Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Black Ants Always Fly Together – One Bangle Makes No Sound (with bonus download)

LP (Item 994162) Crammed (Belgium), 2021 — Condition: New Copy
List Price: 19.99

Really fantastic work from the Kasai All Stars – a group we first discovered years ago, as part of the excellent Congotronics series – but one who here really stretch past their roots, and embrace a mature sound that really lets them spread their wings in fly! There's still some of the unusual electronic bits that marked the Congotronics work – but those qualities are often a bit lower in the mix, and replaced with warmly collaborative vocals, and guitar work that serves up the occasional solo passage that may well give the Tuareg scene a good run for its money! As before, the group bring together artists from a few different cultural paths in Kasai – and titles include "Baba Bende", "Unity Is Strength", "Betrayal By Gossip", "Like A Dry Leaf On A Tree", "Kasai Munene", "Hunters & Farmers Need The Blacksmith", and "Ecstasy Of Singing".  © 1996-2021, Dusty Groove, Inc.
(Includes download!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Crammed (Belgium), 2021. New Copy
An album that revolves around a story of sorts – three creatures from a distant time and space come to earth and send their impressions back home – yet manage to do so in a way that resonates strongly with the earlier work we've liked from Batida! The music, as before, is a hybrid of ... LP, Vinyl record album
Crammed (Belgium), 1985. New Copy (reissue)
80s Afro grooves, recorded in Belgium – given a nice twist by the Crammed Discs label, which was one of the first to really open up African styles with more European elements! Bony Bikaye handles vocals, and Hector Zazou plays plenty of keyboards and adds in beat – so there's an ... LP, Vinyl record album
Night Dreamer (UK), 2021. New Copy
Mogollar are a legendary group in Turkish music – formed in the 60s, with a mission to explore psychedelic impulses amidst more traditional instrumentation – and all these many years later, the combo is still going strong, and with a sound that still beats most of the groups they ... LP, Vinyl record album
Night Dreamer (UK), 2021. New Copy
Mogollar are a legendary group in Turkish music – formed in the 60s, with a mission to explore psychedelic impulses amidst more traditional instrumentation – and all these many years later, the combo is still going strong, and with a sound that still beats most of the groups they ... LP, Vinyl record album

Golden Hands

Golden Hands
Sdban (Belgium), 1978. New Copy (reissue)
An unusual funky duo from 70s Morocco – one who work here in a nice mix of modes, and get some great help from a third group member on some especially tight drums! The music is more conventional rock at times, but there's a few really great funky breakout tracks on the set – including ... LP, Vinyl record album
Heavenly Sweetness (France), Early 70s. New Copy
A totally wonderful collection of Ethiopian sounds, circa 1972 – all pulled from a moment when the sound of the nation was really beginning to change in radical ways! The tracks here are sometimes funky, sometimes a bit more spiritual – and they showcase that bold new spirit that was ... LP, Vinyl record album
L'Arome/Heavenly Sweetness (France), Late 60s/Early 70s. New Copy (reissue)
Mad grooves from the Ethiopian scene of the 70s – featuring work by the enigmatic Mulatu, plus some of the other extra-cool artists on that country's groundbreaking soul and funk scene! Mulatu plays Fender Rhodes and organ on his tracks – grooving with a slow, snakey approach that's ... LP, Vinyl record album
Heavenly Sweetness (France), 1960s/1970s. New Copy 2LP Gatefold
The definitely got the title right on this one – because the set is filled with some of the most heavenly tracks from the legendary Ethiopiques series – that legendary run of compilations that was the first introduction for most of us to the amazing music of Ethiopia! This package ... LP, Vinyl record album

Mulatu Astatke Featuring Fekade Amde Maskal

Ethio Jazz (180 gram vinyl)
Heavenly Sweetness (France), 1970s. New Copy (reissue)
Mad funk from Ethiopia – classic work by the legendary Mulatu, one of Africa's heaviest artists of the 70s! Mulatu's been kind of a beathead secret for years – as most of his exotic grooves were never issued properly outside of Africa, and have only been the province of collectors who ... LP, Vinyl record album

Shaolin Afronauts

Flight Of The Ancients
Freestyle (UK), 2011. New Copy
Funky Afro Soul from Oz – the brilliant full length debut of Shaolin Afronauts! Flight Of The Ancients blasts off from the bedrock of 70s West Africa and Ethio funk influences, but their one of the rare few combos who pull it off without it feeling like a retread of past glories. Part of ... LP, Vinyl record album
Luaka Bop, Late 70s/Early 80s. New Copy 3 LPs Gatefold
Grooves unlike anything else you've ever heard before – the rightly legendary musical legacy of William Onyeabor, one of the most enigmatic talents to come from the African scene of the 70s! The work here is all plenty darn funky, but it's also very different from familiar Afro Funk too ... LP, Vinyl record album
Buda/L'Arome/Heavenly Sweetness (France), 1975. New Copy (reissue)
Grooves unlike anything else you've ever heard in your life – an assortment of mid 70s tunes from Mahmoud Ahmed, the second grooviest Ethiopian artist, next to Mulatu! Ahmed's sound is a lot more out there than Mulatu's – less funky and jazz-based, and more in the mode of snakey ... LP, Vinyl record album
 



⇑ Top