The landmark debut of Mary J Blige – a record that not only did a great job of blending underground hip hop and mainstream soul sensibilities – but maybe also opened the door for the Neo Soul revolution to come! Mary comes on here with a fresh new vision in female soul – one that's informed by the youth and upfront energy of the hip hop female MCs that preceded her – but with a depth that also makes Blige sort of the new Aretha Franklin for the end of the century – a deep soul singer, but one who's equally at home in the streets and the studio. Important production is by a young Sean Combs – some of his first great work on record – and the set also features guest appearances from Busta Rhymes, Little Shawn, Grand Puba, Erick Sermon, and CL Smooth. Titles include "Real Love", "Sweet Thing", "Love No Limit", "You Remind Me", "Reminisce", "What's The 411", "I Don't Want To Do Anything", "Changes I've Been Going Through", "Slow Down", and "My Love". CD

A massive amount of fast funk groovers from the mighty Hamilton Bohannon – just the kind of skittish, upbeat, and totally amazing tracks that have made him a legend for years! The sound is really stripped down – usually just bass, drums, and guitar – wrapped together in this groove that's super tight, but not slick at all – like someone had dug deep into the best resources of the funky 45 underground, then pushed them to the limit! The guitar work alone is completely amazing – razor-sharp perfection at a level that blows away any previous chicken scratch lines – and titles include "Can You Feel It", "Think Of Me", "The Funky Reggae", "The Bohannon Walk", "Bohannon's Beat Part 1", and "Gentle Breeze". LP, Vinyl record album

Seminal work from Bob Dylan – one of his early electric sides, and a record that moved the singer from folk stardom to an even more explosive force in the mainstream! This is the record that forever made Dylan as influential on rock music as he was on underground styles – and the whole thing is a perfect blend of the complexity of his earlier songwriting with some tunes and messages that made his politics even more powerful than ever! The album's brimming over with genius – nearly every cut is a classic – and titles include "Subterranean Homesick Blues", "Maggie's Farm", "Mr Tambourine Man", "Gates Of Eden", "It's All Over Now Baby Blue", "It's Alright Ma", "Love Minus Zero/No Limit", "She Belongs To Me", and "Bob Dylan's 115th Dream". LP, Vinyl record album

Seminal work from Bob Dylan – one of his early electric sides, and a record that moved the singer from folk stardom to an even more explosive force in the mainstream! This is the record that forever made Dylan as influential on rock music as he was on underground styles – and the whole thing is a perfect blend of the complexity of his earlier songwriting with some tunes and messages that made his politics even more powerful than ever! The album's brimming over with genius – nearly every cut is a classic – and titles include "Subterranean Homesick Blues", "Maggie's Farm", "Mr Tambourine Man", "Gates Of Eden", "It's All Over Now Baby Blue", "It's Alright Ma", "Love Minus Zero/No Limit", "She Belongs To Me", and "Bob Dylan's 115th Dream". CD

Includes the songs "Take It Easy", "Witchy Woman", "Lyin' Eyes", "Already Gone", "Desperado", "One Of These Nights", "Tequila Sunrise", "Take It To The Limit", "Peaceful, Easy Feeling", and "Best Of My Love". CD

One of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work composed by Egberto Gismonti, played by Horn, Gismonti, Dom Salvador, and Dom Um Romao with a breezy Brazilian jazz finish! The sound's a great extension of the genius that Gismonti had at the time, and takes his music into a slightly more American mode – with titles that include "Danca Das Cabecas", "Carmo", "Altura Do Sol", "Quarup", "Tango", and the great "Salvador". LP, Vinyl record album

We've always loved the wonderfully dark corners in the tenor work of saxophonist Mark Turner – but it sounds especially great here, in the company of pianist Ethan Iverson – as the two players deliver a superb album of duo material for ECM! Iverson never softens the sound of Turner, but he does bring out a greater current of sentiment than we sometimes hear in his work – especially when Mark might get a bit too "arch", and maybe limit himself to the moodier side of the spectrum. Instead, both he and Iverson create this sublime balance of darkness and light throughout – in a mode that's very unique, even in a familiar ECM setting – on original material that includes "Lugano", "Temporary Kings", "Dixie's Dilemma", "Seven Points", "Myron's World", and "Third Familiar". CD

