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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A warm and wonderful set from French tenor genius Barney Wilen – perhaps one of his best of the past 20 years! The record features a stripped-down organ trio, which brings out some of the best tone we've heard from Wilen's horn in a long time. In a way, the record is vaguely similar to Stan ... CD
One of the most classic albums ever from tenorist Barney Wilen – recorded at a time when he was making big waves on both sides of the Atlantic! The tracks are longer than on some of Wilen's more tightly-arranged albums – which really gives Barney a chance to show off his tremendous ... CD
One of the best late records we've ever heard from this masterful French tenor player! The setting is Osaka, where Wilen plays magnificently with a stripped down group that features Laurent De Wilde on piano, Gilles Naturel on bass, and Peter Gritz on drums. Gone are the bright tones and bad ... CD
Features Dewey Redman on tenor, alto sax, and musette – with Joshua Redman on tenor sax, Charles Eubanks on piano, Anthony Cox on bass, Carl Allen on drums, and Danny Sadownick on percussion. Tracks include "Echo Prayer", "Venus and Mars", "Satin Doll", and ... CD
No problem at all, given that this combo's one of the cookingest contemporary lineups we can think of! All players here are great – hence the title of the group – and the mighty Eric Alexander's always a treat on tenor, blowing beautifully alongside Jim Rotondi on trumpet, Steve Davis ... CD
Great Shepp with a great group – a quartet that pairs Archie's amazing tenor with the piano of John Hicks! The album's one of the best of Archie Shepp's later ballad albums – and has a really standout feel, thanks to Hicks' warmer tones on the piano alongside Shepp's raspier notes. ... CD
Late work from Eddie Harris – but a great session too, and one that cooks with raw soulful energy that shows he was still at the top of his game! The date's a quartet session, with that spare, back-to-basics approach Eddie was using in the years after his bigger 70s fame – a great ... CD
Eddie Higgins' piano work on Venus Records is already a pretty great proposition – but here it's augmented wonderfully by saxophone lines from Scott Hamilton and Ken Peplowski! The set's got a laidback, easygoing groove that's mighty nice – one that has Higgins' piano lines at the helm ... CD
Beautifully mellow work from the great Marion Brown – playing here in a laidback quintet setting that brings out some of his most soulful tones. The group includes piano, guitar, bass, and drums – but the main focus is on the alto of Brown, which has a warm world-weary tone that's very ... CD
Part of the late 90s rise to genius from pianist Eddie Higgins – a set of simple, lyrical beauty that really holds up well over the years – one of those classics that were cut away from the age of the classics – the sort of record that Eddie should have been making many decades ... CD
Drummer Takashi Miyasaka works here with a great little group – one that has touches of some of the Japanese fusion modes of the period, but which mostly sticks to a more straight ahead sound – really bridging the two styles in a really great way! Part of the energy comes from Takashi's ... CD