The debut album from Terrace Martin, and a set that already has him stretching out and building bridges between scenes and genres – at a level that has continued to make him one of the real giants of the west coast scene! The record's never just about Terrace's keys or saxophone – although his work on both are totally great – and instead, there's an equal presence here from the guests – Robert Glasper on Fender Rhodes, or artists like Kendrick Lamar, Lalah Hathaway, Ty Dolla Sign, Musiq Soulchild, and others on vocals – balancing hip hop and soul with Martin's jazz at the core, as he awakes new ears sounds they never would have discovered otherwise! Titles include "Triangle Ship", "No Wrong No Right", "Over Time", "Watch U Sleep", "Something Else", "You're The One", "I'm For Real", "Gone", and "Motivation". LP, Vinyl record album

The greatness of Gregory Porter continues to grow and grow – as the vocalist keeps moving past the straighter jazz of his roots, into a role as one of the greatest soul singers of the 21st Century! Porter's got a depth and maturity that few folks have had in recent years – especially in the realm of male vocals – very much that manner of important 70s singers like Bill Withers, Billy Paul, or Al Jarreau – who were schooled in jazz, but worked more in soulful styles that gave them a wider reach, and helped them to find a very personal voice in the process! We'd easily place Gregory in that legacy – one that he's definitely earned by this point – and he sounds arguably even better here than on his debut for Blue Note – working with arrangements from co-producer Kamau Kenyatta, who mixes in just the right current of jazz to keep things on track with the energy we first loved in Porter's first records – while still really letting his new energy open up and soar. Titles include "Holding On", "Insanity", "Don't Lose Your Steam", "Daydream", "Don't Be A Fool", "More Than A Woman", and "French African Queen". Also features different versions of two songs, with guest appearances – "Holding On" with Kem, and "Insanity" with Lalah Hathaway. CD

Anderson.Paak heads to Ventura for this one – and something about that sunny coastal city brings out his soul influences after the primarily hip hop-leaning Oxnard! Paak leads on his raspy sung style for this one, an easygoing hip hop soul sound that's built to last, and again bringing in a heavy hitting of roster guests – including Andre 3000, Nate Dogg, Lalah Hathaway, Brandy and even Smokey Robinson – on tracks including "Come Home", "Make It Better" with Smokey Robinson, "Reachin' 2 Much", "King James", "Goodheels" with Jazmine Sullivan, "Yada Yada", "Jet Black" with Brandy, "Twilight" and "Chosen One" with Sonyae Elise and more. LP, Vinyl record album

The start of an amazing new chapter in the career of Robert Glasper – one that would soon set the tone for a number of other records to come! This set features loads of Glasper's enigmatic piano lines – those fluid, elliptical sounds that are always filled with plenty of soul and imagination – matched here with guest vocals from a host of key talents – including Erykah Badu, Lalah Hathaway, Musiq Soulchild, Meshell Ndegeocello, Bilal, and Lupe Fiasco! The blend is surprisingly wonderful – not a sell out at all, but a way for Glasper's music to reach a rich new level of expression – as the vocals really help the instrumental elements come alive – and unlock this side of Robert's potential that was always lurking in the background. One of the best musical moments from Blue Note at the time – with titles that include "Always Shine", "Move Love", "Ah Yeah", "Lift Off", "Afro Blue", "Cherish The Day", "Black Radio", and "Letter To Hermione". Japanese pressing includes the bonus track "Twice". CD

Maybe the most righteous music we've ever heard from keyboardist Robert Glasper – and that's saying a heck of a lot, given his legacy of albums over the years! This project feels different than the previous Black Radio releases by Glasper – different than his initial blending of jazz modes and contemporary soul – and maybe more strongly driven by mission and purpose, with a quality that really comes through right from the very first note! Glasper's piano and keyboards still have that strong sense of shape we love so much – but they're maybe more heady and serious, and really set a fantastic tone for the album's many contributions from important voices like Esperanza Spaulding, BJ The Chicago Kid, Amir Sulaiman, Lalah Hathaway, Common, Posdnuos, Q Tip, Gregory Porter, Ledisi, HER, and others – a lineup who really elevate the already-sublime tone of the record. We've always found inspiration in the music of Robert Glasper – but it's also an amazing thing to see him rise to an almost statesman-like position with a project like this – on titles that include "Black Superhero", "Shine", "Why We Speak", "Better Than I Imagined", "Everybody Love", "It Don't Matter", "Heaven's Here", "Forever", and a surprisingly strong cover of "Everybody Wants To Rule The World". LP, Vinyl record album

