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Come Back Charleston Blue

LP (Item 9888) Atco, 1972 — Condition: Near Mint-

An unusual album in the Atlantic career of Donny Hathaway – and a unique collaboration with the legendary Quincy Jones! The music here is Hathaway's sole entry into the blacksploitation soundtrack genre of the 70s – penned for film version of a Chester Himes novel, and scored in a mix of funky 70s modes and other more standard jazz styles. Quincy's on board as the "musical supervisor" – and clearly helps Donny focus his energies towards the hipper side of the soundtrack spectrum, especially on the more contemporary styled tracks. And although most of the work here is instrumental, Hathaway also sings a bit too – most famously on the classic "Little Ghetto Boy" – which is easily one of Donny's greatest tracks ever! Other titles include "Come Back Charleston Blue", with vocals by Margie Joseph, plus "Bossa Nova", "Tim's High", "Hearse To Graveyard", "Harlem Dawn", "String Segue", "Furniture Truck", and "Liberation".  © 1996-2020, Dusty Groove, Inc.
(Original pressing! Cover has a small cutout mark.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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