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Africa Seven Edit search Phrase match

 
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Close matches: 2
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CD, LP, Vinyl record album cover art
✨✧ VariousAfrica Airways 1 & 2 – Funk Connection 1973 to 1980/Funk Departures 1973 to 1982 ... CD
Africa Seven (UK), 1970s/Early 80s. New Copy 2CD ... Temporarily Out Of Stock
A totally sweet set of grooves from the African scene of the 70s – and one that's a fair bit different than most of the other collections we've got on our racks! The styles here are a bit more offbeat, and a bit less familiar – not straight Afro Funk, but also not some of the popular genres of the time either – and instead often a compelling fusion of American funk, club, and disco with some very unusual local modes of expression – often with electric instrumentation that can come across in really great ways with weird production – making for unusual sounds on the keyboards and guitars. There's a bit more polish to the work than some of the rougher Afro groovers from the time – but never in a way that's ever too slick, just kind of a European mix of African roots and 70s funkier styles. 2CD set features all the tracks on the previous vinyl volumes – with titles that include "Give It Up" by Jo Bisso, "Jangolo" by Jo Tongo, "Kag Am" by Kemayo, "Africa Africa" by Ekambi Brilliant, "Black Gold" by Tala AM, "Father Time Mother Nature" by Jake Sollo, "Choco Date" by Jake Sollo, "Nande" by African Souls Band, "Mbongui" by M'Bamina, "Na Real Sekele Fo Ya" by Pasteur Lappe, "Don't Do It" by Bongi Makeba, "Get It On The Music" by Bozambo, "Tata Ngoh" by Misse Ngoh, "Toyota Fantasy (John Bryan edit)" by Miriam Makeba, "Piani" by Jo Tongo, "Aboki" by Ekambi Brilliant, and "Kilowi Kilowi" by M'Bamina. CD

Close matches2
CD, LP, Vinyl record album cover art
✨✧ VariousAfro Psych – Journeys Into Psychedelic Africa 1972 to 1977 ... LP
Africa Seven (UK), Mid 70s. New Copy ... Out Of Stock
Psychedelic styles hit the West African scene a bit later than they did in the US and UK – and as a result, they often had a very different approach than you might expect from more familiar modes! Here, the music is filled with fuzzy guitars and trippy keyboards, but also still retains some of the funky rhythms that you'll know from the Afro Funk generation as well – all of which makes for a really great blend, and a set of sounds that are a lot more soul-based than some of the more rockish modes on contemporary Zamrock material. A few tunes definitely up the guitar solos a bit, but others have a lot more of a groove – and titles include "Mbembe" by Celestin Nyam, "Bokonor" by Bunzu Soundz, "Tax Drive" by Orienta Brothers International, "Bayi L'Ense" by Lijadu Sisters, "Mind Your Business" by Saxon Lee & The Shadows International, and "Graceful Bird" by War Head Constriction. LP, Vinyl record album
 
Possible matches: 2
Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Alex NorthAfrica ... LP
MGM, Mid 60s. Very Good+ ... Out Of Stock
A pretty serious orchestral score by Alex North, designed to accompany an ABC documentary about the changes in Africa during the 60s. Given that the documentary takes a look at the emerging politics and cultures in post-colonial Africa, it's amazing how white and western the soundtrack is – a seven part orchestral-suite titled "Africa", all strings and dramatic moods, with no attempt whatsoever to bring in African styles of music or instrumentation! LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ VariousGotta Get A Good Thing Goin – Black Music In Britain In The 60s (4CD set) ... CD
Strawberry (UK), Mid 60s. New Copy 4CD ... Temporarily Out Of Stock
One of the most unique compilations we've ever heard – a set that gets at the really unique way that soul music came across on the British scene of the 60s – as American influences were mixed with local interpretations, which themselves drew plenty of influences from related scenes in the West Indies and South Africa at the time! The scope of expression here is hugely different than any American soul collections from the time – and while there's definitely a few Americans in the mix from time to time, they're mostly represented by recordings done in England, amidst a huge amount of artists who never get reissued on our side of the Atlantic! Usually, a set like this would be put together to show that Northern Soul created some upbeat music on the British scene – but with this gem of a collection, the scope is much wider, and really open to the influences that were running through black communities in England during these key post-colonial years. The package has a massive amount of music – 115 tracks in all, with a very cool book-styled package that's got superb notes and plenty of images – to support work by Lorraine Child, Peter Straker, Maxine Nightingale, Cy Grant, Cab Kaye, Dimples & Eddie, Ronnie Jones, Ernest Ranglin, Norma Lee, Jimmy Tomas, Jackie Edwards, Madeline Bell, Oliver Norman, The Fantastics, Root & Jenny Jackson, Ram John Holder, Simon K & The Meantimers, Caleb, The Foundations, The Soul Brothers, Blue Beaters, Seven Letters, Joe's All Stars, Sonny & The Daffodils, Tony Washington & The DCs, Davy Jones, Geoff Love, Ray Ellington, Emile Ford & The Big Six, Millie, Rico, Black Velvet, and many others! CD
 