Incredible vocals from Jan & Dean – a set that really has the duo taking off wonderfully – with soaring harmonies that are even better than before! The pair were already great from the start, but their singing really hits the limit here – often working with a bit less backings than on other albums, which means that there's even more creative arrangements on the vocals – and a lot more vocal parts taking the place of instruments – a bit like some of the more pyrotechnic east coast vocal groups from a few years before. Titles include "Linda", "Surfin", "Mr Bass Man", "Surfin Safari", "When I Learn How To Cry", "The Gypsy Cried", "The Best Friend I Ever Had", and "Rhythm Of The Rain". LP, Vinyl record album

Mindblowing work from a revolutionary artist – one of the coolest cats on the Ethiopian scene of the 70s – and a singer who could effortlessly blend together American funk with East African elements! The music here definitely echoes some of the Ethio modes of some of Ayalew Mesfin's contemporaries – and his own vocal style has plenty of the rich inflections that make the language so unique, and so rhythmic, but in a very unusual way – qualities you might have discovered in the music of Mulatu or Mahmoud Ahmed! The rhythms are often bold – sometimes heavier funk, sometimes more fluid – and as with other volumes in this excellent series, this is the first time that Mesfin's music is getting the exposure it deserves on the wider global scene. Titles include "Shuferu", "Anchi Yefikir", "Ayish Ayishina", "Gora Weshebaye", "Libe Dil Temeta", and "Tewedije Limit". LP, Vinyl record album

The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album

Say hello to our little friend – the classic soundtrack to Scarface – a record that showed a whole new side of the talents of the legendary Giorgio Mororder! By the time of this set, Moroder had already broken the charts with disco productions, and turned out to be a groundbreaking soundtrack artist too – but Scarface has Giorgio finding new ways to bring his electronic ideas into play – working with a variety of singers on some tunes that really echo the mad vibe of the narrative – including "Rush Rush" by Deborah Harry, "Vamos A Bailar" by Maria Conchita, "She's On Fire" by Amy Holland, and "Shake It Up" by Elizabeth Daily. The set also features Moroder instrumentals – "Tony's Theme" and "Gina & Elvira's Theme" – and the Paul Engemann performance of "Scarface (Push It To The Limit)". LP, Vinyl record album

Say hello to our little friend – the classic soundtrack to Scarface – a record that showed a whole new side of the talents of the legendary Giorgio Mororder! By the time of this set, Moroder had already broken the charts with disco productions, and turned out to be a groundbreaking soundtrack artist too – but Scarface has Giorgio finding new ways to bring his electronic ideas into play – working with a variety of singers on some tunes that really echo the mad vibe of the narrative – including "Rush Rush" by Deborah Harry, "Vamos A Bailar" by Maria Conchita, "She's On Fire" by Amy Holland, and "Shake It Up" by Elizabeth Daily. The set also features Moroder instrumentals – "Tony's Theme" and "Gina & Elvira's Theme" – and the Paul Engemann performance of "Scarface (Push It To The Limit)". CD

The second album from Biggie, and a set that was instantly poised to catapult him to superstardom – even before his tragic death ended up doing that before the release of the record! And yes, the title's a bit cryptic – and given the fact that the material came out after BIG was shot, it might seem like a cash-in collection of left-behind tracks – yet it's not that at all. The long path to the album's creation represents a step forward to almost build a bridge between underground hip hop and mainstream soul – maybe in a way that would have calmed some of the coastal beefs that were taking place at the time – as the late, great one works here with an array of guests from both the worlds of hip hop and R&B – 112, Jay-Z, R Kelly, Puff Daddy, Lil Kim, Too Short, and others – in a classic set of tracks that includes "Hypnotize", "Kick In the Door", "Mo Money Mo Problems", "Notorious Thugs", "Going Back To Cali", "Sky's The Limit", "Miss U", "Ten Crack Commandments", 'What's Beef", and "Nasty Boy". PLUS, this massive 8LP version is overflowing with other material – the original 1997 album on 3LPs, plus all the 12" single and other mixes of "Hypnotize", "Mo Money Mo Problems", "Sky's The Limit", and "Nasty Boy". LP, Vinyl record album

