Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Lucky Man (3LP set)

LP (Item 980390) BBE (UK), 2021 — Condition: New Copy
3LP Gatefold
List Price: 54.99
Also available
Billy Bang — Lucky Man ... CD 24.99

One of the most compelling albums in years from Billy Bang – and that's really saying a lot, given how much compelling music he's recorded! The set is put together in conjunction with a fascinating documentary on Bang's life, music, and time spent fighting in Vietnam – an experience that stayed with him for decades, scarred him, and which here has become a way of reaching back into the past, into the culture, as a way to find some sort of personal healing! The result is fantastic – as Bang's amazing work on violin comes in contact with a variety of Vietnamese artists – including Tran Manh Tuan on tenor, Duc Dau of the Phu Dong Family Band, and even the larger Hanoi Symphony Orchestra – all different musical partners who really help Billy expand his sound and resolve some of his decades-old conflicts – presented alongside some spoken passages from the film that are very striking, and a few solo numbers too. Titles include "Mystery Of The Mekong", "Song For Don Cherry", "New Saigon Phunk", "Jungle Lullaby", "Dan Da Traditional Lithophone", and "Moments For The Kiamia".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Carl Smith & The Natural Gas Company

Burnin
Match Box/BBE (UK), 1980. New Copy 2LP Gatefold (reissue)
That's a very homey looking cover on the record, and the album's got a nicely down to earth vibe too – a mix of funky jazz and soul from a little known group from the Oregon scene! Carl's group here mixes acoustic horns with electric elements in the rhythms – and opens up plenty to ... LP, Vinyl record album
Da Mon/BBE (UK), 1982. New Copy 2LP Gatefold (reissue)
A really beautiful record from the Ambiance ensemble – a group led by reedman Daoud Abubakar Balewa – a musician with the same underground prominence as Plunky Nakabinde and Idris Ackamoor during the same generation! Like both of those artists, Daoud has a way of moving effortlessly ... LP, Vinyl record album

Larry Rose Band

Jupiter Effect
Crossroad/BBE (UK), 1978. New Copy (reissue)
Larry Rose plays some mighty sweet keyboards on this late 70s set – electric piano, organ, and other keys as well – and also sings a fair bit on the record, in this great blend of jazz, soul, and some tighter modes of the time! The approach is maybe a bit in the territory of jazzy soul ... LP, Vinyl record album

Makoto Terashita & Harold Land

Topology (2 x 45rpm pressing)
Aketa's Disk/BBE (UK), 1984. New Copy 2LP Gatefold (reissue)
A really fantastic album from tenorist Harold Land – a very rare Japanese set that may well blow away even his best albums of the 70s! The record features pianist Makoto Tarashita in the lead – a strongly spiritual player with a nicely modal sensibility – spun out over long ... LP, Vinyl record album

David Wertman Sun Ensemble

Earthly Delights
Sweet Earth/BBE (UK), 1978. New Copy 2LP Gatefold (reissue)
A classic of 70s avant spiritual jazz – issued on the tiny Sweet Earth label, which was also home to some very special records from Sun Ra and Marion Brown! Bassist David Wertman is a lot more obscure than those bigger names, but he was part of the New York loft jazz scene in those crucial ... LP, Vinyl record album
Corbett vs. Dempsey, 2014. New Copy
The legendary Joe McPhee works here with two more obscure improvisers – Jen Clare Paulson on viola and Brian Labycz on electronics – both musicians who open Joe up to that never-ending stream of inspiration that's made his music so wonderful over the years! McPhee plays pocket cornet ... LP, Vinyl record album
Enja/Solid (Japan), 1984. New Copy (reissue)
Drummer Takeo Moriyama is best known to our ears as one of the key forces in the trio of pianist Yosuke Yamashita in the 70s – and he definitely continues that strong legacy here, but with a vibrant voice that's all his own! The session is maybe more pitched towards the spiritual side of the ... LP, Vinyl record album
Enja/Ultra Vybe (Japan), 1974. New Copy (reissue)
Mindblowing trio work from Japanese pianist Yosuke Yamashita – in a group that's equally noteworthy for its incredible reed performances from the mighty Akira Sakata! The pairing of Sakata and Yamashita was one of the greatest things in Japanese jazz in the 70s, and certainly one of that ... LP, Vinyl record album

Yoshisaburo Sabu Toyozumi

Water Weed (2021 Record Store Day Release)
Trio/Solid (Japan), 1975. New Copy (reissue)
Two long, beautiful improvisations from a trio led by percussionist Yoshisaburo "Sabu" Toyozumi – and balanced wonderfully with reeds from Mototeru Takagi and bass from Takashi Tokuhiro! The music is very careful and quiet at the start, as each player finds these small, almost ... LP, Vinyl record album
Modern Silence (Italy), 1963. New Copy (reissue)
Some of the earliest music ever from groundbreaking French pianist Jef Gilson – and proof that right at the start, he was already in a unique space that was all his own! Gilson was a real standout in the European postwar scene – and he was one of the first in the 60s to really try to ... LP, Vinyl record album
Trio/Ultra Vybe (Japan), 1974. New Copy
Percussionist Yoshisaburo Toyozumi – aka Sabu – heads up a brilliant set of creative jazz based on compositions by the Art Ensemble Of Chicago – in a record that's clearly titled with a nod to the musical achievements of the AACM! The album's three long tracks are all AEC ... LP, Vinyl record album

Alan Braufman

Valley Of Search
India Navigation/Valley Of Search, 1975. New Copy (reissue)
One of the only albums ever issued by New York reedman Alan Braufman – a player who works here in a setting that really captures the best energy of the loft jazz scene in the 70s – at a time when Braufman was part of a musicians collective on Canal Street that also included David S Ware! ... LP, Vinyl record album
 



⇑ Top