Partial matches: 8
Partial matches5
CD, LP, Vinyl record album cover art
✨✧ SkatalitesAfrican Roots ... LP
United Artists, 1978. Near Mint- ... Out Of Stock
Recorded a number of years after the group went their separate ways, this reunion brings together a number of the original members with more of reggae vibe, but still a strong emphasis on tight horn lines. Tracks include "African Roots", "Stream In The Meadow", "Rock Bottom", "Fugitive", "Seven Seal", and the super funky "Candle Light". LP, Vinyl record album

Partial matches6
CD, LP, Vinyl record album cover art
Four SoundsJazz From District Six ... LP
Trutone/Mad About Records (Portugal), 1969. New Copy (reissue)... $34.99 39.99
A South African jazz set from the end of the 60s, but one with a different vibe than some of the rest – as the group have a lean style that still also seems to mix a fair bit of Township elements in with the jazz – which makes for tracks that have a wonderfully playful mix of modes, and a great sense of energy throughout! The group features Clifford Moses on lead guitar and a bit of vocals – the latter of which have a lightly raspy charm that's really unique – as he steps out next to core work from Richard Schilder on piano, Basil Moses on bass, and Billy Bowers on drums. The set also features some excellent guest work from the legendary Basil Coetzee on flute and alto – on titles that include "Seven Steps Lament", "Katrina", "Interim", "Up From Slavery", "Wells Square", and "Don't Close Your Eyes". LP, Vinyl record album

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisSalongo ... LP
Columbia, 1976. Very Good+ ... Just Sold Out!
A tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear and a promo stamp.)

Partial matches8
CD, LP, Vinyl record album cover art
Dewey RedmanLook For The Black Star (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1966. New Copy ... $24.99
The first-ever album as a leader from tenorist Dewey Redman – a set that captures the rising musician at a level that's very full-formed, and which shows some of the roots of his years in Texas with a young Ornette Coleman! The vibe's different here than Coleman's music – at least in the early 60s – as Dewey would soon reunite with Ornette, and make some key sides in the second half of the decade. But there's definitely a similar sense of rhythmic pulse – with all the instruments leaping into the groove in a wonderful way – at times almost recalling some South African jazz modes, and at other moments maybe sparkling more with the best early 60s touches of the American underground! The rest of the combo features Jim Young on piano, Don Raphael Garrett on bass, and Eddie Moore on drums – an unusual grouping, but one that really makes some special magic here together – and in ways that give the record a very different sound than Redman's later, better-known albums. All titles are originals by Dewey – and tracks include "For Eldon", "Seven & One", "Look For The Black Star", "Of Love", and "Spur Of The Moment". CD
(Part of the "Freedom Paper Sleeve Collection" series!)

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ John RenbournUnpentangled – The Sixties Albums (There You Go/John Renbourn/Bert & John/Another Monday/Watch The Stars/Sir John A Lot Of/bonus tracks) (6CD set) ... CD
Transatlantic/Cherry Tree (UK), Late 60s. New Copy 6CD ... Temporarily Out Of Stock
A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisDon't It Feel Good/Salongo/Tequila Mockingbird/Love Notes ... CD
Columbia/BGO (UK), Mid 70s. New Copy 2CD ... Out Of Stock
Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ VariousSouthern Grooves ... CD
Charly (UK), 1996. Used ... Out Of Stock
Nice batch of southern grooves from the Charly catalog – including tasty bits from the catalogs of the Paula, Jewel, and Sound Stage Seven labels. Some of this stuff's more straight soul, but there's also some good funky tracks with a nice hard feel. Cuts include "Annie Got Hot Pants Power" by Syl Johnson, "Everybody's Got A Little Devil In Their Soul" by Tommie Young, "The Dapp" by African Music Machine, "Sticky Sue" by Mickey Murray, "Stick it In Your Earhole" by Eddie Mobley, "Love Connection" by Annette Snell, and lots lots more! CD
(Out of print and sealed.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ VariousBYG – Beautiful Young Generation – Special Sampler (with bonus tracks) ... CD
BYG (France), Late 60s/Early 70s. New Copy ... Out Of Stock
A really great collection of work from the legendary BYG/Actuel label – home not just to the famous avant jazz recordings that have made the company a legend, but also a host of other unusual sounds that don't often get the exposure they deserve! This collection finally gives that full range of BYG sounds their due – as it mixes some of the avant classics from Paris at the end of the 60s with other freely creative work from the French scene – including some great contributions from British artists who were as unbridled at BYG as the American musicians were with their jazz material! The set features 15 tracks from the key years of the catalog – titles that include "Le Nouveau Monde" by Alice, "Terrestrial Beings" by Don Cherry, "Seventh Time Key" by Ame Son, "Duke" by Jacques Coursil, "Enchanted Wood" by Freedom, "Ancient Ethiopia" by Sun Ra, "Ragalia" by Areski & Brigitte Fontaine, "Le Cocotier (part 2)" by Coeur Magique, "Dexterity" by Art Ensemble Of Chicago, "Sound Pool (part 1)" by MEV, "Time Of Your Life" by Daevid Allen, "Pan African Festival" by Clifford Thornton, and "Willing To Fight" by Aynsley Dunbar. CD
Also available BYG – Beautiful Young Generation – Special Sampler (180 gram white vinyl pressing) ... LP 34.99
 
 
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