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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A crucial record in the early days of the global scene in the 80s – a set that lifts the music of King Sunny Ade from its roots in Nigeria, and mixes it up with some fresh elements that really open things up for a world's worth of ears! The approach isn't commercial – at least not in ... LP, Vinyl record album
Driving Louis Bellson indeed – as Louie's drums set the tone for this session, and let Charlie Shavers and Seldon Powell echo out with some really great horn work! Tunes all have a nicely open-ended feeling that gets the players out of the context of their larger group histories and ... LP, Vinyl record album
Very nice, very laidback session that has Moody and Cohn trading solos on an easy batch of bop tracks, along with Barry Harris, Roy Brooks, and Sam Jones. The recording quality is at the usual high standard for MPS – although the set was actually produced by Don Schlitten, presumably in New ... LP, Vinyl record album