Features vocals from Lalah Hathaway and Will Downing. CD

Sweet grooves from George Duke – and a set that almost feels like it's got a bit more edge than usual – at least in recent years! The vibe's still got that warm mix of soul and jazz that's continued to make George great – but the keyboards also feel richer at points, with some of the mystical inflections you'd expect from the Dreamweaver title – served up by Duke in a mix of Fender Rhodes, acoustic piano, and other keyboards. A number of tracks have vocals – by George himself, with help from Rachelle Ferrell on one track, the late Teena Marie on another, and a group with Freddie Jackson, Jeffrey Osborne, and Lalah Hathaway on another – but there's also a fair bit of instrumental moments that spin out with more flourish than we've heard from Duke in years. Titles include "Brown Sneakers", "Round The Way Girl", "Ball & Chain", "Stones Of Orion", "Ashtray", "Change The World", and "Missing You". CD

Anderson.Paak heads to Ventura for this one – and something about that sunny coastal city brings out his soul influences after the primarily hip hop-leaning Oxnard! Paak leads on his raspy sung style for this one, an easygoing hip hop soul sound that's built to last, and again bringing in a heavy hitting of roster guests – including Andre 3000, Nate Dogg, Lalah Hathaway, Brandy and even Smokey Robinson – on tracks including "Come Home", "Make It Better" with Smokey Robinson, "Reachin' 2 Much", "King James", "Goodheels" with Jazmine Sullivan, "Yada Yada", "Jet Black" with Brandy, "Twilight" and "Chosen One" with Sonyae Elise and more. CD

An incredible departure for Meshell Ndegeocello – a jazz-based project with a sound that's different than any of her other work! The album shows a depth that we never expected – a richly instrumental mode that's only touched by vocals on a few songs – and which is mostly territory explored by Meshell on bass, along with other jazz players that include Michael Cain on keyboards, Jack De Johnette on drums, and sax work from Kenny Garrett, Don Byron, Oliver Lake, and Oran Coltrane! 3 of the album's 8 tracks feature vocals – by Sabina, Cassandra Wilson, and Lalah Hathaway – and the tunes are all long, languid, and laidback – drifting along through some really moody territory. Titles include "Mu-Min", "Al Falaq 113", "Dance Of The Infidel", "The Chosen", "Luqman", and "Heaven". CD

The greatness of Gregory Porter continues to grow and grow – as the vocalist keeps moving past the straighter jazz of his roots, into a role as one of the greatest soul singers of the 21st Century! Porter's got a depth and maturity that few folks have had in recent years – especially in the realm of male vocals – very much that manner of important 70s singers like Bill Withers, Billy Paul, or Al Jarreau – who were schooled in jazz, but worked more in soulful styles that gave them a wider reach, and helped them to find a very personal voice in the process! We'd easily place Gregory in that legacy – one that he's definitely earned by this point – and he sounds arguably even better here than on his debut for Blue Note – working with arrangements from co-producer Kamau Kenyatta, who mixes in just the right current of jazz to keep things on track with the energy we first loved in Porter's first records – while still really letting his new energy open up and soar. Titles include "Holding On", "Insanity", "Don't Lose Your Steam", "Daydream", "Don't Be A Fool", "More Than A Woman", and "French African Queen". Also features different versions of two songs, with guest appearances – "Holding On" with Kem, and "Insanity" with Lalah Hathaway. CD

The start of an amazing new chapter in the career of Robert Glasper – one that would soon set the tone for a number of other records to come! This set features loads of Glasper's enigmatic piano lines – those fluid, elliptical sounds that are always filled with plenty of soul and imagination – matched here with guest vocals from a host of key talents – including Erykah Badu, Lalah Hathaway, Musiq Soulchild, Meshell Ndegeocello, Bilal, and Lupe Fiasco! The blend is surprisingly wonderful – not a sell out at all, but a way for Glasper's music to reach a rich new level of expression – as the vocals really help the instrumental elements come alive – and unlock this side of Robert's potential that was always lurking in the background. One of the best musical moments from Blue Note at the time – with titles that include "Always Shine", "Move Love", "Ah Yeah", "Lift Off", "Afro Blue", "Cherish The Day", "Black Radio", and "Letter To Hermione". Deluxe edition features great bonus material – the cuts "Twice", "Love Supreme", and "Fever" – plus the full work of the Recovered Remix EP – including "The Consequences Of Jealousy (Georgia Anne Muldrow's sassy geemix)", "Letter To Hermoine (Robert Glasper and Jewels rmx)", "Dillalude #2", "Twice (?uestlove's twice baked rmx)", "Black Radio (Pete Rock rmx)", and "Afro Blue (9th Wonder's blue light basement rmx)". CD