A record that marks the live recording debut of the alto giant Art Pepper – quite a surprise, given that he'd already had many years of playing under his belt – but also a date that captures Art at a time of real revival in his career – stretching out with new inspirations, and a sound that's very different from the Art Pepper of the 50s and 60s! The group features George Cables on piano, George Mraz on bass, and Elvin Jones on drums – on titles that include "No Limit", "These Foolish Things", "More For Les" and "Over The Rainbow". CD

One of those rare European sessions by bassist Oscar Pettiford that far outshines most of his American work from the 50s! The set's a very hip one – cut with a quartet that includes German modernists Hans Koller on tenor and Atilla Zoller on guitar, plus American Jimmy Pratt on drums. Pettiford plays a bit of Cello on the set, and the string treatment that he delivers, next to Zoller's unique style of guitar, really makes the album a great one. Added to all of this is Koller's fantastic tone on tenor – an icy cool one that slices through the guitar and bass with dexterity. Titles include "Cohn's Limit", "Oscar's Blues", "Blues In The Closet", and "The Gentle Art Of Love". LP, Vinyl record album

Hard to go wrong with Rene & Angela at this point in their career – as they're super tight, always upbeat, and plenty darn soulful – no matter what the groove! The album's a perfect example of 80s groove at its best – a reworking of mainstream soul modes with a slight modern dancefloor touch – still never disco cliches, nor some of the too-poppy modes used by some of their contemporaries – and a blend that's always right on the money for the vocals of Angela Winbush to shine! Titles include the groover "Can't Give You Up", the mellow number "My First Love", and the cuts "Take Me To The Limit", "When It Comes To Love", "Bangin The Boogie", "Rise", and "Keep Runnin". LP, Vinyl record album

The one and only album by The Silkie – the title track being the classic and hugely catchy cover of the Beatles' "You've Got To Hide Your Love Away" – really one of the sweeter, more lovely and hard-to-shake catchy folk pop records of the era! The simple and raw acoustic guitar backdrop works very well with the male and female harmonies, really somehow feeling far more lovely and affecting than so many similar groups of the era. Lots of Dylan songs, including "The Times They Are A Changin'", "Mr Tamborine Man", "Girl From The North Country", "Love Minus Zero/No Limit" and more, plus "Close The Door Gently", "Blood Red River" and more. CD includes 4 bonus tracks: "Leave Me To Cry", "Keys To My Soul", "Born To Be With You" and "I'm So Sorry". CD

A sprawling triple length set from Young Jeezy – his first for Def Jam, and a set that was delivered at that moment when it seemed like the southern scene could just spin out material like this with effortless ease! Jeezy's position amidst boxes of money on the cover will give you an idea of some of the vibes on the set – definitely the sort that showed that the rapper was one of the bolder youngsters from the Atlanta scene! The set has features from TI, Mannie Fresh, Young Buck, and Lil Will – and titles include "Go Crazy", "Standing Ovation", "Let's Get It/Sky's The Limit", "My Hood", "Bottom Of The Map", "Bang", "Soul Survivor" and "Tear It Up". LP, Vinyl record album

Seminal work from Bob Dylan – one of his early electric sides, and a record that moved the singer from folk stardom to an even more explosive force in the mainstream! This is the record that forever made Dylan as influential on rock music as he was on underground styles – and the whole thing is a perfect blend of the complexity of his earlier songwriting with some tunes and messages that made his politics even more powerful than ever! The album's brimming over with genius – nearly every cut is a classic – and titles include "Subterranean Homesick Blues", "Maggie's Farm", "Mr Tambourine Man", "Gates Of Eden", "It's All Over Now Baby Blue", "It's Alright Ma", "Love Minus Zero/No Limit", "She Belongs To Me", and "Bob Dylan's 115th Dream". LP, Vinyl record album

