Margie Joseph gets a hipper treatment than on earlier records – a mix of east coast styles that adds in some Philly and early modern mellow arrangements, both of which provide a great contrast to
Margie's southern-tinged vocals! The approach here is great – a fulling up and fleshing out of
Joseph's initial promise – with strong arrangements from Arif Mardin, focused around smaller combo backing by players who include Bernard Purdie on drums, Richard Tee on keyboards, and Norman Harris on guitars. The groove is nice and lean on the bottom, but
Margie's vocals are augmented by a brace of backing singers – Judy Clay, Cissy Houston, and others – all of whom create a sense of interplay that's similar to Aretha Franklin with The Sweet Inspirations on earlier records. But
Margie's also upfront in the mix on most numbers – singing personally, and somewhat intimately with an easygoing sense of soul. Titles include
Margie's own "Ridin' High", Paul Kelly's "Come Lay Some Lovin On Me" and "Come With Me", Norman Harris' "(Strange) I Still Love You", and a great version of Stevie Wonder's "To Know You Is To Love You".