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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
G/9 Group with Wilson Das Neves & Dom SalvadorBrazil Now! ... CD
Sonorama (Germany), 1968. New Copy ... $9.99 19.99
A lost bit of dreamy bossa from the 60s – recorded in Brazil at the end of the decade, but unavailable to most of the world for years! The session's got a gently snapping, always jazzy approach that easily matches the best takes on the bossa coming out from Rio and LA at the time – and the album's done in a style that really makes best use of the warmly soulful piano lines of Dom Salvador, while also hitting some harder rhythms that bristle with plenty of bossa jazz energy, thanks to the presence of drummer Wilson Das Neves! Vocals are often in a mode that showcases singer Valeria, but with support from harmonies on the chorus – and the record's got a sunny sort of groove that almost reminds us of classics by Mario Castro Neves & Samba SA! Titles include "Sambou Sambou", "Ponteio", "Viola Enluarada", "Vesti Azul", "Lady Madonna", "Deixa", "Alegria Alegria", and "Retrato Em Branco E Preto". CD
 
Possible matches: 7
Possible matches2
CD, LP, Vinyl record album cover art
Victor Assis BrasilEsperanto (180 gram pressing) ... LP
Quartin/Far Out (UK), 1970. New Copy (reissue)... $22.99 24.99
An incredible album of jazz tracks by one of Brazil's greatest reed players of the 70s – the mighty Victor Assis Brasil – a free-thinking spirit who really took Brazilian jazz in bold new directions at the time! The record shows Victor absorbing a lot of post-Coltrane influences, and blending them with a tight approach to rhythm – laid down here by Dom Salvador on piano (and organ), Edison Lobo on bass, and Edson Machando on drums. The group is completed by Helio Delmiro on guitar, and Claudio Roditi plays trumpet on one track – but the real highlight is the amazing reed work by Brasil, which is filled with soul and warmth, plus a deep sense of exploration. The whole session was put together by Roberto Quartin in 1970 – and it's still extremely fresh today. Titles include "Children", "Gingerbread Boy", "Senegal", and "Marilia", which is a bonus track that wasn't on the original LP. LP, Vinyl record album
(Limited edition!)

Possible matches3
CD, LP, Vinyl record album cover art
Victor Assis BrasilEsperanto/Victor Assis Brasil Toca Antonio Carlos Jobim (with bonus tracks) ... CD
Quartin/Far Out (UK), 1970. New Copy ... $7.99 16.99
A fantastic double-length set – two full albums of music, essential for any fan of Brazilian jazz – or even jazz in general! First up is Esperanto – an incredible album from one of Brazil's greatest reed players of the 70s – the mighty Victor Assis Brasil – a free-thinking spirit who really took Brazilian jazz in bold new directions at the time! The record shows Victor absorbing a lot of post-Coltrane influences, and blending them with a tight approach to rhythm – laid down here by Dom Salvador on piano (and organ), Edison Lobo on bass, and Edson Machando on drums. The group is completed by Helio Delmiro on guitar, and Claudio Roditi plays trumpet on one track – but the real highlight is the amazing reed work by Brasil, which is filled with soul and warmth, plus a deep sense of exploration. The whole session was put together by Roberto Quartin in 1970 – and it's still extremely fresh today. Titles include "Children", "Gingerbread Boy", "Senegal", and "Marilia". Next is Toca Antonio Carlos Jobim – a fantastic album from this legendary Brazilian saxophonist – and one that's way different than the usual instrumental reading of the music of Antonio Carlos Jobim! The setting is less of a bossa-inspired one than a post-Coltrane mode – as Victor Assis Brasil blows alto sax, and a bit of soprano – on long, stretched out versions of Jobim compositions – often given a bit of modal energy, thanks to the group's strong piano and organ performances by Dom Salvador. The rest of the players are all great, too – Helio Delmiro on guitar, Edson Lobo on bass, and Edison Machado on drums – all players who grew up in the bossa jazz years of the 60s, but who here are set free to explore new territory by producer Roberto Quartin. The whole thing's wonderful – and titles include "Bonita", "Wave", "So Tinha De Ser Come Voce", and "Dindi". CD also features two bonus tracks – alternate takes of "Ao Amigo Quartin" and "Marilla". CD

Possible matches4
CD, LP, Vinyl record album cover art
Jose MauroA Viagem Das Horas ... CD
Quartin/Far Out (UK), 1970. New Copy ... $9.99 16.99
A tremendous lost masterpiece from Jose Mauro – a less-remembered figure in Brazilian music at the start of the 70s – but one we'd rank right up there with the best of the time, on a short list that would include Marcos Valle, Milton Nascimento, and Arthur Verocai! Like those three giants, Mauro's got a way with a tune that's completely his own, and very different than music taking place in the Anglo scene at the time – sophisticated, but never full of itself – personal, but also always reaching for higher ideas too – set up in these sublime arrangements by Roberto Quartin, who recorded the date for his own famous label – with a killer studio group that includes Dom Salvador on organ and piano, Paulo Moura on alto, sax, and Wilson Das Neves on drums. Jose's vocals are fantastic, as is his subtle use of acoustic guitar – and arrangements on the set are by Maestro Gaya, who you might know from a wealth of brilliant work for the EMI/Odeon label in Brazil. The set includes three never-issued tracks – "Rua Dois", "Moenda", and "Variacao Sobre Um Antigo Tem" – plus "A Viagem Das Horas", "O Nino", "Morango Encanto", "O Oitava Morada", "Romanza", and "O Cavaleiro De Antonina". CD