The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album

Bakersfield genius Buck Owens is best known for his trailblazing, electric honky tonk sound (on top of hamming it up on Hee Haw), but by the late 60s and into the 70s the ever restless Buck tried on a number of different styles – including well known folk rock hits for this set! Rather than adapting tunes by Dylan, Simon & Garfunkel, Donovan and others as honky tonk numbers, Buck sort of meets the tunes halfway. (That makes sense – why would he take a turn onto a new neighborhood if he wasn't interested in a different path?) He does inject the Buckaroo twang, but he smooths out his usual punchy vocals, and projects a warmth that would have been impossible if Buck wasn't really feeling it. Great stuff – a left turn for both mainstream folk fans and honky tonk purists, but one worth taking! Tracks include "Bridge Over Troubled Waters", "Within My Loving Arms", "The Devil Made Me Do It", "San Francisco Town", "Love Minus Zero-No Limit", "I Am A Rock" and more. LP, Vinyl record album

Lloyd Price steps off to the side a bit, and allows his great backing band to really get some time in the spotlight – on this smoking set that was issued on LLoyd's own LL label! The group have this wicked mix of jazz, R&B, and mod soul – and often use sweet Hammond in the lead, in a way that makes the whole thing feel a bit like some of the Jimmy McGriff albums on Sue Records or Veep, or maybe like some of the most soulful Benny Golson arrangements on Prestige, when the horn players step out more in the front! There's a great mod soul groove to the whole thing – a style that's quite different from the vocal material that Price gave us on his own records, with more mof a jukebox-thumping style on cuts that include "Brother Eliajah", "Go Straight Ahead", "Soulful Waltz", "Oh Pee Day", "Number Four", "Trouble (parts 1 & 2)", "No Limit", and "Cool Blue". LP, Vinyl record album

A massive collection of work from these important years in music – and even if you don't know or care about Gary Crowley, who's pictured on the cover, you'll find plenty to love here if you dig UK sounds from the late 70s and early 80s! As indicated by the title, the set focuses on new wave and punk tracks – which also means that there's plenty of post-punk too – and the package does a really great job of offering up music that stands the test of time, even though much of it never got much play on American airwaves back in the day – music that really helped set the tone for a generation, and whose effects are still resonating all these many years later. As with volume one, the presentation is great – a very nice package, with detailed notes – and the 4CD set features 77 titles – with work by The Times, Shake, The Limps, Newtown Neurotics, The Slits, Gary Valentine, Basement 5, Dolly Mixture, Liquid Stone, The Subterraneans, Stiff Little Fingers, The Jam, Zounds, The Cure, The City Limits, Moving England, The Barracudas, Penetration, X-Ray Spex, The Limit, Magazine, Golinski Brothers, The Clash, and others. CD

These sides feature Charlie Shavers working with an octet that includes Billy Byers, Jerome Richardson, Budd Johnson, and George Barnes. The tunes on these sides have a more tightly arranged approach than Shavers' other recordings from this period – still with a strong focus on his fluid solo lines. Titles include "Period Of Adjustment", "Bossa Nova Petite", "Undecided", "Opus 5", "School Days", and "Big Time Blues". LP, Vinyl record album

Heavenly work by one of the greatest vocal jazz combos ever! The Singers Unlimited cut many mighty albums for MPS with arrangements by some of the label's best bandleaders – but this one features them all alone, with only their voices to hold them up, which they do wonderfully, thanks to some crack arrangements by Gene Puerling of the group! The approach is natural – given that their vocal interplay was always the group's strongest calling card – and thanks to sublime MPS production, acapella vocals have never sounded so amazing. Titles include "The Fool On The Hill", "Emily", "Since You Asked", "Lullaby", and "London By Night". LP, Vinyl record album

With accompaniment by Clare Fischer, Gary Foster, Bill Perkins, Victor Feldman, Harvey Mason, and others. LP, Vinyl record album

