Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Ritmo Fantastico

CD (Item 987596) Pawal/Ultra Vybe (Japan), 1961 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

Fantastic rhythms from percussionist Rubens Bassini – a set that has all the raw live energy of a Latin jazz jam session, but which also carries some of the sweet touches of the bossa nova scene in Brazil – a really wonderful mixing of modes that makes the album a gem all the way through! Rubens plays with the fire you'd expect from his image on the cover – bringing a lot more lively percussion to the record than usual for a Brazilian jazz set of the time – while the larger backings shade things in on some sweet colors – with a nice mix of piano, woodwinds, and some especially great vibes! The record's an excellent jammer that takes a bossa nova groove, and infuses it with some heavier Afro-Cuban rhythms – creating a jazzy style stuffed with infectious changes – on titles that include "Coco Seco", "Barquinho", "Cuban Mambo", "Mirage", "Maria Conga", "Mensagem", "Love For Sale", "Quem Quiser", and "Ceu E Mar". Great stuff all around – recorded in Brazil in 1960, and with not a dead track on the album!  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Rubens Bassini

Latino Fantastico
Far Out (UK), 1963. New Copy
CD...$8.99 16.99
The rare Latino Fantastico from Rubens Bassini – featuring a range of percussion and overall vibe that blends the feverishly rhythmic vibes his native Brazil with African, Cuban and South American styled numbers with ultra groovy exotica! Bassini is a master percussionist and he's backed by ... CD

Victor Assis Brasil

Trajeto
Equipe/Ultra Vybe (Japan), 1967. New Copy
A wonderful early album from Victor Assis Brasil – one of Brazil's greatest saxophone players of the 60s and 70s, and an artist with a keen post-Coltrane approach to his work! The album's awash in modally grooving numbers that would have made Coltrane proud – soulfully swinging tunes ... CD

Orquestra Los Danseros

Los Danseros En Bolero
Equipe/Ultra Vybe (Japan), 1964. New Copy
A record we'd love to know more about – because the sound and presentation is so amazing! The set brings a bossa vibe to a mixture of American jazz and soundtrack tunes – often folding two tracks into one performance, and couching the melodies in some fuller strings and lighter, lively ... CD

Helio Mendes e Seu Trio Vagalume

Na Bossa
Musiplay/Ultra Vybe (Japan), 1963. New Copy
A real killer from pianist Helio Mendes – not to be confused with Sergio Mendes, although this cooking early 60s album has all the same bossa jazz sound we love on Sergio's early work! The album's all instrumental, and has Helio really romping right out front on the piano – over ... CD
Philips/Universal (Japan), 1968. New Copy
A bold leap forward from Gilberto Gil – his first album recorded during the Tropicalia years, and an amazing collaboration with arranger Rogerio Duprat! The album's got a sound that really bridges scenes in Brazil – elements of older folkloric musics, folded with samba rhythms, folded ... CD

Milton Nascimento

Milagre Dos Peixes
EMI (Japan), 1973. New Copy
One of Milton Nascimento's darker LPs, with a great set of tracks that have a deep rock feel to them, yet which maintain all of the soulful spirit that was in Nascimento's earlier recordings. Nascimento's working here with a great set of musicians that include some of Brazil's most farthest-reachin ... CD

Gal Costa

Gal Costa (1969)
Polygram/Universal (Japan), 1969. New Copy
One of the most mindblowing albums ever recorded – anywhere, anytime! This 1969 set stands as one of the greatest records ever cut by Gal Costa – done at the height of the Tropicalia movement, and featuring a sublime mix of styles that really gets the spirit of the movement right. ... CD

Marcos Valle

Tempo Da Gente
Arca/Ultra Vybe (Japan), 1986. New Copy
A great soul album from the legendary Marcos Valle – a Brazilian talent who started out in the 60s bossa years, but who's coming across here after some great modern soul material with Leon Ware in the US! The vibe here is similar to some of the Ware collaborations – tight, smooth, and ... CD

Balona E Seu Conjunto

Garota De Ipanema
Paladium/Ultra Vybe (Japan), 1967. New Copy
A rare one from 60s Brazil – and a really great small combo bossa session with some very unusual instrumentation! At their core, the Balona group seem to be a bossa piano trio – but many tracks here have a little "something else" – vibes, electric guitar, or trumpet ... CD

Sandra

Samba 35mm
Pawal/Discobertas (Brazil), 1962. New Copy
This may be the only album we've ever seen from Sandra – a really well-crafted set from early 60s Brazil – one that mixes samba rhythms and jazzier instrumentation, all in a great accompaniment to the singer's fantastic voice! Sandra's got the depth of some of the female Brazilian ... CD

Samba Trio

Samba Pra Frente
Paladium/Ultra Vybe (Japan), 1965. New Copy
One of the more obscure bossa jazz sets of the 60s – played by the lively little Samba Trio, a group who definitely live up to their name! Don't mix these guys up with the early 80s combo from Europe – as this group plays with a hard-edge groove that's heavy on romping piano lines and ... CD

P Trio

Embalo
Paladium/Ultra Vybe (Japan), Mid 60s. New Copy
A beautiful bit of lost bossa jazz from 60s Brazil – the only album we've ever seen by the P Trio, an enigmatic group recording in Belo Horizonte – hardly the same center of bossa nova as the beaches in Rio! The session's got a spare and lively feel – similar to work at the time ... CD
 



⇑ Top