An amazing debut from the
John Carter/
Bobby Bradford New Art Jazz Ensemble – one of the most powerful voices in
jazz on the west coast at the end of the 60s! In a way, the quartet's sound is a culmination of the underground changes that had been bubbling under during most of the 60s on the LA scene –
new ways of conceiving
jazz after Ornette and Dolphy had first set the scene on fire at the start of the decade, but styles that weren't receiving nearly the exposure as some of the better-known avant work on the Chicago,
New York, or European scenes. The style here definitely owes something of a legacy to Ornette in the way it reconceives rhythm and melody – and a bit to Dolphy in its freewheeling, free-thinking work on clarinet, flute, and alto by
John Carter.
Bobby Bradford's bracing trumpet lines really give the album a tremendous punch – and the rest of the group features Tom Williamson on bass and Bruz Freeman (brother of George and Von!) on drums. Titles include "Seeking", "The Village Dancers", "Sticks & Stones", "In The Vineyard", "Karen On Monday", and "Song For The Unsung".