Classic funkiness from Sly & The Family Stone – an album that really pushed them to the top of their game, and exploded on the late 60s scene like a righteous funky bomb! The title cut's a mega-hit that you'll recognize right away – but the whole album's great, and is filled with the simple, joyous energy that made Sly's groove one of the freshest of his generation – and which helped foist all the great work going on in the 60s underground firmly into the light of a much wider mainstream audience. The messages are subtle here, but the group are already doing their part to change the world bit by bit – and the funky rhythms at the bottom assure that they'll be doing it ass by ass on the dancefloor! Titles include "Dance to The Music", "Ride The Rhythm", "Higher", "Don't Burn Baby", and the 12 minute "Dance To The Medley", with the groovy "Music Lover" passage! CD also features 6 bonus tracks, 4 previously unreleased – titles that include "Soul Clappin", "We Love All", "I Can't Turn You Loose", "Never Do Your Woman Wrong (inst)", and "Higher (unissued single version)". CD

Otis, Nelson, Lefty, and Lucky Wilbury play some nice tunes with their friend, Charlie T Jr. – Not to be confused with any of those Idle Race, Mudcrutch, Zimmermans, Kelton Orbison, or Beetle people. CD

Pretty great stuff from Unlimited Touch – grooving here in a sound that's got a bit more of an 80s feel than their previous album, but which still works well for their dual-female vocal lead style. There's a bit of an electro "wheeet" in some of the tracks, but the vocals and the songwriting are still in a tightly soulful mode. Titles include "Love Explosion", "Your Love Is Serious", "No One Can Love Me", and a remake of "Yes, I'm Ready". LP, Vinyl record album

A stunner of a soundtrack from the maestro Barry White – his only entry into the blacksploitation film genre of the 70s, and a complete doozy throughout! For the album, Barry's stripped down the bigger space of his own records, and his Love Unlimited productions – into some shorter tracks that really focus on that blend of funk and strings that he could do so well – making for a batch of killer instrumentals that really offer up a special Barry White take on the funky film sound of the 70s! Love Unlimited also sing on two tracks – "Somebody Is Gonna Off The Man" and "People Of Tomorrow Are The Children Of Today _- but most of the record is instrumental, played by the Orchestra – and tracks include "Killer's Lullaby", "So Nice To Hear", "Killer Don't Do It", "Can't Seem To Find Him", "Alive & Well", "Theme From Together Brothers", "Do Drop In", and "Here Comes The Man". CD

A funky soul instrumental classic – all the way through! The team of Eldee Young and Redd Holt first came to prominence with Ramsey Lewis' first Chicago trio, then branched out on their own as a jazz act – but by the time of this set, they'd picked up a hipper, funkier late 60s sort of soul groove – and were working with larger backings and a nice deal of extra bass! The pianist in the group is the super-dope Ken Chaney – a player who uses space as much as he uses notes – providing a cool counterpoint to the funky and jazzy riffing of the Young/Holt bass/drum combo. The album includes the landmark track "Soulful Strut" – with tinkling piano over funky backings mixed with sweetened strings – and other tracks include "Funky Is As Funky Does", "Baby Your Light Is Out", "Who's Making Love", "Ain't There Something Money Can't Buy?", "Be By My Side", and "Please Sunrise". A high point in the Chicago soul scene – with backings by Willie Henderson! CD

A funky soul instrumental classic – all the way through! The team of Eldee Young and Redd Holt first came to prominence with Ramsey Lewis' first Chicago trio, then branched out on their own as a jazz act – but by the time of this set, they'd picked up a hipper, funkier late 60s sort of soul groove – and were working with larger backings and a nice deal of extra bass! The pianist in the group is the super-dope Ken Chaney – a player who uses space as much as he uses notes – providing a cool counterpoint to the funky and jazzy riffing of the Young/Holt bass/drum combo. The album includes the landmark track "Soulful Strut" – with tinkling piano over funky backings mixed with sweetened strings – and other tracks include "Funky Is As Funky Does", "Baby Your Light Is Out", "Who's Making Love", "Ain't There Something Money Can't Buy?", "Be By My Side", and "Please Sunrise". A high point in the Chicago soul scene – with backings by Willie Henderson! LP, Vinyl record album

