This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Cover has wide clear tape on all sides and small stickers at the top right. Label has a small sticker.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
From the "Watto Sitta" album, recorded for Celluloid by griot Foday Musa Suso, who plays mostly kora, inaddition to a variety of other percussion instruments. As you might expect from an 80s Laswell production there's some electro touches and Herbie Hancock guesting on keys, but for the ... 12-inch, Vinyl record
A surprisingly long-lasting slammer – the only great tune ever recorded by Yazz, and a sublime remake of an older Otis Clay tune – done here with anthemic house production by Coldcut that really pumps up the hook and sends home the groove! 12-inch, Vinyl record