Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

All Your Ghosts In One Corner

CD (Item 992107) Aerophonic, 2020 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

We love the music of saxophonist Dave Rempis in just about any setting – but in recent years, the Kuzu trio has turned out to be one of Dave's greatest showcases for his talents – a really unique combo that features guitar from Tashi Dorji and drums from Tyler Damon – all coming together in ways that are very different than you might expect! Damon has this way of loosely making his way around the drum kit – almost circling it before an attack – while Dorji uses his guitar with a variety of styles – sometimes these loud single-line tones, often spaced out a bit, and sometimes completely abstracted into more distorted moments – as Rempis comes in with these focused, soulfully-blown lines that really hold the whole thing together! Dave blows alto, tenor, and baritone – and the set features material from two live performances in March of 2020 – titles that include "Year Of The Rat", "One Fell Swoop", and the three part "Scythe".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Aerophonic, 2021. New Copy 2CD
Here's a case where the word "covid" doesn't have to be thought of in ways that make you shudder – as the always-inventive reedman Dave Rempis used the dark days of 2020 to find new ways of expression, and make a deeper exploration of different sides of his music! One of those ... CD

Ballister (Nilssen-Love/Rempis/Lonberg-Holm)

Znachki Stilyag
Aerophonic, 2020. New Copy
Dave Rempis is one of the most consistently deft saxophonists we've ever heard – able to stop on a dime, take a turn, change back again, all while always coming up with new musical ideas – which he does beautifully here, in a series of long improvisations with the Ballister trio of Paal ... CD

Kenji Mori

Be Bop 82
Three Blind Mice/Craftman (Japan), 1982. New Copy
Saxophonist Keni Mori really lives up to the spirit of the title here – given that five of the album's six tracks are Charlie Parker compositions – all played by the group with a nicely updated version of bebop roots! The feel of the record is warmer than an older bop session from the ... CD

George Kawaguchi's Big 4

Big 4
Three Blind Mice/Craftman (Japan), 1976. New Copy
Japan's legendary drummer steps out here with a killer combo – definitely a "big 4", given that the group features excellent tenor work from Hidehiko "Sleepy" Matsumoto, plus Fender Rhodes and acoustic piano from Hideo Ichikawa! Kawaguchi's famous sense of swing really ... CD

New Direction Unit

Live At Moers Festival
Three Blind Mice/Craftman (Japan), 1980. New Copy
The group here definitely earns the "new direction" in their name – as they work at a level that's quite compelling – kind of their own variant of free jazz, but with a spaciousness that's definitely spiritual – and which also seems to reflect some elements of more ... CD

Farnell Newton

Feel The Love
Posi tone, 2021. New Copy
Trumpeter Farnell Newton has been making music for a number of years – but he really seems to be taking off and finding his groove on recent albums for the Posi-Tone labels – records, like this one, that really have Newton demonstrating his strong ear for phrasing, and his ability to ... CD

Bingo Miki & The Inner Galaxy Orchestra

Montreux Cyclone
Three Blind Mice/Craftman (Japan), 1979. New Copy
The groovy 70's big band of Japanese arranger Bingo Miki hits the Montreux festival in 1979, and they're joined by a host of guest players that include Richard Davis, Jon Faddis, and Joe Beck. If you don't know Miki's work, the 70's stuff (like this album) has a cool electric orchestral sound that ... CD

Tsuyoshi Yamamoto/George Otsuka

Now's The Time
Three Blind Mice/Craftman (Japan), 1974. New Copy
A pair of live performances – both of them great, and both done in the very open, creative style of the Three Blind Mice label at the time! Side one features core work by the trio of pianist Tsuyoshi Yamamoto, but with key guest work from Isao Suzuki on cello and Sunao Wada on guitar – ... CD

Sunao Wada Quintet

Four Scenes
Three Blind Mice/Craftman (Japan), 1976. New Copy
Guitarist Sunao Wada always has a way of giving us something special on record – and that's definitely the case this time around, as his core combo is joined by some great work from Minor Ikeno on alto and flute! But that guest performance is only part of the really unique sound of the ... CD

Shigeko Toya & Mari Nakamoto

Shigeko & Mari
Three Blind Mice/Craftman (Japan), 1976. New Copy
A really great vocal session from 70s Japan – and one that's got a much more spiritual sound at times than some of the others from the scene! Pianist Shigeko Toya has a way of really taking her time with the tunes – finding the right sort of vibe, then opening things up carefully ... CD

Orrin Evans' Captain Black Big Band

Mother's Touch
Posi tone, 2014. New Copy
We've really grown to love pianist Orrin Evans in a trio setting, but he's a surprisingly strong talent at the helm of this large group too – an ensemble with a rich sound and a sense of feeling that really matches Evans' own piano! There's a boldness to the music that really brings out a ... CD

Ralph Bowen

Standard Deviation
Posi tone, 2014. New Copy
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... CD
 



⇑ Top