Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Trojan Story (3LP set – with book)

LP (Item 984609) Trojan (UK), Late 60s/1970s — Condition: New Copy
3LPs
❔

A huge collection of work from the legendary Trojan Records label – the crucial British imprint who helped bring the sounds of Jamaica to the London scene, then helped encourage a lot of new English recordings as well! Trojan was more than a label, it was a key cultural conduit back in the day – as important to musical migrations as those of its customers' own – as you'll hear in this massive collection of tracks from the label's glory days! The set is much nicer than just a "best of" – as it's full of unusual numbers mixed in next to the classics – a set of 50 tracks that includes "Give Me All Your Love" by The Continentals, "Tell Me Darling" by Jackie Edwards, "One Eyed Giant" by Baba Brooks, "Keep The Pressure On" by Winston & George, "Perfida" by Phyllis Dillon, "King Without A Throne" by Sugar Simone, "Rock Steady Train" by Ewan & Jerry, "Rasta Never Fails" by The Charmers, "Them A Laugh & A Ki Ki" by The Soul Mates, "People Funny Boy" by Lee Scratch Perry, "I'm In The Mood For Ska" by Lord Tanamo, "Satan" by Justin Hinds & The Dominoes, "Rough & Tough" by Stranger Cole, "Man To Man" by Kentrick Patrick, "Rudy A Message To You" by Dandy Livingstone, "Way Of Life" by Lynn Taitt & The Jets, "Every Night" by Joe White & Chuck, "Hong Kong Flu" by The Ethiopians, and "Nana" by The Slickers.  © 1996-2021, Dusty Groove, Inc.
(A beautiful package – comes in a hardcover book-style format, with a 50 page book inside!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


VP/17 North Parade, 1976. New Copy
Lee Scratch Perry's funky reggae party, put together at the Black Ark, with Boris Gardner, Mickey Boo, Sly Dunbar & Winston Wright. A nice batch of skanking Jamaica funk, with the requisite Black Ark smoke blowing throughout. Includes a bunch of classic Perry-isms, with Scratch dropping ... LP, Vinyl record album
Acid Jazz/Roots (UK), 2021. New Copy
A mysterious set of tracks from producer Jah Thomas – work from his vaults, but served up here with some new musical elements and some guest vocals too – at a level that goes a long way to bridge Thomas' roots in the 70s with his more recent work on the Roots label of Acid Jazz! There's ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1973. New Copy (reissue)
A real moment of righteous power from Lee Scratch Perry – as you might expect from the image on the cover – clearly indicating a strong sense of pride and identity that also tracks with the 70s shift in Jamaican music too! Lee's the producer here, but also extends full creative control ... LP, Vinyl record album

Dave & Ansell Collins

Double Barrel (180 gram pressing)
Trojan/Music On Vinyl (Netherlands), Early 70s. New Copy
Fantastic work from the team of Dave Baker and Ansel Collins – one a soulful singer from the Jamaican rocksteady scene, the other a hip keyboardist whose organ lines really make the album shimmer! The pair scored a huge international hit with this album – and the whole thing was a key ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1969. New Copy (reissue)
One of the greatest trio albums ever from the Jamaican scene – a classic set that kicked off the sound of reggae for the 70s, while still holding onto the rocksteady sound of the years before! The vocals of the Maytals are tied together tightly, but still have a rough edge that's quite ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1975. New Copy (reissue)
Fantastic stuff – and a record that's as much an early 70s reggae set as it is a strong bit of east coast soul – Kingston rhythms mixed with fantastic harmonies that maybe echo more of the East Coast group soul modes than some of the earlier Jamaican groups of the 60s! The choice of ... LP, Vinyl record album

Lee Perry & The Upsetters

Return Of Django (180 gram pressing)
Trojan/Music On Vinyl (Netherlands), 1969. New Copy Gatefold
An early moment of genius from the legendary Lee Perry – and a set that uses Django imagery from Italian westerns to serve up a "bad boy" version of Jamaican music for the late 60s! Even at this early point, the sounds are mindblowing – rocksteady brought through a really ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1969. New Copy (reissue)
The legendary Freedom album from Clancy Eccles – one of the first great talents to emerge in the Jamaican scene of the 60s – a singer whose recorded history even predates rocksteady and ska, and who had an undeniable impact on the early sound of reggae! Eccles is a genius – a ... LP, Vinyl record album
Trojan/Antarctica Starts Here, 1968. New Copy (reissue)
Bad-stepping sounds from The Uniques – a really hip Jamaican vocal group, and one who sing with an edge that's maybe even sharper than some of their contemporaries! At first listen, the warmth of their harmonies is as sweet as you might expect – but as the music moves on, they open up ... LP, Vinyl record album
Trojan/Music On Vinyl (Netherlands), 1968. New Copy (reissue)
A classic album from the late 60s run of Trojan producer Dandy – working here under the guise of Brother Dan All-Stars – with a lineup that features some secret help from the rest of the Trojan scene! The groove is mostly rocksteady, with the strongly soulful current that Dandy brought ... LP, Vinyl record album

Gold Connection

Gold Connection
Federal/Dub Store (Japan), Mid 70s. New Copy (reissue)
An obscure little record, but a soulful one too – a rare 70s Federal Records session that mixes together reggae and soul – with vocals by a trio of female singers that includes a young Marcia Griffiths and Cynthia Schloss! Lots of tracks take a disco inspiration, but slow the pace down ... LP, Vinyl record album

Don Drummond

Don Cosmic
Studio One, Late 60s. New Copy 2LP Gatefold
An incredible collection of work from one of the coolest musicians on the Jamaican scene in the 60s – the legendary Don Drummond – an artist who was schooled in jazz trombone, then went on to use the instrument as a surprisingly powerful force in ska, rocksteady, and reggae! This ... LP, Vinyl record album
 



⇑ Top