This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Killer live work from Miles Davis' early electric years – a non-US release from Columbia, and one that features a smoking concert performance from the 1969 Festiva De Juan Pins! The group here is almost in Bitches Brew formation, but they're also playing with an even darker, freer groove at ... CD
A rare session from Astrud Gilberto – recorded in the early 80s as a collaboration with Japanese trombonist Shigeharu Mukai! The set's got a dreamy bossa feel throughout – with arrangements that are a bit modern, but still quite jazzy – and very much in the mode that brings out ... CD
Toshiko Akiyoshi on piano, Jerry Dodgion and Jim Snidero on alto saxophone, Scott Robinson on baritone saxophone, Doug Weiss on bass, Scott Robinson on bass clarinet, Tim Newman on bass trombone, Daniel Ponce on congas, Terry Clarke on drums, Jim Snidero, and Walt Weiskopf on flute, Lew Tabackin on ... CD
John McLaughlin on acoustic guitar and vocals, L. Shankar on violin, viola, and vocals, Zakir Hussain on tabla, timbales, bongos, dholak, nal, triangle, and vocals, and T.H. Vinayakram on ghatam, nal, kanjeera, moorsing, and vocals. CD
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam ... CD
One of the greatest American albums to be issued under Kenny Clarke's name – a smoking set of boppish tracks that groove in a very early 50s Blue Note sort of way! And in fact, the tracks are a bit longer than the usual Blue Note bop sides, which makes them open up with some even longer ... CD
A way different album than usual for both tenor giant Coleman Hawkins, and up-and-coming trumpet talent Clark Terry – a very soulful set that falls much more into the spirit of the few soul jazz gems on early 60s Epic/Columbia Records! This could be because Dave Bailey's holding down the ... CD
Weather Report at the height of their 70s fame – captured live in a double-length set, very much the practice for jazz superstars of the time! The format is familiar – but the liveness gives the album a slightly different feel than their studio sets – a sound that echoes out ... CD