The last-ever album from this legendary duo – and a set that's maybe their funkiest record too! Of course, that's probably no surprise, given that they're playing the Curtis Mayfield tunes from Superfly here – great tracks that make for a really wonderful setting for the pair's highly rhythmic style – Eldee Young on bass and Isaac Redd Holt on drums – plus great Fender Rhodes lines from pianist Ken Chaney! The set also features a bit of congas from Derf Reklaw, and organ and guitar as well – and the whole thing's a long overdue follow up to the funky electric jazz style of their earlier album Oh Girl, on Atlantic. Titles include great takes on "Freddie's Dead", "Give Me Your Love", "Pusher Man", and "Superfly" – plus a few of the group's own numbers, like "Hey Pancho" and "Mystical Man" – as well as a super-dope cover of "People Make the World Go Round". LP, Vinyl record album

The last-ever album from this legendary duo – and a set that's maybe their funkiest record too! Of course, that's probably no surprise, given that they're playing the Curtis Mayfield tunes from Superfly here – great tracks that make for a really wonderful setting for the pair's highly rhythmic style – Eldee Young on bass and Isaac Redd Holt on drums – plus great Fender Rhodes lines from pianist Ken Chaney! The set also features a bit of congas from Derf Reklaw, and organ and guitar as well – and the whole thing's a long overdue follow up to the funky electric jazz style of their earlier album Oh Girl, on Atlantic. Titles include great takes on "Freddie's Dead", "Give Me Your Love", "Pusher Man", and "Superfly" – plus a few of the group's own numbers, like "Hey Pancho" and "Mystical Man" – as well as a super-dope cover of "People Make the World Go Round". LP, Vinyl record album

An amazing package – one that comes in a tiny replica of the original home of Motown Records in Detroit! As you'd guess from the title, the 11CD set features every single Motown track that ever hit #1 on the charts – almost 200 classic songs, running from the early 60s right up through the 90s – with work by The Temptations, Four Tops, Diana Ross, Boyz II Men, The Contours, Rockwell, The Originals, Marvin Gaye, The Marvelettes, Stevie Wonder, High Inergy, The Dazz Band, Rick James, Commodores, and lots more! The package also includes a photo book with classic images and notes – but man, what we dig most of all is that tiny house of hits packaging – a really amazing thing! Plus, this version of the set also features a bonus CD that wasn't in the original version – with 12 more tracks whose cover versions charted at #1! CD

Oh No's given carte blanche to the the Now Again and Soul Cal vaults of obscure funk, psychedelic soul and more – taking on the deep obscurities of those rarity reissuers for a tripped out hip hop funk instrumental set! Here Oh No has put together a record that rivals his underground hip hop funk classics Exodus Into Unknown Rhythms, in which he utilized the Galt MacDermot catalog, and Dr Know's Oxperiment – in which he worked with deep Middle Eastern and Mediterranean psychedelia – bringing an insistent, head nodding experience to say the least. The Now Again catalog includes everything from sinister underground funk to tripped out global psychedelia, while Soul Cal has issued underground funk and soul as great as anything out there – and Oh No reigns the diverse vibes in just enough to keep it tight and funky. He's sort of paying homage to Sound Library funk compilations, laying out 29 short tracks, honestly right up there with Madlib's Beat Konducta series! Titles include "Flight", "What We Need"., "Price Is Right", "Out West", "Coffee break", "Starlight", "Not Nice", "Raw Stew", "Soul Surgery", "Phantastic" and more. CD

RCA issued these "Stereo Action – The Sound Your Eyes Can Follow" records to demonstrate how "stereo" worked. This is a compilation of instrumental tracks that do indeed float in and out of the stereo channels and it's a fun bunch of songs. Tracks include "Flight Of The Bumblebee" by Ray Martin & His Orchestra, "Expresso" by The Guitars Unlimited Plus 7, "Kiss Of Fire" by Bernie Green & His Orchestra, "Runnin Wild" by Dick Schory's Percussion & Brass Ensemble, and "Jericho" by Ray Martin. LP, Vinyl record album

