Dizzy Gillespie, Sonny Stitt, Sonny Rollins -- All Categories (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.

All Categories

$




Items/page

Dizzy Gillespie, Sonny Stitt, Sonny Rollins Edit search Phrase match

 
Sort by
Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Dizzy Gillespie, Sonny Stitt, Sonny RollinsSonny Side Up (Verve Master Edition) ... CD
Verve, 1957. Used ... $4.99
A great little blowing session for Verve – one that has Dizzy Gillespie working here with two different "Sonnys" – Sonny Stitt and Sonny Rollins, both of whom play tenor on the set! The tracks here are all quite long and open – more loose vehicles for extended soloing than the usual sort of Verve tracks – almost a mini-jam session with the three horn giants in the lead. Rhythm is from the trio of Ray Bryant on piano, Tommy Bryant on bass, and Charlie Persip on drums – but the real stars are the horn players – not just Diz, who cuts some of his hippest lines of the late 50s here, but also Rollins and Stitt, who seem to get a bit more care in recording than they did over at Prestige earlier in the decade. Album features 4 long tracks – "On The Sunny Side Of The Street", "After Hours", "I Know That You Know", and "The Eternal Triangle". CD
(1997 Verve Master Edition.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Dizzy Gillespie, Sonny Stitt, Sonny RollinsSonny Side Up ... CD
Verve/Polygram, 1957. Used ... Out Of Stock
A great little blowing session for Verve – one that has Dizzy Gillespie working here with two different "Sonnys" – Sonny Stitt and Sonny Rollins, both of whom play tenor on the set! The tracks here are all quite long and open – more loose vehicles for extended soloing than the usual sort of Verve tracks – almost a mini-jam session with the three horn giants in the lead. Rhythm is from the trio of Ray Bryant on piano, Tommy Bryant on bass, and Charlie Persip on drums – but the real stars are the horn players – not just Diz, who cuts some of his hippest lines of the late 50s here, but also Rollins and Stitt, who seem to get a bit more care in recording than they did over at Prestige earlier in the decade. Album features 4 long tracks – "On The Sunny Side Of The Street", "After Hours", "I Know That You Know", and "The Eternal Triangle". CD
(Out of print.)
 
Close matches: 2
Close matches3
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieSonny Rollins/Sonny Stitt Sessions ... LP
Verve, Mid 50s. Near Mint- 2LP Gatefold ... Out Of Stock
Of the classic "big names get together for a session" albums on Verve, the best ones always seem to be the ones with one of the "Sonnys" in the list of leaders. This one compiles titles from the Sonny Side Up album – which featured Stitt and Rollins, plus others from 1957 sessions in which Diz played with one or the other player. The set's a beautiful batch of long tracks with lots of blowing room, and a deep soulful hardbop groove that you don't always hear on Verve. The rhythm section for all groups is comprised of Ray Bryant, Tommy Bryant, and Charlie Persip – who are part of the reason for the magnanimous groove of the set – and titles include "After Hours", "Con Alma", "Haute Mon", "Sumphin", "Weatleigh Hall", "I Know That You Know", and "The Eternal Triangle". LP, Vinyl record album

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Dizzy Gillespie with Sonny Rollins & Sonny StittDuets ... CD
Verve, Mid 50s. Used ... Out Of Stock
One of the greatest jam session albums on Verve! Although some of the label's "big horn talent" albums tended to be a bit snoozy, this one crackles with energy, and features three different classes of boppers working together perfectly on long, lively tracks with Ray Bryant on piano, Tommy Bryant on bass, and Charlie Persip on drums. In fact, it's probably the soulful rhythm section that makes the whole thing so darn good – as they really chop up some nice rhythms on cuts like "Wheatleigh Hall", "Haute Mon", and the album's classic version of "Con Alma", plus an alternate take of "Con Alma" and the previously unreleased "Anythin'". Great stuff, and essential for fans of Diz and Rollins especially! CD
 
 
! Didn't find what you're looking for? You can set a product alert and we'll notify you of new matches.
 



⇑ Top