Possible matches5
CD, LP, Vinyl record album cover art
Charlie RouseCinnamon Flower ... LP
Douglas, 1977. Very Good+ ... $5.99
A great later effort from tenor sax giant Charlie Rouse – a record that's quite different than his 50s hardbop or his 60s modernist work with Thelonious Monk – but still pretty darn great in its own sort of way! The album features Rouse working with a larger ensemble in a batch of tracks that has a distinct Brazilian influence – not one from bossa nova, but from the more sophisticated Brazilian jazz modes of later years – particularly as the style started to pick up from some of the arranging modes used in MPB. The players here are all well-suited to the session – and include Clifford Adams on trombone, Claudio Roditi on trumpet, Dom Salvador on piano, Ted Dunbar on guitar, Amaury Tristao on acoustic guitar, Ron Carter on bass, Bernard Purdie on drums, and Wilbur Bascomb on bass – all working together in a style that's somewhat complicated, yet which has an open-ended flow, and a very joyous sensibility overall! Arrangements are by Dom Salvador and Amaury Tristao – and titles include Salvador's romping groover "On The Corner – a real jazz dance classic – plus "Sertao", "Desencontro", "Alvorada", "Natal No Interior", and "Cravo Canela". LP, Vinyl record album
(Cover has a cut corner and light wear.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Paul HornAltura Do Sol ... LP
Epic, 1976. Near Mint- ... Temporarily Out Of Stock
One of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work composed by Egberto Gismonti, played by Horn, Gismonti, Dom Salvador, and Dom Um Romao with a breezy Brazilian jazz finish! The sound's a great extension of the genius that Gismonti had at the time, and takes his music into a slightly more American mode – with titles that include "Danca Das Cabecas", "Carmo", "Altura Do Sol", "Quarup", "Tango", and the great "Salvador". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Charlie RouseCinnamon Flower ... CD
Douglas/Ryko (Japan), 1977. Used ... Out Of Stock
A great later effort from tenor sax giant Charlie Rouse – a record that's quite different than his 50s hardbop or his 60s modernist work with Thelonious Monk – but still pretty darn great in its own sort of way! The album features Rouse working with a larger ensemble in a batch of tracks that has a distinct Brazilian influence – not one from bossa nova, but from the more sophisticated Brazilian jazz modes of later years – particularly as the style started to pick up from some of the arranging modes used in MPB. The players here are all well-suited to the session – and include Clifford Adams on trombone, Claudio Roditi on trumpet, Dom Salvador on piano, Ted Dunbar on guitar, Amaury Tristao on acoustic guitar, Ron Carter on bass, Bernard Purdie on drums, and Wilbur Bascomb on bass – all working together in a style that's somewhat complicated, yet which has an open-ended flow, and a very joyous sensibility overall! Arrangements are by Dom Salvador and Amaury Tristao – and titles include Salvador's romping groover "Waiting On The Corner – a real jazz dance classic – plus "Sertao", "Desencontro", "Alvorada", "Natal No Interior", and "Cravo Canela". CD
Also available Cinnamon Flower ... LP 5.99

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Wax PoeticsIssue #48 – Protest Blues ... Magazine
Wax Poetics, 2011. Used ... Out Of Stock
Wax Poetics is closing in on 10 years in its unrivaled coverage of classic and rare soul, jazz, hip hop and all things funky – delivering big once again with Issue #48! Nina Simone is on the front cover – with a really great feature that focuses on the unfiltered realness, honesty and blunt social awareness at the core of her life and so many of her best recordings – with artful newcomer Theophilus London on the backover. Issue #48 also has pieces on Count C, Neu!, Dom Salvador, Shock G, Yabby You, Billy Cox, Gil-Scott Heron In Memorium, Re:Discovery of treasured records by Swamp Dogg, Sarah Vaughn and Odyssey, and much more! Magazine
 
Partial matches: 1
Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Afro-Cuban Jazz ProjectTributo A Emiliano Salvador ... CD
Yemaya (Spain), 2000. Used ... Out Of Stock
A wonderfully-done session of Latin jazz – played by a combo formed to pay tribute to the music of Cuban composer Emiliano Salvador! The group on the set is totally great – and features piano by Chuco Valdes, trombone by Juan Pablo Torres, tenor and flute from Juan Manuel, and congas from Tata Guines – all coming together with a number of other players, working in a style that's deeply soulful, and which often has more of a focus on the jazz component of the tracks than usual! The horn work is especially great on the set – arcing and dipping with some heartfelt turns that bring a nice edge to the tracks, and which remind us a bit of the styles we love on some of the older work by Bobby Vince Paunetto. Titles include "A Puerto Padre", "Angelica", "En Una Volanta Actual", "Jazz Plaza", "En Una Manana De Domingo", and "Danza Para Cuatro". CD
 
 
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