Bossa jazz from the French scene of the 60s – an ultra-hip album issued on the legendary Saravah Records label – and one that's one of the best illustrations of the label's way of blending together jazz and other global styles! The group here is a trio, with Fernando Martins on some wonderfully bold piano – working with bassist Edson Lobo and drummer Nelson Serra – in a groove that's rooted in older Rio bossa jazz modes, but also has a slightly more powerful quality, too – that special sort of late 60s flowering that Brazilian music had when it hit the very receptive European scene. The trio have a nice rolling sound that might be compared to some of the MPS jazz/Brazilian crossover sessions – and titles include "Upa Neguinho", "Nascente", "Bia", "Noa Noa", "Samba Novo", "Berimbau", "Nao Tem Solucao", and "Muito A Vontade". LP, Vinyl record album

Beautiful sounds from a very unique label – one started in Paris by a Malian merchant in the 80s, in order to both present sounds from his homeland, and all of the wonderful new variations that were taking place on the cross-cultural scene in France! The body of work is partly a compelling document of culture in diaspora, but more importantly presents a nice range of grooves with a vibe that's very different than mainstream music from the time – especially some of the too-commercialized records that were shifting big numbers on the world music scene. Most of these tracks have a very down to earth presentation – professional, but never overdone – mixing older styles with electric instrumentation and just a touch of studio sweetening, but hardly much at all. Titles include "Duna" by Halima Kissima Toure, "Ayebo" by Hadja Soumano, "Bolinaame" by Diaby Doua, "Tenedo" by Ami Traore, "Alla Da Fo Na" by Halima Kissima Toure, "Soso" by Mah Kouyate, "Nogome" by Lassana Hawa Cissokho, and "Kori" by Mamadou Tangoudia. Most tracks originally issued on cassette or digital – and appear here on vinyl for the first time ever! LP, Vinyl record album

... LP, Vinyl record album

A record with a cover that's a lot more hard-hitting than some of the later global efforts from The Latin Brothers – and one with a sound that definitely matches that image too! There's a raw sound here that's right in keeping with the best of Discos Fuentes at the time – music that clearly draws inspiration from the combo of Willie Colon up in New York, but which features backing from Fruko Y Sus Tesos, who have a style that's even more raw – with all sorts of great percussion next to the jazzy piano and soaring trombone lines! Piper Pimienta Diaz handles lead vocals – and titles include "Y Tu Que", "Echa Pa'Lante Camara", "La Perla", "Que No Pare La Rumba", "San Juan De Puerto Rico", "Son Dolores De Cabeza", and "El Picotero". LP, Vinyl record album

Beautiful bossa from late 60s France – a really lovely session that mixes the vocals of Tita with jazzy backings from Trio Camara – who we know from their own legendary album on the Saravah label! The sound here is a bit different than bossa from Brazil – somewhat darker at points, carried off in that cool continental mode that would sometimes show up when sounds from Rio were filtered through 60s Paris – kind of an extra level of hipness that really makes for some special music here. There's a bit of additional strings next to the trio's backing, which underscores some elements of sadness and also makes for a bit of a soundtrack feel at points – and other instrumentation includes acoustic guitar and some occasional flute. Titles include "Anjo", "Trapezista", "Zefa", "Um Motivo De Ser", "Beatriz", "Nao Faz Mal", "Quebra Mar", and "Vejo A Tarde Cair". CD

Excellent 60s work from Jair Rodrigues – soulful tracks backed by some larger arrangements, a bit big band samba, a bit post-bossa MPB. Jair's vocals are great – a bit languid, even in the lively parts, in a slightly folksy mode that's really quite compelling. Titles include "Casa Santa", "Modinha", "Vela Branca", "Camara E", "Onda Jovem", "Velho Realejo", and "Triste Madrugada". LP, Vinyl record album

Roge is the kind of singer who should be huge, if the world had any justice – yet, like some of the best from his scene in Brazil, he's also got this instant charisma that grabs you right away, but which avoids all the cliches of American stardom! The record's got Roge sliding into the sort of raspy charms we love in a Brazilian legacy that stretches back through Seu Jorge and Marcos Valle – a voice that's unadorned and so instantly compelling, you find yourself following it immediately, even past the boundaries of language. Instrumentation on the set is focused, but nice and lean – usually acoustic guitar over rhythms, augmented by enough contemporary production to make you know you're hearing a 21st century set, but not in any sort of clubby or too-slick sort of way. Titles include "Existe Uma Voz", "Pra Vida"," Yemanja", "Curyman", "Misterio Da Raca", "Se Eu For Falar Da Amor", and "Camara". CD

... LP, Vinyl record album

... LP, Vinyl record album

Gilberto Gil's still got a nicely sharp edge here on this great set from the late 80s – a record that broke bigger than most of his others from the decade, at least on a global scale – and an album that showed the world that Gil still had plenty of energy and new ideas to offer! There's a nice current of funk going on here, but at a level that's toned down a bit from some of Gilberto's late 70s work – almost pan-global in its approach to some of the rhythms, which seem to take a samba soul mode a few steps further – and the production by Liminha avoids any of the creeping world music cliches of the time, and allows for a great focus on Gil's wonderful vocals. Titles include "Neve Na Bahia", "De Onde Vem O Baiao", "Madalena", "Parabolicamara", "Um Sonho", and "O Ser Teu Funk". CD

Fantastic forro from the Brazilian scene of the 60s – a really hard-hitting collection of work from Camarao – and some of the sharpest use of the accordion you'll ever hear! This isn't the accordion of the polka world, Lawrence Welk, Paris musette, or even Tex-Mex music – as the rhythms to the tunes are incredibly infectious – often just served up on a spare bass drum, which is used as if it's both an acoustic bass and a percussion instrument at once – setting up tunes which move quickly and with a frenzied sort of action – followed by bits of saxophone or other reeds, and lots of incredibly deft keyboard work from Camarao – who's clearly pumping his instrument with incredible speed to match his energy on the keys! If you've never heard Brazilian forro, you're about to hear one of the best – and even if you have, the excellent presentation here by Analog Africa makes the set really stand out from some of the blander collections on the market. Titles include "Rio Antigo", "Xeem", "Xaxando Com Garibaldi", "Os Camaroes", "De Serra Em Serra", "Camaro No Oriente", "Nao Interessa Nao", "Fim De Festa", "Voce Passa Eu Acho Graca", "Forrozinho Moderno", and "Retrato De Um Forro". LP, Vinyl record album

Very cool little record based around Disneyland's Enchanted Tiki Room ride. The LP comes with a cool book with lots of pictures of the exotic ride, and the music's a mix of Polynesian themes conducted by George Bruns, and original music composed and conducted by Camarata, who did a lot of the music for Disney. The record includes a narrated tour of the Jungle Cruise by Thurl Ravenscroft, and the whole thing's very groovy! LP, Vinyl record album