This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of 2 albums that Leny recorded for the Pointer label in the mid 80s – both with a similar lineup, similar style, and covers that are almost exactly the same – not that that's a bad thing, because the music is equally great on both, even if it's hard to tell them apart from the ... CD
Warm, jazzy, and with plenty of the bossa nova promised in the title – a record that's not to be confused with Leny's singular Bossa Nova album from a few years before, because this is a pluralized set from the late 90s! Roberto Menescal's on board to direct the music – and gives the ... CD
One of Leny Andrade's later albums – a mixture of jazz and bossa, with a sparkling modern edge, but still performed with small combo backing! There's electric keyboards on most of the cuts, dancing along with Leny's vocals in a breezy mode that's a bit like 80s work by Tania Maria on Concord ... CD
A great one by this famous Brazilian jazz singer – and a record that's got a much more straight ahead sound than some of her later smooth jazz efforts. Joao Donato handled the arrangements, and the overall instrumental feel is similar to some of his late 70s work – with a good mix of ... CD
A laidback little bossa session from Leny Andrade – recorded with that great mellow fusion sound she was using during the late 80s – a style that gave a nice shimmer to her recordings, but never really got in the way of her powerful vocals! The album features a core jazz group, ... CD
A beautiful little set of modern Brazilian vocal jazz tracks, pulled from the rich recording history of one of Brazil's better recent voices. Rosa's got a style that reminds us of Elis Regina's classic work, especially that from the late 60s with Roberto Menescal – but the overall sound of ... CD
Not to be confused with the Blue Brazil compilation on Blue Note – although quite similar to it – this is a similar batch of tracks that features lost Brazilian gems pulled from the catalog of the EMI/Odeon label, home to some of Brazil's best music of the 60's and 70's. The CD's got ... CD
Tania Maria's one of the few singers of her generation that never lets her down – and if anything, her recent recordings have managed to return the Brazilian vocalist to the glory of her best work of the 70s! This album's a lovely little gem – recorded in Paris, home to some of Maria's ... CD