Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Affinity (4CD set – with bonus tracks)

CD (Item 990303) Paramount/Esoteric (UK), 1970 — Condition: New Copy
4CD
$36.99 ...

CD

List Price: 51.99

A massive set of work from Affinity – a group who only gave the world one classic album, but have a heck of a lot more to offer too! The set begins with the self-titled album from Affinity – a British rock combo, but one with a distinctly jazzy feel – one that's often quite funky at times too! The core instrumentation is heavy on keyboards and guitar, set over some tightly rhythm bass and drums – often moving with some hip jazzy changes in the mix, and a nice sense of space between the notes that really helps things groove. Vocals are by Linda Hoyle, who again has a bit of a jazz-based approach – almost like Norma Winstone or Julie Driscoll at times in the way she soars out majestically over the rhythms, but somewhat more lyrically oriented overall. Titles include "I Am & So Are You", "Night Flight", "Three Sisters", "Mr Joy", and "I Wonder If I Care As Much". CD2 continues the jazzy spirit, with a whole host of instrumentals showing some soul jazz roots of the group – as they take on "Jive Samba", "All Blues", "Fever", "Out Of The Storm", "Comin Home Baby", and "Mercy Mercy Mercy". CD3 features origins of the group, with 17 more tracks from 1965 to 1967 – including more jazz work too – and CD4 features 9 more tracks recorded after the classic album – including "Rio", "Sunshower", "Grey Skies", "Mora's Hand", "Sarah's Wardrobe", and "Highgate".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Grapefruit (UK), Late 60s/Early 70s. New Copy 3CD
A heady serving of work from the UK scene at the end of the 60s – work from the very vibrant scenes around Birmingham at the time – a place that was starting to deliver a heck of a lot more music than previous hotspots like Liverpool! In some ways, the sounds here are a great ... CD
Village Thing/Cherry Tree (UK), Late 60s/Early 70s. New Copy 4CD
First things first – this isn't the Ian Anderson at the head of Jethro Tull, but instead an equally great artist who never fully got his due – one with an "A" in the middle of his name, and a very different sound overall! The "blues and psych" in the title only get ... CD
Grapefruit (UK), 1965. New Copy 3CD
A fantastic collection, and one that really documents the British music scene at a key turning point – a moment when all the groups and singers were really finding a way to leave their own imprint on the sound of rock and pop, while still staying true to some of the American work that ... CD
Spark/Grapefruit (UK), Late 60s. New Copy
Rare gems from the late 60s UK Spark label – a small imprint founded by the Southern Music publishing company, as their own outlet for some of the cool compositions in their catalog! Many of these tracks were recorded in the basement of the company's London offices – often by the same ... CD
Grapefruit (UK), 1971. New Copy 3CD
Short songs, but exploding with a huge range of new musical ideas – not the side-long jams of the progressive rock generation, but instead some singles and album tracks that manage to pack all of the best elements into some mighty catchy tunes! These tracks all benefit from a huge explosion ... CD
Righteous (UK), Late 50s/Early 60s. New Copy 2CD
Oh for the glory days of the 7" single – that magical late 50s/early 60s time when it seemed like there was an endless supply of weird and wonderful records all the time – and at prices that allowed them to circulate easily, even if they weren't big hits! (And why are 7" ... CD
Coliseum/Esoteric (UK), 1969. New Copy
A pivotal record in the sound of the US scene at the end of the 60s – and a record that seems to trace an entire evolution in rock during the space of just one album! Touch have roots that go back to The Kingsmen and Don & The Goodtimes – and you can definitely hear garage elements ... CD
MGM/Esoteric (UK), Late 60s. New Copy 5CD
A fantastic package of work from The Animals – all their great second chapter albums for MGM, offered up here with bonus tracks too! First up is Winds Of Change, presented in both stereo and mono mixes – one of The Animals' most psychedelic outings ever – and also a bit funky at ... CD
Decca/Esoteric (UK), 1970. New Copy 3CD
The one and only album from T2 – an incredible British group with a sound that should have been huge! Like some of the best of their generation, T2 is a trio – featuring some heavy guitars from Keith Cross, vocals by Peter Dunton, and rumbling bass from Bernard Jinks – all ... CD
Reprise/Esoteric (UK), 1970. New Copy
A really fantastic solo album from guitar genius Peter Green – recorded right after he'd departed Fleetwood Mac, the band he helped found – and done in a freewheeling trippy style that's unlike anything recorded by that other group! Green's guitar is still unbelievably strong, but cast ... CD
Regal Zonophone/Esoteric (UK), Early 70s. New Copy 2CD
A pair of overlooked gems from Toe Fat – back to back on a single CD! First up is the self-titled debut of Toe Fat – a group with a silly name, but a really wonderful sound – some of the nascent hard rock currents in the UK scene, but delivered with more depth in both the ... CD
Esoteric, 1976. New Copy 2CD
The biggest record that Al Stewart ever cut – as you no doubt know from the oft-played title track – but a set that also stands as a great testament to all the many years he'd been crafting fine music before fully getting the recognition he deserved! Stewart's got a way with words that' ... CD
 



⇑ Top