A very groovy set of tracks – and one that comes packaged with its own roulette wheel in the cover! The package goes for an all-Vegas style of vocal tracks – swinging and upbeat numbers that make you feel like you're in the set of the original Oceans Eleven, or following Fredo around in Godfather 2. There's a total of 20 tracks in all, and titles include "Games People Play" by Mel Torme, "Who's Got The Action" by Dean Martin, "Lucky Day" by Judy Garland, "I'm Shooting High" by Nat King Cole, "Something's Comin" by Vic Damone, "With Plenty Of Money & You" by Count Basie & Tony Bennett, "Shangri La" by Wayne Newton, "Big Spender" by Peggy Lee, "Night & Day" by Steve Lawrence, "Ain't That A Kick In the Head" by Sammy Davis Jr, and "This Could Be The Start Of Something" by Jack Jones. Packaging has a great roulette wheel with moving ball surrounded by green velvet. CD

The Heavenly Sweetness label celebrates its first ten years in business – with a special birthday present of all-exclusive unreleased tracks! This set doesn't look back at the previous decade of the label, but instead points the way forward – with a wonderful selection of newly-recorded tracks by some of hte label's best artists – including some who've helped define their groove strongly in recent years, and some whose talents are soon to be presenting full length sets for the company! As with the previous ten years of records, the music here is a fantastic blend of new styles and global elements – some strands of soul, jazz, and hip hop influences – but often used in ways that are completely fresh and contemporary – at a level that's made Heavenly Sweetness one of our go-to labels for new and interesting sounds over the past decade. Titles include "You Party Too Much" by The Mule, "O Circo" by Cotonete", "Have A Little Faith" by Blundetto and Ken Boothe, "An Ba Galba" by Roger Raspail and Vincent Segal, "Tijan Ka (2017 version)" by Edmondy Krater and I Live, "Tijan (Hugh LX rmx)" by Edmondy Krater, "F*ck With The Police" by Florian Pellissier Quintet with Roger Raspail and Nawer, "Hip Hop Muse (Lefto rmx)" by Rongetz Foundation, "Be The River" by Anthony Joseph and Hanyo, and "Move In Silence" by Guts with Patrice, Feve, Djeuhdjoah, and Lieutenant Nicholson. LP, Vinyl record album

Titles include "Red Rain", "Sledgehammer", "Don't Give Up", "In Your Eyes", and "Big Time". CD

Includes album, 44 page book, and VHS tape! CD

... CD

Hard to find a stronger early album by Sly Stone – as this one has him still funking hard, but also getting his soul bag together a bit more – hitting some really righteous vibes that mix together politics and partying in an incredibly seductive way! The album's filled with anthemic numbers like "Sing A Simple Song", "Stand", "Don't Call Me N*gger Whitey", and "Everyday People" – classic crossover material for the heady crowd of the late 60s – and it also includes a very cool 13 minute track called "Sex Machine", which is a messed-up stoner funk number that shows Sly's ties to the Fillmore freakout scene! CD also features 5 bonus tracks – including "I Want To Take You Higher (single)", "Soul Clappin 2", "My Brain (inst)", "Stand (single)", and "You Can Make It If You Try (unissued single version)". CD

Beautiful music from Chicago, set to another Chicago-themed project – a film based around the Roy stories of writer Barry Gifford! Yet that literary reference aside, the music here has fantastic merits of its own, even if you've never read Gifford at all – a very different, more compositional side of the spectrum from vibist Jason Adasiewicz, yet still music that has a loose small combo vibe as well – serve dup by a cool quintet that features Jonathan Doyle on saxes, Josh Berman on cornet, Joshua Abrams on bass, and Hamid Drake on drums! There's a mix of new tones and modern ideas that take us back to that late 50s time on the Chicago scene when Sun Ra's Arkestra was still in town – and the tunes penned by Adasiewicz are not only superb, but a perfect showcase for his incredible tones on vibes. Doyle is a real revelation too – a player we don't know well at all at this point, but whose sense of timing and presence really makes the whole record sparkle – as does the work of the rest of the better-known players in the group. Titles include "Ballad For Kitty", "River Blindness", "Walkin To Clinton", "Rudy's Basement", "Sand", and "Blue People". LP, Vinyl record album