Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Avanco

CD (Item 985457) Philips/Universal (Japan), 1963 — Condition: New Copy
$13.99 ...

CD

A seminal set from one of the greatest bossa combos ever – a group who could boast sharp instrumentation and warm vocal harmonies too! The mix of sounds is completely sublime – jazzy piano trio sounds at the core, topped by soaring harmonies from the members of the trio – a combination the group pioneered with this legendary album – and helped set a whole new standard for the bossa nova generation! Luiz Eca heads up the group on arrangements and piano – with percussion from Helcio Milito, bass and reeds from Bebeto, and just a bit of guest guitar from Durval Ferreira – on killer cuts that include "Batucada", "Sonho De Maria", "Mas Que Nada", "Moca Flor", "O Samba Da Minha Terra", and "Rio".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Rubens Bassini

Ritmo Fantastico
Pawal/Ultra Vybe (Japan), 1961. New Copy
Fantastic rhythms from percussionist Rubens Bassini – a set that has all the raw live energy of a Latin jazz jam session, but which also carries some of the sweet touches of the bossa nova scene in Brazil – a really wonderful mixing of modes that makes the album a gem all the way ... CD

Orequestra Los Danseros

Los Danseros En Bolero
Equipe/Ultra Vybe (Japan), 1964. New Copy
A record we'd love to know more about – because the sound and presentation is so amazing! The set brings a bossa vibe to a mixture of American jazz and soundtrack tunes – often folding two tracks into one performance, and couching the melodies in some fuller strings and lighter, lively ... CD

Helio Mendes e Seu Trio Vagalume

Na Bossa
Musiplay/Ultra Vybe (Japan), 1963. New Copy
A real killer from pianist Helio Mendes – not to be confused with Sergio Mendes, although this cooking early 60s album has all the same bossa jazz sound we love on Sergio's early work! The album's all instrumental, and has Helio really romping right out front on the piano – over ... CD

Moacir Santos

Maestro
Blue Note (Japan), 1972. New Copy
Amazing 70s work from Moacir Santos – the first album the Brazilian arranger recorded for Blue Note, and a set that sparkles with warmth and soul from the very first note! The approach is a brilliant updating of the famous sound that Santos crafted in Brazil the decade before – recast ... CD

Edu Lobo & Maria Bethania

Edu & Bethania
Elenco/Universal (Japan), 1967. New Copy
A pivotal album in the careers of Edu Lobo and Maria Bethania – united in a series of unique duets for this classic Elenco session from 1966! The album pre-dates most of Bethania's other work, and is done in a style that's got all the best touches of Lobo's baroque post-bossa arranging style ... CD
Philips/Universal (Japan), 1969. New Copy
An album of pure genius – easily one of the greatest Brazilian albums ever, and a landmark set from the Tropicalia years! There's a brilliance here that's hard to describe accurately – quite possibly because the young Caetano Veloso is experimenting with so many new ideas, the album ... CD

Gracinha Leporace

Gracinha
Philips/Universal (Japan), 1968. New Copy
Great early work from singer Gracinha Leporace – a vocalist you might know from her later work in Bossa Rio, or her recordings with husband Sergio Mendes! Even at the start, Gracinha's a hell of a singer – a vocalist who's capable of all the coolness of the bossa era, yet still richly ... CD

Joao Donato

Lugar Comum
Philips/Universal (Japan), 1975. New Copy
A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots ... CD
Odeon/Universal (Japan), 1958. New Copy
Classic work from the great Sylvia Tellas – a Brazilian singer of the pre-bossa years, but one of the first people to bring the music of Antonio Carlos Jobim to a much wider audience! The set's got this beautiful mix of modes – some of the older, more emotive styles of Brazilian vocals ... CD

Rio 65 Trio

Rio 65 Trio
Universal (Japan), 1965. New Copy
A brilliant record right from the very first note! This amazing first album by the Rio 65 Trio is a solid gem all the way through – a magical moment in the recording studio, and a record that forever changed the face of bossa! The trio features piano work by jazz legend Dom Salvador – ... CD

Luiz Bonfa & Maria Toledo

Braziliana
Philips/Universal (Japan), 1965. New Copy
Very groovy bossa tracks – very much in the mode of some of the Verve hit recordings of the mid 60s! After the success of the Astrud Gilberto/Joao Gilberto work with Stan Getz, it's clear that Philips and Luiz Bonfa wanted to get in on the act – and they've paired Bonfa's guitar with ... CD

Joao Gilberto/Caetano Veloso/Gilberto Gil/Maria B

Brasil
Philips/Universal (Japan), 1981. New Copy
The best of Brazil, old and new – as Joao Gilberto meets up with a younger generation of Brazilian vocalists – Caetano Veloso, Gilberto Gil, and Maria Bethania – all for a wonderful session of stripped-down bossa! The work is very much in Joao's best style of the early 70s – ... CD
 



⇑ Top