housed with a huge booklet of notes and session details. CD
(Limited to 3000 copies.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Sun RaComplete Black Saint/Soul Note Recordings (Reflections In Blue/Hours After/Mayan Temples/Tribute To Stuff Smith) (4CD box set) ... CD
Black Saint (Italy), Mid 80s. New Copy 4CD ... Temporarily Out Of Stock
A great run of 80s work from Sun Ra – and some of his best-known records from the time! First up is Reflections In Blue – a later classic from Sun Ra – a record that bears one of his most beautiful cover shots ever! The record's got a wonderfully tight feel – a sound that's often not as out as Saturn sides, and which shows Ra's ability to lead a larger ensemble with a very complex sound – drawing on Ellingtonish roots, but inflecting them with his own space-tuned sensibilities! Players include Tyrone Hill on trombone, Pat Patrick on alto and clarinet, Marshall Allen on alto and flute, John Gilmore on tenor and clarinet, and James Jacson on bassoon and african drums – and Ra himself plays synth as well as piano. Titles include "Yesterdays", "Say It Isn't So", and the originals "State Street Chicago" and "Reflections In Blue". Hours After is a strange little late record from Sun Ra – late night, soulful and bluesy, with a sound that's in keeping with the traditionalism of the late Arkestra! The group's an all-star one – Pat Patrick, Danny Thompson, Marshall Allen, and John Gilmore – and Ra sings a bit on the session. Side B of the session steps out a bit more from the first side – which is the more traditional one – and Ra plays a bit of synthesizer, in a 70s avant kind of mode. Titles include "Dance Of The Extra Terrestrians", "Love On A Far Away Planet", "Hours After", and "Beautiful Love". Mayan Temples is a studio set recorded in Italy in 1990, and one that draws strongly from the tightening of tradition the Arkestra experienced in the 80s – working at a time of some of their greatest acceptance by jazz audiences worldwide, and able to express themselves fully in a range of different modes! The sense of tone and timing here is beautiful – almost Ellington-like at points, but still with a decidedly Sun Ra-like quality – and players on the date include Michael Ray and Ahmed Abdullah on trumpets, John Gilmore on tenor, Noel Scott and Marshall Allen on alto sax, and Tyrone Hill on trombone – and June Tyson also sings just a bit on the set. Ra plays both piano and synth, and titles include "Alone Together", "Discipline 1", "Sunset On The River Nile", "El Is The Sound Of Joy", "I'll Never Be The Same", "Theme On The Stargazers", and "Opus In Springtime". A double-length set too – nearly 80 minutes of music! Last up is A Tribute To Stuff Smith – an unusual session that features Billy Bang on violin, Andrew Cyrille on drums, and Sun Ra on piano – all in tribute to legendary violinist Stuff Smith. CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Greg OsbyInvisible Hand ... CD
Blue Note, 2000. Used ... Out Of Stock
One of the most sophisticated albums to come from the funky reed talents of Greg Osby – one of Blue Note's biggest hopes of the past 10 years. Osby's moving way past the simple riffing of early days, and is working here with a sextet that includes the great Andrew Hill on piano, Jim Hall on guitar, and west coast reed legend Gary Foster on flute and alto. The overall sound is much different than some of Osby's other work, and the young player emerges as a strong and sensitive soloist, especially in the moments in which he's matching lines with Foster. Titles include "With Son", "The Watcher", "Ashes", "Sanctus", "Tough Love", and the lovely 60s soundtrack theme "Who Needs Forever". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album
Also available Spiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD 18.99

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ VariousBlue Bossa – Cool Cuts From The Tropics ... CD
Blue Note, 1991. Used ... Out Of Stock
Despite the "from the tropics" claim in the title, this comp, unlike the Blue Brazil volumes, features mostly stuff from the catalog of Blue Note US, and it's mostly Brazilian or bossa tracks played by some of the label's greatest artists – a mixture of hard bop and soul jazz tunes, with Brazilian touches to warrant a bit of the bossa in the title! Tracks include "Congalere" by Horace Parlan, "Mira" by Andrew Hill, "Recado Bossa Nova" by Hank Mobley, "Ghana" by Donald Byrd, "South of The Border" by Lou Donaldson, "Back Down To The Tropics" by Charlie Rouse, "Loie" by Ike Quebec, and "Latona" by John Patton. 14 tracks in all! CD
(Out of print.)
 
