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Psyche France Vol 7 – 1970s (2021 Record Store Day Release)

LP (Item 982086) Warner/Parlophone (France), Early 70s — Condition: New Copy

A really cool entry in this ultra-hip series – a volume that moves a bit more into the 70s than previous ones, but still hangs onto all the wonderfully wild touches that makes the music so great! As you'd guess by the "psyche" in the title, there's certainly some psychedelic influences at play here – but the music is also a bit more built up from all those very cool elements that always made the French scene so different than the rest – that mode of the Serge Gainsbourg generation letting their hair down a bit more, picking up their guitars, but also opening the door to influences from jazz and other global music. Most of these cuts aren't really out there on the reissue market in any other format – and titles include "Vole Vole Vole" by Presence, "Donne" by Richard Contell, "D'Un Jour A L'Autre" by Richard Lable, "Neptune" by Michel Ripoche, "Je Suis Julliet" by Edwige, "L'Ile De Paques" by Guy Skornik, "Les Scandales" by Gilbert Deflez, and "Tu As Tape Du Pied" by Jean Yves Lievaux.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


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France Gall

Baby Pop
Philips/Third Man, 1966. New Copy (reissue)
No baby pop here, as France Gall is all-woman throughout – one of the best of the French female pop singers of the mid 60s, working here with an upbeat, groovy sound throughout! Backings are by the great Alain Gouraguer, who gives the record a tightly jerking kind of feel – a sound ... LP, Vinyl record album

France Gall

1968
Third Man, 1968. New Copy (reissue)
A record as revolutionary as the French year in which it was recorded – an amazing batch of late 60s grooves from Parisian pop madame France Gall! The set's upbeat and jaunty, with plenty of fuzz – almost a psyche pop sound, with lots of groovy guitars that make the album sparkle with ... LP, Vinyl record album
Saravah/WRWTFWW (Switzerland), 1982. New Copy (reissue)
One of the most compelling albums we've ever heard from Pierre Barouh – a rare Japanese recording done in the early 80s, with a sound that's quite different from his earlier work – but equally great! The album's never too poppy, or overdone – certainly quite far from conventional ... LP, Vinyl record album
Philips/Third Man, 1965. New Copy (reissue)
France Gall won the Eurovision song contest with the title track of this one – and for good reason too, given that the tune is totally groovy! The rest of the work here really follows suit – romping, jerking, and grooving in that wonderful mix of mod rhythms that made France's 60s ... LP, Vinyl record album

Pierre Vassiliu

Pierre Vassiliu En Voyages
Born Bad (France), 1970s/1980s. New Copy
A really great selection of work from a French singer with a wide and interesting resume – one that definitely warrants the voyages mentioned in the title! Pierre Vassiliu is maybe best known to our ears as a member of Les Masques – that groovy French vocal group who cut a great bossa ... LP, Vinyl record album

Henri Salvador

Homme Studio
Born Bad (France), 1970s. New Copy
The title's a bit of a pun – that's "home studio", not homme studio – a reference to the fact that most of this work was recorded by 60s French pop star Henri Salvador in his own private studio – music that makes for some of the most interesting sounds in his career, at ... LP, Vinyl record album
Ace (UK), Late 60s. New Copy Gatefold
Fantastic French femmes from the 60s – and a great illustration of the way that girl power really took over the sound of the Parisian scene at the time! These tunes have a punch that few American or British tracks of the period could ever hope to match – a way of staying sweet, yet ... LP, Vinyl record album

Jean Claude Vannier

Electro Rapide
Finders Keepers (UK), Late 60s/Early 70s. New Copy
Rare and unreleased instrumentals from the great French orchestral pop composer Jean Claude Vannier – amazing stuff from his personal archive that ranges from loosely haunting passes to more grandly orchestrated bits – funky psych rock backdrops to heavy, tribal percussion numbers! ... LP, Vinyl record album
Ace (UK), Mid 60s. New Copy
Beautifully groovy work from mid 60s France – all by a singer who's every bit as great as France Gall, Francoise Hardy, or other French greats of the time – but not nearly as well known! This cool collection should correct that fact, as it finally gives worldwide exposure to this ... LP, Vinyl record album
Ace (UK), Late 60s. New Copy Gatefold
Groovy gals from 60s France – a power-packed array of Parisian pop nuggets that goes way beyond most other compilations of this nature! Some of the big names are here, but there's way more obscure numbers too – the cool kind of French femmes that made a bit splash during the "yeh ... LP, Vinyl record album
17 North Parade, Mid 70s. New Copy
Classic productions from the legendary Augustus "Gussie" Clarke – all work recorded at Channel One and King Tubby's – and done in this laidback, soulful groove that's completely sublime! The music here never goes too far over the top – just sweet and subtle rhythms that ... LP, Vinyl record album
Born Bad (France), Late 60s. New Copy
Fab French grooves from the end of the 60s – funky, trippy, and a whole lot more – and a set that goes way beyond the sorts of familiar French tracks you'll know from your local coffee shop or bistro! Instead, these tunes really dig deep – very obscure work by artists who were ... LP, Vinyl record album
 



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