Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

We Did 'Em First – 33 Lost, Obscure, & Forgotten Originals

CD (Item 982971) Jasmine (UK), Late 50s/Early 60s — Condition: New Copy
$14.99 ...

CD

List Price: 15.99

Famous hits, but in versions that you might not recognize – as they're the original recordings of the tunes, some of which are a lot more obscure than the bigger later versions! The package is a great romp through a range of different styles – rock, soul, and a little bit more – all from the glory days of the 7" single, when all sorts of artists were trying out all sorts of great material – so much so that even gems like these didn't always hit the charts! Consider the whole thing as a great "whodunit" of rock and roll – with a set list of 33 titles that includes "I Found You" by Yvonne Fair, "Pony Time" by Don Covay, "The Pale Faced Indian" by Marvin Rainwater, "Last Kiss" by Wayne Cochran, "Come Tomorrow" by Marie Knight, "Rave On" by Sonny West, "Johnny Angel" by Georgia Lee, "He's A Rebel" by Vikki Carr, "Ring Of Fire" by Anita Carter, "I Wanna Go Home" by Billy Grammer, "I'm All Shook Up" by David Hill, "Endlessly" by Johnny Ray, "Go Away Little Girl" by Bobby Vee, and "Whole Lotta Shakin Goin On" by Big Maybelle.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Nat Turner Rebellion

Laugh To Keep From Crying
Philly Groove/Chrysalis, 1969. New Copy
The never-issued full length album from Philly funk combo Nat Turner Rebellion – a group led by Joseph Jefferson, who'd later write great songs for others – but who here is standing strong at the head of a very righteous group! Nat Turner Rebellion issued a few singles on the Philly ... CD
Jasmine (UK), Late 50s/Early 60s. New Copy
Tony Williams was one of the greatest singers of the 50s – the famous lead voice of The Platters, and a heck of a singer on his own – as you'll hear in this set of overlooked solo material that Tony cut around the same time! Williams has a majesty and range that rivals Johnny Mathis at ... CD
20th Century/Mr Bongo (UK), 1974. New Copy
Brilliant work from this long-lost Barry White protege! Tom Brock was one of the leading lights in Barry's stable of sweet mid 70s soul talents – a great writer who contributed songs to the legendary Gloria Scott album, and a heck of a great mellow soul singer on his own – with a style ... CD
Buddah/FTG, 1975. New Copy
A brilliant mix of soul and jazz from the legendary Norman Connors – a key album in breaking Norman out back in the 70s – and a record that's still pretty darn perfect all these many years later! You can hear Connors' deep roots throughout the set – but they're often used towards ... CD

Jackson Sisters

Jackson Sisters
Tiger Lily/Mr Bongo (UK), 1976. New Copy
An amazing bit of soul – and one of the rarest funk records of the 70s! This masterpiece was recorded by The Jackson Sisters, a semi-gospelly soul group that has a sound that's a bit like The Voices of East Harlem, but that's a lot harder, and that has a deeper soul sound overall! At times, ... CD

Isley Brothers

Go For Your Guns
T Neck/Columbia, 1977. New Copy
A funky album – but one that we love best for the mellow tracks! Sure, the Isleys could wear flashy suits and play some heavy guitar – but honestly, what we really love them for here are the laidback, loving tunes they do so well. The album includes 2 of their greatest ballad tracks ... CD
Jasmine (UK), Late 50s/Early 60s. New Copy
Danny Williams is a singer who never broke that big on our shores, but he's a heck of a vocalist with a really great range – a mature, sophisticated song stylist who's maybe in the same territory as a young Johnny Mathis, or maybe Tony Williams of The Platters – born in South Africa, ... CD
Jasmine (UK), 1950s/Early 60s. New Copy 2CD
A huge collection of work from the overlooked Gus Jenkins – one of a number of blues musicians who started in the south, then moved out to the west coast during the postwar years – and found a way to change his older style into a great mix of jump blues and raw R&B! Jenkins both ... CD

Buddy Ace & Al TNT Braggs

Buddy Ace Meets Al TNT Braggs
Duke/Jasmine (UK), Late 50s/Early 60s. New Copy
A double-header of a set – one that brings together rare work from two great 50s singers on the Duke/Peacock label – both of whom get a fair bit of space in the collection! Buddy Ace was actually named James Land at the start, but was dubbed Buddy Ace after the death of Johnny Ace ... CD
Imperial/Jasmine (UK), 1950s/Early 60s. New Copy
Formative work from Bobby Mitchell – an early star of New Orleans soul music, and one who cut some killer singles for Imperial Records back in the 50s! The music here has plenty of elements that would flourish more strongly in both the worlds of soul and rock – but Bobby was one of the ... CD
Tabu (UK), 1986. New Copy 2 CDs
CD...$6.99 18.99
The mighty SOS Band, still grooving hard well into the 80s – and still showing the world that their sound is way tighter than any of their many imitators! The style here is updated a bit from the group's first few records – given a sharper punch and polish by the Jimmy Jam/Terry Lewis ... CD

Switch

Switch
Gordy/PTG (Netherlands), 1978. New Copy
A seminal bit of seventies soul from Switch, and a record that really helped set the tone for countless others to come in the 80s – no surprise, given that the group's got members from both the DeBarge and Ingram families! There's a warmth here that few others can match – an earnest, ... CD
 



⇑ Top