Partial matches: 8
Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Julius HemphillComplete Remastered Recordings On Black Saint & Soul Note (Raw Materials/Flat Out Jump/Fat Man/Five Chord/Chile New York) (5CD set) ... CD
Black Saint (Italy), Late 70s/Early 90s. New Copy 5CDs ... Out Of Stock
Three different slices of work from Julius Hemphill all served up over the course of five albums for the Black Saint/Soul Note label! The first two records in the package – Raw Materials & Residuals and Flat-Out Jump Suite – both have Hemphill coming off the New York loft jazz years – working on the first record in open improvisatory format with cellist Abdul Wadud and percussionist Don Moye – and on the second set with Olu Dara on trumpet, Wadud on cello, and Warren Smith on percussion. Both records have a very loose, open feel that's mighty nice – and darn soulful at times! Next are two early 90s albums – Fat Man & The Hard Blues and Five Chord Stud – both done with a sextet of reed players, with no other instrumentation at all – in a style that's a lot like the World Sax Quartet, but even more complicated. Reedmen include James Carter and Andrew White on tenor, Marty Ehrlich and Carl Grubbs on soprano and alto sax, Tim Berne on alto, and Fred Ho on baritone. Chile New York is the last album, and quite possibly the most intimate – beautiful duets that feature Warren Smith on percussion, plus Julius Hemphill on alto, tenor, flute, and even a bit of voice! The music is wonderfully evocative – and although released in the late 90s, was actually recorded in 1980 – with a loose, loft jazz sort of feel throughout. CD

Partial matches29
CD, LP, Vinyl record album cover art
Jean Paul BourellyJungle Cowboy ... LP
JMT (Germany), 1987. Near Mint- ... $5.99
Features Jean Paul Bourelly on guitar and a bit of vocals – in a trio with Freddie Cash on bass and Kevin Johnson on drums – plus guest work from Kelvyn Bell on guitar, Andrew Cyrille on drums, and Julius Hemphill on alto. Alyson Williams also sings backup on one track too! LP, Vinyl record album

Partial matches30
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott & The Pan Afrikan Peoples ArkestraCall ... CD
Nimbus, 1978. New Copy ... Out Of Stock
Large-group genius from the legendary Horace Tapscott – one of the few recordings of his groundbreaking Pan Afrikan Peoples Arkestra! The music here is totally righteous right from the start – even more searching and soaring than Tapscott's trio or solo work – thanks to help from some of the hippest, most spiritual players on the LA scene of the late 70s – a lineup you'll recognize from other Nimbus Records sessions, all working together beautifully to realize the unique vision of Horace! Tracks are long, and feature Tapscott on piano, Jesse Sharps on saxes, Adele Sebastian on flute and vocals, Herbert Callies on alto, James Andrews on tenor, Lester Robertson on trombone, Kafi Larry Roberts on soprano, and Linda Hill on additional piano – all working together perfectly as a unified ensemble. There's a strong Strata East vibe to the whole record – and titles include "The Call", "Nakatini Suite", "Quagmire Manor At Five AM", and "Peyote Song III". CD

Partial matches31
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott & The Pan Afrikan Peoples ArkestraCall (180 gram pressing) ... LP
Nimbus/Outernational (UK), 1978. New Copy (reissue)... Out Of Stock
Large-group genius from the legendary Horace Tapscott – one of the few recordings of his groundbreaking Pan Afrikan Peoples Arkestra! The music here is totally righteous right from the start – even more searching and soaring than Tapscott's trio or solo work – thanks to help from some of the hippest, most spiritual players on the LA scene of the late 70s – a lineup you'll recognize from other Nimbus Records sessions, all working together beautifully to realize the unique vision of Horace! Tracks are long, and feature Tapscott on piano, Jesse Sharps on saxes, Adele Sebastian on flute and vocals, Herbert Callies on alto, James Andrews on tenor, Lester Robertson on trombone, Kafi Larry Roberts on soprano, and Linda Hill on additional piano – all working together perfectly as a unified ensemble. There's a strong Strata East vibe to the whole record – and titles include "The Call", "Nakatini Suite", "Quagmire Manor At Five AM", and "Peyote Song III". LP, Vinyl record album

Partial matches32
CD, LP, Vinyl record album cover art
CoffeeSlippin' & Dippin' (with bonus tracks) ... CD
De-Lite/Big Break (UK), 1980. New Copy ... $6.99 13.99
A wonderful female soul trio from the Chicago scene of the 70s – and one we'd stand strongly next to the best gal groups from the Philly or New York scenes! In fact, Coffee were a bit unique in the city – which mostly had male groups getting the record contracts during the decade – and they're given strong soul focus here by Clarence Johnson, the indie soul producer who'd given the city so much other great music over the years! The album's definitely got a disco vibe, but these gals can sing a lot deeper than the usual club trio, too – vocals that are much more trained in an older school mode, ala The Emotions – and which come across nicely on some of the mellower cuts too. Titles include great reworkings of two earlier Chicago soul gems – the Lovelites' classic "How Can I Tell My Mom & Dad", redone as "Mom & Dad 1980", and a fresh new take on Ruby Andrews "Casanova". Other titles include "Slip & Dip", "A Promise", "I Wanna Be With You", and "Can You Get To This". CD features bonus tracks – "Say It's Good To You", and single versions of "Casanova", "Slip & Dip", "Mom & Dad 1980", and "I Wanna Be With You". CD

