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(Cover has some stains around the edges, with some peeled spots in back at the opening.)
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(Mid 70s orange fade label pressing. NOTE – Box is heavily worn at the bottom right edge, with some missing portions from the corner.)LP, Vinyl record album
(60s Venezuelan pressing. Vinyl plays with crackle and pops throughout. Cover has yellowed clear tape holding the seams and a light stain along the opening.)LP, Vinyl record album
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and " ... LP, Vinyl record album
Slicker than usual for Houston Person, but still a pretty nice album of tighly produced R&B-oriented jazz. The group includes a lot of hip players, like Cecil Bridgewater, Paul Griffin, and Bruce Nazarian – and the record has arrangements by Jimmy Roach. Tracks are long, and titles ... LP, Vinyl record album