This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Japanese pianist Yosuke Yamashita cut some fantastic work in Tokyo with his trio during the 70s – but he shines equally brightly here on a German session from the decade, but in a completely different way – given that the whole record just features duets with bassist Adelhard Rodinger! ... CD
A wonderful setting for the guitar of John Scofield – one that really brings out all the rich chromes of his early work on the instrument! The group's a trio – with Adam Nussbaum on drums and Steve Swallow on bass – and in a way, there's a vibe here that reminds us of some of the ... CD
Kid Ory on trombone, Bob McCracken, George Probert, Joe Darensbourg, and Phil Gomez on clarinet, Alvin Alcorn, Rico Valesti, and Teddy Buckner on trumpet, Don Ewell and Harvey Brooks on piano, Ed Garland on bass, and Minor "Ram" Hall on drums. CD
A rock-solid swinger from tenorist Warne Marsh – a set that's maybe got a bit more of a groove than some of his other records of late vintage – thanks to work from the rhythm section of Kenny Drew on piano, Bo Stief on bass, and Aage Tanggaard on drums! Steif's especially nice – ... CD
Karsten Vogel steps out here as more of a multi-instrumentalist than we might have guessed – still playing tenor, alto, and soprano sax on much of the record – but also adding in some keyboards, violin, and rhythm programs too! In fact, it's those programs that shape the sound more ... CD
Smooth later work from Lonnie Smith – but still pretty darn great, with a feel that's in the late 70s Kudu/CTI mode! Arrangements are bigger than ever before – with large backings arranged by Lonnie, and some vocals that have a really wonderful, warm, Stevie Wonder-esque quality to ... CD
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... CD
The extremely successful union of two of Atlantic's biggest funky jazz stars, caught live in Switzerland, with the amazing Benny Bailey sitting in on trumpet. The tracks are long and funky, and are virtually a blueprint for pop soul jazz playing of the time – mixing slinky rhythms with some ... CD
A crackling date from Jackie McLean – a set that's much more hardbop than some of his other Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone from McLean' ... CD
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", " ... CD
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the ... CD