Partial matches33
CD, LP, Vinyl record album cover art
Horace Tapscott/Pan Afrikan Peoples ArkestraFlight 17 (with bonus tracks) ... LP
Nimbus/Outernational (UK), 1978. New Copy 2LP Gatefold (reissue)... $29.99
One of the most ambitious albums ever from pianist Horace Tapscott – a double-length set that has him working with a large lineup of underground musicians from the 70s Los Angeles scene – all united in spirit and power as the Pan-African Peoples Arkestra! Tapscott's piano directs the group strongly – as an extension of the vision that he brought to the late 60s Sonny's Dream album by Sonny Criss – but the music is freer, more spiritual, and often graced with bursts of ensemble energy, balanced by some really tremendous solos from other musicians too! The lineup includes some other key members of the Nimbus Records collective – including Jesse Sharps on saxes and flute, Linda Hill on piano, Adele Sebastian on flute, and Roberto Miranda on bass – and other players include James Andrews and Sabia Matteen on tenor, Archie Johnson and Lester Robertson on trombone, Billy Harris on soprano, Herbert Callies on alto clarinet, and Michael Session on alto. Titles include "Flight 17", "Breeze", "Horacio", "Clarice", and "Maui". This 2LP version features bonus material too – a great "Coltrane Medley", plus "Village Dance Revisited". LP, Vinyl record album

Partial matches34
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott/Pan Afrikan Peoples ArkestraFlight 17 ... CD
Nimbus, 1978. New Copy ... Temporarily Out Of Stock
One of the most ambitious albums ever from pianist Horace Tapscott – a double-length set that has him working with a large lineup of underground musicians from the 70s Los Angeles scene – all united in spirit and power as the Pan-African Peoples Arkestra! Tapscott's piano directs the group strongly – as an extension of the vision that he brought to the late 60s Sonny's Dream album by Sonny Criss – but the music is freer, more spiritual, and often graced with bursts of ensemble energy, balanced by some really tremendous solos from other musicians too! The lineup includes some other key members of the Nimbus Records collective – including Jesse Sharps on saxes and flute, Linda Hill on piano, Adele Sebastian on flute, and Roberto Miranda on bass – and other players include James Andrews and Sabia Matteen on tenor, Archie Johnson and Lester Robertson on trombone, Billy Harris on soprano, Herbert Callies on alto clarinet, and Michael Session on alto. Titles include "Flight 17", "Breeze", "Horacio", "Clarice", and "Maui". CD

Partial matches35
CD, LP, Vinyl record album cover art
✨✧ CoffeeSlippin' & Dippin/Second Cup (with bonus track) ... CD
De-Lite/Solid (Japan), 1980/1982. New Copy ... Out Of Stock
Two great albums from Coffee – back to back, and with a bonus track too! First up is Slippin & Dippin – work by a wonderful female soul trio from the Chicago scene of the 70s – and one we'd stand strongly next to the best gal groups from the Philly or New York scenes! In fact, Coffee were a bit unique in the city – which mostly had male groups getting the record contracts during the decade – and they're given strong soul focus here by Clarence Johnson, the indie soul producer who'd given the city so much other great music over the years! The album's definitely got a disco vibe, but these gals can sing a lot deeper than the usual club trio, too – vocals that are much more trained in an older school mode, ala The Emotions – and which come across nicely on some of the mellower cuts too. Titles include great reworkings of two earlier Chicago soul gems – the Lovelites' classic "How Can I Tell My Mom & Dad", redone as "Mom & Dad 1980", and a fresh new take on Ruby Andrews "Casanova". Other titles include "Slip & Dip", "A Promise", "I Wanna Be With You", and "Can You Get To This". Second Cup is the well-titled and much more obscure second album from Coffee – and a great one too! The girls actually have a pretty soulful sound, and with Tony Valor mixing and producing, the record's got a sound that mixes smooth soul with uptempo rhythms in a nice way. Titles include "My Turn To Burn", "Take Me Back", "Love's Alive", "If This World", and "Fantasy". CD features the bonus track "Say It's Good To You (orig 12 version)". CD
Also available Slippin' & Dippin' (with bonus tracks) ... CD 6.99
 
 
 



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