Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Behind The Dikes – The 1969 Netherlands Recordings

CD (Item 987377) Elemental, 1969 — Condition: New Copy
2CD
$24.99 ...

CD

List Price: 29.99

Two different slices of work from Bill Evans – both recorded on separate visits to The Netherlands in 1969 – a crucial year of performance for the pianist! Both sets feature the amazing Eddie Gomez on bass, and Marty Morell on drums – and the first 2/3 of the package is studio material, but with a live audience present – very well-recorded, with a sense of subtlety that really gets at that new level of sensitivity that Bill was bringing to the piano – those softer, even more delicate shades that were a perfect balance with the richer tones from Gomez on bass. The last third features a live set from later in the year – with, if anything, an even more sensitive approach from Evans on the keys! The package wraps up with two more surprise tracks – tunes recorded with the Metropole Orkest, following the style of Evans' "with orchestra" sessions done recently on Verve. As with other Elemental packages, the presentation is wonderful – a nice cure for all the Bill Evans bootlegs that have littered the market for years – with great sound and a superb set of notes. Titles include "Emily", "Beautiful Love", "One For Helen", "Quiet Now", "Pavane", "You're Gonna Hear From Me", "Granadas", "Nardis", "Love Theme From Spartacus", "Waltz For Debby", "Very Early", and "Someday My Prince Will Come".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Timeless/Ultra Vybe (Japan), 1980. New Copy
Fantastic work from piano legend Bill Evans – recorded at the Keystone club in San Francisco just a month before his too-early death – and a batch of material that shows us that Bill still had plenty to offer the world! This isn't the work of a musician on his last legs – and ... CD
Craft, Late 50s/1960s/1970s. New Copy 5CD
Bill Evans has been off the planet for decades now, but he's definitely still dug by most folks – one of the greatest jazz pianists of all time, and an artist whose sound is still a huge inspiration to many! This package does a great job of gathering together Bill's legacy, and advancing it ... CD
Resonance, 1968. New Copy 2 CDs
The first-ever release of a Bill Evans concert recorded at Ronnie Scotts in London – a place where he cut other work in other years, but maybe not at a level like this! The group is wonderful – Bill's budding relationship with the bassist Eddie Gomez, who was bringing a richness to the ... CD

Arturo O'Farrill

Dreaming In Lions
Blue Note, 2021. New Copy
The Blue Note debut of Latin Jazz pianist Arturo O'Farrill – and a set that may well be some of his most ambitious material to date! Arturo's often got an ear towards wider levels of expression than standard jazz or Latin – but here, he really steps out strongly on two extended suites ... CD

Terence Blanchard

Absence
Blue Note, 2021. New Copy
Absence is a word that can instantly have a sense of sadness, but it can also have a sort of beauty, too – and that's definitely the case in this album of work done as a tribute to the great Wayne Shorter by trumpeter Terence Blanchard! The record's way more than just a collection of Shorter' ... CD
Prestige/Craft, Late 50s. New Copy
The legendary John Coltrane was a leader on some amazing recordings of the late 50s and 1960s – but right at the start of his career, he also added key contributions to records headed up by other folks too – and some of the best of those moments are collected here in this well-done set! ... CD
Resonance, 1969. New Copy 2 CDs
Bill Evans at the end of the 60s – sounding really wonderful here in a set of unreleased live recordings from London! Bill's got the fantastic Eddie Gomez here on bass – who really gets plenty of space to stretch out on the long tracks that make up most of the set – and Evans ... CD
Blue Note, 1975. New Copy
An essential bit of jazz funk from Donald Byrd and Larry Mizell! The groove's very similar to the classic Places & Spaces, and the record's got loads of cool spacey tracks with hot funky trumpet from Donald, and cool waves of synth and sound from Larry. The title cut's a great groover, and ... CD
Verve, 1964. New Copy
A landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with ... CD

James Francies

Purest Form
Blue Note, 2021. New Copy
James Francies may not have the purest form of jazz going on here – but man, has he got something to say! The pianist leaps into the fray with an amazing sense of energy – single notes cascading alongside fuller chords and tones – as Francies plays both acoustic piano and ... CD
Elemental, 1973. New Copy 2 CDs
Dexter Gordon recorded live in Germany – in a mode that's a bit of a change from some of his more familiar Copenhagen sides from the time! The format is similar – long live tracks, with Dex opening up on these fantastically creative solos – with every note seeming to flow with ... CD
Elektra/Wounded Bird, 1982. New Copy
CD...$3.99 11.98
A great portrait of an under-recorded artist – Joe Albany's last album ever, recorded for Elektra records during their early 80s run of straight jazz sides! The record's got a spare, personal quality that's similar to Albany's other late work – but it's a bit more professionally put ... CD
 



⇑ Top